Pop & Repour: Preservation Experimentation – The Results

14 05 2019

By Peter Vetsch

I feel like I’m in a time warp.  In this optimistic post from early February, I advised that the blog had been silent for a while due to sickness, but that we were back up and running and that I was testing out a brand new wine preservation gadget, with results to follow shortly.  Well, after that post, about the excitingly simple Repour Wine Saver, the blog fell silent for a while due to sickness (an ear infection and then sinusitis this time, mixing it up from the bronchitis I had before), but I can now advise that we’re back up and running and that I can now report the results of said wine preservation test.  If this cycle repeats one more time, I’m quitting the wine-writing hobbyist biz, but if I can avoid antibiotics for the next hour or two, I will pass along this tale of experimental trials, inadvertent failures of the scientific method and the (largely) successful demonstration of Repour’s mettle, complete with an unexpected twist at the end.

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For those who don’t feel like clicking on this link to catch up on my prior introduction to this ingenious device, the Repour is a single-use one-stop-shop for wine preservation, a plastic bottle stopper stuffed with oxygen-absorbing material that actively removes any oxygen remaining in the bottle after each glass pour, leaving the wine inside pristine and untouched by decay-inducing air for (they say) “days, weeks or even months”.  It costs $3-4 CAD and lasts for the entire duration of one bottle of wine, regardless of how many times you go back to the well with that bottle.  I decided to test that marketing promise rather emphatically.  I opened three bottles of 2015 Alfred Merkelbach Urziger Wurzgarten Riesling Kabinett from Germany’s Mosel Valley, drank a healthy dose out of each, then left one as a poor unguarded control bottle without any form of preservation beyond my refrigerator, dosed the second with argon gas (my personal pre-Repour preferred method of preservation) and test-drove the Repour with the third, revisiting them multiple times over the next month and tracking how well each bottle stood up.  My running preservation diary is below.  To refresh your memory, here was my initial tasting note on the Merkelbach Kabinett:

“The wine is a complete throwback to a bygone era, understated and filigreed in style, with canned golden apple, sea spray, petrichor and orange zest aromas giving way to a fragile yet enduring, heavily mineral palate, all quartz dust and steel.  The restrained residual sugar offers relief and key lime accents without weight, the acid is omnipresent but not cutting, and the finish is taut and straight-laced, perfectly formal and polite and German.” Read the rest of this entry »


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Pop & Repour: Preservation Experimentation

7 02 2019

By Peter Vetsch

And – we’re back.

When I posted the review for Vinebox Day 12 as we polished off our daily reviews for two consecutive holiday wine calendars, I fully intended that the blog would go dark for a little bit while we rested our typing fingers and regrouped.  I did not intend to then catch bronchitis and a cough that wouldn’t die in a house full of plague and contagion, but that’s what happened, leading to a much-longer-than-anticipated blackout period to kick off 2019.  However, I’m back on my feet and Pop & Pour is officially back in business with some compelling content in the wings to kick off our writing new year, starting with a new and intriguing solution to one of my favourite wine questions:  how best to preserve an open bottle.

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I am an unabashed wine preservation geek.  I own a Savino (and it works! at least for shorter storage periods).  I have tried, and ultimately discarded, a number of vacuum pump oxygen-expelling gizmos (which never quite get all the air out and quickly cease to become airtight themselves, thus undermining the whole enterprise).  I have written a lengthy series of real-time preservation reports about the Coravin as I gradually drained bottles with one over the span of six months (a series of posts that continues to get regular views in Iceland to this day, though I could not tell you why).  My current preservation go-to is an argon dispenser, which places a blanket of inert gas over top of the remaining wine in the bottle and acts to prevent further oxygen contact, as oxygen is the primary agent that leads to wine deterioration over time.  I thought I was fairly up to speed on the various different ways to keep wine from spoiling, but little did I know that a new entrant had recently joined the fray.

