Wine Review: 2019 Amulet Rosé

18 04 2020

By Peter Vetsch

[This bottle was provided as a sample for review purposes.]

What better exemplifies the highly bizarre combination we currently face — our relieved celebration of the actual arrival of spring (I hope) after an astoundingly long winter, plus our enhanced need for vinous companionship amidst the eternal stress of a global viral pandemic — than a gigantic magnum of rosé?  And of the gigantic magnums (magnii?) of rosé to choose from, what one better exemplifies the resourceful spirit and brave acceptance of  supervening realities that we need to emerge from the other side of our immediate world health catastrophe than the 2019 Amulet Rosé?  (Also, what better time in our world history to clutch any kind of amulet as close as humanly possible, especially ones that you can drink?)  This is the defining wine for our times.  Let me explain.

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I initially tasted the inaugural release from Amulet Wines, winemaker Dwight Sick’s Rhone-focused side collaboration with Dylan and Penelope Roche, this past November.  I was highly intrigued by the red and white 2018 Amulet offerings, the former of which was anchored in the Grenache grapes from the Okanagan Kiln House Vineyard from which Sick had previously grown and bottled the first Canadian varietal Grenache wine ever released, and I looked forward to the 2019 release the next fall.  Instead, I received it in February, very shortly after the 2018s had landed and scant months after the grapes had come off the vine.  And instead of a red and a white, the 2019 vintage featured a double-sized pink:  magnums only, and a mere 258 bottles produced.  Why? Read the rest of this entry »





Bricks Wine Advent Calendar 2019: Day 18

18 12 2019

By Raymond Lamontagne

Day 18 of this blogging campaign has me starting off the final week with a slight limp but head unbowed. It has been particularly fun this year, truth be told. The calendar has been superbly curated, considering the perfectly understandable constraints of price point and availability of half-bottles. But I don’t think it is just that. The last few bottles have sparked some enjoyable discussion and debate between the three of us responsible for this Advent blogging set, causing me to reflect on just what it is about wine that is so mesmerizing, so able to inspire passion. Upon reflection, I think for me it is the intersection between art and science. If one knows how wine is made, in a technical sense, one can better assess what is going on with a particular bottle. Maybe this is how I naturally veer, given my professional background… “OK, does this wine gel with how I know it was made?” This sort of conceptual funnelling can provide all kinds of helpful cues as to what I’m experiencing. But then again, what if I am pleasantly surprised? What if I just love the lines of this particular sculpture, heedless of how I know it should present? I think there’s room for both perspectives, within me and within the field of wine assessment more generally. I try to be cognizant of this dichotomy when I see that today’s bottle reads “Cotes du Rhone Villages”.

IMG_1386I’m not implying that I’m disappointed. In fact, this appellation is a deliberate step up in quality from the Cotes du Rhone per se. In the late 1960s, several villages successfully petitioned to include their names on wine labels, in exchange for being willing to submit to higher quality standards. These included the requirement that Grenache must comprise not less than 50% of any given red wine, with a further 20% consisting of Syrah or Mourvèdre in any proprotion. A maximum of 20% of other authorized varieties is also permitted, with these including various obscurities permitted in Chateauneuf-du-Pape (Cinsault, Muscardin, Vaccarese, Terret Noir) along with Carignan. At this point, the Cotes du Rhone Villages appellation has expanded to nearly 10,000 hectares, making it the second largest appellation in the Southern Rhone, half of which can add the name of a specific village to the label. Twenty villages can do this at the present time. This is starting to get the feel of the Dodo Bird verdict from Alice In Wonderland, where “everyone has won and all must have prizes”. Further reinforcing this notion is the fact that the other half of the appellation can distinguish themselves from generic Cotes-du-Rhône by adding the term “village”, albeit without a more specific moniker. The present bottle falls into the latter category, although the producer would certainly take umbrage with the notion that their wines are somehow worse than those labelled Visan or Roaix.

