Drink Chenin Day (Epilogue): South African Sampler, Part II – Wagnerians vs. Martians

29 06 2021

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

Although Drink Chenin Day is now in the rearview mirror for this year, our South African wine feature is but half complete. There is one more Chenin in the mix, but here South African cool climate “up and comer” Sauvignon Blanc gets its just due, along with a few classic red varietals and at least one oddball (if one can ever truly refer to the unobjectionable-to-a-fault Pinot Grigio as “odd”…I feel this grape might merit the designation in South Africa due to a relative lack of historical presence in the region, but I digress). As South African wine expert Tim James notes in his erudite treatment of the region’s history, various problems such as ongoing racially informed inequalities, a floundering economy, and viticultural hazards such as leafroll virus may “dim the brightness of the new world of South African wine, but do not obscure it”. When Apartheid finally came crashing down in 1994, the South African wine business almost immediately made rapid improvements as the international market opened up, and South African winemakers responded with a game of catch-up that has led to some intriguing results. South Africa morphed from a region notorious for overproduction of decidedly mediocre wines to one capable of showing the legitimate wine-growing potential of the land and climate through the lens of various international grape varieties, along with one (in)famous native cross, Pinotage. In short, South Africa did finally catch the terroir bug. Although this failed to spread quite as rapidly as the aforementioned vine virus, we now live in a world of South African wine where a farmer might sell his old vine Chenin Blanc grapes to a small-scale boutique producer who honours the health of the land just much as said farmer might, as opposed to a mammoth co-operative that ultimately consigns this vinous gold to an anonymously dilute identity death amongst the hoi polloi in a huge vat (a little more on huge vats later).

Nice couple of labels here … These capture everything that is old and new about Cape wine… or something.

My personal journey with the wines of South Africa began quite early into my obsession with this greatest of beverages, as I found myself immediately taken with the oft-repeated trope that South Africa naturally bridges the gap between the finessed restraint of the classic European wine regions and the opulent fruity hedonism of the New World. Far be it for me to either gainsay or corroborate what real experts have to say on this matter, but my own experience broadly affirms this notion. If the grapes are not excessively ripe, many Cape wines (particularly whites) display a fine acid structure and even a fresh minerality that cleaves nicely with Old World sensibilities, yet there is also a concurrent sun-kissed tropical vibe that you probably won’t mistake for Chablis…such wines are not austere. I also not infrequently get a distinctive herbal earthiness, for a lack of a better general descriptor, particularly in the reds. I am intrinsically drawn toward such stylistic middle grounds, because there are multiple layers on which to focus, and such wines can surprise when one is able to simultaneously experience elements that initially seem discordant (like, say, a fresh stony minerality that co-occurs with bright fruit). One has to be careful not to get too carried away, though. The present spread of wines range in price point from around $9 to almost $30. This is a set that will capture Cape wine in a much broader sense than a wine nerd like me might typically seek to experience. A further word or two on that if I may, which will explain the rather quaint title of this post.

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Malbec Maelstrom, Part II: Malbec World Day

17 04 2021

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

Happy Malbec World Day! Hopefully you read Peter’s review of the first seven bottles of this 14-bottle bacchanal, so that you are up to speed on this day’s origins. I’m certainly ready to do my part. I unabashedly enjoy Argentinian Malbec, even if in some examples I can struggle with its ubiquity, its oft-simplistic bent toward pure hedonism, and (said another way) its purple Popsicle crowd-pleasing “Golden Retriever of wine” stylings. Crack a frown once in a while, will ya? Still, Argentina is rife with high altitude wine regions where true greatness is possible. I would propose that much potential remains to be realized, particularly as some middle path between confectionary and brooding smoke is hewn. Today, though, we can and should celebrate what a decidedly unique wine culture has already delivered. I don’t think the vintners in Argentina who decided to take a chance on these extremely inclement sites ever dreamed that international superstardom was possible. Or that Malbec would be the vehicle to get them there.

