Synchromesh Wines, Part II: Storm Haven Awaits

14 05 2020

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

After last weekend’s right-on-cue random Calgary mid-May hailstorm-then-blizzard combo, I now feel comfortable saying that spring has finally arrived in our corner of the world, far later than it should have, as always.  When things turn green and start to grow, and when the world once again sheds its winter coat for another half-turn around the sun, I tend to reach for wines of brightness, freshness.  The heavy reds have their time and place, but it is not here and now.  After Ray’s excellent introduction to the history and new offerings of the rapidly ascending Synchromesh Wines, and after watching my environment awaken and shift into growth mode, I needed some Riesling.  Good thing I have three.

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As noted in our last post, Synchromesh’s crown jewel site is the place where it all began for the winery, the Storm Haven Vineyard right near (and well above) Okanagan Falls.  A subsequent acquisition of an adjacent parcel on the same hillside brought the total vineyard acreage up to 107 acres, but of that only 21 acres are planted to vines, with the rest intentionally left accessible for wildlife habitat and conservation works.  This allows the Dickinson family both to help out local wildlife charities and to ensure that Storm Haven remains an active, lively, biodiverse site in which the vines are a harmonious partner instead of an invasive intruder.  Altitudes range from 1300 to over 2000 feet as the vineyard rises up the base of Peach Cliff Mountain, straddling a fault line and enjoying the corresponding mineral explosion in the sandy loam soils (quartz, granite, slate, metal deposits) that goes along with such geologically interesting positioning.

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Storm Haven Vineyard.  Photo Credit: Andrew Melville.

Riesling makes up over 70% of the plantings here — I was honestly surprised they planted anything else at this hallowed Riesling altar, one of the top sites for this grape in the country.  The remaining acreage is largely comprised of Cabernet Franc and Pinot Noir, except for a single block (0.33 acres) of own-rooted Cinsault which was planted last year.  It’s safest to assume that the latter is destined for rosé, but I would absolutely buy a single-vineyard Storm Haven red Cinsault, if Synchromesh needed any further production ideas.  Tonight’s Rieslings all express the site-hewn power, intensity and scope of Storm Haven, but in varying degrees.  All also hew to Synchromesh’s Riesling credo of low alcohol, notable residual sugar and incisive acidity; the combined ABV of this trio of wines is 24.14%, basically equivalent to a single bottle of Turley and a Moscato.  Let’s start at the quieter end of the crescendo, although with these wines “quiet” only applies in a relative sense. Read the rest of this entry »





Amulet Wines: Vinous Talismans

6 11 2019

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

When the intrepid Dwight Sick left his longtime position as winemaker at Stags Hollow Winery and took up the same role at the Naramata’s Moraine Winery, he took two things with him:  (1) a trailblazing sense of adventure, forcing drinkers to check their premises regarding which grapes can work best in the Okanagan Valley, and (2) access to the best and most established plantings of Grenache in Canada, from the Kiln House Vineyard near Penticton.  That combination could never lie dormant for too long.  Sick helped plant the Kiln House Grenache vines over a decade ago, and he nurtured them into the Okanagan’s first bottling of varietal Grenache after years of effort and patience.  It didn’t seem right to let the red Rhone dream die, so soon after it had been realized.  So Sick didn’t.

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Enter Amulet Wines:  a special new side project that Sick has undertaken in collaboration with Dylan and Penelope Roche of the thrilling recent Okanagan venture Roche Wines, fulfilling a vision 15 years in the making.  Amulet is focused solely on Okanagan-grown Rhone varietals, a lesser-known but burgeoning (and shockingly effective) subset of British Columbia’s melting pot of grape influences.  The inaugural Amulet release is a duo of bottlings, both blends, both heavily featuring the Kiln House Vineyard, both aimed at proving that Canada is (or at least can be) a New World Rhone haven.  As Dwight Sick was one of the first to make me believe the truth of this latter proposition, I was eager to see how far an entire brand focused on this goal, and inspired by his vision, could carry it.

