Wine Review: Finca La Linda Malbec Tiers

26 07 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

In some ways, trendy grapes have it tough.  Malbec has a proud and lengthy heritage as one of the six permitted grapes in red Bordeaux (yes, I’m still counting Carmenere, and shall ever continue to do so) and as the dauntingly famous Black Wine of Cahors, and it is almost single-handedly responsible for giving an entire country a vinous identity that has led to the rediscovery and cultivation of astonishingly high-altitude decades-old vineyards and a re-imagination of what grapes are capable of achieving in Argentina.  It is both an Old World stalwart and a New World trailblazer, pulling off both with equal aplomb and giving itself new life in the process.  But with raging-wildfire levels of success comes an inevitable fight against consumer boredom, particularly amongst the more avant-garde and adventurous in the wine world, which creates a sort of quiet undercurrent of peer pressure to steer clear of what is currently painfully a la mode.

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Great labels, but why is one bottle a third taller than the other??

I feel this way quite a bit, pulled away from the customer staple of the day in part because of my own desire to see what else is out there, but in part because of some innate resistance that I see amongst other wine geeks, some refusal to go along with what is everywhere.  So it was with Australian Shiraz; so it is with Argentinian Malbec; so it will be with whatever comes next.  I don’t really have a hard stance on this, but I have recently tried to make sure that my efforts at open-mindedness in wine extend equally to those grapes and styles that are suddenly ubiquitous as to those that remain esoteric.  I have also tried hard to remember that I once relied very heavily on the Shiraz-laden fads of the day as a gateway that set wine’s hooks into me for the first time, and I enjoyed the living hell out of them.  Fifteen years later, I have a WSET Advanced certification and have been publishing reviews on a wine blog for seven years.  Trends can lead somewhere.  So let’s start somewhere. Read the rest of this entry »

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Wine Review: White Australia

19 07 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

Sometimes your moneymaker becomes your millstone.  Australia, which had been making wine for a couple centuries without raising much of a global fuss about it, burst onto international liquor store shelf traffic jam within the past two or three decades thanks to a flamboyant, fruity, brash, ripe style of Shiraz, buttressed by a New World-friendly Cabernet Sauvignon that was easy on the pocketbook.  A mammoth export industry emerged, but typecasting of Australian wine as a whole inevitably followed, leaving those longstanding producers with histories older than the Dominion of Canada stuck in their own misleading shadow.

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Now the Shiraz spotlight has pulled back a bit, giving everyone a bit of room to breathe and again find comfort in the space of their own natural identities; for longstanding affiliates Pewsey Vale and Yalumba, this has meant a continued push to enhance the white side of Australia’s wine spectrum, and perhaps the sowing of a few carefully nurtured seeds which might ultimately settle the debate of what should be known as Australia’s signature white grape.  Two deserving contestants, from two benchmark wineries, lie below. Read the rest of this entry »





Wine Review: Tom Gore Vineyards, A Tale of Two Sauvignons

14 07 2018

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]IMG_1713

Cabernet Sauvignon remains the most widely grown quality wine grape in the world, so it is perhaps appropriate that in at least one regard, “Cab” started me off on the path to becoming a serious scholar of wine.  I had previously acquired a taste for certain Canadian Gewurtztraminers, spellbound by how a grape could smell and taste so exotic, although hard-won experience has taught me that many such wines recall one of those chemically augmented gym nuts who can flip a giant tire from a mining truck once or twice, only to catastrophically gas out immediately thereafter: initially powerful but ultimately quite flabby.  Rather wary of this focus, I then snagged a few wine books from a local book sale, thinking that this subject’s unique combination of history, geography, botany, technology, and gustatory delight would give my brain something new and compelling over which to obsess. I noticed right away that in these sundry tomes, blackcurrant or cassis was an aroma descriptor frequently associated with Cab. As someone who adores this particular flavour, I did further research. Not just cassis, but cedar, “cigar box” (I’ve always been intrigued by this one), blackberry, even vanilla and cola and chocolate cake. Wine smells like these things?! I was officially hooked, all this before even seriously tasting a Cab.

Once the actual drinking started in earnest, I rapidly encountered one of Cab’s parents: Sauvignon Blanc. My dad ordered a New Zealand example one nice evening in a Calgary steakhouse, as an aperitif, telling my mother:  “It’s one of those really grapefruity ones you like.” Grapefruit, you say? A cursory look at a tasting wheel for Sauvignon Blanc ultimately reveals a whole litany of “green” aromas, with these ultimately outnumbering the also prominent citrus and sometimes tropical fruits. There are classics like grass, gooseberry, and green bell pepper, along with rather more esoteric takes such as matcha, lemon grass, apple blossom, or even “cat pee”. Maybe we should stick with grapefruit or “tomato leaf”. Go crush and sniff a tomato leaf… You’ll probably get at least an inkling of pipi du chat, if nothing else in the form of a vague association with “funky” or “rank”. Some claim that this character, driven by organic compounds called thiols, is in fact a fault due to vineyard overproduction. Maybe so, although I experience cheap Sauvignon Blanc as something more akin to dilute lemonade in which a few broken fluorescent bulb filaments have been macerated, largely devoid of character across the board. A quick spray of thiols would often do this stuff a favour.