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Domaine Roger Perrin is on the young side for the region, founded in 1969. In what is starting to feel like an eerie theme for me during this December blogging run, Roger died unexpectedly during the harvest in 1969, with well-studied son Luc taking charge. Irked at confusion over his name with that of the famous Beaucastel Perrins, Luc embarked on a quality control campaign to distinguish his estate (the two families are friendly but not related). Tragically, Luc succumbed to a battle with cancer, with sister Veronique and son Xavier carrying on the traditions of hand-harvesting and aging in stainless steel (with the exception of the Chateauneuf-du-Pape wines). The present wine has been described as a “baby Chateauneuf-du-Pape”, consisting of 75% Grenache, 20% Syrah, and 5% Mourvèdre, with a minimum vine age of 45 years. Interestingly, some earlier documentation suggests that the wine was once 5% Counoise and Vaccarese. This wine is made only in good years, with a fairly long maceration period and 20-50% de-stemming depending on vintage ripeness. All this converges on something that is supposed to be an everyday sipper, albeit a step or two above the rest.

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The 2016 Domaine Roger Perrin Cuvee Vieilles Vignes Cotes-du-Rhone Villages is mercifully devoid of faults, suggesting that the Advent Chateauneuf-du-Pape curse does not extend to any “baby” versions. Phew. This leads with a sweeping plush bramble attack of red liquorice, blackberry, and black raspberry, with a few spoonfuls of Mission fig jam and cherry preserve and a dusting of broken clay flower pot, the soil from said pot, juniper, lavender, pineapple sage, and fennel seeds. A cinnamon and ginger snap cookie spice emerges mid-palate, carried along by supple ripe tannins. If Tetley conjured up a black tea flavoured with currants, cacao nibs, and ripe strawberries… this is the sort of warm climate wine I can get fully behind. Neither flabby nor jammy, but hardly a lightweight. Science and art.

89 points    

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Cork Rating: 5.5./10 (Reasonably sharp Diam.)





Amulet Wines: Vinous Talismans

6 11 2019

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

When the intrepid Dwight Sick left his longtime position as winemaker at Stags Hollow Winery and took up the same role at the Naramata’s Moraine Winery, he took two things with him:  (1) a trailblazing sense of adventure, forcing drinkers to check their premises regarding which grapes can work best in the Okanagan Valley, and (2) access to the best and most established plantings of Grenache in Canada, from the Kiln House Vineyard near Penticton.  That combination could never lie dormant for too long.  Sick helped plant the Kiln House Grenache vines over a decade ago, and he nurtured them into the Okanagan’s first bottling of varietal Grenache after years of effort and patience.  It didn’t seem right to let the red Rhone dream die, so soon after it had been realized.  So Sick didn’t.

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Enter Amulet Wines:  a special new side project that Sick has undertaken in collaboration with Dylan and Penelope Roche of the thrilling recent Okanagan venture Roche Wines, fulfilling a vision 15 years in the making.  Amulet is focused solely on Okanagan-grown Rhone varietals, a lesser-known but burgeoning (and shockingly effective) subset of British Columbia’s melting pot of grape influences.  The inaugural Amulet release is a duo of bottlings, both blends, both heavily featuring the Kiln House Vineyard, both aimed at proving that Canada is (or at least can be) a New World Rhone haven.  As Dwight Sick was one of the first to make me believe the truth of this latter proposition, I was eager to see how far an entire brand focused on this goal, and inspired by his vision, could carry it.

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First things first:  god damn are these visually commanding bottles of wine.  I don’t know how gripped I am by the “good versus evil” thematics that pervade the Amulet branding, but I am entirely enthralled by the bottles themselves, which harken back somewhat to Sick’s old Cachet bottlings from Stag’s Hollow in their transparent monochrome-and-red colour scheme.  However, what particularly elevates these new offerings are their centrepieces:  the curved golden metal coins emanating from the heart of each bottle, which are apparently replicas of Elizabethan-era “Gold Angel” coins, depicting St. Michael slaying a dragon, that were carried or worn as amulets to ward off evil.  Whatever these coins added to the overall production cost of the bottles, it was worth it — they are simply stunning.  I tried to pry mine off the bottles once they were empty, but to no avail.  I’ll look for a dragon next time.  Were the wines equally as compelling as their packaging? Read the rest of this entry »





Wine Review: Road 13’s Rhone-ish Reds

29 08 2019

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

Welcome back to Road 13, with my red follow-up of Peter’s prior glowing praise for the white offerings from this Okanagan stalwart. I admit that some inevitable pangs of envy rose up when I heard about just how delicious Rousanne can be in the hands of this  particular producer. Nevertheless, I was pleased to have my opportunity with the reds, one another classic Rhone riff in the form of a GSM blend, the other a more unique joining of a classic stalwart from the same region (the “S” in the “GSM”) with Malbec, a Bordeaux grape that unexpectedly found its fortunes in the New World.

