Wine Review: Stag’s Hollow Fall Reds

18 10 2017

[These bottles were provided as samples for review purposes.]

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If this is where we are in the Okanagan, we’re in good hands.

What’s this?  Two reviews in the span of three days??  Is this inspiration or panic?  Turns out it’s a little of both.  For reasons that will shortly become clear, the next couple of months are going to be content-intense here at Pop & Pour HQ (aka my kitchen table), which has me geared up and focused on my current inventory of samples to make sure everything gets its full and proper due.  But I’ve also had a lingering eye on these particular wines ever since they landed on my doorstep, as they represent the latest missive in a wonderful conversation I’ve been having over the past months and years with one of the most intrepid, curiosity-filled, quality-focused wineries in the Okanagan Valley, Stag’s Hollow.  Over the summer I looked in on the white and pink side of their portfolio, but now that my trees no longer have leaves, the time has come to fully commit to autumn, and tonight’s trio of reds has me in the mood to cast off thoughts of T-shirts and shorts and embrace my favourite season.  This lineup features an Okanagan stalwart, only rarely done justice; an utter Okanagan rarity, borne of winemaker Dwight Sick’s unabashed intention to push viticultural limits in the region; and a burgeoning Okanagan star that will hopefully soon get the attention and acreage it deserves.  Pinot Noir, Grenache (!), Syrah. Read the rest of this entry »

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Wine Review: 2012 Torres Mas La Plana

16 10 2017

[This bottle was provided as a sample for review purposes.]

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Cabernet royalty.

It’s Calgary municipal election night, so my plan was to put off this review until tomorrow.  Then I sat here for 10 minutes biting my fingernails and hitting “refresh” on the election results page on my phone every 60 seconds and realized that (1) the next four years of my civic life weren’t about to reveal themselves anytime soon and (2) I could use some guaranteed good news tonight regardless of political outcome.  And nothing screams “guaranteed good news” like the flagship wine of Miguel Torres, the most consistent larger-production winery I know.

If you have a photographic memory of this blog, you may remember that I have told the story of Mas La Plana once before; if you don’t, you can take solace in the fact that I almost didn’t remember this fact myself.  Nothing about this wine is quite as expected.  It is 100% Cabernet Sauvignon from Penedes, the heartland of Cava in eastern Spain near Barcelona, an area not remotely known for big red wines but blessed with numerous altitudes and microclimates that allow for pockets of warmth and create opportunity for special sites like the one that birthed this bottle.  It hails from a 29-hectare single vineyard planted before I was born, from Cab vines introduced to Spanish soil between 1964 and 1979 based on cuttings from numerous prior homes, including 1st Growth Bordeaux chateaux.  It looks strangely at home in a Burgundy bottle, unlike any other Cabernet Sauvignon I have seen on a shelf.

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Penedes was the first region in Spain to start using modern winemaking techniques like stainless steel temperature-controlled fermentation, and Torres uses them to great effect here to create a bottle that seamlessly communicates Spain’s history and potential to a global wine world, that imbues the Earth’s most ubiquitously successful commercial grape with the essence of the Torres family’s heartland.  Mas La Plana tells a story that was heard almost immediately, as the wine’s inaugural 1970 vintage beat out Chateau Latour and numerous other luminaries in the Cabernet category of French magazine Gault-Millau‘s 1979 Wine Olympics (which weirdly was the exact same competition that put Oregon Pinot Noir on the world map thanks to Eyrie Vineyards’ stellar showing against the best of Burgundy).  Yet it still retains its humble family roots:  its neck foil reads “Vinetum Paganicus”, a term sometimes used to designate top wines but which to the best of my meagre Latin translation ability appears to simply mean “vineyard of a village”. Read the rest of this entry »





Wine Review: Calliope White Trio

3 10 2017

[These bottles were provided as samples for review purposes.]

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Pop and pour power.

