PnP Panel Tasting: The Hatch – Library Release

28 05 2018

[These bottles were provided as samples for review purposes.]

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(Re)Entering The Hatch.  In stereo.

It had been far too long since we last held a panel tasting, and we were missing it – there’s something about tasting outside of the echo chamber of your own brain that is gloriously refreshing and invigorating.  Plus multiple wines and multiple friends is generally a guaranteed recipe for a proper time.  One of us (Ray) wondered about reaching out to his friends at the Okanagan’s weirdest and most interesting winery, The Hatch, for inspiration.  We naturally assumed that we would get some intriguing and tasty wines from this divergent, artistic, even edgy winery (the latter word is drastically overused but still rather works in this case).  The common approach would have been to send a set of current releases, bottles that the reading public could come scoop if they were so inclined.  Well, The Hatch is not common.  PnP’s second ever Panel Tasting turned into a library release celebration, focused on a trio of bottles with a few years on them, from the mysterious and mildly depraved depths of the winery’s cellars.  It not only allowed us to get a sneak peek at what the future might hold for some more recent bottles that we were holding, but it also gave us a chance to answer a question that nags at a number of people in our home and native land just getting into wine:  can Canadian wine age?  Does it improve?

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The answers, in order, are “yes” and “it depends”; in the upper echelons of our national wine industry are scores of producers who are creating layered, complex, long-term wines that easily stand the test of time.  The eye-opening part of this tasting wasn’t so much that ageworthy BC wine was possible, but that it was starting to be accessible even at lower price points, another sign of the province’s rapid progression into a globally competitive wine power.  After this, there will be far more local bottles that spend more cellar time before seeing the light of day.  It made sense for us to each choose a bottle to write up, but rest assured there was much group analysis of everything we were tasting, making the below report a true joint effort. Read the rest of this entry »





Cellar Direct: Underdog Whites

27 03 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

IMG_7833Close-following Pop & Pour adherents (if such things exist) will have been waiting for this moment for a couple of months.  In my last write-up about the tremendous Euro-tacular wine offerings of Cellar Direct, I teased that the two Italian reds going head-to-head in that review were not the only bottles (or colours) from that country that Cellar Direct had sent my way, but I opted to hold back the indigenous Italian white wine from that set so that it could shine in an all-white duet in a later post.  Well, here we are, and tonight’s 100% Arneis lead-off hitter is joined in the batting order by a rather mysterious and off-grid white Burgundy (to the extent that anything Burgundy can be considered off-grid), each bottle a tantalizing find that proves both that even famous regions have hidden values and that you often need some expert assistance to find that value needle in the prestige haystack.  If Cellar Direct is anything, they are that Old World value sherpa, leading you to consistent quality at credible price points over and over again.  Their streak of never sending me a bad bottle lives on. Read the rest of this entry »





Wine Review: Winter Warmers, Part 2

27 02 2018

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

Red or white? Before wine became a serious subject of study for me, I gravitated towards whites, and not premium quality ones either, a preference that was likely the product of early learning (e.g., that box of German plonk that was a nigh-permanent fixture on the kitchen counter) coupled with an irrational phobia of such mythological creatures as “tannin-induced hangovers”. As it turns out, there is a general trend in humans towards a greater appreciation for bitter flavors and pucker-inducing sensations that comes with age and experience. Years later, I adore red wine while continuing to appreciate characterful whites. At this point the distinction between red versus white is but a minor factor in my choice of which wine to consume at a given point in time, one that can sometimes influence me at the very early stages of decision-making (“is it a red or a white night?”), but that ultimately carries less weight than varietal, region, style, or what’s for dinner. The Agriculture and Agri-Food Canada webpage indicates that at the national level, Canadians prefer red wine to white, with the exception of British Columbia, where whites are more popular. Heedless of the overall trend, many (myself included) continue to associate winter with hearty reds. Without further ado, let’s launch into part 2 of our robust red reviews, following Dan’s introduction from late last week.

