By Peter Vetsch
[These bottles were provided as samples for review purposes.]
I have recently seen an opinion expressed more and more on wine-drenched social media: that wine should be more expensive. The basis behind the statement is that quality farming techniques, proper vineyard vigilance, ethical labour compensation and the avoidance of interventionist winemaking heuristics all cost money, and supporting a rigorous and chemical-free production process not only pays off in the result, but is worth paying more for on the shelf. I empathize with the sentiment, and generally agree with the idea that more handmade vine-growing and winemaking processes necessitate a greater degree of care and focus in order to achieve success, which in turn can raise the ceiling of a wine’s potential. I routinely pay more money for wines like this, which strive for quality through attentiveness.
That said, there will always be a place for gateway wines, for both economic and marketing reasons. There is a fairly significant portion of the wine-drinking population who won’t, or can’t, pay substantial sums for a single bottle of wine, regardless of its ostensible merit or authenticity. In addition, our closest local winemaking industry here in Alberta, the Okanagan Valley next door, already faces pricing pressures to land on retail shelves at costs that are at least somewhat competitive to the Chilean and Argentinian offerings in the next aisle over, due to higher land and personnel costs and a host of other reasons. If you want to convince people to pay a bit more for a certain region’s wines and to drink better as a result, you have to start them somewhere that combines both immediate enjoyment and and a subtle hint that they’re just starting to scratch the surface. Enter Calliope.
This accessible, approachable, expressive value line from the Wyse family that brought you Burrowing Owl Winery is named after yet another bird (Canada’s smallest bird, in fact – a hummingbird found in southern BC) and is designed to offer wines with clear typicity and bright flavours in an attractive package that doesn’t scare people off. While they could maybe do with a bit less stock photography on their website, their wines have consistently achieved this goal, and opened up the world of BC wines to new consumers as a result. Calliope’s latest set of releases seek to maintain the formula, and bring some pink back into the winery’s vocabulary to boot. But first, the whites. Read the rest of this entry »
Sometimes you have to force seasonal drinking posts, and other times the season and the drinks just fall right into your lap. Stampede is here in Calgary, the thermometer has just recently clocked over 30C, and we’re well-ensconced into July, which turns my sample pile ponderings to thoughts of whatever I can chill for refreshment most effectively. After landing on an ideal trio of bottles that achieved that lofty goal, I noticed something odd that bound them together: they have all at one time or another previously graced the pages of Pop & Pour. Even though the blog is now 7½ years old and counting, that basically never happens. Sometimes summer is just meant to be. Game on.
cabernetdialectic (Raymond Lamontagne)
Dan Steeves
Peter Vetsch
tylerderksen
pop & pour 