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Road 13’s labels, and indeed its very name, conjure up some pleasant associations for this country boy who has for some time now been irrevocably relocated to the big city. The name came about when the operation then known as Golden Mile Cellars was sold to Pam and Mick Luckhurst in 2003, with the new proprietors wishing to emphasize the more specific location of their winery and the three vineyard sites providing them fruit. A shift to terroir-driven wines occurred, buoyed by an earnest desire to celebrate the region’s rich agricultural history. A natural born gardener, Mick hated just sitting around and loves collecting farm equipment. Pam brought bookkeeping expertise and a natural aptitude as a wine taster. Both sought to learn viticulture, a process they readily admit continued throughout their stewardship of the winery, yet the result of this humbling journey has still been numerous winemaking awards. The last Road 13 red I had, a 2011 Syrah-Mourvedre opened in 2018,  positively dazzled. Hopefully these provide more of the same. Read the rest of this entry »





Bricks Wine Advent Calendar 2017: Day 7

7 12 2017

In the first sign of undeniable Advent progress, we have finished the first six-pack column of the Bricks Wine Advent Calendar crate and are heading into the second.  Hard to believe that Advent is already 25% over, apart from living 12 posts from 4 different people over the last 6 days and thinking about repeating that pattern 3 more times.  The folks who compiled this calendar obviously have a love of the classics, as the first week of half-bottles, apart from the inaugural Canadian-sparkling-Gamay curveball and the glorious interlude into Austrian Gruner on Day 3, has been like reading the chapter titles of a Top Wines of the World textbook:  Brunello, Beaujolais Cru, Marlborough Sauvignon Blanc, Burgundy.  And if you look for the regional chapter title for pink wine, you will probably end up in Provence.  And if you end up in Provence, there is a greater likelihood you will find this wine than any other.

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Whispering Angel is a behemoth.  The Chateau d’Esclans estate was struggling when Bordelais Sacha Lichine bought it in 2006, inheriting vineyards in disrepair but featuring 80-90 year-old Grenache vines and a production with no market presence.  Lichine, looking out on the sunny French Riviera from his estate, identified a gap in the market:  heavy, sweeter white-Zinfandel-style rosé could not quench your beachfront thirst on a scorching day.  He conceived of rosé as a serious wine, made clean and light and dry, meant to disappear at resorts and in backyards with the drinkers scarcely noticing, pausing only to reach for the next bottle.  Whispering Angel, released the following vintage, went from 13,000 cases to over 375,000 cases of production within a decade.  If you’re counting at home, that’s 4.6 MILLION BOTTLES of the current 2016 vintage, sourced from a full 500 hectares of grapes from d’Esclans estate fruit as well as a swath of neighbouring vineyards.  To understand just how much of a thing it now is, you can now buy Whispering Angel gummy bears…that is, you could until they all sold out.

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Cork Rating:  5.5/10 (A perfectly cromulent cork.)

Whispering Angel has its formula down cold:  a blend of Grenache, Rolle (a.k.a. Vermentino – a white grape) and Cinsault, crushed and briefly macerated at very cool temperatures to prevent oxidation and preserve fresh flavours, fermented in stainless steel tanks and served icy cold, ideally on a yacht.  It succeeds, and continues to pull in critical acclaim despite becoming its own commercial empire, because the formula works:  it is both tremendously refreshing and carefully unobtrusive, thirst-quenching yet generally unmemorable.  It is a super pale farmed-salmon colour in the glass and delivers up citric aromas of lemon pulp, pink grapefruit and unripe peach, dusted with ginger and an herbal greenness like basil or chives and overlaid with a chalky minerality.  Its lithe, svelte body brings a splash of bracing freshness, like new snow, and ghostly notes of strawberry, tangerine, copper and lemon-lime, finishing tart thanks to straight lines of potent acidity.  It executes its mission to perfection and has spawned a thousand imitators, but for me the rosé category has lost a bit of its sense of interest as a result.

89- points

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Wine Review: Stag’s Hollow Fall Reds

18 10 2017

[These bottles were provided as samples for review purposes.]