There are a few ways to measure how far British Columbia has come as a wine industry in the past 10-15 years, during which time for my money the jump in quality, understanding and identity has been close to exponential.  Here’s one way:  15 years ago, I don’t think you could have convinced me that a BC winery’s SECOND label could produce a suite of balanced, expressive and generally delightful wines worth seeking out.  In 2017, Burrowing Owl (or, more accurately, Wyse Family Wines, founders of Burrowing Owl) have managed that exact feat with the 2016 releases of their Calliope label, a lineup of wines that according to the accompanying campaign literature is meant for easy and early enjoyment; a true pop and pour.  Sourcing grapes from both the Okanagan and Similkameen Valleys, the Wyse family focuses mostly on whites for Calliope, creating (at times) multi-regional blends under the general “British Columbia” appellation, yet still under the BC VQA banner.  These are marketed as easy-drinking patio wines, meant for drinking rather than dissecting…but since we’re all here, let’s dissect them anyway.

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Stelvin Rating:  8/10 (See what you can do if you apply yourself to screwcaps?  Dead sexy.)

I was provided three different single-varietal examples of Calliope’s white regime:  Sauvignon Blanc, Riesling and Viognier.  When I’m drinking single-grape wines on the lower end of the price spectrum (these bottles probably straddle the $20 mark Alberta retail), the first thing I look for, even before balance of component elements or general deliciousness, is typicity.  In non-wino speak:  if the wine is a Sauvignon Blanc, does it smell like a Sauvignon Blanc?  Does it taste like a Sauvignon Blanc?  Does it help people understand what Sauvignon Blanc is all about, and does it then go the next step and show people what Sauvignon Blanc from its particular home region is all about?  Varietal wines that do this exhibit strong typicity, and as such become extraordinarily helpful barometers for both learning about wine and understanding your own preferences.  If these 2016 Calliopes have any major strength, it is dialled-in typicity:  they are clear and precise examples of what’s in the bottle and what comes out of the ground. Read the rest of this entry »





Cellar Direct: Summer Vibes, Part 3

7 09 2017

[These bottles were provided as samples for review purposes.]

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So different, yet so marvellous.

Well, the leaves in my backyard are starting to turn yellow and fall, and my kids just started a new year of school, so it’s probably a good time to wrap up my multi-part summer saga featuring the always-impressive old school wines of Cellar Direct, an online purveyor of European treasures that it offers up to a list of eager email subscribers and then ships nationwide when weather permits.  I recently had the chance to meet Ron van Schilt, one of the founders and owners of the business and the man in charge of sourcing all of the wines offered up across Canada, and his love and passion for his producers and their creations is physically palpable in every word he speaks.  Serious Wines all, and wondrous finds.

Cellar Direct sent me a six-pack sampler of their prior 2017 offerings at the start of the summer that I have been devouring in twos over the past couple months; to see how Wines #1, 2, 3 and 4 showed, click here then here for the recap (hint:  well, well, well and well).  Time to see if the last duo of bottles follow suit.  Like everything else in this offer set, they hailed from France and were the product of hand-worked soils and low-intervention winemaking, but they had basically nothing else in common.  I started off with a familiar face, and a blast from the past. Read the rest of this entry »





Calgary Wine Life: Catena Virtual Tasting with Laura Catena

26 08 2017

Laura Catena is my wine hero.  Her list of credentials reads as if it must have been accomplished by at least two people over the course of long, full lives:  fourth-generation winery owner, global Argentinian wine ambassador, Harvard magna cum laude, Stanford medical school grad, San Francisco emergency room and pediatric emergency doctor, multilingual published author, viticultural researcher and innovator.  And these parallel tracks of success are not a story of a mid-life career switch; she has been excelling in one of the most challenging careers in medicine and continuing her family’s proud wine legacy simultaneously, on two different continents, since she was in her early 20s.  As I have a hard time juggling more normal professional work demands and writing a weekly wine blog in the same city, I hold Dr. Catena in some degree of awe, as an example of what purpose and passion truly can accomplish in a single lifespan.