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First things first:  god damn are these visually commanding bottles of wine.  I don’t know how gripped I am by the “good versus evil” thematics that pervade the Amulet branding, but I am entirely enthralled by the bottles themselves, which harken back somewhat to Sick’s old Cachet bottlings from Stag’s Hollow in their transparent monochrome-and-red colour scheme.  However, what particularly elevates these new offerings are their centrepieces:  the curved golden metal coins emanating from the heart of each bottle, which are apparently replicas of Elizabethan-era “Gold Angel” coins, depicting St. Michael slaying a dragon, that were carried or worn as amulets to ward off evil.  Whatever these coins added to the overall production cost of the bottles, it was worth it — they are simply stunning.  I tried to pry mine off the bottles once they were empty, but to no avail.  I’ll look for a dragon next time.  Were the wines equally as compelling as their packaging? Read the rest of this entry »





Volcanic Hills III: Igneous Miscellany

25 10 2019

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

With the core whites and reds now in the rearview mirror, we conclude our extensive coverage of the Volcanic Hills Estate Winery with some odds and ends, various bottles that fit less neatly into the relatively clear-cut categories explored in the last two posts. Wine’s endless diversity has at times been under threat by homogenizing forces, including bottom line-based agricultural and business practices, public demand and the allure of the almighty score as supplied by major critics. Fortunately, the spectacularly mutagenic grapevine refuses to stop reinventing itself (sometimes with human assistance), and the tide has turned away from standardization and towards treasuring the diversity we have across wine-growing regions.

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Enter the Okanagan Valley, a wine region that is home to more than 60 grape varieties but that has yet to put all of its chips on any one vinous genotype. It can seem as if growers there will give anything a shot: the classic cool-climate grapes, hybrids, strange German crosses that haven’t stuck in their homeland (e.g. Optima), and more recently warm-climate grapes such as Sangiovese and Tempranillo, on top of the Bordeaux and Burgundy menu options that crop up everywhere. Some decry this diversity as emblematic of a lack of focus and an unhelpful disregard for the important match between varietal and terroir. In my view, there’s room in the expansive space that is world wine culture for both the perfect lock-and-key matches between land and grape and pockets of “throw caution to the wind” experimentation. And besides, how does one map out terroir in a newer area without taking a few risks? On that note, let’s bring our Volcanic Hills coverage home. Read the rest of this entry »





Volcanic Hills II: Eruptive Reds

13 10 2019

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

The Volcanic Hills story is a charmingly Canadian one.  Founder Sarwan Gidda’s father Mehtab moved to the Okanagan Valley from East Punjab, India in 1958 with his wife and children, becoming the first Indo-Canadian family to settle in West Kelowna.  After a few years, Mehtab and family were some of the most prolific apple farmers in the valley, but from the late 1970s onward, slowly but surely, their agricultural vision began to drift to grapes.  Ray’s excellent introduction to Volcanic Hills Estate Winery outlined how Sarwan took the next step from grape farming to wine production in the 2000s, and how his children are now helping to carry on this burgeoning family legacy.

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Volcanic Hills is largely a grower-producer, making the bulk of its portfolio from its own 68 acres of estate vineyards in the West Kelowna area, carrying on the Gidda family’s initial farming mission.  Not only are all of VH’s Chardonnay, Pinot Gris, Gewürztraminer, Gamay, Pinot Noir, Riesling, Zweigelt (yes, Zweigelt) and Marechal Foch (oh yes, Foch) wines made from 100% estate fruit, but all such grapes are own-rooted, planted on their own original rootstocks as opposed to being grafted onto disease- and pest-resistant rootstocks from non-vinifera species, as is the case with the bulk of wine grapes worldwide.  However, while the other two posts in this producer series will focus largely on what Volcanic Hills can do with its own fruit, the four reds below are exceptions to the VH rule and are instead sourced from warmer climes with longer growing seasons which can reliably ripen them.  The Giddas have contracts with other growers in Oliver and Osoyoos from which they obtain their Bordeaux reds and their Syrah, all of which are on offer at the winery for well under $30.  The price points of the entire Volcanic Hills library are such that John Schreiner was moved to name a recent article about them “Wines You Can Afford”.  But price is only one part of the equation; do they deliver for what they cost? Read the rest of this entry »





PnP Panel Tasting: Culmina Spring Releases, Part 2 – Funky Whites Edition

12 06 2019

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

The last set of Culmina releases featured on PnP was so fun to taste that I felt compelled to bring in the band to share the joy of this next group, a trio of weird, wild, semi-experimental whites that are seeking to test boundaries both within and outside of the winery.  Fellow PnPers Ray Lamontagne and Tyler Derksen gathered with me to taste through a lineup that included my own personal Culmina obsession, the incredible Unicus Gruner Veltliner, as well as two even more envelope-pushing whites from Culmina’s recently unveiled small-production Number Series.  Things got fun fast.

