Pop & Repour: Preservation Experimentation – The Results

14 05 2019

By Peter Vetsch

I feel like I’m in a time warp.  In this optimistic post from early February, I advised that the blog had been silent for a while due to sickness, but that we were back up and running and that I was testing out a brand new wine preservation gadget, with results to follow shortly.  Well, after that post, about the excitingly simple Repour Wine Saver, the blog fell silent for a while due to sickness (an ear infection and then sinusitis this time, mixing it up from the bronchitis I had before), but I can now advise that we’re back up and running and that I can now report the results of said wine preservation test.  If this cycle repeats one more time, I’m quitting the wine-writing hobbyist biz, but if I can avoid antibiotics for the next hour or two, I will pass along this tale of experimental trials, inadvertent failures of the scientific method and the (largely) successful demonstration of Repour’s mettle, complete with an unexpected twist at the end.

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For those who don’t feel like clicking on this link to catch up on my prior introduction to this ingenious device, the Repour is a single-use one-stop-shop for wine preservation, a plastic bottle stopper stuffed with oxygen-absorbing material that actively removes any oxygen remaining in the bottle after each glass pour, leaving the wine inside pristine and untouched by decay-inducing air for (they say) “days, weeks or even months”.  It costs $3-4 CAD and lasts for the entire duration of one bottle of wine, regardless of how many times you go back to the well with that bottle.  I decided to test that marketing promise rather emphatically.  I opened three bottles of 2015 Alfred Merkelbach Urziger Wurzgarten Riesling Kabinett from Germany’s Mosel Valley, drank a healthy dose out of each, then left one as a poor unguarded control bottle without any form of preservation beyond my refrigerator, dosed the second with argon gas (my personal pre-Repour preferred method of preservation) and test-drove the Repour with the third, revisiting them multiple times over the next month and tracking how well each bottle stood up.  My running preservation diary is below.  To refresh your memory, here was my initial tasting note on the Merkelbach Kabinett:

“The wine is a complete throwback to a bygone era, understated and filigreed in style, with canned golden apple, sea spray, petrichor and orange zest aromas giving way to a fragile yet enduring, heavily mineral palate, all quartz dust and steel.  The restrained residual sugar offers relief and key lime accents without weight, the acid is omnipresent but not cutting, and the finish is taut and straight-laced, perfectly formal and polite and German.” Read the rest of this entry »

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Pop & Repour: Preservation Experimentation

7 02 2019

By Peter Vetsch

And – we’re back.

When I posted the review for Vinebox Day 12 as we polished off our daily reviews for two consecutive holiday wine calendars, I fully intended that the blog would go dark for a little bit while we rested our typing fingers and regrouped.  I did not intend to then catch bronchitis and a cough that wouldn’t die in a house full of plague and contagion, but that’s what happened, leading to a much-longer-than-anticipated blackout period to kick off 2019.  However, I’m back on my feet and Pop & Pour is officially back in business with some compelling content in the wings to kick off our writing new year, starting with a new and intriguing solution to one of my favourite wine questions:  how best to preserve an open bottle.

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I am an unabashed wine preservation geek.  I own a Savino (and it works! at least for shorter storage periods).  I have tried, and ultimately discarded, a number of vacuum pump oxygen-expelling gizmos (which never quite get all the air out and quickly cease to become airtight themselves, thus undermining the whole enterprise).  I have written a lengthy series of real-time preservation reports about the Coravin as I gradually drained bottles with one over the span of six months (a series of posts that continues to get regular views in Iceland to this day, though I could not tell you why).  My current preservation go-to is an argon dispenser, which places a blanket of inert gas over top of the remaining wine in the bottle and acts to prevent further oxygen contact, as oxygen is the primary agent that leads to wine deterioration over time.  I thought I was fairly up to speed on the various different ways to keep wine from spoiling, but little did I know that a new entrant had recently joined the fray.

