Castoro de Oro: Canned Heat Edition

5 07 2020

By Peter Vetsch

[These wines were provided as samples for review purposes.]

I have been on record for a while firmly in support of wines in cans.  While these aluminum-encased wonders will likely only ever play the role of sidekicks to the glass bottle in the world of wine packaging, they absolutely have their time and place:  specifically, whenever you need your wine to be portable and unbreakable, whenever you know that a full bottle won’t be needed, whenever you’re in a place where you need your wine’s container to be its own glassware, and whenever you want to stand outside and sip on a cold one that’s better than beer.  Cans are transportable, stackable, packable, TCA-proof and fully sealed from damaging oxygen, and once the wine is in the glass, you’d never know that a container bred after the Industrial Revolution was involved.  I’m all for the romance of wine, but I’m also for not wasting money on preventably damaged goods.  Cans are not a fad.  Bring them on.

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And Castoro de Oro has.  The Golden Beaver of British Columbia’s Golden Mile is the first southern Okanagan winery to bring out a line of canned wines, selected from the white, red and pink sides of their portfolio and line-priced at $8.99 across the board for the British Columbia and Alberta markets.  Each can is 250 mL, equivalent to a third of a bottle (or a can of Red Bull, for anyone who has ever had to work late, has had a baby, or just likes being jittery), and the wine inside is 100% estate fruit, the same as what the winery bottles in its standard glass packaging.  Quality, meet portability.

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[The lawyer in me has to intervene here for a second.  Often progress does not move as quickly as formal legal recognition, and this is one of those times.  British Columbia’s Wines of Marked Quality Regulation under the province’s Food and Agricultural Products Classification Act does not — yet? — allow for VQA wines, those of the highest recognized legal quality distinction in the province, to be bottled in cans.  Section 49(2) of the Regulation specifies that wines must be bottled in glass bottles; section 49(3) requires them to be sealed by real or fake corks or by screwcap.  Legislating quality practices is critically important, but it only works if you focus on what assures quality and don’t unnecessarily impede what doesn’t.  I predict an amendment to the Regulation is coming, but probably not until after the VQA emblem is regularly eschewed in favour of this wine delivery mechanism that consumers demand and that provides convenience without forgetting its primary purpose:  to respect and protect the wine inside.  Get on it, BC government.]

Those interested in further details about this peppy, approachable winery focused on delivering value and non-wallet-crushing wines should check out Ray’s excellent introduction to Castoro de Oro from last year.  Those interested in crushing some cans, read on. Read the rest of this entry »





Wine Review: The Reds of Castoro de Oro

14 08 2019

By Raymond Lamontagne

[These wines were provided as samples for review purposes.]

Welcome back for part 2 of my coverage of a cross-section of the current lineup of the Golden Mile’s Castoro de Oro, following on the heels of last week’s assessment of a trio of their whites. Those wines were fun, clean examples of how a savvy winemaker can produce something that is capable of appealing to a rather broad swath of the wine-drinking public. One can simply enjoy such wines in a purely casual fashion, equal parts pleasant taste and social lubricant, or one can, likely on a different occasion, plumb and probe for something deeper. Will the reds (and a rosé) paint a similar picture?

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Before I attempt to answer that question, a few words about the winery name (see my last post for more about the vineyard conditions). The name “Castoro de Oro” is a tribute to how Canada was founded and gives a nod to our majestic country’s national animal. Yes, the pictures on the label and your phrasebook Spanish do not deceive you: “Castoro de Oro” really does mean “golden beaver”, with a nod towards Canada’s roots in the fur trade.  Back in our colonial days, beaver pelts were deemed “soft gold” because they were in tremendous demand on the market. Additionally, it was none other than beavers who created the small lake that helps provide a key moderating influence on the climate at Castoro de Oro’s vineyards. The top hat seen on the winery mascot above embodies the fashion that was vaunted at the time of the soft gold rush. Truly, what fantastic branding. Ultimately, though, what matters to me is in the bottle. Read the rest of this entry »





Wine Review: 2013 Culmina Unicus

8 06 2014
There it is:  history in a (classically presented) bottle.  BC Gruner!!

There it is: history in a (classically presented) bottle. BC Gruner!!

In my last post, I celebrated an Old World country’s rich wine history.  In this one, I get a front row seat as a New World country, my own, takes a milestone step towards charting its own course.  I may be a little more excited about this development than is strictly necessary, but I’ve (seriously) been waiting and hoping for this moment for a few years.  Finally, fantastically, Gruner Veltliner has come to the Okanagan Valley.

If you’ve heard of Gruner before, chances are you’re either at least a semi-serious wine person or you’ve been bothered about it before by me.  I adore Gruner, which is the signature white grape of Austria and is rarely found elsewhere; given that Austrian wine doesn’t exactly fill retailers’ or importers’ heads with gleeful visions of dollar signs, there tragically tends to be much less of it around locally than its quality and value would otherwise dictate.  If you’ve never tried a bottle of Gruner Veltliner, it’s sort of like if a Riesling and a Chardonnay had a rebel baby.  It combines the powerful acidity and piercing minerality of Riesling with the luxurious, silky mouthfeel of Chardonnay, then takes a left turn and offers up a remarkable set of spicy, tangy and often downright wacky flavours all its own, from white pepper to rubber boots and elastic bands (all in a good way, I swear).  The result is a sensory experience unlike any other in wine, one that keeps you constantly engaged as you try to figure out what the hell is going on in your mouth.

One of the reasons that I have often thought that Gruner Veltliner might be able to find a second home in Canada is the climatic and geographic similarities between BC wine country and Gruner’s homeland:  northern Austria and southern BC share almost the exact same latitude (48.4 degrees North in Wachau, 49.1 degrees North in Oliver), the same continental climate and high day-night temperature shifts and, in places, similar soils.  Yet until now the Okanagan has churned out every conceivable white grape under the sun, but no GV.  Thankfully, Culmina has come to the rescue.  This new high-end venture from Don, Elaine and Sara Triggs (of Jackson-Triggs fame) is based on a philosophy that combines old-school attention to detail and minimalistic winemaking with new-school scientific advancement, especially as it relates to vineyard mapping and matching grapes to sites based on detailed soil, temperature and exposure analysis.  Check out the details at Culmina’s visually stunning website – they’re fascinating, if you’re the sort of person who finds micro-block mapping and soil pit analyses fascinating (which I am).

Read the rest of this entry »








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