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The Number Series was introduced in late 2016 as a way for Culmina’s talented winemaking team to spread its wings a bit.  Part Reserve-level offering and part experimental test drive, each Number Series wine is a limited-production rarity that may only see a single run, never to be repeated again in subsequent vintages.  It represents the best of Culmina’s developmental efforts from that year, either showcasing a standard-rotation Culmina grape in a whole new way (like the inaugural Number Series Wine No. 001, a rich, ripe Riesling styled like an Alsatian Grand Cru) or braving the unknown with a varietal that isn’t part of Culmina’s normal lineup.  The two most recent Number Series bottles below both fall into the latter camp, and show off some intriguing winemaking approaches to boot.

As with all our Panel Tastings, while we discussed the wines as we were tasting them, we came up with our own impressions and our own scores for each bottle and did not share them until everyone’s assessment was complete.  We started, as every meal and tasting and day on this Earth should, with Unicus. Read the rest of this entry »





Wine Review: Culmina Spring Releases, Part 1

30 05 2019

[These wines were provided as samples for review purposes.]

IMG_0135You have to admire a guy like Don Triggs.  After co-founding the eponymous Jackson-Triggs, taking the brand to meteoric heights and carrying the cause of Canadian wine along with it, Don parted from the brand in 2006 when it was subsumed into the massive Constellation empire, his finances and legacy secure, a career in wine that started shortly after his graduation in the late 1960s drawing to a close, retirement beckoning.  But instead of choosing that comfortable path, he threw himself back into the breach once more, this time thinking smaller in scale and fixated on quality.  This next quest started, literally, from the ground up.  With the aid of legendary vineyard consultant Alain Sutre, Triggs spent a year scouring the Okanagan Valley for just the right site, one that could reliably and properly ripen red Bordeaux varietals, including Canada’s white whale, Cabernet Sauvignon.  Finding a promising spot with southeast-facing exposure on what is now the Golden Mile Bench, the Okanagan’s first legally recognized sub-Geographical Indication (GI), they carried out a slew of temperature and soils tests and discovered that the microclimate of the site (at least in terms of degree-days, a measurement that tracks relative aggregate temperature over the course of a growing season) was very similar to that of Bordeaux.  Arise Bench, the inaugural estate vineyard of Culmina Family Estate Winery, was acquired, and Don Triggs’ newest project came to life.

Having located a potentially ideal site for big, chewy reds, Triggs and Sutre only had to look up to find complementary cooler spots for elegant whites.  Two separate and increasingly higher-altitude benches a short hike up the adjacent hillside completed the Culmina vineyard collection:  Margaret’s Bench, at almost 600 metres of elevation a truly unique Okanagan location, welcomes Riesling, Chardonnay and Canada’s top plantings of Gruner Veltliner, while mid-level Stan’s Bench splits time between these whites and Malbec and Petit Verdot to round out Culmina’s Bordeaux blends.  This three-tiered vineyard elevation stairway is the foundation of everything Culmina does, every square inch mapped and studied to maximize the location of each vine planted.

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As Culmina established its identity in the Okanagan, its lineup of releases began expanding: its base Winery Series line, culminating (no pun intended) with Hypothesis, the Bordeaux blend that was the mission statement for the venture, has now been joined by two other sets of releases.  The light-hearted R&D line (which stands for either “research and development” or Don and his twin brother Ron, who are featured in childhood form on the labels) allows Culmina to let its hair down a bit and focus on budget-friendlier wines that are a joy to drink; the limited-release Number Series is a set of small-lot one-offs that push the boundaries of possibility on Culmina’s trio of sites.  I had the opportunity to taste some of the winery’s latest releases, which have just started to hit shelves now, and track the continued upward trajectory of one of Canada’s most exciting wine projects. Read the rest of this entry »





Wine Review: Dirty Laundry, The Whites

2 11 2017

[These bottles were provided as samples for review purposes.]