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2011 Montecillo Rioja Reserva ($18)

Spain has more area under vines than any other country and is the third largest producer of wine in the world. Spanish wine on the whole was considered rather rustic and ragged until a major shift towards improved quality occurred in the mid-20th century, before which time it was not unheard of to dilute the wine with lemonade to increase palatability (!). Rioja remains the best-known area for red wine production in Spain, although recently a few upstart regions have made inroads. Tempranillo is Spain’s top indigenous variety, with plantings doubling across the country over the past decade, and is the dominant grape in almost all Rioja reds. I found a great quote from a top Rioja producer in Benjamin Lewin’s book “Wine: Myths and Reality”: “Everywhere in the world, people want to make wine like Burgundy. But it is not in our history, we have  always blended”. Historically, Rioja’s very warm vineyards resulted in full ripening of any given grape varietal, such that blending was necessary to achieve the desired complexity. In a traditional blend, fruitiness came from Tempranillo, while Garnacha (Grenache) provided more color, body, and alcohol, with relative rarity Graciano providing acid to offset the softness of the other two. This classic blend often yielded wines featuring what Lewin calls “savory, almost animal notes of mature red fruits”. Use of American oak for aging has also led some to conclude that Tempranillo is rather neutral flavor-wise, with vanilla and char notes from oak constituting Rioja’s “true” distinctive flavor profile. Regardless, much Rioja is now made in a soft, fruit-forward style. Some producers have decided to split the difference and offer both traditional and modern bottlings. Read the rest of this entry »





Wine Review: Winter Warmers, Part 1

23 02 2018

By Dan Steeves

[These bottles were provided as samples for review purposes.]

The end of February is slowly approaching and we are less than a month away from the first day of spring. That means warmer weather is in our sights and we soon won’t have to deal with any more snow, right? That might be wishful thinking, but we can certainly hope it is the case! Until that warmer weather shows up and takes permanent residency in the prairies, we will need to keep staying warm and spending our evenings huddled around the fireplace with a nice glass of full-bodied red wine. Although I personally drink all types of wines all throughout the year (nobody should deprive themselves of rosé for months on end), there is no doubt that I enjoy more red wines over the cooler winter months, not only for the warming effects of a 15% ABV Cabernet Sauvignon, but also because we tend to eat more hearty full-flavoured comfort foods during this time and less light and refreshing fare.

To get you through the next month until you start seeing green on the ground, we have reviewed a few robust red wines that will be great at keeping you warm and satisfied until the spring flowers start blooming. We kick off this two-part series with reviews of great value reds from two regions known for their big red wines:  Bordeaux, France and the Colchagua Valley, Chile.

Read the rest of this entry »





Co-op Wines: The Social Collection, Bin 105

17 02 2018

By Raymond Lamontagne

[This bottle was provided as a sample for review purposes.]

Here is the final installment of our Co-op Social Collection feature, and we are ending with a potentially big wine, one that I would not expect to see in a curated series such as this: the 2015 Bin 105 Amarone della Valpolicella. There is something seemingly incongruous about an Amarone inclusion in a line of negociant wines intended for affordable easy drinking, although with the Social Collection there appears to be a well-intentioned and laudable desire to preserve some degree of regional character and varietal typicity. I’m intrigued. I support the notion of an Amarone “for the people”, or at least an introduction to the style at a lower price point (lower, not low!) for those who are unfamiliar with what can be a daunting, polarizing, but ultimately rather compelling wine. It is worth noting that this bottle won an Alberta Beverage Award for Judges’ Selection in Veneto Blends, as adjudicated by the stellar Culinaire Magazine.

