Malbec Mayhem: Malbec World Day 2022

17 04 2022

By Peter Vetsch and Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

Everyone’s favourite proclaimed and grammatically questionable vinous holiday has returned: April 17th, 2022 marks the 11th annual Malbec World Day, which should almost certainly be “World Malbec Day” in its English formulation but officially is not. Unfortunately for this grandiose occasion, it happens to share the stage this year with an even bigger (and actually statutory) holiday whose date roves yearly with the lunar calendar. Happy Easter, everybody: if your Malbec attention span is absorbed somewhat by Mini Eggs and chocolate rabbits and faith-based celebrations, well, fair enough, but maybe crack some Argentinian flagships with your ham tonight anyway. Unlike Easter, whose shifting date is tied to the first full moon after vernal equinox for reasons entirely unknown, Malbec World Day is always on April 17th, because on that day in 1853, Argentina’s President ordered that new French vine cuttings be brought into the country, including the first Malbec vines to hit South America. Malbec World Day is thus heavily Argentina-focused, but then, for this moment at least, so is the grape.

Aside from killer marketing (seriously, check out the opening splash page on worldmalbecday.com), there are a few other reasons why Argentina has stumbled on something special with its rendition of this grape, all tied to the astoundingly unique geography of the region. The primary vine-growing region of Mendoza is in the foothills of the mighty Andes mountain range, placing it at some of the highest altitudes on Earth for viticulture, up to 11,000 feet above sea level. Due to this absurdly elevated positioning, vines see way more sunlight (there are no clouds when you’re above the clouds), enjoy frequent breezes off the mountains which help control pests, and experience massive temperature shifts between hot days and cold nights to preserve acid and extend grape hang time, which both maximizes and controls ripeness. The result is heaven for a big red that had previously struggled to find its place. We have a sextet of Argentina’s most famous export to help us celebrate this glorious holiday(s) in style. Which Malbec will take this year’s entry-level value wine crown this year?

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Bordelais Nouveau: Chateau Argadens

5 04 2022

[These bottles were provided as samples for review purposes.]

OK, these Bordeaux aren’t THAT new, but in a region that often measures time in centuries, a winery that is a scant two decades old counts as a fresh face. The wines (to my palate, anyway) also come across as efforts best explored while they are young and energetic, without the need to let them sit, mellow and expand as often seen in their counterparts. But it’s Bordeaux, so even the new wines from the new source are steeped in ancient history.

Maison Sichel is a lion of the mid-range Bordeaux scene, with an astonishing array of labels and brands under its expert umbrella. In 2002, it expanded its holdings by buying a property ringed with vineyards located in Entre-Deux-Mers, about 60 km south of the town of Bordeaux, and it harkened back to the site’s ancient origins to come up with a name. Argadens was the name of the noble family that first founded the estate back in the 13th century (NOW this sounds more like a true Bordeaux timeline), so the Sichel family decided to pay homage, and Chateau Argadens was born. They immediately made significant investments in all areas of the estate, from vineyard restructuring to planting adjustments to modernizing the winery facilities and constructing a brand new maturation cellar. The property produces a single red and a single white wine each year, released as a standalone label within the Sichel atmosphere. These are Chateau Argadens, bridging the old and the new in one of the world’s most historic regions.

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Flat Rock Cellars: An Ontario Boutique Pioneer

11 03 2022

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

I almost literally jumped at this opportunity to blog an Ontario winery. Although I’m a western boy born and raised, and therefore somewhat imbued with the trappings of a “friendly rivalry” with all things associated with the centre of the Canadian universe, I do have some roots in the province. Trips out to see my wonderful in-laws have solidified a curiosity around Ontario wines, if not a budding passion that has so far survived some edifying (if not exactly lovely) experiences with bargain-priced local bottlings made from hybrid grapes. Add in the fact that the Alberta market is saturated with wines from our climate-change-plagued neighbour to the west, and I’m always looking for something different from our home country’s wine scene. Enter Flat Rock Cellars, a technologically proficient yet philosophically irreverent winery nestled within the confines of Ontario’s Twenty Mile Bench.

