Bricks Wine Advent Calendar 2019: Day 21

21 12 2019

By Tyler Derksen

Although this is my first year joining the Advent Calendar blogging team, I read the blog faithfully during its coverage of the inaugural Bricks Wine Advent Calendar in 2017 and then followed along with my own calendar last year.  Almost 70 Advent Calendar bottles have been unwrapped in that time and even though we’ve seen some truly standout bottles, I still find myself caught by surprise today when I pull back the wrapping and see…Brunello di Montalcino, and a critically acclaimed one at that!  A Brunello di Montalcino hasn’t been seen in the Advent Wine Calendar since Day 2 of the first year!  [Editor’s note: let’s not talk about how that one ended up.  Fingers crossed that we avoid a TCA repeat.]

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Brunello is undisputed Sangiovese royalty, exemplifying the very best that the varietal has to offer.  The Brunello di Montalcino D.O.C. (Brunello from Montalcino) was established in 1966 and was given D.O.C.G. status in 1980 when this elevated designation was first created.  With this status comes strict rules governing production.  For example, there are limits to grape yields in the vineyard and the wine produced must be aged for a minimum of two years in wood barrel and four months in bottle and cannot be sold until five years after harvest. It is thanks to this time-intensive aging method that we get to enjoy a wine that has already seen some aging (and avoids, at least somewhat, the eternal struggle of keeping a bottle in the cellar to age when all I really want to do is try it).

Tenuta Il Poggione, the producer of today’s bottle, has a very long history (spanning five generations) producing Brunello di Montalcino.  Il Poggione was founded in the late 19th century and was one of the first three wineries to produce and market Brunello di Montalcino in the early 1900s; later they were one of the founding members of the Brunello di Montalcino Consortium, which was founded in 1967, and it remains a member to this day.

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The vineyards from which Il Poggione sources its grapes are located in Sant’Angelo in Colle, approximately 10 km south of the town of Montalcino.  I am always thankful to wineries that make available details of their winemaking process.  The grapes for the 2012 Il Poggione Brunello di Montalcino were harvested, by hand, from vines that are more than 20 years old and then vinified over 15 to 20 days in stainless steel tanks using the “submerged cap” method.  Red wines acquire much of their colour and complexity from contact with the grape skins and stems.  During the fermentation process, a cap of these skins forms and naturally rises to the surface of the fermenting liquid.  By using a process that keeps this cap submerged during the fermentation process, the resulting wine is able to keep in better contact with the skins and benefit more fully from the characteristics that they impart.  After fermentation, the wine was then aged in large French oak casks stored five meters underground followed by bottle aging (unfortunately, the winery does not specify these periods on its website for the 2012 vintage, though I have seen other sources state that the barrel aging was three years).  

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The age on the bottle is already apparent, as the edges show pronounced brick colouring.  As I put the glass to my nose and lips, I lament the fact that I’m not sitting in front of a plate of Italian food.  The nose is beautiful: cherry, red currant, pepper, tobacco, grilled steak, dried flower petals, nutmeg, Worcestershire sauce and wet dirt coming together in what may be one of my top 3 favourite noses of the calendar.  The palate is highly structured, perhaps a bit too structured on first opening, with flavours of sour cherry, raspberry, cedar, fresh leather, blood, black olive and balsamic vinegar.  The acidity is what one would expect from Brunello di Montalcino, but the flavours seem tightly wound.  I suspect that this will change over time and that the wine will improve with a few more years of age.

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Cork Rating: 7.5 out of 10.  Great use of space with the logo and borders.  Very short though (yes, I know this was a half-bottle).

This is my final post for this year’s calendar and I have thoroughly enjoyed sharing my thoughts on each bottle and look forward to Peter’s and Ray’s writing on the final bottles to come.  Wine is always better when shared, and it has been a pleasure sharing with you.  Whatever your plans over the next days and weeks, I hope they are filled with happiness, family, friends and, of course, good wine!

89- points





Co-op Wines: The Social Collection, Bin 105

17 02 2018

By Raymond Lamontagne

[This bottle was provided as a sample for review purposes.]