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The Valpolicella region is close to Verona and produces a sequence of red wines that ascend in degree of concentration and power. At the top of the density hierarchy, Amarone is a blend of red grapes, of which Corvina Veronese is typically the most dominant, with DOGC regulations mandating that this thick-skinned grape constitute 45% to 95% of the blend. Partner Corvinone, a grape with larger berries and clusters than Corvina, was long thought to be a clone of the latter but instead turns out to be an entirely distinct variety. This vine can occasionally serve as the foundation of an Amarone, but is more commonly used to provide additional tannic structure to Corvina’s base of cherry-like red fruit. Corvinone can substitute up to 50% of a similar percentage of Corvina. Rondinella, which generally can comprise 5% to 30% of the blend, provides a key seasoning in the form of herbal notes that add a savoury character. Only Corvina and its progeny Rondinella are mandatory in Amarone, but the law permits other native “non-aromatic” red grapes to be included as up to 25% of the blend, with none of these individually exceeding 10%. Some of these grapes are fascinating but fall beyond the scope of the present review. Read the rest of this entry »





Calgary Wine Life: Famille Perrin Tasting with Thomas Perrin @ Avec Bistro

15 02 2018

By Dan Steeves

Excited is an understatement of how I felt yesterday as I was on my way to an amazing vinous and culinary experience at Avec Bistro featuring the wines of Famille Perrin and proprietor Thomas Perrin. I have always been fond of the wines of the southern Rhone, especially after travelling through the area a few years ago an experiencing the culture, the landscape…and, of course, the wine! Being guided through a tasting by any winery owner is always a privilege. Hearing directly from them about the history of their area, small details of their wines and their actual impressions of each bottle creates a personal connection that makes it such a memorable experience. Combine this with impeccably paired cuisine and it is elevated to a new level of sublime indulgence.

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Famille Perrin is a family-owned and -operated producer (Thomas, the 5th generation, along with his siblings and cousins, all work for the family business) in the southern Rhône Valley which is most notably known for their flagship label from Châteauneuf-du-Pape, Chateau de Beaucastel, although they have an extensive collection of wines from many other areas in the southern Rhone. They have been established for just shy of 110 years and are the leading organic grape grower in the area after Thomas’s grandfather, Jacques Perrin, pioneered organic farming practices in the 1950s which was followed by biodynamic practices in the 1970s. All wines produced by Famille Perrin are blends consisting of at least two grape varieties which are grown, vinified and matured separately and then blended to create a harmonious wine.  With there being 13 different grape varieties allowed in Châteauneuf-du-Pape (all of which are used in the Chateau de Beaucastel CdP, one of the only estates to do so) and still other varieties used in other wines elsewhere in the region, you can imagine how long and busy the harvest season is for Perrin. The harvest starts in August with the early ripening Cinsault and ends two months later with Mourvedre and Counoise. Vinification is then done separately using stainless steel, concrete, or wooden tanks with very limited oak ageing done, at least in the sense that no new oak is used to avoid imparting oak characteristics in the wines.

The tasting consisted of six wines from the Famille Perrin collection – a rosé aperitif, followed by a white and four reds, each accompanied with their own food pairing. Below are details for each wine (and food pairing). Read the rest of this entry »





Co-op Wines: The Social Collection, Bin 107

14 02 2018

By Dan Steeves

[This bottle was provided as a sample for review purposes.]

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As a follow up to Peter’s review of the first Co-op Social Collection bottle, the Bin 101 Cabernet Sauvignon, we now move onto the second bottle of our trio, Bin 107 Pinot Blanc, which hits a little closer to home.  This bottle’s front label clearly shows it is a product of Canada, and upon examining the back label, you notice further clues as to the wine’s origin. Underneath the grape variety is written “Golden Mile – Oliver, BC Canada”, and further down it shows that the wine was exclusively produced and bottled by Castoro de Oro Estate Winery in Oliver BC.