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One of these things is not like the other…

Now that snow has blanketed the land and any remaining warm thoughts in Calgary’s mind have been augured away by blistering Arctic winds, I can fully admit that I tasted these Dirty Laundry wines in the wrong order.  I cracked the rosé and red portions of my sample pack back when fall was still a thing (last week) and saved the sunny patio portion of the tasting until it seemed like a cruel joke; serves me right for breaking with orthodoxy and not going lightest to heaviest like the textbooks all say.  But we persevere. I’ve always found Dirty Laundry’s white lineup to be a bit more impressive and consistent than its reds, and they have a particular affinity for Gewürztraminer, the grape that everyone seems scared to focus on too heavily but which truly rewards any such special attention.  However, tonight I got to dive into two bottles that I hadn’t tried before today, starting off with my favourite grape of them all. Read the rest of this entry »





Wine Review: Dirty Laundry, Pink & Red

26 10 2017

[These bottles were provided as samples for review purposes.]

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Okanagan label mastery.

Dirty Laundry is a winery best experienced in person, as it features a combination of location, history and brand awareness that is next to impossible to top.  It is perched up above the ideally named Summerland, BC, elevated over the Okanagan’s main highway, with vineyard views for miles and a patio strategically located to be drenched in scenery.  This spot was once, back in the era of the Canadian Pacific Railway’s initial construction, the home of a renowned and well-attended laundry service run by an AWOL railroad construction worker who had found a more lucrative calling; his fortune, and the popularity of his laundry business, was due in no small measure to the brothel being run discreetly on the upper floor while the clothes were cleaned below.  A couple of centuries later, the business currently occupying the land knows a good story when it sees one and has turned the tale of the dirty laundry into a branding behemoth that seeps into everything from wine names to labels to tasting room decor to the guest homes for rent on the property, the Bordello House and the Parlour House.  They commit to the identity, keep their humour on high alert and leave their prudishness at the door, and people keep coming back.

The wines themselves may be in a state of flux, caught between wanting to appeal to the widest possible audience and the crowds in for a good time and a novelty bottle-stopper and aiming for a higher level of quality, a product that captures attention in a different way.  I am rooting for them to succeed, as personality and creativity and branding effort are more than welcome in my own world of wine.  The below releases, recent rose and red offerings from Dirty Laundry and the first of a two-part review series, were an excellent chance for me to check in on the winery for the first time in a while and see where they were on their cheeky, quirky voyage. Read the rest of this entry »





Wine Review: Stag’s Hollow Fall Reds

18 10 2017

[These bottles were provided as samples for review purposes.]

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If this is where we are in the Okanagan, we’re in good hands.

What’s this?  Two reviews in the span of three days??  Is this inspiration or panic?  Turns out it’s a little of both.  For reasons that will shortly become clear, the next couple of months are going to be content-intense here at Pop & Pour HQ (aka my kitchen table), which has me geared up and focused on my current inventory of samples to make sure everything gets its full and proper due.  But I’ve also had a lingering eye on these particular wines ever since they landed on my doorstep, as they represent the latest missive in a wonderful conversation I’ve been having over the past months and years with one of the most intrepid, curiosity-filled, quality-focused wineries in the Okanagan Valley, Stag’s Hollow.  Over the summer I looked in on the white and pink side of their portfolio, but now that my trees no longer have leaves, the time has come to fully commit to autumn, and tonight’s trio of reds has me in the mood to cast off thoughts of T-shirts and shorts and embrace my favourite season.  This lineup features an Okanagan stalwart, only rarely done justice; an utter Okanagan rarity, borne of winemaker Dwight Sick’s unabashed intention to push viticultural limits in the region; and a burgeoning Okanagan star that will hopefully soon get the attention and acreage it deserves.  Pinot Noir, Grenache (!), Syrah. Read the rest of this entry »





Entering The Hatch, Spring 2017

23 05 2017

[These bottles were provided as samples for review purposes.]