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If this is where we are in the Okanagan, we’re in good hands.

What’s this?  Two reviews in the span of three days??  Is this inspiration or panic?  Turns out it’s a little of both.  For reasons that will shortly become clear, the next couple of months are going to be content-intense here at Pop & Pour HQ (aka my kitchen table), which has me geared up and focused on my current inventory of samples to make sure everything gets its full and proper due.  But I’ve also had a lingering eye on these particular wines ever since they landed on my doorstep, as they represent the latest missive in a wonderful conversation I’ve been having over the past months and years with one of the most intrepid, curiosity-filled, quality-focused wineries in the Okanagan Valley, Stag’s Hollow.  Over the summer I looked in on the white and pink side of their portfolio, but now that my trees no longer have leaves, the time has come to fully commit to autumn, and tonight’s trio of reds has me in the mood to cast off thoughts of T-shirts and shorts and embrace my favourite season.  This lineup features an Okanagan stalwart, only rarely done justice; an utter Okanagan rarity, borne of winemaker Dwight Sick’s unabashed intention to push viticultural limits in the region; and a burgeoning Okanagan star that will hopefully soon get the attention and acreage it deserves.  Pinot Noir, Grenache (!), Syrah. Read the rest of this entry »





Wine Review: $21 Old World Supremacy

11 07 2017

[These bottles were provided as samples for review purposes.]

FullSizeRender-676This will be the last PnP post for a while – in a couple days I’ll be escaping the country on summer vacation and will not be thinking much at all about word counts or flavour descriptors while I’m gone.  Expect palm tree and sea turtle Instagram pictures and not much else until the end of the month.  I therefore felt compelled to send off July on the blog with a double-feature, a head-to-head review of two Old World value level wines with near-identical just-a-shade-over-$20 price tags and almost nothing else in common.  It’s Italy vs. France, a contest of different grapes, winemaking styles, vintages and approaches, with the main unifying links being longstanding traditional estates and a quest to over-deliver on quality for a supermarket price tag.  Enjoy the summer! Read the rest of this entry »





Domaines Paul Jaboulet Ainé: Parallele 45 Trio

6 07 2016

[These bottles were provided as samples for review purposes.]

There are not many producer names as synonymous with their home region as Jaboulet and France’s Rhone Valley.  From their pinnacle bottling La Chapelle from the world-renowned hill of Hermitage (which I have had once and vividly remember to this day) down through the rest of their lineup, the wines of Domaines Paul Jaboulet Ainé are known and revered the world over, although until recently they were decidedly under-represented in our market.  That has now thankfully changed, and Alberta once again has full access to some of the best wines the Rhone has to offer.

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The Jaboulet winery was first started by Antoine Jaboulet in 1834, who then passed it to his two sons, Paul and Henri, to carry on his legacy.  Paul, the older son, gave the winery his name (the “Ainé” in “Domaines Paul Jaboulet Ainé” literally translates to “eldest”), and it stayed in the family for almost 175 years before finally being sold in 2006 to the Freys, a family of French winemakers with properties in Champagne and Bordeaux.  Caroline Frey (fittingly the eldest daughter of the family), who is now 37 and so was in her late 20s at the time of the acquisition, assumed the mantle of winemaker and has instituted sustainable vineyard practices and carried forward Jaboulet’s reputation for classic quality.

Parallele 45 is Jaboulet’s entry-level lineup of Cotes du Rhone wines, so named because the 45th parallel of northern latitude runs right through the Rhone Valley, bisects some of the Domaine’s vineyards and is only a couple kilometres from its cellars.  The bottles all bear an inscription found on a monument in the nearby village of Pont de l’Isere (which, and I am not making this up, is at 45.0040 degrees N latitude):  “Ici Commence Le Sud” – The South Starts Here.  Post de l’Isere looks to be on the southern edge of the Northern Rhone as opposed to the northern edge of the South, but the mantra still fits, and Jaboulet’s wines straddle both sides of the Valley.  I got to taste through the full Parallele 45 lineup – white, pink and red, all of which share the same $18ish wallet-friendly price tag – and see how well they carried forward the tradition of this great name. Read the rest of this entry »