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The Repour Wine Saver is ingenious in its simplicity.  All wine preservation tools operate by preventing oxygen access to wine in some manner or another.  Some of them fail because they rely on physical or mechanical processes that grow less efficient over time as materials change or fail.  The Repour has no moving parts or components that can get worn down over time, particularly because it’s not meant to be used over time: it’s a single-use disposable bottle stopper that retails for $3-4 CAD, keeps a single bottle of wine fresh for as many times as you care to reopen it, and is then thrown away.  It works not by expelling or blanketing the oxygen in the bottle, but by absorbing it.  The interior of the stopper is crammed full of oxygen-absorbing material (of a type that is also used to help keep food fresh during transit) which, once the cover tab is removed and the stopper is placed in the bottle, starts pulling the oxygen not only out of the air inside the bottle but also out of the wine itself.  No oxygen = no spoilage. Read the rest of this entry »





National Zinfandel Day: An Interview With Ravenswood Founder Joel Peterson

15 11 2018

By Raymond Lamontagne

Happy National Zinfandel Day! Although we do not feature many interviews on Pop & Pour, we felt that the chance to publish a Q & A correspondence that I recently had with Joel Peterson of Ravenswood, commonly described as California’s “godfather of Zin”, would be a consummate way to celebrate, especially when paired with tasting notes for one of Ravenswood’s most iconic wines. To me, Zin embodies a key dialectic at play within wine appreciation: that between elegance, austerity and grace on the one hand, and sheer hedonism, richness and bold frivolity on the other. As an avowed disciple of Pinot Noir, you can deduce which pole of the dialectic I might ultimately prefer. However, wine is so immensely enjoyable precisely because there is ample diversity, so many different experiences to chase down and absorb. And I do like having my mind blown by huge flavours as much as the next bon vivant. If I am being honest with myself, a well-crafted Zinfandel may do a better job of resolving this particular dialectical dilemma than almost any other black grape:

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There are some very specific cherry varieties listed here. I approve. (https://zinfandel.org/resources/zinfandel-aroma-wheel/)

The best Zins feature succulent, approachable berry fruit in lockstep with robust secondary flavours of smoke and spice, all festooned on a moderately formidable structure of fresh acidity and fine ripe tannins. They are fun and serious in equal measure: light yet dark, carefree yet intense, simple yet complex. Joel Peterson masterminds just this sort of Zin. Read the rest of this entry »





The Vinebox Cometh: 12 Nights of Wine

14 11 2018

After 7+ years of blogging about and immersing myself in wine, I am in many ways an open book about what I like and don’t like, vinously speaking — there are now over 450 posts on this site, and other musings elsewhere, that spell out exactly what gets me pumped about a new product or wine experience.  Three of the things that rank high on the good side of my ledger, backed up emphatically by past history, are (1) savvy labelling and branding (my love of which is the basis for every Cork Rating I’ve ever done), (2) clever alternative packaging (bring me your wines in cans, your 1L bottles, and everything in between), and (3) Advent calendars.  If you rolled your eyes about the last one, feel free to consult PnP’s 125+ December postings over the past four years and then get back to me…if I’m not a boozy Advent authority by now, I never will be.  As we approach another holiday season, little did I expect to be dumbfounded by a sleek, shiny, downright sexy combination of all three of these things.  Meet Vinebox:

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Oh yes.  It gets better.  Take a look inside:

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OH YES.  Bring it.  That’s what I’m talking about.

Vinebox is a San Francisco-based company that, up until right this minute, was a US-only subscription service for by-the-glass-sized portions of new, interesting, high-quality wines.  This special holiday release box marks their first foray into the Canadian market, and luckily for us locals, it is exclusive to Richmond Hill Wines and a select few other boutiques right here in Calgary.  Given my prior history of Advent proselytizing, I would be remiss if I did not point out that Vinebox’s 12 Nights of Wine holiday kit is not technically an Advent calendar, as it offers 12 different holiday wine offerings instead of the classic Advent 24-day December countdown to Christmas.  It is instead intended to mirror the 12 days of Christmas (which, I was shocked to discover, all actually occur AFTER Christmas — they run from December 25th through January 5th, marking the time in Christian lore that it took the three wise men to arrive and visit the newborn Jesus…mind formally blown).  Practically speaking, this means that you can either crack a glass on every even day in December as a sort of quasi-Advent replacement (or get two and create your very own full-scale Advent calendar, with a critical revisit of each offering every second day) or get the coolest Christmas gift ever for somebody to enjoy on Christmas Day and the next eleven following.