Malbec likely originated in Cahors, where it goes by the name “Cot”. Apparently the “black wines” from this region, an obvious reference to Malbec’s intense colour, were sometimes used to add pigmentation and body to the wines of Bordeaux, at least until Cot itself made the jump to that famous region in the late 1800s. The handle “Malbeck” apparently refers to a vintner who wound up cultivating the grape throughout the Medoc region of Bordeaux. A half-sibling of Merlot, Malbec (which at some juncture lost the “k”) is a vigorous vine that can easily yields large crops of relatively watery berries, particularly when clones are selected for such productively, a feature that according to Stephen Brook led to Malbec’s drastic decline as a Bordeaux variety. Fear not, however. Malbec was introduced to Argentina by French agricultural engineer Michel Pouget in 1868, where is yielded smaller, tighter clusters of berries than in Bordeaux. Pouget seemed to have chosen better clones, or at the very least Argentina’s extreme viticultural climate was just what was needed to resurrect Malbec into the dark-fruited, violet-scented, slightly gamey wines we can enjoy today. As I write this, it is 8:00 am here in Calgary. What can I say? I’m thirsty, and it’s Malbec World Day.

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Culmina Winery: The Bordeaux Varietals

9 04 2021

By Raymond Lamontagne

[These wines were provided as samples for review purposes].

It is with great pleasure that I pick up where Peter recently left off, following up his batch of Culmina curiosities by exploring a tidy package of three Bordeaux varietals from this esteemed producer, all hailing from the same 2016 vintage. This affords a unique opportunity to compare the three grapes across the same vintage conditions, and as it turns out, with vineyard held constant as well. All grapes featured here come from Culmina’s estate Arise Bench, a southeast-facing site along British Columbia’s vaunted “Golden Mile”. Culmina founder Don Triggs subjected this site to a bevy of temperature, water retention, and soil analyses to determine that it shared many similarities with famous sites in Bordeaux. The stage seemed set for making these varieties shine in the Okanagan, but not before further precision was sought in terms of a detailed mapping of terroir variations within the Arise Bench area itself. This designation of “microblocks” means that grapes can be meticulously calibrated to viticultural parameters in order to help ensure a good balance between ripeness and fresh acidity. This sort of obsessive attention to detail has long drawn me to this winery, as does its willingness to pair the classic wine heritage that underpins Bordeaux-style red wines with a trailblazing spirit, as Peter recently documented. Let’s investigate the classics end of the equation.

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Wine Review: Friends of Oceania

3 02 2021

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

Since we can’t travel right now (without being wildly irresponsible, at least), I find myself lingering more in the memories of places I’ve been. We went to Australia and New Zealand on our honeymoon in 2008, and were so smitten with the latter that we went back again, this time with kids in tow, for our 10th anniversary in 2018. Obviously a return voyage in seven more years will have to be in the works; rarely have I felt more at home in a place so far away. Our more recent NZ vacation featured a day trip through the South Island Sauvignon Blanc wonderland of Marlborough, which is both more pastoral and more compact than I would have expected in light of the extraordinary production figures emanating from the region, enough to flood global retail shelves with a piercingly distinctive take on an otherwise broadly familiar grape.

The visit included a stop at Greywacke, to me a pinnacle producer of the region, started by a man who found fame in wine and then reimagined the pursuit, this time on a more personal, artisanal scale. I got to show my sons grapevines, one of whom was old enough to take a passing interest in the subject. He has a special affinity to the winery that bears his name, from a country that he has yet to see, in a part of Australia that I have yet to visit myself. Vasse Felix will always be royalty in our household by word association, aided by the fact that their entire lineup is consistently exceptional, never chasing trends, always honest to its vision and its surroundings. That Vasse Felix’s entry-level wines bear the name “Filius” or “son of”, is hopefully as heartwarming to fathers of Felixes everywhere and not just to me. I currently feel like I would love to take off to ANYWHERE, but I would especially love to be back on this side of the world. For the time being, I will use these bottles as transport instead.

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Bricks Wine Advent Calendar 2019: Day 7

7 12 2019

By Tyler Derksen

As we come to the end of the first week of this year’s Bricks Wine Advent Calendar, I’m thrilled to be able to join Peter and Ray’s blogging efforts.  I think this is my first wine entry on Pop & Pour and following these titans of amateur Calgary wine blogging will be no small feat, but today’s wine is oddly appropriate for the endeavour.  Just as I take inspiration from Peter and Ray and their deep knowledge and passion for wine, so too does today’s wine look to an icon of the French wine world for its own inspiration.  Let’s hope we both do them justice.