The region south of the town of Oliver and north of the town of Osoyoos is commonly referred to as the Golden Mile due to the amount of wineries off the highway between the two towns. However, stating “Golden Mile” on a label does not have an official meaning — this term shouldn’t be confused with the very-similar label designation “Golden Mile Bench”, which an area up off the valley floor that shows unique climate and soil types and which is now recognized as an official sub-Geographical Indication within the Okanagan Valley GI. That said, all wines made in this part of the Okanagan are well known for their high quality due to the ideal climate:  hot daytime temperatures, cool nights, and limited rainfall (it is for all intents and purposes a desert).

Read the rest of this entry »





Co-op Wines: The Social Collection, Bin 101

12 02 2018

By Peter Vetsch

[This bottle was provided as a sample for review purposes.]

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Get Social.

Negociant-style wines have long been a staple of the Old World wine economy:  instead of a winery planting, tending and harvesting a vineyard then using those estate-grown grapes to make wine, an enterprising producer or brand instead either buys grapes from a grower for use in their own winemaking or, more simply, buys already-made wine from a winery that is maturing in barrel or bottle and then sticks their own label on it. This may not accord with the most romantic notions of pastoral family-farmhouse wineries that automatically spring to mind when we think about the industry in the abstract, but it has a ton of advantages as a full-estate alternative, mostly tied to the division of labour.  To create and sell your own wine, you no longer need to own any land, purchase expensive wine-making equipment (or wine-aging vessels – do you have any idea how much oak barrels cost??) or have any winemaking education or expertise; you just need to get contact with the right subject-matter experts and have a vision for how to make it all come together cohesively.  The negociant approach drastically reduces barriers to entry in the wine production industry and also provides an additional market for those who grow grapes or operate winery facilities, and while it has always been a part of the industry in the New World, it now seems to be taking on an increased presence, particularly in the realm of branded grocery store wines.

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Ultra-transparent for a Cab!

This is actually not a new topic to this blog — a few years ago, I had the pleasure and challenge of trying to dig behind what was behind the cover label of the PC brand of wines, which resulted in some truly entertaining (if somewhat strange) juice.  Now Co-op Wine and Spirits has released its own lineup of sommelier-curated negociant wines called The Social Collection, sourced from around the world and targeted towards “the socialite and modern wine drinker”.  Translation, I think:  these are mainstream wines intended for easy enjoyment while still striving to properly represent their varietal and region at a wallet-friendly price.  I was sent a trio of examples from this new branding effort to taste and decided to make a group event out of it.  Dan and Ray will taste and report on a couple of subsequent Co-op releases later in the week, but I’m kicking things off tonight from where it all started for The Social Collection:  Bin 101. Read the rest of this entry »





PnP Panel Tasting: Quench! Wines BC Portfolio

1 02 2018

[These bottles were provided as samples for review purposes.]

First, some exciting news:  I’m happy to announce that Pop & Pour Wine Advent 2017 authors Raymond Lamontagne and Dan Steeves are officially going to be sticking around as regular contributors on the blog, bringing their expertise and exuberance to a screen near you and formally making PnP a joint venture from this point forward.  I’m hoping that this will allow the site to be less tied to my schedule and to have a greater presence around events and bottles that interest you (or that interest us, at least – hopefully they will interest you too).  And what better way to go from a solo gig to a group gig than having a panel tasting?

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A highly worthy BC lineup for our first PnP Panel Tasting.

Here’s how we play our game.  Dan, Ray and I got together to jointly taste a (remarkable) set of wines; we discussed while we tried each wine, but we evaluated and scored each bottle separately and independently, without sharing our final assessment until all scores were locked in.  We divvied up the writing duties, but rather than average out the scores or try to come to a numerical consensus, we preserved each person’s score for each bottle to give you a sense as to the level of divergence in the room through the course of the tasting.  Hopefully this will be the first of many such panel reviews, but if you have any thoughts as to the format or results, leave a comment or send me a message and let me know!