The Twenty Mile Bench is one of ten sub-appellations of the greater Niagara Peninsula region, a large area so diverse as to defy ready generalizations apart from the climate-moderating effects of Lake Ontario. More than half of Ontario’s VQA wineries fall within this overarching boundary. Fortunately we can provide more focused and useful characterizations of the smaller sub-appellations, and the Twenty Mile Bench provides an illuminating example of what Ontario can do with cool climate varieties. The area is a complex checkerboard of small, moderately steep slopes at high overall elevation, which affords relatively long periods of sun exposure. Breezes off the lake serve to circulate warm air, extending daytime temperatures into the evening. This provides ideal ripening conditions for high-acid cool climate varieties.

The soils here are predominately clay with a liberal dose of limestone, with a solid capacity to retain moisture that can mitigate the worst effects of drought. These are excellent soils for stress-prone mature vines. Some accomplished sommeliers propose that deep clays can lend a pronounced fruitiness to the resulting wines, while limestone lends a razor edge of acidity. Although I am leery of such umbrella proclamations even as I enjoy digesting them, these broad brush strokes around terroir make me wonder about the potential for a glorious balance in well-made Twenty Mile Bench wines: structured and fresh yet fruity, precise and pixelated yet pleasurable. Flat Rock Cellars seems poised to deliver on such a promise.

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Amulet Wines: Fall 2021 Releases

1 11 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes]

One of the most anticipated sets of releases out of the Okanagan Valley for me every year are those of Amulet, winemaker Dwight Sick’s Rhone-fuelled collaboration with Dylan and Penelope Roche. Made at Roche’s winery near Penticton, from grapes sourced via Sick’s extensive network of prime vineyard sources (including Kiln House Vineyard, which is assuredly Canada’s most established Grenache site), the Amulet wines are always honest, complex and expressive, firmly demonstrating that Rhone varietals might be BC’s most exciting viticultural play right now. The most arresting part of the Amulet visual experience is the striking golden metal medallion painstakingly hand-glued to each bottle, a replica of an Elizabethan era talismanic coin showcasing St. Michael battling a dragon. Amulet’s recent set of releases breaks new ground in two different ways: not only do they feature a brand new Amulet wine, but also a second medallion, this one dragon-free, featuring a merchant ship at sea and an embossed inscription that translates to: “This is the Lord’s doing and it is marvellous.” It sure is. It took all my willpower not to peel it off the bottle so I could collect the whole set.

The Amulet wines are all crafted using minimal intervention in the cellar: indigenous yeast fermentation, no fining or filtering, and very low doses of SO2 at bottling. Production is microscopic and demand increasingly high, so much so that individual bottle limits had to be imposed on online orders in the Roche Wines shop. The new addition this year is a reserve-level Syrah that pushes its way into consideration as our country’s best rendition of the grape, cementing the vision and increasing confidence of this fledgling label. Bring on the medallions.

New medallion!
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Southern Rhone Unknown: Welcome To The Luberon, Part II

6 10 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

A common tactic you’ll hear about value hunting in the world of wine is to take a highly exalted and pedigreed region whose wines always sell at a premium — and then see what grows next door, which is quite often similar grapes in similar (albeit never identical) conditions, for a fraction of the price. So if you like Chateauneuf-du-Pape, you should check out Gigondas and Vacqueyras just to the east, which produce reasonable facsimiles of the region’s top dog (absent religious uprisings) without breaking the bank. Of course, when too many people start to follow this advice, the region next door starts to gain its own cachet, and its own prices start to increase, leading value hunters to look even further afield. In part, the Luberon is the region next door the region next door (Ventoux) the region next door (Gigondas / Vacqueyras) the region next door (Chateauneuf), one of the last untouched frontiers of the Southern Rhone on the global export market. However, it is equally a lesser-known mirror of the name region on its other side: Provence. This helps explain its focus on rose, as Ray noted in his introductory post on the area, as well as the need to separate it slightly from its Rhone Valley neighbours.