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In recent years, because the progress of the species is a real and abiding thing, we have seen a proliferation of wine, beer and spirits-based Advent and holiday calendars in a variety of shapes and sizes.  What sets the Vinebox addition to this growing December lineup apart is the unique and patented way the wines are delivered, in Stelvin-enclosed, test tube-like — yet still amazingly labelled and producer-branded! — 100 mL glass cylinders that make a stunning visual impression. Read the rest of this entry »





PnP – Now on FB!

6 06 2016

After a half decade of technological procrastination, Pop & Pour has finally properly joined the Internet age and now has its very own Facebook page – you can access it here for reviews and other content:

https://www.facebook.com/popandpour

It is still in early development but will be expanded further in the coming weeks.  In the meantime, if you are a fan of the blog, I would be thrilled if you would be willing to Like and Share the page in Facebook – it would be very much appreciated.  New reviews coming this week!

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FLX: Finger Lakes Extravaganza – Part VI

29 05 2016

Well, we made it.  When I started this trip recap I wasn’t thinking it would be a 15,000-word Greek epic, but that’s what happens when an area has so many stories to tell that so many people may not have heard.  To retrace your steps:

Finger Lakes Intro & Conclusions
Part I – Long Island, Hudson River, Dr. Frank
Part II – Keuka Spring, Chateau Lafayette Reneau
Part III – Red Newt, Knapp Winery
Part IV – Hermann J. Wiemer, Lamoreaux Landing
Part V – Boundary Breaks, Anthony Road

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Our last winery visit was probably also our most anticlimactic, but only because it felt for many reasons like Fox Run Vineyards had been with us all along.  In many ways Fox Run was the catalyst for our whole trip, the Finger Lakes producer with the deepest and most established Alberta presence, to the point where its unoaked Doyle Vineyard Chardonnay was recently selected as the official on-venue house white of the 2016 Calgary Stampede.  A key piece of the winery had literally accompanied us on nearly every stop of our grand FLX winery bus tour:  Sales Manager Dan Mitchell had given us the scoop and filled in the blanks about the region and the wineries who hosted us, never once seeking to undermine any one of them in favour of his own employer, delivering honest yet community-minded feedback that gave us a better sense of what the Finger Lakes were all about than any tasting room.  Winemaker Peter Bell was almost a mythical figure, his impact and his protégées spread across the entire region, his reputation eagerly preceding him even though he is certainly not the kind of person who would revel in it. Read the rest of this entry »





FLX: Finger Lakes Extravaganza – Part V

28 05 2016

Roll call for the previous chapters in this saga:

Finger Lakes Intro & Conclusions
Part I – Long Island, Hudson River, Dr. Frank
Part II – Keuka Spring, Chateau Lafayette Reneau
Part III – Red Newt, Knapp Winery
Part IV – Hermann J. Wiemer, Lamoreaux Landing

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Kees Stapel, Boundary Breaks Vineyard

Ten wineries into our multi-day tasting tour of the Finger Lakes, we continued along the eastern shoreline of Seneca Lake for a different kind of meeting with a different kind of winery.  Rather than gather around a tasting room counter with a winemaker, we were told to head out to the vines at Boundary Breaks Vineyard for a grape-growing lesson with the winery’s conscientious viticulturist, Vineyard Manager Kees Stapel.  He is such an integral part of what Boundary Breaks is all about that he is the very first person listed and pictured in the list of personnel on the winery website; owner and president Bruce Murray doesn’t mention himself at all.  This unusual (but laudable) level of marketing focus on the vineyard team is partly because Boundary Breaks is a winery without a winemaker:  it was founded based on its vineyard, planted in 2008 to four different Riesling clones on an ideal sloped, breezy, sunny, west-facing site arcing gently downward to the lake.  It only makes Riesling and focuses its energies on only five different bottlings, which are presently vinified by Red Newt winemaker and FLX Riesling star Kelby James Russell. Read the rest of this entry »








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