Calgary Wine Life: Thomas Perrin Beaucastel Component Tasting

23 02 2016

FullSizeRender-242I’m having myself a bit of a tasting month here.  A week after sitting down to some incredible 50, 51 and 52 year old Taylor Fladgate Ports, I was treated to one of the most memorable experiences of my wine life:  a chance to taste through the individual varietal component wines of the unparalleled Chateau de Beaucastel with proprietor Thomas Perrin, the first time such a tasting had ever been held in Alberta.  Beaucastel is the legendary estate of Chateauneuf-du-Pape, the top region in France’s Southern Rhone Valley and the first area declared to be an Appellation d’Origine Controllee (AOC – now Appellation d’Origine Protegee, or AOP) in 1936, known for producing rich, dense and complex reds and whites of remarkable quality and longevity.  The Perrin family has owned Beaucastel for over 100 years, having purchased it shortly after most of the vineyards were ravaged by the phylloxera louse and just before the scourge of World War I. Two wars, 100 hectares and five generations later, Thomas Perrin and his family members carry on the legacy of the Chateau and the Perrin name.

Beaucastel’s winemaking philosophy was created and entrenched largely by Thomas’ grandfather Jacques Perrin, whose name graces the estate’s top wine, Hommage a Jacques Perrin, released only in top years.  The elder Perrin converted the entire estate to organic viticulture back in 1962, when almost nobody would even have known what that meant and the prevailing wisdom pushed hard the opposite way, toward the increased use of vineyard chemicals and pesticides.  Chateauneuf-du-Pape permits the use of an astounding 13 different grape varietals, 14 if you count the white version of Grenache (reds – Grenache, Syrah, Mourvedre, Cinsault, Counoise, Terret Noir, Muscardin, Vaccarese; whites – Grenache Blanc, Roussanne, Clairette, Picpoul, Bourboulenc, Picardin), which is way more than your standard high-end rigid French appellation; Beaucastel makes a special point of using them all, white and red, in every vintage of its CNDP release.  They plant, harvest, vinify and mature each varietal separately, as each has a different growth curve and ripeness window, but in all cases they aim to tell the harmonious story of grape, soil, climate and region, of terroir, in their wines.

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Read the rest of this entry »





Wine Review: 2014 Yalumba Old Bush Vine Grenache

18 09 2015

[This bottle was provided as a sample for review purposes.]

Raise a glass to Grenache!

Raise a glass to Grenache!

This is a bottle of eager-to-ripen Grenache from the scorching Barossa Valley in Australia.  This is a delicate, pretty, dainty, almost ethereal wine.  These sentences are both somehow true.  Happy International Grenache Day, everyone!

Yes, the third Friday of every September is set aside to celebrate the wonders of a grape that is prominent on the world wine scene, yet still strangely underrated, often anonymously doing the heavy lifting in a Rhone-style blend and only occasionally stepping out into the spotlight on its own.  This is my second time toasting the grape in September:  I revelled in the glory of the Okanagan’s first ever Grenache back in 2013.  I appear to have missed this global vinous holiday last year, but am now fully prepared to make up for lost time.

Yalumba is Australia’s oldest family-owned winery, founded 166 years ago in 1849 and still in the family today.  You may know them for their string of top notch value wines (the Y Series Viognier is particularly awesome for what it costs), but they have offerings all across the price spectrum, and their standing and longevity has given them access to the types of fruit sources necessary to put quality in the bottle.  With respect to Grenache in particular, Yalumba owns some of the oldest Grenache vineyards in the Barossa Valley; the fruit sourced for this bottle was planted between 1898 and 1973.  Vines that pre-date your great-grandparents used for a $22 wine!  Yalumba is also the only winery in the Southern Hemisphere to have their own cooperage, so they select and import oak and then toast it to their liking and make their own barrels.  Cool. Read the rest of this entry »





Wine Review: 2011 Les Halos de Jupiter Cotes du Rhone

11 02 2014

[This bottle was provided as a sample for review purposes.]

You can take the emptiness of the bottle as a sign of how good this wine is.

You can take the emptiness of the bottle as a sign of how good this wine is.