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Argentina has long been highly ranked on global lists of national wine consumption, made up as it is of a high percentage of European immigrants and their descendants, who brought with them an imbued wine culture and the know-how to introduce vines and winemaking practices to their new home.  One such voyager was Nicola Catena, Laura’s great-grandfather, who came to Argentina from Italy in 1902, at age 18, and planted his first vineyard, which became the origin of Bodega Catena Zapata.  However, it was Laura’s father Nicolas, two generations later, who brought the winery to the world’s attention and ended up bringing the whole country along with him.

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Nicolas travelled to California in the 1980s, shortly after the Judgment of Paris tasting in 1976, where Napa Valley Cabernet and Chardonnay were first thrust into the global spotlight after besting top Bordeaux and Burgundies in a surprising blind tasting that went viral.  He met up with Robert Mondavi, perhaps the man most insatiably driven to keep California’s star burning ever more brightly, and was inspired by the quality and ambition in this burgeoning rogue wine nation.  Convinced that Argentina could follow the same path to prominence and be the equal of California (not to mention France) in quality, Nicolas Catena returned home, sold the domestic-consumption table wine portion of the family winery, and zeroed in his focus on quality wines for export, aiming to “put Argentina on the map as a grand cru” for world wine.  He spent years studying climate patterns and geology and gradually came to realize that the most popular vineyard areas in Argentina at the time were mostly too warm for quality wine production.  He had two choices for cooler planting zones:  south, away from the Equator, or up, into the Andes.  He went up, and Argentina’s wine fates rose with him. Read the rest of this entry »





Wine Review: Buena Vista Social Club

16 08 2017

[These bottles were provided as samples for review purposes.]

If there was a Most Interesting Man In The World designation for the history of wine, Agoston Haraszthy would be a strong contender for the crown.  I had previously come across his name in a book about the pioneering contributors of the California wine industry and had assumed that he was one of many 19th-century immigrants from Europe to the United States who brought Old World wine knowledge and tradition with him to his new home and helped it propagate.  And he was.  But his tale was anything but rote.

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Haraszthy was born in Hungary to a noble family in 1812, later becoming known by the honorifics “Count” and “Colonel” even though he was technically neither.  He carved his own path throughout his life, stringing together a series of firsts that would be near-impossible to top in this day and age.  He was the first Hungarian to move and settle in the United States; the founder of the oldest village in Wisconsin (and the planter of some of the first grapevines there); the first town marshal and elected sheriff of San Diego; and the founder of the first commercial winery in California (more on that in a bit).  From the time he first arrived in the United States in 1840 to the time he left in 1868, he was at various times a mill owner, an author, a steamboat operator, a butcher, a member of the California State Assembly, and a gold refiner and assayer at the US Mint.

Read the rest of this entry »





Cellar Direct: Summer Vibes, Part 2

9 08 2017

[These bottles were provided as samples for review purposes.]

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There’s something to be said for obscurity.

Summer is the time of sequels, and when the original is good you look doubly forward to the reprise.  (I should know:  my wife and I watched Cars 3 on the weekend with my oldest and his mini-me brother.)  Last week we got a brief glimpse into what national wine club extraordinaire Cellar Direct has been offering up to its email arsenal of subscribers in 2017, but the hits don’t stop there, as I still have a quartet of temperature-control-shipped CD French gems to take out for a spin.  Bring on the encore.

If you missed the start of this ongoing review saga, click here to catch up on what Cellar Direct is all about (TL;DR:  they’re a weekly-offer Canadian e-merchant with an Old World network of connections bordering on the incredible and a passion for low-intervention hand-made wines).  The initial duo of offerings I tasted took us a little bit off the standard retail track, to Loire Valley Cabernet Franc and Cahors Malbec.  Tonight’s pair nearly gets us lost in the wilderness, starting with an obscure white Bordeaux from the lesser-known Entre-Deux-Mers and then dropping the compass and setting the map on fire with a wine made from 100% Fer Servadou grapes grown in the Marcillac region of southwest France.  I didn’t make up any of those words, and I can assure you that after trying the wine they reference, I won’t be forgetting them anytime soon. Read the rest of this entry »