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We close of the week with the 2015 Clarendelle Rouge from Bordeaux, which is fitting after Bordeaux was sort of called out by Ray yesterday, who began his discussion of the Starmont Cabernet Sauvignon by reminding us that it was a California Cab that beat out the best that Bordeaux had to offer in the 1976 Judgment of Paris tasting.  This may not be the Judgment of Paris, but it will be interesting to see how this red blend from Bordeaux stacks up to last night’s New World offering.

Clarendelle is produced by Clarence Dillon Wines, which is a subsidiary of Domaine Clarence Dillon, a family of wineries that includes the legendary Chateau Haut-Brion and Chateau La Mission Haut-Brion.  Clarendelle was launched in 2005 by the Chairman of the Domaine Clarence Dillon, Prince Robert of Luxembourg (the great-grandson of Clarence Dillon, who purchased Chateau Haut-Brion in 1935), in an effort to create an accessible yet quality wine at an affordable price point, one that does not need to sit in your cellar for years before enjoying.  Clarendelle unabashedly takes its inspiration from the famous Haut-Brion, proclaiming this inspiration proudly on the bottle (if you’re going to find inspiration in a particular wine, you could do far worse that Haut-Brion). Unfortunately for me, I haven’t had the pleasure of drinking Chateau Haut-Brion, so I cannot confirm whether or not Clarendelle was successful in combining the elegant, earthy characteristics for which the vaunted Chateau Haut-Brion is known with the approachable and affordable sensibility that was Clarendelle’s genesis.  That said, I am appreciative of the effort to make a quality Bordeaux wine that does not require me to obtain a second mortgage on my house.

The 2015 Clarendelle Rouge is comprised of 83% Merlot, 10% Cabernet Sauvignon and 7% Cabernet Franc.  Clarendelle views 2015 to have been a great vintage, due to ideal weather patterns that year.  A warm spring and hot June and July allowed for full ripening of the grapes, while a more temperate August and September prevented the wine from becoming overripe and jammy, enabling the development of balance and complexity. The grapes were harvested from vineyards in a number of sub-regions in the broader Bordeaux AOC, including St. Emilion, Haut Medoc, and Pessac Leognan with some even coming directly from Chateau Haut-Brion, Chateau La Mission Haut-Brion and Chateau Quintus (the St. Emilion property that comprises part of the Dillon stable).

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Cork Rating: 7/10  (clearly effort was made, even for the half bottles).

I decanted the 2015 Clarendelle for an hour before drinking, at the suggestion of online sources.  In the glass, the wine is a beautiful dark ruby colour.  On the nose, fresh raspberry, vanilla, hot chocolate powder, sage, coriander, unlit cigar leaf, leather book binding, mushroom, and wet dirt intermingle giving this a notably Old-World flair.  The palate was brighter than I expected with notes of raspberry, blackberry, plum skin, dark romaine lettuce (probably from the Cabernet Franc), green bean and a slightly bitter peppery note to finish.  The wine is more bold than elegant and certainly embraces its youthful vigour.  I would be happy to drink this again, perhaps with a nice slow cooker stew.  A fine end to the week!

88+ points





Bricks Wine Advent Calendar 2019: Day 6

6 12 2019

By Raymond Lamontagne

Oh, California Cab. As one of the world’s benchmark wine styles, victor over Bordeaux in the infamous 1976 Judgment of Paris tasting, this will of course have a place in any wine Advent calendar worth its salt. I also cannot prevent my mind from conjuring up such pejoratives as “overly oaked”, “heavily extracted”, “boozy”, and even “Mega Purple“. I will concede that for many consumers at the time, and many even now, massive size is a virtue. Fortunately a sea change began in the 2000s. A much-needed shift started taking place, from a winemaking culture focused largely on harnessing a technical wine science to yield a consistent product to please the average consumer, towards a “grassroots” middle path where science still matters but is now free to marry more European notions such as restraint, finesse and elegance, and even the notion that reasonable vintage variation can add interest and pleasure to the wine-drinking experience. It is no longer safe to make black and white assumptions about the monolithic nature of Cali Cabernet, and wineries like Starmont have played a key role in this paradigm shift.