After a 35+ year wait, the Luberon was established as a formal wine region in 1988, although winemaking has existed in the area for two millennia. It was initially known as the Cotes du Luberon until changing its name to the much-snappier Luberon AOC in 2009. One thing it seems to have in common with both the Southern Rhone and Provence is an affinity for blending: ONLY blended wines are permitted to hold the formal Luberon AOC classification, with any single-varietal offerings forced to bear the inferior IGP Vaucluse designation. The specific blending rules are labyrinthine to the point of being exhausting. For reds, the primary red grapes of the region, Grenache and Syrah, must collectively make up at least 60% of any blend, with Syrah accounting for at least 20%. Other permitted grapes in the red blend include Cinsault (20% or less allowed), Carignan (20% or less), Marselan (10% or less), white grapes (! – 10% or less), Mourvedre and Counoise. Rose rules mirror the red blending rules but allow up to 20% of white grapes to be used. For whites, Ugni Blanc can make up no more than 50% of the blend and can be paired up with Roussanne/Marsanne (20% or less), Viognier (10% or less), Clairette, Bourboulenc, Vermentino and Grenache Blanc. The people who care enough about the tradition and the legacy of the Luberon to comply with these blending rules clearly deserve to have their stories told.

La Cavale fits into that category. Founded in 1986 by successful businessman-turned-senator Paul Dubrule, the estate sits within a UNESCO-protected Regional Natural Park, and is currently reflecting the hallowed designation placed on its lands by auditing its soils and converting to fully organic viticulture. Over the last decade, famed Rhone winemaker Alain Graillot has taken on a consulting advisory role at the winery to enhance the end product, and La Cavale has designed and constructed a massive no-expense-spared facility to plant its flag as the centre of wine tourism in the Luberon. Dubrule’s goal is clearly to embed the Luberon permanently in the global wine consciousness, but for this to succeed, the wine itself has to speak the truth of the region. Let’s see if it does.

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Revisiting the Classics: Joseph Drouhin Bourgogne

23 08 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

And we’re back. After a brief summer hiatus that involved winery visits, wildfires, new home purchases, way too much packing (with much more to come) and a tiny bit of unplugging from the electronic world, we are hitting the ground running for the impending fall season and have a number of posts lined up for the next few months. Many of them, including the one scheduled after this, focus their attention on uncharted waters: new regions, grapes and bottles, the next frontier of wine exploration. One of the most beautiful things about wine appreciation is that the horizon always stretches farther, and the universe of experience and education is for all practical purposes infinite, allowing for a continual push toward the novel and unexpected. That said, every so often there is value in checking back in with the benchmarks, those classic regions, producers or expressions that have become the North Stars for a particular varietal or style. When we weigh a new vinous experience, we subconsciously measure it against those comparators that first taught us what a given grape or appellation is all about, which can anchor our expectations of what it means to successfully execute concepts like Cabernet Sauvignon, or traditional-method bubbles, or Bordeaux. When the concepts and expectations are shifted to Pinot Noir, Chardonnay and Burgundy, one of the key benchmarks and measuring sticks is undoubtedly Joseph Drouhin.

Maison Joseph Drouhin was founded in Beaune in 1880 as a small negociant producer. Three generations later, it is a Burgundian lodestone, with property in nearly 90 different appellations in Burgundy strewn across 80 hectares located from Chablis in the north down to the Cote Chalonnaise in the south, all meticulously purchased over the years. Joseph Drouhin’s four grandchildren now run the estate, including head winemaker Veronique Drouhin-Boss, (who is also in charge of the winery’s excellent Willamette Valley venture Domaine Drouhin Oregon). Drouhin was one of the first producers in Burgundy to do away with chemical pesticides and revert to horse plowing and natural compost in the fields; now all of its estate vineyards are farmed organically and biodynamically. Their dense plantings, arranged to secure low and concentrated yields, hail from vine stocks grown in their own nursery so that the estate can retain full control over plant quality. While Drouhin’s single-vineyard expressions include some of the most rare and sought-after Crus in all of Burgundy, today we explore the baseline Bourgogne appellation wines which return Maison Joseph Drouhin to its negociant roots, using purchased fruit from longtime suppliers located all across Burgundy to craft a template for white and red Burgundy.