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The Repour Wine Saver is ingenious in its simplicity.  All wine preservation tools operate by preventing oxygen access to wine in some manner or another.  Some of them fail because they rely on physical or mechanical processes that grow less efficient over time as materials change or fail.  The Repour has no moving parts or components that can get worn down over time, particularly because it’s not meant to be used over time: it’s a single-use disposable bottle stopper that retails for $3-4 CAD, keeps a single bottle of wine fresh for as many times as you care to reopen it, and is then thrown away.  It works not by expelling or blanketing the oxygen in the bottle, but by absorbing it.  The interior of the stopper is crammed full of oxygen-absorbing material (of a type that is also used to help keep food fresh during transit) which, once the cover tab is removed and the stopper is placed in the bottle, starts pulling the oxygen not only out of the air inside the bottle but also out of the wine itself.  No oxygen = no spoilage. Read the rest of this entry »


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The Great Coravin Test, Part 5: Six Months Later

26 01 2016

To catch you up on the epic journey that is concluding with this post:

  • I got to borrow a Coravin back in July (Part 1)
  • I accessed three awesome bottles with it and wrote tasting notes (Part 2)
  • I checked back on them two weeks later to see how they were doing (Part 3)
  • I dove into some cellar treasures and gave some final Coravin thoughts (Part 4)
  • I promised to come back to my three test bottles one last time…in half a year.

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Take 5. One last time.

How time flies.  Suddenly it’s six months from the week of my original Coravin tasting write-up and I owe this story an epilogue.  After seeing this trio of my bottles front and centre in my cellar on a daily basis and accessing them multiple times through the Coravin needle, I actually felt sort of bad cutting off the foils and pulling the corks out of them like they were any old weeknight wines.  But science does not wilt for sentiment, and I had a job to do.

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The Great Coravin Test, Part 4: Final Thoughts (For Now)

26 08 2015
No Girls Grenache by the glass? Don't mind if I do!

No Girls Grenache by the glass? Don’t mind if I do!

The sun has shone a little less brightly this week (and not just due to wildfire smoke blocking out the sky) – I had to return my borrowed Coravin, leaving an empty spot on my counter and a needle-sized hole in my heart.  Apart from testing out the device on the three bottles of wine the agent provided to me (adventures catalogued in Part 1, Part 2 and Part 3 of this post miniseries), I also went to town last week on a few bottles from my cellar, including a couple of the pricy variety in case you were wondering about my level of Coravin confidence.  Most importantly, I re-accessed the 2012 Tabali Pinot Noir from Chile that acted so strangely I last time I Coravinned my bottle samples just to make sure that all was still well, and it was fresh as a daisy and exactly how I remembered it on first opening, confirming that the Coravin’s preservation record remained fully intact.

I thought I’d end my Coravin saga with a few closing thoughts on the pros and cons of scooping the device for yourself and on whether the amazing features of this wine access wonder-machine justifies its hefty $400ish price tag, particularly for individual wine lovers.  First, the most obvious pro:  there is nothing like this anywhere.  It is literally in a class of its own in the wine preservation game, to the point where it’s almost not fair to call it a preservation device at all:  you don’t have to worry about preserving the wine when you never expose it to the elements in the first place.  You’re not using it to stave off inevitable oxygen decay for a few days or a couple weeks; you’re using it to stop the oxygen time clock from even starting, so that you can drink a bottle from your cellar a glass at a time over any length of time that you want, even years.  That’s just mind-blowing.  Even after using the thing for a month, it’s hard to wrap my head around just how much of a game-changer it is. Read the rest of this entry »


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The Great Coravin Test, Part 3: Two Weeks In

2 08 2015

OK, so to recap:

  • I got lent a Coravin and figured out how to use it (Part 1).
  • On July 17th, I accessed three different bottles – a white and two reds – via Coravin and wrote up control tasting notes (Part 2).
  • Exactly two weeks later, on July 31st, I Coravinned the bottles again to see how they were doing.  Now the real fun begins (Part 3, right now).