It had all the hallmarks of a crappy week:  utterly frigid weather, lack of sleep due to a teething baby, tons of stuff to do at the office.  But everything changed yesterday afternoon when I had an unexpected visitor at work:  a courageous rep from The Wine Syndicate who braved the cold to drop off a box of 5 killer-looking wines for me to try.  One of them in particular caught my eye, a French red from the Southern Rhone with a decidedly un-French approach to branding.  It was the first vin de France I had ever seen with a planetary body on the label, and I knew as soon as I saw it that I was opening it that night.  As it turns out, I lucked out, because this is a comfort wine to the nth degree, the ideal way to warm up after plunging through gruesome winter on the way home.

Les Halos de Jupiter is a negociant operation (where grapes are sourced largely or entirely from vineyards not owned by the winery) overseen by French master consultant Philippe Cambie, who provides his expert touch to a number of famous Rhone labels and has taken this on as his own personal side project.  The obvious first question on my (and everyone’s) mind:  what’s with the name?  The label explains that Jupiter (in Roman mythology, the same as Zeus in Greek mythology) is the king of gods and humans, the head of the patriarchal family of deities.  It’s also the biggest planet in our solar system, and Halo is the closest of its rings.  Cambie believes that Grenache is the king of all grapes and the “natural leader of Rhone varietals”; it’s the Jupiter of viticulture, and its Halos are the various subregions of the Rhone Valley that best allow it to express itself.  If this were an SAT questionthe best SAT question ever, its answer would be Halos:Jupiter :: Rhone regions:Grenache.  Cambie’s Halos span the most prestigious areas of the Southern Rhone, from Chateauneuf-de-Pape to Gigondas and Vacqueyras, but they also extend to areas where hidden values can be found.  Cotes du Rhone is a catch-all appellation that basically covers all of the areas of the Rhone that aren’t scooped up by a sexier subregion, but this particular wine is a single vineyard offering grown at elevation just outside of the quality region of Rasteau, yielding top-end old vines Grenache without the CNDP price premium. Read the rest of this entry »





Wine Review: 2012 Stag’s Hollow Grenache

20 09 2013

[This bottle was provided as a sample for review purposes.]

You may be looking at history -- Canada's first 100% Grenache?

You may be looking at history — Canada’s first 100% Grenache?

I will spare you the details of why I haven’t posted in awhile; suffice to say that it involves multiple children under the age of 3, potty training, vomit, and the inexorable loss of sanity.  As a result of the above, these first 50 words have taken 25 minutes to write.  But I will not be deterred, because today is something bigger than you or I or the trials of parenting.  Today is International Grenache Day.  And today I get to write about a wine that I have followed from a distance for a long time, even though it is brand new to market.

I have recently come to realize and embrace that, when it comes to reds, I’m a Rhone guy.  I have adored Syrah for quite some time, but in the last few months I have become increasingly enamored with the southern French region’s other red offerings as well.  I tried with piqued curiosity my first varietal Carignan, the ’70s shag carpet of wine.  I devoured Mourvedres from Bandol to Washington State and back.  And I opened my heart to the joy and beauty of Grenache.  There may be other grapes that I enjoy more at their peak expressions, but I don’t know if there’s another grape out there that disappoints as seldom as Grenache does.  No matter how much it costs or where it’s from, it always hits the mark and is reliably bright and juicy and enjoyable.

But what it’s not, at least until now, is from Canada.  Grenache is generally a hot-climate grape, one that needs a lot of sun and a lot of warmth to ripen.  It’s best known in the Mediterranean climates of southern France and the arid deserts of Spain, occasionally popping up in the equally balmy South Australia or the equally parched eastern Washington.  In Canada, where every grape imaginable seems to be planted with hope somewhere, I had never heard of Grenache being grown, and certainly had never seen it being bottled on its own, until I happened to stumble on a Twitter mention of this project by Stag’s Hollow winemaker Dwight Sick.  I have been thoroughly intrigued by the idea of Okanagan Grenache ever since, and after some relentless cyber-stalking, I was lucky enough to snag a bottle of this inaugural experiment and see for myself how this warm weather red adapted to my home and native land. Read the rest of this entry »





Wine Review: 2011 Wine Men of Gotham Shiraz Grenache

7 11 2012

[This bottle was provided as a sample for review purposes.]

Cartoon Aussie label looks can be deceiving.