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Drink Chenin Day (Epilogue): South African Sampler, Part II – Wagnerians vs. Martians

29 06 2021

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

Although Drink Chenin Day is now in the rearview mirror for this year, our South African wine feature is but half complete. There is one more Chenin in the mix, but here South African cool climate “up and comer” Sauvignon Blanc gets its just due, along with a few classic red varietals and at least one oddball (if one can ever truly refer to the unobjectionable-to-a-fault Pinot Grigio as “odd”…I feel this grape might merit the designation in South Africa due to a relative lack of historical presence in the region, but I digress). As South African wine expert Tim James notes in his erudite treatment of the region’s history, various problems such as ongoing racially informed inequalities, a floundering economy, and viticultural hazards such as leafroll virus may “dim the brightness of the new world of South African wine, but do not obscure it”. When Apartheid finally came crashing down in 1994, the South African wine business almost immediately made rapid improvements as the international market opened up, and South African winemakers responded with a game of catch-up that has led to some intriguing results. South Africa morphed from a region notorious for overproduction of decidedly mediocre wines to one capable of showing the legitimate wine-growing potential of the land and climate through the lens of various international grape varieties, along with one (in)famous native cross, Pinotage. In short, South Africa did finally catch the terroir bug. Although this failed to spread quite as rapidly as the aforementioned vine virus, we now live in a world of South African wine where a farmer might sell his old vine Chenin Blanc grapes to a small-scale boutique producer who honours the health of the land just much as said farmer might, as opposed to a mammoth co-operative that ultimately consigns this vinous gold to an anonymously dilute identity death amongst the hoi polloi in a huge vat (a little more on huge vats later).

Nice couple of labels here … These capture everything that is old and new about Cape wine… or something.

My personal journey with the wines of South Africa began quite early into my obsession with this greatest of beverages, as I found myself immediately taken with the oft-repeated trope that South Africa naturally bridges the gap between the finessed restraint of the classic European wine regions and the opulent fruity hedonism of the New World. Far be it for me to either gainsay or corroborate what real experts have to say on this matter, but my own experience broadly affirms this notion. If the grapes are not excessively ripe, many Cape wines (particularly whites) display a fine acid structure and even a fresh minerality that cleaves nicely with Old World sensibilities, yet there is also a concurrent sun-kissed tropical vibe that you probably won’t mistake for Chablis…such wines are not austere. I also not infrequently get a distinctive herbal earthiness, for a lack of a better general descriptor, particularly in the reds. I am intrinsically drawn toward such stylistic middle grounds, because there are multiple layers on which to focus, and such wines can surprise when one is able to simultaneously experience elements that initially seem discordant (like, say, a fresh stony minerality that co-occurs with bright fruit). One has to be careful not to get too carried away, though. The present spread of wines range in price point from around $9 to almost $30. This is a set that will capture Cape wine in a much broader sense than a wine nerd like me might typically seek to experience. A further word or two on that if I may, which will explain the rather quaint title of this post.

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Drink Chenin Day: South African Sampler, Part I

18 06 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

As far as concocted wine holidays go, this one has a rather organic beginning. The first Drink Chenin Day, a global celebration of the wonderful and perennially underrated Chenin Blanc, was not self-created by a trade association or a PR firm, but was held in 2014 by a group of American sommeliers and winemakers. Their initiative was picked up by the Chenin Blanc Association of South Africa, which has turned the third Friday of every June into an industry-backed festival of all things Chenin. This year’s Drink Chenin theme for the big day on June 18th (this Friday) is “Chenin & Sushi”, which makes a whole lot of sense, particularly if your Chenin Blanc is in sparkling form — there’s nothing like the bready, yeasty notes of bottle-aged traditional method bubbles playing off the umami funk inherent in wasabi-tinged soy sauce and raw fish. Add in vinegar (in the rice) and citrus (in the wine, like you’d squeeze over fish in the first place) and you have something mesmerizing. I am on board with wine holiday theme years, and hope to see this trend continued by the next grape on the Hallmark docket. World Lambrusco Day is June 21st…maybe steer clear of the sushi for that one.

Photo Credit: chenin.co.za.