The focus of this inaugural Pop & Pour panel tasting was a sextet of offerings from Quench! Wines, a Vancouver Island-based agency exclusively focused on the burgeoning British Columbia production scene.  We got to taste a pair of wines each from three critically acclaimed Okanagan producers:  Terravista, Bella and Fairview Cellars.  You could not have put together three more divergent groups of wines if you tried, a testament to the diversity that is possible in the Okanagan Valley, particularly since each distinct grouping aptly highlighted a different element of the potential of the region.  I got to lead things off. Read the rest of this entry »





Cellar Direct: On To Italy!

24 01 2018

[These bottles were provided as samples for review purposes.]

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Italy is not kidding around.

Over the past couple of years, I have come to know the wares of virtual Canadian wine merchant and weekly offer club Cellar Direct pretty well.  Over the course of half a dozen reviews and nearly twice as many bottles, I’ve grown accustomed to the Old World bona fides and seemingly effortless consistency of the wines sourced by CD founder Ron Van Schilt from family estates strewn across Europe:  France all day, Germany for sure, with a bit of Spain thrown in for good measure.  But I had never yet tasted anything from the fourth pillar of Cellar Direct’s traditional sourcing ground, the most glaring omission from the vinous Euro-stars above:  Italy, the focus of multiple prior online offerings but no corks popped at my kitchen table.  That changed tonight, and my perception of what this virtual venture is bringing into the country climbed ever higher.  The focus tonight is two dynamic, bombastic Italian reds, with a wild Cellar Direct white (Arneis!!) from the same country to come a bit later.  Let’s start where my Italian heart lies. Read the rest of this entry »





Wine Review: It’s Go TIME!

17 01 2018

[These bottles were provided as samples for review purposes.]

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NHL-licensed wine.  Bring on the themes!

No, that title isn’t me exhorting myself into giving 110% on this wine review, playing for the crest on the front of the jersey and leaving it all out on the ice.  It is in fact the actual, somewhat-punny name of a red and white wine duo made as a commercial and charitable collaboration between the Okanagan’s TIME Winery and my local NHL squad the Calgary Flames, with some of the proceeds from bottle sales going to the team’s philanthropic Flames Foundation.  Having recently been to a WHL Hitmen game, I can confirm that the Saddledome boards themselves officially confirm TIME as the team’s official wine supplier (yes, such a designation is a thing), and the bottles are both served at the arena and sold at a wide array of retailers across town.  TIME is a brand owned by Encore Vineyards, a group led by Harry McWatters, a Canadian wine pioneer who founded Sumac Ridge winery the year I was born (1980) and who already has 50 years of local wine business experience under his belt, perhaps more than any other living person in Canada.  After selling Sumac Ridge, McWatters launched TIME in 2013, basing his winery inside an old movie theatre in Penticton and focusing on grapes from the southern Okanagan for his production.

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It is a long-standing tenet of this blog that I am fully on board with a good theme wine, as long as the gimmick doesn’t come at the expense of the underlying substance.  When theme bottles are done well, you win twice, augmenting the already-pleasurable experience of drinking well-made juice with the added enjoyment of the marketing cleverness surrounding it.  When they are not done well, not only are you left drinking crappy wine, you end up feeling a bit like you’ve been had while doing it.  These two bottles stake a sort of middle ground between those extremes, but when combined with their inoffensive price tag ($19.99 SRP) and their charitable underpinnings, they take no steps to dampen my theme wine enthusiasm.  Let’s get into them; it’s go t– …well, you know what time it is. Read the rest of this entry »





Wine Review: Taylor Fladgate 325th Anniversary Limited Edition Port

9 01 2018

Happy New Year!  Pop & Pour returns after a lengthy and dearly needed post-Wine-and-Whisky-Advent break with a bottle that would have graced this page last year but for the 49 other calendar-based things that had to do so in December instead.  Rest assured that the delay is no commentary on what’s in the bottle.  2017 would have been a preferable year to write up Taylor Fladgate’s 325th Anniversary special-release Tawny Port, if for no other reason than that it was the actual year of the 325th anniversary in question, thanks to Taylor’s founding way back in 1692.  Thankfully, the juice is just as delicious in 2018, and there are still a number of stores in town that have stock remaining (though this Limited Edition is sold out at the import agent level, so act fast if you want some!).