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The name Starmont originally graced a bottle of Carneros Chardonnay in 1989. From there the name grew into a full-fledged brand, relocating from its original home with the more established Merryvale brand to the Stanly Ranch property, home to a couple of quality Carneros vineyard sites. Although the wines are no longer produced at a “green” facility built at one of these sites (that facility was sold this year), the commitment to sustainability remains. Although best known for Chardonnay and Pinot Noir, Starmont does not shy away from Merlot or Syrah. There is an interest in seeing how each varietal does in its place, whether said place is the Stanly Ranch itself, the Carneros AVA, or the broader Napa Valley and North Coast AVAs, and this interest in terroir may have something to do with one of the men at the helm.

Starmont winemaker Jeff Crawford was born in Alaska but has managed to become superbly well-travelled, picking up bits and pieces of winemaking knowledge from places as far-flung as Greece. His general approach is to use his travels and reading to cram his brain with as much history, winemaking philosophy, technical acumen, and tasting experiences as possible. His unceasing quest has led to equipment upgrades at the winery, yet Jeff wishes Starmont to remain a “microcosm” of the Carneros region: a source of even-handed, balanced yet structured wines that can still convey some degree of subtlety.

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The 2017 Starmont North Coast Cabernet Sauvignon is bottled under the very broad North Coast AVA appellation, with the grapes hailing from vineyards across the northern part of the state (41% Sonoma, 37% Lake, 13% Napa, 9% Mendocino). The wine is 81% Cabernet Sauvignon, 11% Petite Syrah, and 8% Merlot. This blending approach renders much of the philosophy behind terroir irrelevant for this particular bottle, unless the concept of site specificity is somehow extended to rather large tracts of land that exist as legal entities rather than embodying bona-fide “climats”. Nevertheless, the goal here was to obtain a mix of sites that reveals restraint in the final execution. Handpicked, hand sorted, and de-stemmed fruit was not crushed at the winery, leaving over 90% of the berries whole. This approach, if you were wondering, can prolong fermentation, as sugar release from the berries is delayed. This gives winemakers more control over the process, and can also enhance fruitiness and yield a more delicate, silky texture in the finished wine. After a cold pre-soak, the wine spends an average of 14 days fermenting on the skins and is then aged for 15 months in a combination of American and French oak (30% new).

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Stelvin Rating: 6/10 (hey, this is a decent Stelvin: vinous colour, nice font.)

This is indeed pretty silky in the mouth, with a supple, velvet-like latticework of tannins reinforcing a rather light-bodied frame. The aromas do tick all the right boxes: blackcurrant (duh!), some cool climate black cherry, even maybe red cherry Nibs, Aero bar, Swiss mocha instant coffee mix, nutmeg, MacIntosh’s toffee, very slight red pepper flake and well-worn cedar plank. The oak notes I am pulling off this are assertive but not overly intrusive. All of the ripe yet fresh fruit is powdered with graphite and waves goodbye with a medium-duration plume of oaked red currant jelly. An efficient, seamless purple elegance, one that you will likely enjoy but that is unlikely to provide total recall a year from now.

88+ points





Yalumba: Introducing Samuel’s Collection, Part II

23 11 2019

By Peter Vetsch

[These wines were provided as samples for review purposes.]

Having already acquainted myself with the first half of Yalumba’s newly compiled seven-wine Samuel’s Collection (and made a mental note to track down the other whites in the Collection beyond the Viognier, as Eden Valley Chardonnay and Roussanne sound glorious), I was eagerly awaiting my turn on the back nine of this reorganized and rebranded assembly of mid-level bottlings, which for the first time let the Barossa’s calling card take centre stage.

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Each of the Yalumba Barossa Shiraz and Barossa Shiraz Cabernet Sauvignon previously went by different monikers, aimed towards different audiences just emerging from the critter wine wave:  the former was known as the “Patchwork Shiraz”, while the latter was called “The Scribbler”.  At some point it was rightly decided that a more serious veneer and a highlight of place better suited these focused, linear wines than a kitschy name and the playful marketing that rode the length of the first Aussie wine trend; the outside of the bottle now more accurately reflects the liquid within.  Bring on the Shirazes. Read the rest of this entry »





Volcanic Hills II: Eruptive Reds

13 10 2019

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

The Volcanic Hills story is a charmingly Canadian one.  Founder Sarwan Gidda’s father Mehtab moved to the Okanagan Valley from East Punjab, India in 1958 with his wife and children, becoming the first Indo-Canadian family to settle in West Kelowna.  After a few years, Mehtab and family were some of the most prolific apple farmers in the valley, but from the late 1970s onward, slowly but surely, their agricultural vision began to drift to grapes.  Ray’s excellent introduction to Volcanic Hills Estate Winery outlined how Sarwan took the next step from grape farming to wine production in the 2000s, and how his children are now helping to carry on this burgeoning family legacy.