True story: one of the first “name” wines that I ever bought when I first started studying wine was a Chenin Blanc. I bought a book that discussed the major wine grapes of the world and listed a pinnacle producer or two for each of them. I took an interest to the Chenin Blanc entry, which described the varietal’s generous texture yet incisive acidity, and summoned up my bravery to enter the closest true wine shop to my home at the time (Calgary’s incredible Metrovino) to look for the recommended landmark Chenin winery. I swallowed hard at the $40 price tag, but walked out with a bottle of the Loire Valley’s Domaine Huet Le Mont Sec. Fifteen years, thousands of bottles and a WSET education later, I write a wine blog that I don’t have time for on evenings and weekends. And I still love Chenin. That bottle pitched me into wine headfirst.

For Drink Chenin Day 2021, we have an array of South African offerings on display that are…largely not Chenin Blanc. However, *spoiler alert* those that are clearly stand out from the crowd, as this Southern Hemispheric nation has embraced this grape (long known as “Steen” there, though less so now) more than most other countries and has clearly reaped the rewards of that allegiance. South Africa has undergone a quality renaissance recently that has largely been tied to improved farming practices and the avoidance of pesky vine viruses, so it is absolutely worth another visit for those whose prior memories are half a decade old or more. Some of the most pleasant vinous surprises I’ve had over the past few years have hailed from this burgeoning wine nation…and that’s without diving too far into their Chenin supply. (Pro tip: try the Raats Dolomite Cab Franc.) Raising a large glass of Testalonga Chenin to you all this weekend! Find some raw fish!

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Calgary (Virtual) Wine Life: Vina Chocalan Tasting with Fernando Espina

6 06 2021

By Peter Vetsch and Raymond Lamontagne

Perhaps the only good thing about the state of our current COVID world is that you can still attend a wine tasting even if you miss it. Scheduling conflicts prevented our attendance at the recent portfolio tasting that winemaker Fernando Espina of Chile’s Vina Chocalan ran for key Canadian markets, but like everything else these days, the tasting was virtual, and thankfully for us it was recorded for posterity. A couple of days and a bottle delivery later, we were in business, and we were extremely thankful not to miss out on an introduction to a tremendously compelling winery honouring its maritime climate to the fullest extent.

Vina Chocalan is a multi-generational family winery that came into the wine business from a unique parallel industry. You hear a lot of stories about long-time grape farmers who finally take the next step with the fruits of their labour and try their hand at winemaking; you hear far fewer about people who instead come to wine from the glass in. Vina Chocalan’s Toro family owns the second biggest glass bottle factory in Chile and has supplied bottles to wineries around the world for six decades. In the late 1990s, they decided that they should put something in their own bottles themselves, and a grand project was born, focusing initially on the coastal western side of Chile’s Maipo Valley. While the Maipo is the heart of Chilean viticulture, in particular anchoring the nation’s red wine production, no one had planted a vineyard along the Valley’s Coastal Mountain Range until Vina Chocalan did so in 1998, planting 114 hectares out of a 350-hectare plot located a scant 35 kilometres from the Pacific Ocean ahead of their first commercial production in 2001. The next year, they took a step even further into the unknown, establishing a second estate and 25 hectares of white-focused plantings by the village of Malvilla in the San Antonio Valley, located almost due west from the Maipo and only FOUR kilometres from the Pacific. This extremely cool-climate site is a completely different expression of Chilean wine, and a reminder that the best wines nowadays are often made right at the edge of the line.

Hegemonic producer Concha y Toro, one of the 10 largest wineries in the world, might have had something to say about it if the Toro family had opted to name their nascent winery after themselves. They instead opted for their less-litigious moniker Vina Chocalan, which means “yellow blossoms”, after a prevalent local thorn bush flower in the vineyards. Our introduction to the winery came in the form of a half-dozen bottles ranging across both the Maipo and San Antonio estates, whites and reds that emphatically confirm this is a producer to know. Three bottles each, a new universe to explore. Buckle up.

