Southern Rhone Unknown: Welcome To The Luberon, Part II

6 10 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

A common tactic you’ll hear about value hunting in the world of wine is to take a highly exalted and pedigreed region whose wines always sell at a premium — and then see what grows next door, which is quite often similar grapes in similar (albeit never identical) conditions, for a fraction of the price. So if you like Chateauneuf-du-Pape, you should check out Gigondas and Vacqueyras just to the east, which produce reasonable facsimiles of the region’s top dog (absent religious uprisings) without breaking the bank. Of course, when too many people start to follow this advice, the region next door starts to gain its own cachet, and its own prices start to increase, leading value hunters to look even further afield. In part, the Luberon is the region next door the region next door (Ventoux) the region next door (Gigondas / Vacqueyras) the region next door (Chateauneuf), one of the last untouched frontiers of the Southern Rhone on the global export market. However, it is equally a lesser-known mirror of the name region on its other side: Provence. This helps explain its focus on rose, as Ray noted in his introductory post on the area, as well as the need to separate it slightly from its Rhone Valley neighbours.

After a 35+ year wait, the Luberon was established as a formal wine region in 1988, although winemaking has existed in the area for two millennia. It was initially known as the Cotes du Luberon until changing its name to the much-snappier Luberon AOC in 2009. One thing it seems to have in common with both the Southern Rhone and Provence is an affinity for blending: ONLY blended wines are permitted to hold the formal Luberon AOC classification, with any single-varietal offerings forced to bear the inferior IGP Vaucluse designation. The specific blending rules are labyrinthine to the point of being exhausting. For reds, the primary red grapes of the region, Grenache and Syrah, must collectively make up at least 60% of any blend, with Syrah accounting for at least 20%. Other permitted grapes in the red blend include Cinsault (20% or less allowed), Carignan (20% or less), Marselan (10% or less), white grapes (! – 10% or less), Mourvedre and Counoise. Rose rules mirror the red blending rules but allow up to 20% of white grapes to be used. For whites, Ugni Blanc can make up no more than 50% of the blend and can be paired up with Roussanne/Marsanne (20% or less), Viognier (10% or less), Clairette, Bourboulenc, Vermentino and Grenache Blanc. The people who care enough about the tradition and the legacy of the Luberon to comply with these blending rules clearly deserve to have their stories told.

La Cavale fits into that category. Founded in 1986 by successful businessman-turned-senator Paul Dubrule, the estate sits within a UNESCO-protected Regional Natural Park, and is currently reflecting the hallowed designation placed on its lands by auditing its soils and converting to fully organic viticulture. Over the last decade, famed Rhone winemaker Alain Graillot has taken on a consulting advisory role at the winery to enhance the end product, and La Cavale has designed and constructed a massive no-expense-spared facility to plant its flag as the centre of wine tourism in the Luberon. Dubrule’s goal is clearly to embed the Luberon permanently in the global wine consciousness, but for this to succeed, the wine itself has to speak the truth of the region. Let’s see if it does.

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Bricks Wine Advent Calendar 2017: Day 7

7 12 2017

In the first sign of undeniable Advent progress, we have finished the first six-pack column of the Bricks Wine Advent Calendar crate and are heading into the second.  Hard to believe that Advent is already 25% over, apart from living 12 posts from 4 different people over the last 6 days and thinking about repeating that pattern 3 more times.  The folks who compiled this calendar obviously have a love of the classics, as the first week of half-bottles, apart from the inaugural Canadian-sparkling-Gamay curveball and the glorious interlude into Austrian Gruner on Day 3, has been like reading the chapter titles of a Top Wines of the World textbook:  Brunello, Beaujolais Cru, Marlborough Sauvignon Blanc, Burgundy.  And if you look for the regional chapter title for pink wine, you will probably end up in Provence.  And if you end up in Provence, there is a greater likelihood you will find this wine than any other.

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Whispering Angel is a behemoth.  The Chateau d’Esclans estate was struggling when Bordelais Sacha Lichine bought it in 2006, inheriting vineyards in disrepair but featuring 80-90 year-old Grenache vines and a production with no market presence.  Lichine, looking out on the sunny French Riviera from his estate, identified a gap in the market:  heavy, sweeter white-Zinfandel-style rosé could not quench your beachfront thirst on a scorching day.  He conceived of rosé as a serious wine, made clean and light and dry, meant to disappear at resorts and in backyards with the drinkers scarcely noticing, pausing only to reach for the next bottle.  Whispering Angel, released the following vintage, went from 13,000 cases to over 375,000 cases of production within a decade.  If you’re counting at home, that’s 4.6 MILLION BOTTLES of the current 2016 vintage, sourced from a full 500 hectares of grapes from d’Esclans estate fruit as well as a swath of neighbouring vineyards.  To understand just how much of a thing it now is, you can now buy Whispering Angel gummy bears…that is, you could until they all sold out.

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Cork Rating:  5.5/10 (A perfectly cromulent cork.)

Whispering Angel has its formula down cold:  a blend of Grenache, Rolle (a.k.a. Vermentino – a white grape) and Cinsault, crushed and briefly macerated at very cool temperatures to prevent oxidation and preserve fresh flavours, fermented in stainless steel tanks and served icy cold, ideally on a yacht.  It succeeds, and continues to pull in critical acclaim despite becoming its own commercial empire, because the formula works:  it is both tremendously refreshing and carefully unobtrusive, thirst-quenching yet generally unmemorable.  It is a super pale farmed-salmon colour in the glass and delivers up citric aromas of lemon pulp, pink grapefruit and unripe peach, dusted with ginger and an herbal greenness like basil or chives and overlaid with a chalky minerality.  Its lithe, svelte body brings a splash of bracing freshness, like new snow, and ghostly notes of strawberry, tangerine, copper and lemon-lime, finishing tart thanks to straight lines of potent acidity.  It executes its mission to perfection and has spawned a thousand imitators, but for me the rosé category has lost a bit of its sense of interest as a result.

89- points

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