FullSizeRender-91Some brief methodological notes:  after tasting the bottles on July 17th, I put them back in my cellar as if they were brand new – on their sides, no special treatment.  They stayed there till the 31st, when I gave them a brief chill before accessing them again.  I took detailed tasting notes without looking at my initial set of notes and then compared the two sets after the fact to see if the descriptions were similar and if any notable changes to the wines had taken place.  After the second round of tasting, the bottles are all about half full, and they have been put back in my cellar until I pull them out again for the grand finale of this Coravin experiment six months from now.  So how did the wines do?  Is the Coravin all it’s cracked up to be?  Let’s get to it, again:

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The Great Coravin Test, Part 2: Initial Tasting Report

23 07 2015

The journey continues.

The journey continues.

If you missed Part 1 of this soon-to-be-epic tale, wherein I got a Coravin to borrow and figured out how to use it, you can click here to get caught up.  This post will set the control for my test of the Coravin’s wine-preserving prowess, documenting my initial tasting impressions of three different bottles that I was provided along with the device so that I could give it a spin:  one white, one lighter red and one fuller red.  I actually tasted these last Friday, July 17th, so that’s the point from which the preservation clock starts ticking.  I will taste them all again in a couple of weeks and report back, and then again in a few months to see just how far the magic of the Coravin can stretch.  Word of warning if you ever try this yourself:  when you have a tool that lets you taste as many wines and access as many bottles as you want in a night without pulling a cork, you end up drinking a LOT of wine.  Duly noted.  On to the wines — be sure to check back in two weeks to see how they’re doing!

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The Great Coravin Test, Part 1

19 07 2015
Ladies and gentlemen: the future.

Ladies and gentlemen: the future.

It is an age-old problem:  what to do with the rest of a bottle of wine if it isn’t all consumed in an evening?  Unless being used to let tight young wines breathe, oxygen is generally the enemy of wine, and once the atmosphere gets its claws on the liquid in a bottle, the results aren’t pretty:  the wine gets flat and stale, brightness and flavours fade, and any distinguishing characteristics are quickly lost.  You can help slow this aerobic inevitability by putting the wine in the fridge overnight, but I always still noticed a difference in the bottle the next day, a slight but undeniable decline.

There have been a few standard approaches invented for dealing with the leftover wine oxygen problem, each effective to different extents.  You can buy a vacuum pump that fits into the opening of the bottle and (at least theoretically) manually sucks out the offending oxygen, leaving a decay-free zone inside the bottle.  This may sort of work at times for short durations IF the pump actually makes an airtight seal with the bottle, which it often doesn’t.  You can instead opt for a separate narrow storage vessel that has a sort of buoy-like floatation device engineered to exactly match the interior circumference of the container; you pour your wine in, plop the float on top and add a lid for good measure, keeping the surface of the wine from any immediate interaction with oxygen.  This is better and more consistent than the vacuum for short stints (I have one, the Savino, which I use for weeknight wines) but not that trustworthy for more than a day or two.  Then there’s the gold standard:  argon.  You pump a little argon gas into the heel of your bottle (from a purchased canister or a fancier system like my Pek Preservino) and, since it’s inert but heavier than air, it forms a harmless protective layer over top of the wine that prevents oxygen from accessing it.  I have left a wine under argon in the fridge for a week and it’s been good as new.

FullSizeRender-71These preservation systems all tackle the problem of wine degradation from different angles, and yet they all share one key thing in common that puts a ceiling on their effectiveness:  they all start with an open bottle of wine.  No matter what tricks you try to keep oxygen away from your precious liquid, once you pop that cork and pour that first glass, you have exposed your wine to the air and the decay clock starts ticking.

But what if you didn’t HAVE to open the bottle?  Could wine be preserved indefinitely if you could somehow access it while keeping its bottle fortress intact?  Enter the Coravin. Read the rest of this entry »


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An Albertan’s Guide to Grabbing US-Only Wines

29 03 2015

You may have experienced the frustration of being a wine-loving Canadian.  You finally get on the mailing list of your favourite cult US winery – only to find that they don’t ship to Canada.  You track down a rare bottle on an American retailer’s site or win an online auction – but they won’t get your wine across the border for you.  As far as I know, it’s not illegal to ship wine from the US to Canada, but if you try to get FedEx or UPS to do just that they generally won’t touch it with a ten foot pole.  I have heard of the odd case where people have successfully had bottles sent to them up here, but I’ve never had any luck with it myself.  So I decided to do it a different, admittedly less convenient, but far more fruitful way.  Here’s how.