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Happy (belated) anniversary, Taylor Fladgate!  We’re back!!

Unlike most fancy commemorative releases from leading lights in the world of wine, Taylor Fladgate has done something daring and remarkable and borderline audacious with this celebratory flask:  it has made it accessible to the drinking audience at large.  Rather than building this one-off Tawny from ultra-rarified sources and then pricing it into the stratosphere (which it could easily have done, and quite successfully), it instead opted to take the top component lots of wines otherwise destined for its 10 through 40 Year Tawny lineup, blend them to about a 15 Year average, then age them together for 18 months so that it could release this (utterly spectacular looking) bottle at a shade below $50 retail.  Taylor intended this to be celebratory and drinkable at large, a monument for the masses, a conversation piece rather than a museum piece.  If this does not instantly become the next birthday gift you want to buy for the wine lover in your life, I worry for you. Read the rest of this entry »





Bricks Wine Advent Calendar 2017: Day 24

24 12 2017

Well, the children are tucked all snug in their beds — not sleeping yet, of course, as that would be asking for a miracle — so the time has come to close the curtain on a riotously fun Wine Advent experience and give some kudos to the bottles and people that made it all happen.  The first thank you obviously goes to the remarkable team at Bricks Wine Company, who eagerly took on this half-bottle Advent challenge and then went all out foraging through a not-all-that-overflowing 375 mL market to put together 24 quality bottles reflective of their identity as a shop and their value proposition to their customers.  Way to go — all of your effort clearly showed through over the course of this month.  I would also be remiss not to thank my ultra-awesome co-collaborators Dan Steeves and Ray Lamontagne for their blogging prowess and oh-so-necessary assistance that allowed PnP to forge through two parallel booze Advent calendars at the same time. I’m hoping this won’t be the last time you see their work on this page.

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As for the bottles that shone brightest, I asked each Wine Advent writer to give me their thoughts about their 3 favourite wines of the 2017 calendar and separately made up my own podium of winners for comparison purposes.  There was a lot of jostling in the silver and bronze spots, but the gold medallist was a runaway unanimous victor:

Ray Lamontagne’s Top 3 Wines

1.  2011 Raventos i Blanc “De La Finca” (Day 12):  Buzzsaw acidity is the lens through which all that spiced sourdough and fruit is focused.

2.  2015 Frog’s Leap Zinfandel (Day 15):  A down-home BBQ in a bramble patch.

3.  2010 Bonny Doon Le Cigare Volant (Day 22):  Peppered blueberries baked into a gingersnap, this can hover by anytime.

DARK HORSE – 2014 Domaine Vacheron Sancerre Rouge (Day 20):  Oh look, another Pinot from…Sancerre??  Don’t injure yourself on all those stony outcroppings.

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Dan Steeves’ Top 3 Wines

1.  2011 Raventos i Blanc “De La Finca” (Day 12):  Beautiful acidity with complex layered nutty and toffee flavours with an exceptional finish.

2.  2015 Gruber Roschitz Chardonnay TBA (Day 23):  Great balance for being lusciously sweet, with mouthwatering acidity and an incredibly long and lingering finish.

3.  2015 Schug Carneros Pinot Noir (Day 13):  Beautiful fruits with powerful structural elements that showcases the value that New World Pinot Noir can offer.

DARK HORSE – 2012 Caparzo Brunello di Montalcino (Day 2):  The later wines are fresher in my memory, but this was a beautiful bottle.

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Cork Rating:  7/10 (Score bumped by the awesome shade of blue on the metal cap.)

My Top 3 Wines

1.  2011 Raventos i Blanc “De La Finca” (Day 12):  Just a clear notch above the rest in terms of complexity, structure, power and soul.  A true emotive experience.