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From http://socialvignerons.com/2015/12/10/infographics-guide-to-sauvignon-blanc-wine-grape-variety/.  This thing is comprehensive and rather fascinating…and there it is, cat pee, complete with schematic depiction.

So in addition to capturing aromas that I find pleasant (maybe at this point forget I mentioned cat pee), Cabernet Sauvignon and Sauvignon Blanc are both associated with formative memories in my quest to experience as much of the wine world as possible. Fitting then that I drew this assignment to review these two varietal bottlings, which interestingly enough hail from the first California wine label named after a grape grower.

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Wine Review: Officially Summer Trio

9 07 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

IMG_8409Sometimes you have to force seasonal drinking posts, and other times the season and the drinks just fall right into your lap.  Stampede is here in Calgary, the thermometer has just recently clocked over 30C, and we’re well-ensconced into July, which turns my sample pile ponderings to thoughts of whatever I can chill for refreshment most effectively.  After landing on an ideal trio of bottles that achieved that lofty goal, I noticed something odd that bound them together:  they have all at one time or another previously graced the pages of Pop & Pour.  Even though the blog is now 7½ years old and counting, that basically never happens.  Sometimes summer is just meant to be.  Game on.

2016 Ricasoli Albia Bianco Toscano (~$20)

I believe this is the second ever time that an identical bottle will get two separate reviews on PnP:  when Ray had the pleasure of meeting Tuscan winemaker Francesco Ricasoli at a tasting luncheon back in February, this 2016 Albia Bianco was the first bottle they cracked.  If you want a detailed backstory on Francesco, the Ricasoli estate and the family’s critical contributions to Chianti Classico as we now know it, click the link above for the whole enthralling narrative.  While I don’t have a five-course meal to pair with tonight’s wines, I do have both this Albia Bianco and its sibling the Albia Rose on the menu, both scions of Barone Ricasoli’s “fresh and fragrant” early-drinking Albia label.  Both come in gorgeous, hefty, gourd-like bottles that you first admire for making this $20 wine look like it costs double that amount, but then curse effusively once you realize the heavy-punted broad base is about a millimetre away from not fitting at all in any standard wine racking.  Suffice to say the labels suffered some mild to medium collateral damage as I reamed the bottles into place with every ounce of strength I had. Read the rest of this entry »





Wine Review: 2014 Schlossgut Ebringen Spätburgunder Trocken

4 07 2018

By Peter Vetsch

[This bottle was provided as a sample for review purposes.]

Ever since I first got into wine about a decade ago, I have come across the eternal, nigh-unsolvable question many times:  where can you look for consistent, top-quality, good-value Burgundy?  Well, I have finally solved the riddle — turns out it’s been in Germany all along.

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Mesmerizing.  Germany, wow.

It might not be in France, and it might have just broken my heart in the World Cup, but Germany has been quietly elevating its Pinot Noir bona fides.  This fickle and finicky red grape is known here as Spätburgunder (literally, “late Pinot”, or “late Burgundy”, due to its relatively late-ripening tendencies) and is in the process of taking the next step in Germany’s warmer climes, aided imperceptibly by climate change and to a larger degree by greater clonal awareness and vineyard attention.  But it is not every country that can suddenly become a Pinot success story; Germany’s natural advantages (including patches of Burgundian-style limestone soil) are finally being properly cultivated, and almost as importantly, shared with the world.

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I don’t think I had ever seen a wine from Germany’s Baden region on an Alberta retail shelf until 2018, and after a taste of what Schlossgut Ebringen can do with possibly the hardest grape of all to do well (and don’t even get me started on their utterly mind-bending Chasselas “S”, which belongs in another dimension), it makes me wonder what has taken us so long to get on board.  A quick primer for the uninitiated:  Baden is in the extreme southwest corner of Germany, just a stone’s throw and a border crossing away from Alsace, due west from Munich until you almost hit France.  It is closer to Zurich, Switzerland than any major German city.  Baden is built like Chile, in a long narrow north-south stripe, within which lies 9 surprisingly different subregions.  Pinot Noir/Spätburgunder is the most commonly planted grape (at around 35% of all plantings), though on the whole white grapes outnumber reds 60/40.  In the south of Baden, just south of the famous Baden-Baden spas, lies the top subregion of Markgräflerland, known largely for Chasselas (locally known as “Gutadel” just to add more proper nouns to your life) but also a burgeoning Pinot power.  Baden’s other top attraction, the Black Forest (Schwarzwald), lies to the east, and in its foothills lies the village of Ebringen and the hero of tonight’s story. Read the rest of this entry »





Calgary Wine Life: Domaine Chandon Sparkling Wine Dinner @ Elwood and the Rabbit

13 04 2018

By Dan Steeves

Chandon is a name that instantly makes me think of the luxurious Champagnes from the famous (and largest) Champagne house Moët & Chandon, but its North American offspring Domaine Chandon is not just a clone of its majestic parent company.  It has a vision to be different and create its own legacy by providing a pure expression of what California is all about, while at the same time maintaining the quality that is inherent in its French pedigree.