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Volcanic Hills is largely a grower-producer, making the bulk of its portfolio from its own 68 acres of estate vineyards in the West Kelowna area, carrying on the Gidda family’s initial farming mission.  Not only are all of VH’s Chardonnay, Pinot Gris, GewĂĽrztraminer, Gamay, Pinot Noir, Riesling, Zweigelt (yes, Zweigelt) and Marechal Foch (oh yes, Foch) wines made from 100% estate fruit, but all such grapes are own-rooted, planted on their own original rootstocks as opposed to being grafted onto disease- and pest-resistant rootstocks from non-vinifera species, as is the case with the bulk of wine grapes worldwide.  However, while the other two posts in this producer series will focus largely on what Volcanic Hills can do with its own fruit, the four reds below are exceptions to the VH rule and are instead sourced from warmer climes with longer growing seasons which can reliably ripen them.  The Giddas have contracts with other growers in Oliver and Osoyoos from which they obtain their Bordeaux reds and their Syrah, all of which are on offer at the winery for well under $30.  The price points of the entire Volcanic Hills library are such that John Schreiner was moved to name a recent article about them “Wines You Can Afford”.  But price is only one part of the equation; do they deliver for what they cost? Read the rest of this entry »





Wine Review: The Reds of Sunrock Vineyards

4 07 2019

By Raymond Lamontagne

[These wines were provided as samples for review purposes.]

You cannot make truly good wine without ripe grapes. Simple, no? Insufficient sugar in the fruit is not going to leave much for yeast to consume, and such starved fungi are not going to produce something with sufficient body (and alcohol) to merit any sort of “greatness” mantle. Moreover, grapes need heat if they are to attain physiological ripeness. This refers to the changes in tannins and other chemical components that occur largely in grape skins, stems and seeds during the ripening cycle beyond the mere increase in sugar.  These changes are what produce the key varietal aroma signatures we know and love, preventing a wine from tasting green, weedy, and brittle.

Although sugar ripeness and physiological ripeness are clearly correlated, it would seem that grape hang times might be a stronger predictor of physiological readiness than just heat alone, although in my view (and botanically speaking) you aren’t going to get any degree of maturation, period, without heat. The key question for wine quality is: how much heat is too much? Overly ripe grapes mean clumsy, muddled wines that are boozy, lacking in precision or definition, and often almost devoid of any sense of place or regional character. Such wines are going to be tremendously fruity and powerful, but may not offer much in the way of nuance or balance. As I read up on Sunrock Vineyards, which could very well be the hottest single vineyard site in British Columbia, I wonder how they approach these ripeness issues.

Sunrock is owned by Arterra Wines Canada, formerly the Canadian subsidiary of the massive Constellation Brands, but recently acquired in 2016 by the Ontario Teacher’s Pension Plan (for some reason that tickles my funny bone…I’m sure we drove many a substitute teacher to drink). Arterra farms around 1300 acres of Okanagan vineyard, with the expected corresponding range of quality tiers. Jackson-Triggs might be the best known of Arterra’s brands, and the single-vineyard Sunrock labels formerly carried this name as the top tier of that portfolio. Sunrock is now a standalone winery, a fine example of a large corporate entity with the good sense to recognize and preserve the unique character of a single site. And what a site it is. Read the rest of this entry »





The Patient Vintner: Bodega y Cavas de Weinert

24 05 2019

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

If I was to tell you that I was drinking the current release of a mid-tier offering from a well-regarded producer and from a name region, made from 70-110 year-old vines, and that the vintage date on the bottle was 2006, what would you guess the region was?  Rioja – maybe a Reserva offering from a traditional-minded producer?  Champagne, if you are extremely liberal with your definition of “mid-tier”?  Somewhere in Italy?  Portugal?  You would probably be most of the way through the global wine region Rolodex before you landed on Mendoza, Argentina, and once you did, you would probably immediately discard the possibility, knowing this to be the heart of bold, fruity, approachable Malbecs that are released and enjoyed in their youth.  Bodega y Cavas de Weinert, and its current-inventory $25 old-vine 2006 Malbec, will cause you to re-evaluate all of your presumptions; they are an anachronism in all the best ways.