2.  2015 Krutzler Eisenberg Reserve Blaufränkisch (Day 14):  So effortlessly refined, luxurious yet precise, an eye-opening reason why you should all be drinking more Blaufränkisch.

3.  2015 Stuhlmuller Vineyards Chardonnay (Day 21):  California Chardonnay is largely responsible for giving itself its own reputation for blowsy, overoaked, overripe, overblown wines, but bottles like this show why everyone made such a fuss about it in the first place.

DARK HORSE – 2016 Bella Sparkling Rose “Westbank” (Day 1):  This showed me something that I hadn’t yet seen in Canadian wine; I can still vividly picture its live-wire energy.  It was our first bottle and I remember it more than most of the others.

The fact that three generally like-minded wine lovers picked nine completely different wines to round out their podiums after all zeroing in on the same winner gives you some indication of the overall quality of the wines in this calendar.  The diversity of great bottles in this 24-day span has been phenomenal.

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Merry Christmas from my family to yours!!

There’s not much time or space left to talk about bottle #24, which was the De Venoge Cordon Bleu Brut Select NV Champagne, an appropriately celebratory finish on the night before Christmas.  That ends up being a blessing in disguise, as my bottle was not showing I expect it should have.  It was a VERY dark gold coming out of the bottle and had almost no mousse or carbonation to speak of, smelling heavily of dulce de leche, Kraft caramels and hot sandpaper and tasting flat and roasted and bitter, like coffee left too long on the burner.  Blowtorched black jellybeans, soggy parchment and molasses rounded out a Guinness-like flavour profile.  If I had to guess, I would say this cork didn’t sufficiently hold its seal as the wine sat for some time after bottling but before sale; it’s not as ragingly faulted as my unlucky Brunello on Day 2, but since I highly doubt it’s in condition, I’m not going to score it.  I will instead set it aside and remember the other remarkable bottles that I enjoyed so much, and hope that we’ll get to do it all again next year.  Until then, thanks for following along!





Bricks Wine Advent Calendar 2017: Day 21

21 12 2017

This is my second last wine post of Advent 2017:  the coming two days will see Dan and Ray post their Bricks calendar wrap-ups, and the next time you hear from me will be on Christmas Eve, for the grand half-bottle Advent finale.  It’s almost hard to believe our countdown to Christmas is almost done; it’s almost harder to believe that I actually survived it (though perhaps I shouldn’t say that yet).  And Bricks appears determined to send me off in style, because Day 21’s wrapping comes off to reveal an absolute firecracker of a Chardonnay:  the 2015 Stuhlmuller Vineyards from Sonoma’s Alexander Valley.  I think this grape is still in a down phase when it comes to much of the consumer world, but we seem to be entering a period where many of the regions previously responsible for Chard’s worst oaky boozy excesses have started to dial it in just right, at least on the quality wine side of the spectrum.  And there is no better representative of this evolution than California.

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Stuhlmuller Vineyards was founded by a husband and wife team who got their start in 1982 growing and supplying grapes to neighbouring wineries.  They didn’t become a full-fledged estate winery until 2000 but have already developed a reputation in the crowded California wine scene, particularly for Chardonnay, which makes up over half of its acreage.  The Alexander Valley is in the northeast corner of Sonoma, inland from the coast and due north of the better-known Russian River Ralley; its eponymous Russian River runs up and along the eastern edge of Stuhlmuller’s vineyards in Alexander’s southwest corner, where it and the Russian River Valley come together with Dry Creek Valley.  Much like Napa, the grape-growing conditions in the Alexander Valley are helped by two separate ocean-induced effects:  morning fog coursing in daily through the Chalk Hill gap, and cool nights spurred by ocean breezes, both of which provide the grapes relief from the scorching California heat, help preserve precious acidity and lead to more balanced ripening.  This bottle shows the results of all that climatic effort, clocking in at 13.9% abv.