IMG_6146Ever since I first saw The Hatch’s avian-Thomas-Crown-Affair primary logo shortly after it opened a couple years ago, I have been sort of transfixed from a distance, finding both the winery and its artistic ethos strangely compelling despite knowing basically nothing about them.  Based out of a rustic-modern “shack from the future” in the heights of West Kelowna and sourcing grapes from across the Okanagan and Similkameen Valleys, The Hatch initially comes across (quite intentionally) more like an artists’ collective than a commercial winery, listing Salman Rushdie on its personnel page and expounding in esoteric wine-code about “Ross O” and B. Yanco” (I’ll give you a second to sort that one out).  They confidently found their visual style from the outset thanks to the remarkable imagery provided by local western Canadian artist Paul Morstad (who is also found on The Hatch’s personnel page, playing a banjo); once people have been drawn in by the graphics, it’s up to winemaker Jason Parkes to keep their attention.  The whole artistic cacophony and the simultaneously grand yet whimsical presentation lends The Hatch a jolt of personality that the generally strait-laced BC wine scene can happily use…but does the buzz extend to what’s in the bottle?  Happily, I got to find out.

FullSizeRender-601The Hatch releases its wines in stylistic series, of which I had the opportunity to experience two:  the mid-tier Hobo Series wines, featuring a panoply of hand-drawn labels of hobos (seriously) that risk making you cry thanks to their sheer beauty (also seriously), and the ambitious Black Swift Vineyards series wines, which collectively form an expansive single-vineyard project focused on the various facets of BC’s glorious dirt.  The wine, like the winery, was never boring. Read the rest of this entry »





Burrowing Owl Spring Releases

16 05 2017

[These bottles were provided as samples for review purposes.]

Some people chart the seasons using a calendar; others look to the melting snow and the first robins to mark the start of spring.  For me and this blog, the new season only arrives when the box of new releases from Burrowing Owl is delivered and tasted.  I can now happily announce:  spring is here.

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OK, yes, I had a glass of the Chardonnay before the tasting started.  I regret nothing.

Burrowing Owl is one of the few Canadian wineries that has been consistently able to juggle both quantity and quality, producing 35,000 cases annually from 16 different varietals grown across 170 acres and three different estate vineyard sites encircling the scorching southern Okanagan hubs of Oliver and Osoyoos.  It is likely best known for its Bordeaux varietals, but also makes room in its vineyard sites for less expected offerings like Tempranillo and Viognier, not to mention a killer Syrah that is proof of concept of the region’s suitability for the grape.  Burrowing Owl’s two largest vineyards are scant minutes away from the US border, on western-facing slopes angling down towards the temperature-modulating Lake Osoyoos, which both restrains the Okanagan desert heat during the day and extends it at night.  The third is due west of Oliver, in the neighbouring Similkameen Valley, using its proximity to Keremeos Mountain to help grow Bordeaux whites Semillon and Sauvignon Blanc, where 2017’s spring releases conveniently start. Read the rest of this entry »





Desert Hills Estate Six Pack

25 04 2016

[These bottles were provided as samples for review purposes.]

One of the things I love seeing most in Canadian wine nowadays is a renewed sense of focus on locating, separating and promoting quality subregions within an overall wine area, those special geological or climatic zones that yield wines with a distinct character and personality.  Anyone reading this in Europe right now may be incredulous at any such modern quest for discrete sub-terroir, as this process took place in many Old World growing regions up to a millennium ago.  We have a bit of catching up to do, and now we’re doing it.

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This is critical for regions like British Columbia’s Okanagan Valley, which currently sees almost all wines coming out of it released under that general appellation name.  If you’ve ever stood in the breeze by the lake in Kelowna in August, and then stood in raging parched inferno of the Osoyoos desert two hours later, you’ll understand why “Okanagan Valley” doesn’t exactly capture any of the nuance of those two highly individual experiences.  Last year saw big news on the BC subregion front, as the Golden Mile Bench, a stretch of slope just west of the highway running from Oliver south to Osoyoos, became the province’s first ever recognized sub-geographical indication, meaning you’ll start seeing that name on bottles released this year in place of (or in addition to) the broader Okanagan designation.