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This classical estate actually has a rather recent history:  the winery dates back to 1890, but its current identity was tied to its acquisition by Brazilian Bernardo Weinert in 1975. Swiss winemaker Hubert Webber has been at the helm since 1996, when he was ensconced at the ripe old age of 27; his mission has been to craft wines from Malbec, Cabernet Sauvignon and Merlot wines that avoid early showmanship and start to reveal themselves after a decade or more, as it is only then that the Bodega will release them to market.  Lengthy barrel aging (up to 5-6 years in large oak foudres in Weinert’s cool granite cellars), then further time in bottle pre-release, is the estate’s hallmark — Weinert follows the old-school Spanish model of only allowing his wines into the public sphere when they are deemed ready to drink, whether or not this follows the standard chronological vintage release playbook.  In other words, don’t necessarily assume that the 2007 will follow the 2006 as the next wine on the shelf.

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The relatively modest prices of the finished wines might be reflective of advantageous land and labour costs in Argentina, but they are not the result of any lack of care in the vineyard:  Weinert’s vineyards, located in Mendoza’s top subregion of Lujan de Cuyo, feature largely ungrafted own-rooted vines that are a minimum of 25 years old and are exclusively hand-harvested.  Fermentation takes place in cement tanks, and Weinert’s cellar boasts both the largest barrel in Argentina (44,000 L) and the oldest barrel in the world, each of which are a reminder that the goal of the Weinert wines’ extended time in barrel is not wood flavour transference (which increases the newer and smaller the barrel is), but gentle, lightly oxidative maturation.  I had the opportunity to taste a trio of Weinert offerings, all 12-13 years old (as is par for the course in this particular corner of Mendoza), to explore this wholly unique take on Argentinian viniculture.  Malbec first, as always. Read the rest of this entry »





Ripasso and Appassimento in Niagara: A Virtual Tasting with Barclay Robinson, Winemaker at The Foreign Affair

15 04 2019

By Raymond Lamontagne

As a wine lover, I often feel I am walking a tightrope of sorts between appreciation of bare-bones, terroir-driven wines of place on the one hand, and esoteric, funky winemaking techniques on the other. My allegiance gravitates implicitly to the former camp, populated by relatively pure expressions of soil and grape variety that eschew the muddying effects of various vinification tricks of the trade. Then again, I can be a sucker for the weird, particularly if there is true intent behind the decision to use a particular cellar technique: the careful realization of a particular vinous vision can be every bit as compelling as what results from a more hands-off approach. It turns out that in some cases, particular techniques are the tradition. And traditions, like other aspects of culture, are meant to be shared, applied to new contexts, and ultimately celebrated.

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Enter Barclay Robinson, winemaker at Ontario producer The Foreign Affair, who recently shared the story and results behind some of these techniques and traditions in a personal virtual tasting.  This was a lot of fun, Barclay being exactly the sort of guy I like tasting with: erudite yet down to earth, funny yet quick to impart knowledge. The winery, situated in the Vineland area of the Niagara Peninsula, is completely unique in the Canadian context. Founders Len and Marisa Crispino lived as expats in Italy, where they fell in love with the Amarone wines of Valpolicella. These burly concoctions are made using the the appassimento process, in which the grapes are dried after harvest for to up to 6 months, typically resting on bamboo racks or straw mats, or alternatively strung up from the ceiling where air can circulate and work its dehydrating magic. These raisined grapes provide a very concentrated must (the juice to which yeast is added after crushing to make wine), which makes fermenting the resulting wine to total dryness quite a challenge. I have grown to appreciate Amarone over the last year or so, although its combination of high alcohol, intense flavour concentration, and a unique nut-like bitterness can be polarizing. The Crispinos decided to bring this winemaking approach to Ontario, albeit using the Bordeaux varietals known to do well in the Niagara Peninsula (alas, Niagara Corvina is not a thing at this juncture). Read the rest of this entry »





Yalumba: Coonawarra Cabernet Classes

28 02 2019

[These wines were provided as samples for review purposes.]