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Cork Rating:  3/10 (Friendly advice – no phone numbers or websites on corks. This has both.)

This is Stuhlmuller’s “entry-level” Chardonnay, but it’s clear from the start that no shortage of care went into its creation.  It was fermented sur lie (on its spent yeast cells) over 8 months and matured in French oak, mostly small-barrel barriques but only 5% new.  It is a rich golden colour in the glass and finds that perfect harmony between Chardonnay’s careful fruit and oak’s at-times exuberant influence, mixing fresh pear, peach and Granny Smith apple pie with ginger chews, almond shortbread, oatmeal cookies and rubber boots.  Simultaneously full and cutting on the palate, the Stuhlmuller’s oak-aided roundness is run through with a table saw of slicing acidity.  It is beautifully poised on the tongue without losing the weight and body that is a defining feature of Chardonnay, a honeyed swirl of caramel apple, white flowers and a bracing quality on the finish like a cool sea breeze.  Refined and restrained but still California in essence — exactly what New World Chardonnay should be.

92 points





Bricks Wine Advent Calendar 2017: Day 20

20 12 2017

When the days hit double digits starting in 2s, I know our calendar work is almost done.  I’m not going to lie:  I’m ready not to be writing tasting notes and blogging on a daily basis, at least for a little bit.  But then I unwrap a bit of an Advent mystery and find myself sucked in all over again, pulled once more into the insatiable curiosity that goes with loving wine.  This time it came from revealing a bottle bolding displaying “Sancerre”, likely THE Old World heartland of Sauvignon Blanc and a renowned white region in France’s eastern Loire Valley…but then noticing things that seemed off.  Did it seem kind of dark inside?  Is that a maroon neck foil?  Wait – does that say Sancerre ROUGE?  (Granted, I have already had a white wine in this calendar say that it was a red wine by mistake, but this bottle actually IS one.)

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It turns out that red wine makes up close to 20% of Sancerre’s yearly production, all of which is required by appellation rules to be 100% Pinot Noir.  And there is perhaps no estate in Sancerre that takes its reds more seriously than Domaine Vacheron, which plants 11 hectares of Pinot alongside 34 hectares of Sauvignon Blanc and doesn’t treat it like an afterthought in the cellar.  The Domaine is now in its fourth generation of family ownership and has revamped all of its vineyard practices in the hands of the two young cousins who now direct its operations, Jean-Laurent and Jean-Dominique Vacheron.  They converted the estate to biodynamics in the early 2000s and now only fertilize the chalk and silex soils with composts made on the property, harvest by hand, ferment using only native yeasts and bottle according to the lunar cycle.  Their Pinot Noirs are partly matured in stainless steel tanks to preserve their fruit and partly in large neutral barrels for oxidative effect without oak flavours.

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Cork Rating:  2.5/10 (Not only is it boring as sin, it doesn’t do that great a job at its primary function of holding in liquid.)

This is my first ever bottle of Vacheron, the 2014 Sancerre Rouge, from a property that is almost at the literal centre of France.  I was a little leery from the outset as the cork came out of the bottle completely sodden and squeaky, but the wine inside seemed to bear no ill effects.  It was a fully transparent ruby in the glass and emitted a distinctive and attention-grabbing set of aromas:  beyond the more expected Pinot smells of cranberry, underripe raspberry and violets, there is a pronounced vegetal greenness (dill/pickles; Ray says nettles), a tangy citric bite (tangerine, gooseberry) and a base industrial rockiness (flint, car tire skid marks) that differs markedly from your run-of-the-mill Old World Pinot earthiness.  The palate adds salted watermelon, pomegranate, lava dust and crushed roses on a light, deft body structured mainly by prominent papery tannins.  This is a compelling mirror of its rocky soil and a suggestion that Pinot has the potential to ascend from its eternal Sancerre understudy status.

88- points








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