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If you walk east from the Golden Mile Bench and cross the highway, on the other side of the road you’ll find another slope, angled west, with extremely hot days and surprisingly cool nights, where vines grow on highly sandy soils that run hundreds of feet deep and require irrigation to retain hydration.  This is the Black Sage Bench, another obvious BC candidate for subregional distinction and home to some of Canada’s top wineries.  On the southern end of the Bench, nestled between Okanagan luminaries Black Hills and Burrowing Owl, is Desert Hills Estate Winery, a family-run producer founded by the three Toor brothers and focused largely on wines made from their aptly named estate vineyard, the Three Boys Vineyard, purchased in 1989.  The first released production from the vineyard was in 1996, and now, 20 years later, Desert Hills is solidly entrenched in the Okanagan wine world and making a renewed push into the Alberta market. Read the rest of this entry »





Calgary Wine Life: Culmina Tasting with Don Triggs

5 06 2015
Don Triggs, visionary owner of Culmina.

Don Triggs, visionary owner of Culmina.

Okanagan wines are coming of age, and Don Triggs is helping to get them there.  More and more, producers from British Columbia’s top wine region are ceasing to be satisfied with being locally successful and a tourist charm; they are after quality, seeking distinction, looking to carve out an international identity.  Triggs’ current wine venture, Culmina Family Estate Winery, is a manifestation of this quest to be better.  In the past few years, Triggs has meticulously engaged in soil mapping and analysis of the 43(!) micro-blocks of terroir in his estate vineyards; he has relentlessly, and successfully, helped lobby for the creation of a new delimited sub-appellation (the first sub-geographical indicator in BC) for the Golden Mile Bench, an east-facing angled strip of land stretching southward from Oliver; and he has made Culmina’s winery facilities the most technologically advanced in the area.  This dedication to elevating the level of the Okanagan’s wine game is starting to show in the bottle.

Read the rest of this entry »





Wine Review: 2011 Mission Hill Five Vineyards Sauvignon Blanc

5 07 2012

[This bottle was provided as a sample for review purposes.]

General tip: clear bottle = open soon!

You know it’s officially summer when I can sit outside on my deck and write up a review of a crisp white patio sipper.  The sun is shining, there’s a slight breeze blowing through the trees, and it’s almost-but-not-quite-scorching hot — perfect Sauvignon Blanc weather.  This is the second white I’ve written up recently from the good folks at Mission Hill — I took a look at their Reserve Riesling just over a week ago.   This bottle will be an interesting contrast, because not only are we dealing with a different grape, one with somewhat less of a track record in Canada, but we’re also taking a step down Mission Hill’s quality hierarchy to their introductory level bottlings, which retail for $15ish in Alberta.  The Five Vineyards line of MH wines are sourced from (guess how many) five different estate vineyards scattered across BC’s Okanagan Valley:  Osoyoos and Oliver in the south (just north of the Washington State border), Pinehill and Naramata slightly further north, and the aptly-named Mission Hill Road vineyard surrounding MH’s winery just outside of Kelowna in the northern part of the region.  Each vineyard features differing soils, altitudes and microclimates — Oliver and Osoyoos are near-desert conditions, while the other vineyards along the shoreline of the vast Lake Okanagan, which cools and moderates the growing temperatures — all of which makes it easier to grow grapes with a variety of different characteristics to facilitate the creation of a blended wine that is fairly consistent year over year.  I was surprised to note that the two vineyards that Mission Hill’s website mention specifically for Sauvignon Blanc production are the two hottest ones, Osoyoos and Oliver, although I would guess that some of the grapes in this bottle come from other locations as well. Read the rest of this entry »





Wine Review: 2010 Painted Rock Chardonnay

3 02 2012

Although a newer vintage than the 2009, it's still like going back in time.

The coolest thing about this blog having been around awhile, other than the fact that I’ve miraculously managed to regularly publish an Internet wine blog for the better part of a year, is that I’m starting to come across second vintages in the bottles I open:  current vintage wines whose predecessors I have previously featured on PnP.  Case in point:  the 2010 Painted Rock Chardonnay from the Okanagan Valley, which is probably already facing an uphill battle in this review due to monstrously high expectations because I totally loved the 2009 PR Chard back in September.  I think Painted Rock is a producer on the forefront of the Canadian wine scene, one that is starting to show that we don’t have to settle for local wines that only measure up as against their neighbours, but that can also stand tall on the international market.  While PR focuses primarily on red wine, their lone white is a testament to the wonders of cool-climate Chardonnay, and I thought enough about the ’09 vintage that I absolutely loaded up on the 2010 as soon as it became available.

Read the rest of this entry »








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