Want to be on a US winery mailing list? It's possible, but complicated.

Canadians: Want to be on a US winery mailing list? It’s possible, but complicated.

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XMas 2011: Top Secret Santa Wines

5 12 2011

Yep, that time again.

Over the last week I have somehow found myself volunteered to be a part of not one but TWO Secret Santa gift swaps at work.  I’m not really sure how I feel about this.  The office Secret Santa pool is always fraught with dangers because (1) you often don’t know your co-workers well enough to get them anything truly personal that you know they’ll like, and (2) there is usually a spending limit imposed on your shopping (in my case, $15 for one pool and $25 for the other) that prevents you from buying most types of gifts that would be winners with just about anyone.  Since I feel that Secret Santa-ing chocolates is basically an admission of defeat, this year I’ve done the logical thing and decided to stick with booze.  I may not know if my office-mates read Malcolm Gladwell fan or listen to Johnny Cash or could get any use out of tree ornaments or candle holders or plants or winter gloves, but I do know that if they’re remotely sane and not prohibited by religious or medical reasons, they will enjoy a good bottle of wine, so I’m going to get them one.  Or two.  And since you might be in the same situation I am (hell, you might even work in my office; there’s 2,000 of us in there), I thought it might be useful to run down a few can’t-miss bottles that will have everyone hoping you pull their name out of the hat next year.  Without further ado, here are PnP’s Top Secret Santa Wines for 2011 in the $15-and-under, $20-and-under and $25-and-under categories:

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Tips & Tricks: Pairing Wine With Chocolate, Part 3

14 10 2011

In case you have scrupulously avoided this blog for the past couple weeks and missed it, Part 1 of this mammoth super-post talked about the general principles applicable to pairing wine with chocolate and made some guesses as to which wines might make winning choco-combos; Part 2 put three dry red wines to a taste test only to see all of them fail more or less miserably; and tonight’s Part 3 moves away from dinner wines and reveals whether dessert wines (and a beer, for good measure) fared any better with dark chocolate at the tasting night I held with wine friends Brian, Tyler and Farrell earlier this week.  In parallel with this PnP saga, Victoria Kaye, the chocolate distributor who put the wheels in motion on this train of thought by sending me a care package of free Xocai brand chocolates with instructions to wine-match as I saw fit, has been providing the chocolate’s perspective on this whole thing on her blog XoXoXocai — click here for her reaction on the first part of the Pop & Pour taste test, which includes some tasting notes on the various chocolates that gave themselves up for a good gastronomic cause.

Cork Ratings, Wines #1-5 (in order): 0.5/10, 2/10, 7/10, 4/10, 3/10. Not such a stellar lineup.

To refresh your memory, by the end of Part 2 of this post, Wines 1 through 3 were wishing that they had been passed over as candidates in this study:  the 2008 Alias Cabernet Sauvignon (Calfornia) was the worst of the bunch, netting a chocolate Compatibility Score of 25%; the 2005 Modern Wine Project Malbec (Washington) had fared (literally) twice as well but still barely scraped a passing grade at 51%; and the 2008 Colaneri Cabernet Franc (Niagara) proved to be the most polarizing wine of the night, attracting my fiery hatred and tasting like tomato soup but still (somehow) pulling out 50%.  Starting with Wine #4, we ditched the dry wines and moved to those sweeter reds that were initially predicted to be the best chocolate matchups.  It may have been that we were in a better mood after downing the three bottles of wine that preceded them, but the dessert wines did not disappoint. Read the rest of this entry »


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Tips & Tricks: Pairing Wine With Chocolate, Part 2

12 10 2011

5 bottles of wine, 5 pounds of chocolate: let the extravagance begin!