Don’t worry — this won’t be the wine you think it is.  After living through over a decade of mass-produced, hugely ripe, straight-ahead, destined-for-export cheap wines coming out of Australia bearing tongue-in-cheek labels laden with any number of hand-drawn creatures, we can all be forgiven for looking at any sub-$15 Aussie red with a cartoon label with a touch of skepticism.  While I think the country as a whole often gets unfairly typecast by virtue of the overwhelming response that Yellow Tail and its brethren received when they burst onto the international market, it’s probably fair to say that most inexpensive Shiraz still tends to follow this formula…after all, why mess with success, especially the economic tidal wave of success that these wines continue to enjoy?  But this bottle does exactly that, delivering a wine that is light years from what your taste buds are expecting of a Shiraz Grenache from Down Under and trampling on some prejudices while it’s at it.

The first hint that Wine Men of Gotham’s Shiraz blend might be different from most is its alcohol level:  at 13%, it’s a good 1.5% to 2% lower than the standard modern Shiraz from Australia.  This is particularly unusual/impressive because (1) the regions where the wine’s grapes originate (Barossa Valley, McLaren Vale and Riverland, although the label bears the catch-all “South Eastern Australia” name due to this multi-zone viticultural collaboration — SE Australia is an area that spans most of the grape-growing land in the country outside of the West Coast) generally tend to have warmer-than-average climates, which encourages faster sugar ripening and thus higher-alcohol wines, and (2) Grenache grapes are known for producing wines with heightened alcohol levels, especially in hotter climates.  It’s near impossible to produce a big, goopy, jammy Shiraz Grenache at 13% alcohol, which suggests that the Wine Men had something else up their sleeves for this bottle. Read the rest of this entry »





Wine Review: 2009 Gramercy Cellars “The Third Man” GSM

17 12 2011

I’ve wanted to try a bottle of Gramercy for over a year.  Last fall I bought Wine & Spirits Magazine’s annual Top 100 issue listing their hundred best wineries in the world for 2010, and there for the first time I read about a Washington producer called Gramercy Cellars, started by Greg Harrington, a Master Sommelier (the youngest to earn the title in the US) who quit his prestigious position as wine director for a group of NYC restaurants in order to move to Washington State and start making Syrah, despite no prior winemaking experience and no connection to the Pacific Northwest.  He was inspired by a chance tasting of Walla Walla wines that he attended, moved by their balance and sense of place to such a degree that he was motivated to drop everything and start a new life.  Gramercy Cellars was born in 2005, and within five years it was officially considered a force on the American wine scene; in addition to the top 100 honour in Wine & Spirits in 2010 (a distinction repeated in 2011) and other awards, Gramercy was named Best New Winery by Food & Wine Magazine in 2010 and promptly celebrated, uh, well, like this:

Since all you have to say to get my vinous attention is “Washington” and “Syrah” in the same sentence, I’ve been waiting and hoping to see a bottle of Gramercy around Calgary somewhere, but until very recently it simply wasn’t available.  So imagine my surprise when one of my go-to wine shops, Highlander Wine & Spirits, announced last month that they had arranged the provincial exclusive to carry Gramercy wines and were making a number of them available for immediate sale…it felt like some kind of strange karmic reward.  This particular bottle was an XMas gift from my friend Elliot (thank you!!), but needless to say I also stocked up on some of Gramercy’s varietal Syrah to enjoy at a later date.

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Wine Review: 2006 Domaine Les Pallieres Gigondas

10 04 2011

All the CNDP quality, half the price.

There hasn’t been a lot of French wine so far on PnP, not because I’m not a fan, but because I haven’t had a lot of it lately.  But tonight that all changes with authority, as this Gigondas put on quite a show at Sunday night dinner.  Gigondas is a wine region that’s a good bet for killer value wines:  it’s located in the Southern Rhone in the southeast corner of France, very near the much more famous Chateauneuf-de-Pape, and it makes wines that closely resemble those of its more exclusive neighbour.  It has a very similar climate (warm and Mediterranean) as CNDP and uses very similar grapes in its wines (in its reds, predominantly Grenache  with Syrah, Mourvedre and Cinsault the main others in the blend) as CNDP, but since it’s not called “Chateauneuf-de-Pape”, its wines (many of which rival CNDP in quality) are much, much cheaper.  Once you stop paying for the region name on the label, more of your buying dollar goes to pay for the quality of the wine itself.  Case in point:  this Gigondas was only slightly more expensive than this horrible train wreck of a CDNP, but was about a zillion times better made. Read the rest of this entry »








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