When Domaine Chandon was established in the Napa Valley in 1973 it was not the first international venture for Moët & Chandon (Chandon Argentina was established first in 1959, and California was succeeded by Brazil in 1973, Australia in 1986, China in 2013, and most recently India in 2014) but it was the first French-owned sparkling wine venture into the US, which now hosts operations from many of the large Champagne houses. Moët & Chandon recognized the potential of the area for sparkling wine production, especially Carneros, which at the time was seen as too cold and infertile to grow grapes (coming from Champagne, they knew it’d be perfect). Moët & Chandon purchased 400 acres of Carneros vineyard land for mere pennies on the dollar in today’s market. It was a humble California beginning for the M & C Winery on March 26, 1973, whose official address was John Wright’s garage, but within a few years the current winery facility was built and opened to the public and the house’s name was officially changed to Domaine Chandon. The 45th anniversary of Domaine Chandon just passed a few weeks ago with the winery holding firm as a longstanding powerhouse in Napa Valley, seeing over 200,000 visitors a year and likely holding the honour of being the largest producer of traditional method sparkling wine in the US.

The line up of Domaine Chandon California wines available in Alberta –  Blanc de Noirs, Brut, and Rosé

Having visited the Moët & Chandon mothership in Épernay (the heart of Champagne) a couple years ago and being fan of all their Champagne wines, I was ecstatic at the opportunity to try the Chandon California wines alongside some delicious food from Bridgeland’s Elwood and the Rabbit. The dinner was hosted by Brian Fairleigh, the Brand and Wine Educator for Domaine Chandon, whose infectious passion for sparking wines is matched closely by a wealth of knowledge about every aspect of Domaine Chandon. Brian made it clear that comparing Moët & Chandon Champagne with Domaine Chandon is like comparing apples to oranges: the two are very different, although they share the same adherence to quality and excellence in the vineyard and cellars. Domaine Chandon aims to showcase the fun, vibrant, sunny California fruit flavours and builds wines that are accessible, enjoyable, and made for everyone to enjoy all year round. Many people only reserve sparkling wines for times of celebration, and although they are perfect for those times, they are equally as enjoyable for a casual sip with friends or an accompaniment to almost any meal. Brian was happy to show us some great pairings. Read the rest of this entry »





Calgary Wine Life: Taylor Fladgate 1968 Single Harvest Port Release

17 03 2018

By Raymond Lamontagne

Although I am deathly tired of the evil winter weather that simply will not give up the ghost in this city, I am more than happy to brave one more snowstorm (please, just one more?) in order to carry on the Pop and Pour tradition of covering the annual release of a Taylor Fladgate Single Harvest Port.  These bottles capitalize on Taylor Fladgate’s extensive back catalogue of aged Port stocks.  They are tawny Ports, meaning that they are aged in barrels for many years, exposed to oxygen and thereby mellowed into a resplendent golden brown. They are also Colheitas, or tawnies where all of the bottled grapes hail from a single vintage.  Taylor Fladgate eschews the term Colheita on these labels in favour of a more anglicized approach.  Regardless of the naming convention employed, Port connotes a sense of pageantry, giving off a regal vibe that this self-styled progressive enjoys basking in from time to time. I wander through the fine wooden décor of Calgary’s Ranchmen’s Club, past a litany of taxidermied game, following my nose into the tasting room where fragrant pourings have already sat for some time.

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Our host Cynthia Opsal, Brand Manager for The Fladgate Partnership for Pacific Wine & Spirits, leads us off with a video that features an interview with Alistair Robertson, principal shareholder in the Fladgate Partnership.  Robertson explains that terroir is fundamental to good Port.  According to Taylor Fladgate winemaker David Guimaraes, 12 different indigenous grape varieties are planted, with four providing the majority of production.  Some grapes such as the vogue Touriga Nacional provide tannic grip, while others such as Tinta Barroca provide more color and sugar content.  Robertson explains that a day of work on the estate involves eight hours of picking grapes, followed by four hours of foot treading in the case of high quality bottlings.  Production of all Port involves adding grape spirit to stop fermentation just before its midpoint, which at Taylor Fladgate occurs around three days into the fermentation process, when about 5-6% alcohol has been produced.  Enough spirit is added to bring the alcohol up to around 20% (which in turn kills off any remaining yeast).  David Guimaraes has stated that a recent trend toward use of more clean and pure spirits means that vintage Ports are approachable sooner, with more fruity expression.  This latter point seems particularly relevant, as this year we get a welcome break from tradition:  instead of the preliminary offering of blended tawny ports that were tasted in prior Release years, we get to sample three 2015 vintage Ports — Single-Quinta vintages, that is.

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