In Part 1 of PnP’s review of potentially stellar wine and chocolate matches (click here to read it if you missed it), we went through the boring stuff:  general wine/food pairing rules, hand-wringing about how chocolate was going to be a difficult match for most wines, and intellectual guesstimating about what bottles actually might stand a chance at being a good pairing.  If you want to save yourself 1500 words or so, I thought a sweet intense red dessert wine seemed like the best choco-match but committed myself to testing out some dry reds too in the name of exploration; given the hypothesis that fruity, intense, not overly tannic reds would win the day, I decided to give Europe the cold shoulder and stick to the New World for dinner wines.  With all the hard academic stuff out of the way, last night I got to the fun part:  sitting down with some good friends, opening an insane amount of high-end chocolate, cracking 5 bottles of wine (and a bottle of beer for good measure) and doing 4+ hours of taste testing, just for you.  Huge thanks to the noses, palates, knowledge and intuition of my trusted friends Brian, Tyler and Farrell, whose impressions and conclusions are all over this post and without whom this exercise would have seemed much more lonely and pathetic.

Our official choco-pairing tasting lineup featured a California Cabernet Sauvignon, a Washington State Malbec, a Niagara Cabernet Franc, a dessert wine from Banyuls in Southern France, a vintage Port and a dark craft beer.  I’m going to write up our experiences with the 3 dry reds tonight and leave you in suspense about the dessert reds and the beer for a couple more days…like every moderately good movie idea, I’m stringing this out for at least two sequels.  The only unfortunate part about this approach is that you may be too depressed after reading the below to want to come back for Part 3, so I will foreshadow a bit and promise that the wine/chocolate matchups DO get better.  Just not tonight. Read the rest of this entry »


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Tips & Tricks: Pairing Wine With Chocolate, Part 1

2 10 2011

How you know you’ve made it as an amateur blogger:  when somebody sends you free chocolate.  Me, as of this week?  Made it.

The (few) perks of writing a free blog.

One of this site’s dozens (OK, dozen) of loyal subscribers is Victoria Kaye, an Ontario-based marketing guru, freelance writer and distributor of the Xocai lineup of chocolate products.  Victoria is a blogger in her own right, regularly churning out insightful posts about her unique choco-wares at her site XoXoXocai.  I took particular notice of this site not only because it shares a platform affiliation with PnP (holla WordPress!) but also because it so happens that Victoria and I started up our respective blogs within a week of each other at the start of March 2011…as I’m continually reminded, it’s a small world full of strange coincidences.  Victoria actually first stumbled across Xocai chocolates as a guest at a wine tasting, and since then has been wanting to delve further into the intricacies of pairing wine with chocolate; the chocolate package I received was conditional on my attempting to respond to this very issue.  Well, chocolate received and mission accepted!

Wine and chocolate is a pairing that seems to have been universally sold as a match made in heaven (if Hallmark cards, romantic getaway packages and any Valentine’s Day episode of any TV show in history are effective barometers of these kinds of things).  In reality, however, I have a hard time envisioning there will be even a handful of wine styles that will truly form a mutually-enhancing match with most types of chocolate.  Even before I started looking into this in detail, I thought that chocolate had two key characteristics that would severely restrict the number of wines that would taste good with it:  it’s sweet and it’s distinctive.  Dry wines generally don’t match up well with sweeter foods, and foods with individual and assertive flavours automatically narrow their pairing options because they’re incapable of simply being a blank canvas that can be fleshed out by multiple different wine choices.  There are assuredly some truly symbiotic wine matches for chocolate out there, but my guess is that they’re few and far between.  Of course, that’s not going to stop me from trying to find them.  The goal of this post is to narrow down what to look for in a potential chocolate pairing, after which I’ll go buy a few likely candidates, recruit some willing volunteers, then take a bullet for all of my dear readers by eating a lot of chocolate and drinking a lot of wine to find out what tastes good with what.  The results of my strictly-for-science tasting night will be posted shortly after its completion (i.e. as soon as I come out of the sugar coma). Read the rest of this entry »


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Tips & Tricks: How To Come Up With Wine Flavour Descriptions

15 08 2011

If only it were that easy...