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Distinctive Australian Whites (Almost)

30 04 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

I had it all planned out. Australia is a red wine country, but is developing pockets of renown for dramatic and exciting whites that were worth their own dedicated post. One pioneering winery Down Under with particular experience in one such white grape had recently decided to create a new international vinous holiday as an ode to it, and I thought I had a bottle of that very variety from that very producer tucked away in the cellar. Kismet. My theme was set, my plan ready, my mind willing. It came…sort of close to working out. While you will quickly see the monkey wrench thrown into the works, the bottles below, and Australia’s burgeoning white wine culture generally, remain well worth highlighting and supporting. In addition to the new and classic styles of Southern Hemisphere white discussed in this post, don’t sleep on Hunter Valley Semillon (especially if you can wait 10+ years on it), Adelaide Hills Gruner Veltliner (yes, there is such a thing), Margaret River or Tasmanian Chardonnay (dangerously close to the very best out there), sweet Rutherglen Muscat, and all the other regional white wonders that Australia has to offer. It’s a world of possibilities in a single country, for which the below trio of nearly-whites offers a tantalizing glimpse.

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Malbec Maelstrom, Part I: Malbec World Day

15 04 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes]

When somebody sends you 14 bottles of Argentinian wine and instructs you to celebrate Malbec World Day, you pop some corks and celebrate the damn day. This global vinous event, which falls on April 17th (this Saturday), was created by the Wines of Argentina to showcase the country’s signature grape and celebrates its 10th anniversary in 2021. For the first nine of those years, I wrongly thought it was called “World Malbec Day” and I’m still struggling to recalibrate. April 17th was the date the first agricultural school was founded in Argentina back in 1853, the year that Malbec first hit South American shores. Nearly 150 years later, steeped in local history and tradition, it became a sudden massive worldwide hit. Alongside Australian Shiraz, Argentina’s own ex-French showcase export rose from international obscurity to overwhelming commercial renown thanks to its combination of bold, accessible fruity flavours and equally accessible price tags. Argentina exported 128 million litres of Malbec last year, maintaining its status as a world phenomenon.

Note to self: Malbec World Day, NOT World Malbec Day.

Like I did with Shiraz before it, I wonder about Argentinian Malbec’s next act. Its rise has been meteoric, but nothing sustains momentum like this forever, and when the next affordable and approachable varietal trend hits and the spotlight dims slightly, Malbec will have a choice to make. It has captured popular acclaim and is yanked off the retail shelf more quickly than most of its competitors. What does it want to be next? Certain shining examples are testing the limits of quality and identity in Argentina; is that the play, exploring the intricacies of the thrillingly unique altitude-induced mountain climates of Mendoza, or is slaking the thirst of the world at an affordable price a sufficient goal? As a wine-growing region, Argentina has a series of thrilling advantages, from massive diurnal shifts to easy access to extraordinarily old vines; in a world that is constantly seeking out extreme viticulture, for climatic or more adventurous reasons, the country’s entire growing area screams it. What’s it going to do with it? Let’s raise seven glasses of Malbec as we wait to find out, and Ray will bring us home later in the week with another seven.

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Culmina Winery: The Bordeaux Varietals

9 04 2021

By Raymond Lamontagne

[These wines were provided as samples for review purposes].

It is with great pleasure that I pick up where Peter recently left off, following up his batch of Culmina curiosities by exploring a tidy package of three Bordeaux varietals from this esteemed producer, all hailing from the same 2016 vintage. This affords a unique opportunity to compare the three grapes across the same vintage conditions, and as it turns out, with vineyard held constant as well. All grapes featured here come from Culmina’s estate Arise Bench, a southeast-facing site along British Columbia’s vaunted “Golden Mile”. Culmina founder Don Triggs subjected this site to a bevy of temperature, water retention, and soil analyses to determine that it shared many similarities with famous sites in Bordeaux. The stage seemed set for making these varieties shine in the Okanagan, but not before further precision was sought in terms of a detailed mapping of terroir variations within the Arise Bench area itself. This designation of “microblocks” means that grapes can be meticulously calibrated to viticultural parameters in order to help ensure a good balance between ripeness and fresh acidity. This sort of obsessive attention to detail has long drawn me to this winery, as does its willingness to pair the classic wine heritage that underpins Bordeaux-style red wines with a trailblazing spirit, as Peter recently documented. Let’s investigate the classics end of the equation.

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Culmina Winery: Novelties and Rarities

31 03 2021

By Peter Vetsch

[These wines were provided as samples for review purposes.]