Tonight’s bottle duet replicates one of the most common questions that plagues burgeoning wine consumers:  when it is worth it to jump a tier?  If you’ve tasted and enjoyed the entry-level offering from a given producer, should you invest the extra few bucks to try their next level up?  Will you get more in return, enough more to justify the additional expense?  Value judgments and personal preference are always at least somewhat subjective, but objectively, when you move from a winery’s starter bottle to the next level up, and when you pay more for that privilege, it’s often because you’re getting one or more of:  (1) better, more consistent, more carefully sorted grapes, (2) better vineyard sources, or older vines from within the same vineyard, (3) more estate fruit grown by the producer itself, (4) better (or at least more expensive) winemaking and maturation practices, including more time aging in oak barrels (my legal career confirms that, in some ways at least, time is in fact money), and/or (5) better lots, blends or barrels from the results of the winemaking process.  You can see the similarities in style, region and approach common to the producer between the entry-level or next-level bottles, but in theory at least, due in part to the factors above, you should see some elevation in quality and product as you climb the hierarchy.

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That isn’t to say that pricier is always better; diminishing returns are real in the world of wine, particularly when you enter the realm of luxury wines that cannot hope to deliver the value per dollar of their earthbound affiliates.  But in my experience, the price jump from the cheapest offering of a given brand to its next level up almost always pays off in quality; the patience and precision and commitment required to make truly good wine can be strained when you’re also trying to keep below a $20 price tag, and even the slightest bit of economic leeway can make a massive difference.  Neither of tonight’s offerings fall fully into the entry-level category, but they represent the first and second rungs of Yalumba’s Coonawarra Cab quality tiers, so they will serve nicely to illustrate the considerations that go into whether to make the jump. Read the rest of this entry »





12 Days of Vinebox: Day 3

27 12 2018

By Peter Vetsch

I was not expecting to pull a rosĂ© out of the Vinebox collection, let alone (1) one from Spain that (2) is made from 100% Cabernet Sauvignon, but here we are — this box is already full of surprises.  The 2017 Castillo de Benizar Cabernet Sauvignon RosĂ© hails from the large dead-central Spanish region of La Mancha, the bullseye of the Spanish map.  It is an area known mostly as the workhorse of the Spanish wine industry and a generator of unspeakably large volumes of wine every year, thanks in particular to the Airen grape, the most prolifically planted grape you’ve never heard of, which makes up the largest acreage of plantings in the country.  But La Mancha is starting to be about more than just quantity, and the friendly climate allows for almost anything to be successfully planted, including King Cab.  Gems can be found.

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Castillo de Benizar is a brand of producer Bodegas Ayuso, whose massive new 15,000 m2 production facility allows for fermentation/tank storage of up to 35 MILLION LITRES of wine at once.  But this particular bottling (er, vialling) isn’t a mere commodity.  The Cabernet Sauvignon vines from which this rosĂ© is created are planted on a separate plot specifically and unusually dedicated only to rosĂ© production, making this no saignĂ©e afterthought or vinous byproduct.  Old-school Spanish rosĂ© tends to be mellow and earthy and (intentionally) oxidized, but newer renditions buck that trend and focus on the freshness and fruit purity that are currently making rosĂ© a universal global language.  This one follows suit.

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Castillo de Benizar’s pink Cab is a striking bright watermelon-flesh colour and gives off cool minty and herbal aromas (spearmint, chlorophyll, sage) along with mineral-laced bath salts and soft pink lemonade and raspberry fruit.  Even expecting a more modern pink take based on its colour, I was still unprepared for the level of perkiness and brightness that seeps into every pore of the wine.  There is zero hint of rustic Old World earthiness, which has been wholly eradicated and replaced by turbo-charged acid and vivid Pop Rocks, Thrills gum, strawberry smoothie, pink grapefruit, green apple Jolly Rancher and Welch’s white grape juice notes.  It continually jumps around on the tongue, making all neural synapses fire in rapid sequence.  Despite the confectionary nature of its flavours, the rosĂ© finishes clean and comes across as fairly dry, although the piercing acid probably covers some dose of residual sweetness.  Look at that colour!  Not your grandfather’s rosado.