Believe me, I used to be at the front of the line making fun of wine folk for picking guava, pomegranate, shoe leather, pencil shavings and innumerable other bizarre tastes and aromas out of a glass of boozy grape juice.  The whole process seemed overwrought and fanciful at best and horribly pretentious at worst — not the kind of thing I’d ever sign off on.  But as I started getting more and more into wine, and then as I started WRITING about being into wine, I began to see the method to the madness (or I drank the Kool-Aid and joined the legions of uptight overanalyzers, depending on your point of view) and understanding the necessity behind the efforts people put into sorting out what’s in their glass.  By far the coolest and most interesting thing about wine is that, unlike almost any other alcoholic beverage that starts out from a piece of fruit, it ends up smelling and tasting like so many other things apart from, or in addition to, its source material.  Apple cider tastes like apples; dark rum tastes like molasses; wine tastes like everything, and the more different wine you try, the more words and comparison references you need to describe it.  This, I’ve learned, is doubly important if you ever want to put this description in writing and give a reader who may have never heard of your wine a flavour impression that sets it apart…suddenly descriptions like “plum” and “cranberry”, and its weirder, more memorable cousins like “Band-Aids” and “pickles”, become totally invaluable. Read the rest of this entry »


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Tips & Tricks: When Cork Attacks

13 06 2011

My Andrew Will, and the biggest piece of cork that refused to be separated from it.

I fully intended to write a wine review last night.  I had the wine all selected, and was even going upscale:  the 2005 Andrew Will Ciel du Cheval Vineyard red from Highlander Wine & Spirits, a $55-$65 predominantly Merlot/Cab Franc blend from one of the best producers and top vineyards in Washington State.  I had my notepad in front of me and my iPhone camera armed and ready; I popped the cork and out came…half of it.  The other half didn’t even budge from the bottom of the bottle neck.  I gently tried pulling out the stuck half with the corkscrew, but to no avail:  all I ended up doing was puncturing a good sized hole in the middle of the half-cork and causing a bunch of cork debris to fall into the wine.  Awesome.  I eventually ended up having to push the stuck cork back down into the wine, which would have been a great idea if the cork hadn’t disintegrated on its departure from the bottle neck and showered Andrew Will’s labour of love with a fine layer of wood powder.  After some salvage efforts I was able to get the wine back to a quasi-drinkable state, but decided against putting it up on PnP in case somebody questioned my tasting notes of sawdust, tree bark and firewood.

As a mournful tribute to the waste of a bottle that good (and the corresponding portion of my wine budget that went with it), I thought that tonight I’d quickly touch on what to do if you’re faced with this exact situation where your cork breaks as you’re pulling it out of the bottle.  Step one:  swear.  Even if you manage to save the day with the maneuvers described below, it’s still a giant pain that will require most of the contents of the bottle you’re trying to rescue to de-stress from. Read the rest of this entry »


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Tips & Tricks: Red Wine with Fish?

23 05 2011

The very first “ironclad” wine and food pairing rule that I was ever told is so ubiquitous that I’m sure you’ve all heard it too:  red wine with meat, white wine with fish.  But is this prohibition on mixing red wines and fish fact or fiction?  As with any good urban legend, it’s a bit of both.

There really is no caption that can improve on this picture.

First the fact:  it is a good idea to avoid pairing particularly oily foods with wines that are high in tannin (for a longer explanation on what tannin is, click here) because the two combine to produce unpleasant metallic or tinny flavours on the palate.  Generally speaking, fish is quite oily as compared to other cuts of meat, and red wines are the most likely candidates to be high in tannin, as white wines usually have little to no detectable tannins; as a result, it is certainly true that some red wines and some fish will not be a happy mix.  The iodine present in fish can also have a similar negative reaction with tannin (and, at least according to this article, the traces of iron in certain red wines will clash with fish), so following the basic “no red wine with fish” rule can help you avoid disastrous gastronomic consequences.

However, it is fiction to say that red wine and fish can never be successfully paired together. Read the rest of this entry »


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