Well, I would say “happy spring!”, but this week has already seen a winter storm warning, wind chills down to -20, ice gales loud enough to wake you up at night and a fresh dump of new snow. “Happy Calgary spring!” seems more appropriate. As we head into what is ostensibly a season of rebirth and renewal, of overhauls and spring cleaning, the time is apt to check in on how a winery that has long been followed by this blog is approaching its own clean slate. Culmina Family Estate Winery was sold by founders Don and Elaine Triggs to Arterra Wines Canada in mid-2019, who appear to have approached their new venture with twin goals: (1) maintain the Triggs family’s legacy and vision for these meticulously studied and planned-out lands, and (2) use this existing knowledge and ambition to move the winery forward in a way that expands its reach and identity. Not easy things to try to do at the same time.

Perhaps luckily for Arterra, Culmina was already stretching and broadening its lineup when the new owners came on board. A string of additional bottlings outside of Culmina’s original core, whether as part of the standard release set or as part of the winery’s unique Number Series offerings, introduced a wave of variety while hewing to the estate-based philosophy on which the winery was founded, elegantly bridging the transition into Culmina’s new era and giving consumers tasting experiences that hinted at the winery’s own second wave. For each of these bottles below, it’s a clean slate for both the wines and their maker.

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Wine Review: Friends of Oceania

3 02 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

Since we can’t travel right now (without being wildly irresponsible, at least), I find myself lingering more in the memories of places I’ve been. We went to Australia and New Zealand on our honeymoon in 2008, and were so smitten with the latter that we went back again, this time with kids in tow, for our 10th anniversary in 2018. Obviously a return voyage in seven more years will have to be in the works; rarely have I felt more at home in a place so far away. Our more recent NZ vacation featured a day trip through the South Island Sauvignon Blanc wonderland of Marlborough, which is both more pastoral and more compact than I would have expected in light of the extraordinary production figures emanating from the region, enough to flood global retail shelves with a piercingly distinctive take on an otherwise broadly familiar grape.

The visit included a stop at Greywacke, to me a pinnacle producer of the region, started by a man who found fame in wine and then reimagined the pursuit, this time on a more personal, artisanal scale. I got to show my sons grapevines, one of whom was old enough to take a passing interest in the subject. He has a special affinity to the winery that bears his name, from a country that he has yet to see, in a part of Australia that I have yet to visit myself. Vasse Felix will always be royalty in our household by word association, aided by the fact that their entire lineup is consistently exceptional, never chasing trends, always honest to its vision and its surroundings. That Vasse Felix’s entry-level wines bear the name “Filius” or “son of”, is hopefully as heartwarming to fathers of Felixes everywhere and not just to me. I currently feel like I would love to take off to ANYWHERE, but I would especially love to be back on this side of the world. For the time being, I will use these bottles as transport instead.

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Burrowing Owl: Reds of Prey

14 01 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

So it’s been a while. I think this two and a half month gap between posts probably represents Pop & Pour’s longest lull since I started the blog almost ten years ago. Blame work stress, or COVID malaise, or blogging burnout or existential dread or some combination thereof, but I have found it a struggle to write recently and the site has suffered as a result. However, I have come to realize that the longer I went without posting, the more I fell back into doing nothing remotely beneficial after tiring days, which just exacerbated the funk and malaise and made me feel worse. I’m not someone who can do nothing for long and feel good about it, and I failed to recognize the benefit of this creative outlet until I stopped using it. So cue my 2021 New Year’s resolution (other than to get vaccinated, hopefully as soon as humanly possible, and to act like a responsible adult until I do): get back to the blog. Game on.

This is the final instalment of a three-piece, two-author review saga of the always-dependable wines from Burrowing Owl, starting with my initial assessment of the winery’s carefree Calliope side label, then turning to Ray’s foray into the first part of the Burrowing Owl lineup, and culminating with tonight’s look at a couple of the winery’s top reds, the Merlot and the flagship Meritage. Through its long Okanagan history, Burrowing Owl has been known for the big red portion of its portfolio first and foremost, thanks to its enduring determination to craft accessible, powerful versions of Bordeaux varietals in BC, even back when it was an extraordinary challenge to do so consistently. Vineyard age (their estate vineyard is now nearly 30 years old) and honed-in farming and winemaking techniques have dialled in this objective, while also making room for compelling white wines and other offerings. But the heart never strays too far from home, even if the body explores new horizons.

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