88 points

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Bricks Wine Advent Calendar 2018: Day 22

22 12 2018

By Raymond Lamontagne

This is my penultimate entry for this project. It has been a long run. I am glad you are still with us. We told you it would be opinionated. Pretending that everything tastes the same or somehow manages to land on the same quality benchmark as everything else would be disingenuous. Rest assured, though, I very much appreciate the fine work ALL of these grape growers and vintners have put into this beverage, this agricultural product, this work of art we call wine. I was pleasantly surprised by today’s reveal. For you see, I am a Pinot Noir guy who still manages to really loves Cab, in all of its decadent, rich, lavish glory.

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Woodward Canyon was founded in 1981 by Rick Small and his wife Darcey. Named for the canyon where Rick’s family has farmed the land for multiple generations, Woodward was the second winery to be bonded in the Walla Walla Valley, with the Smalls playing an integral role in the process by which the Walla Walla AVA was created in 1984. The focus has been largely on Cabernet Sauvignon and Bordeaux blends, with some grapes grown on estate vineyards while others are sourced from select growers in the Columbia Valley. This emphasis on farming first typically yields wines of place, although Woodward Canyon is not averse to blending across sites to yield a particular style. Enter the present bottle. Read the rest of this entry »





Bricks Wine Advent Calendar 2018: Day 2

2 12 2018

By Peter Vetsch

Day 2.  The spirit is still strong, the Advent joy still coursing through my veins, and now the Christmas decor is up and running in my household, so we are officially in the season.  I’m not sure what I was expecting when peeling back the wrapping paper on the sophomore bottle of this calendar, but Cru Bourgeois Bourdeaux wasn’t it.  This could bode well.  Let’s find out.

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Chateau Caronne Ste. Gemme was THIS close to the big time.  As far as global wine locales go, it is quite nicely situated in Bordeaux’s esteemed Haut-Medoc region, but through a misfortune of cartography it fell a scant 500 metres from where they drew the border for the much more esteemed sub-zone of St. Julien, home of legendary classed-growths Leoville-Las Cases, Ducru-Beaucaillou, Leoville-Barton, Gruaud-Larose, Langoa-Barton and other pricy hyphenated estates.  Its vineyards are actually right beside Gruaud-Larose’s, but on the other side of the appellation tracks and thus on the outside looking in of the 1855 Classification and Bordeaux’s power hierarchy.

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That said, it’s not the legendary estates where the bargains are found; it’s their neighbours.  Caronne Ste. Gemme has been owned by the same family since 1900, but in the last 25 years the current generation of owners has overseen a quality explosion thanks in part to a renewed focus on their 45 hectares of Gruaud-adjacent estate vineyards, planted on a mound of Cabernet Sauvignon-friendly gravel over sandstone.  The wines are fittingly largely Cab (60%), rounded out by Merlot (34%) and Petit Verdot (6%) and see around a year in barrique (20-25% new barrel) and further time in bottle before release.

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Cork Rating:  3/10 (Better idea: put the CHATEAU name on the cork, not the proprietor’s name.)

This is SUCH a textbook, classic Bordeaux.  The 2014 Ste. Gemme is a deep thick ruby-purple colour and smells as though it’s just starting to trace the contours of its aging curve:  blackberry and blackcurrant fruit, tomato leaf, juniper, new pennies (back when those were a thing), pink erasers, campfire embers and topsoil.  An interesting beam of supporting raspberry red joins the chorus once the wine hits the tongue, joined by pipe tobacco, cedar shavings, moss and leather, surrounded by still-scratchy tannins that frame rather than block the flavour symphony.  This is a wine that could simply be nothing else.  It is a dream tasting wine, because it purely and accurately displays exactly what it is without overdoing it; varietal and regional typicity squared.  The Bordeaux that I own I’m trying to age, so I haven’t cracked a bottle of youthful Bordeaux in some time.  This makes the argument that I should, while simultaneously making me mull over what it might taste like in another 5 or 10 years.  Value Bordeaux, I have found you.

89+ points