Here is the final installment of our Co-op Social Collection feature, and we are ending with a potentially big wine, one that I would not expect to see in a curated series such as this: the 2015 Bin 105 Amarone della Valpolicella. There is something seemingly incongruous about an Amarone inclusion in a line of negociant wines intended for affordable easy drinking, although with the Social Collection there appears to be a well-intentioned and laudable desire to preserve some degree of regional character and varietal typicity. I’m intrigued. I support the notion of an Amarone “for the people”, or at least an introduction to the style at a lower price point (lower, not low!) for those who are unfamiliar with what can be a daunting, polarizing, but ultimately rather compelling wine. It is worth noting that this bottle won an Alberta Beverage Award for Judges’ Selection in Veneto Blends, as adjudicated by the stellar Culinaire Magazine.

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The Valpolicella region is close to Verona and produces a sequence of red wines that ascend in degree of concentration and power. At the top of the density hierarchy, Amarone is a blend of red grapes, of which Corvina Veronese is typically the most dominant, with DOGC regulations mandating that this thick-skinned grape constitute 45% to 95% of the blend. Partner Corvinone, a grape with larger berries and clusters than Corvina, was long thought to be a clone of the latter but instead turns out to be an entirely distinct variety. This vine can occasionally serve as the foundation of an Amarone, but is more commonly used to provide additional tannic structure to Corvina’s base of cherry-like red fruit. Corvinone can substitute up to 50% of a similar percentage of Corvina. Rondinella, which generally can comprise 5% to 30% of the blend, provides a key seasoning in the form of herbal notes that add a savoury character. Only Corvina and its progeny Rondinella are mandatory in Amarone, but the law permits other native “non-aromatic” red grapes to be included as up to 25% of the blend, with none of these individually exceeding 10%. Some of these grapes are fascinating but fall beyond the scope of the present review. Read the rest of this entry »





Bricks Wine Advent Calendar 2017: Day 18

18 12 2017

For those few brave stragglers who have stuck with us through this dual Advent adventure, we are three-quarters of the way there.  This is the last wine of the third of four columns of the Bricks Wine Advent crate:  we are a week from Christmas and six wines from having to pick our own bottles again for dinner.  Tonight’s bottle is a bit of a double-take wine, a Canadian split that is five years back-vintage for an offering that currently retails for around $20 for a full bottle (out east, at least).  It’s not often that I get a chance to see how value-priced local wines stand up to a bit of time, though I would love to hear the story of how Bricks came across this as a calendar opportunity.

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“This” is the 2012 Cave Spring Chardonnay from the Niagara Escarpment region.  The winery was the first to plant vinifera grapes in Niagara and among the first to recognize the vinous potential of the region.  It was also the first in Niagara to tack on its own spa as a tourist attraction, making it an early leader at recognizing the area’s business potential as well.  The Niagara Escarpment line of wines represents the second of four tiers of Cave Spring wines, where grapes are sourced from multiple different vineyards within the subregion; the most interesting part of this wine is that it appears to be a blend of standard Chardonnay grapes with Chardonnay Musqué, an aromatic, floral, spicy mutation of the varietal that adds some olfactory punch to what can otherwise be a fairly neutral grape.

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RED wine???

One thing about half-bottles is that they accelerate a wine’s aging curve, because (1) oxygen is the primary thing that matures (and ultimately degrades) a wine and (2) there is a greater ratio of oxygen to wine in a 375 mL split because the ullage (the space between the wine and the cork at the top of the bottle) is the same for all sizes of wine.  This 2012 is therefore further advanced in its life than a standard bottle would likely be, and it’s starting to show.  The wine is a shimmering lemon-gold colour in the glass and showcases its multi-clone blend in a musky, tutti-frutti nose of honeydew, Meyer lemon and cantaloupe, accented by remnants of once-toasty oak and sulphur-y struck matches.  Medium-bodied, with still-present scruffy barrel tannin and fading acidity, this Chardonnay is not quite sure where it is on the palate:  the fruit has kind of gone to a murky place, the oak has resolved to a pastry crust/vanillin glaze, and the wine overall seems to have one foot each in two different stages of development, clinging to the remains of its youth while also giving in to the inevitability of age.  I think it likely would have stood out more a couple of years ago, but it remains a solid expression of what Niagara Chardonnay can do at a wallet-friendly price.

87+ points

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Steven Rating:  6/10 (Dig the colour, but there’s only so high I can go with two underlined letters.)





Bricks Wine Advent Calendar 2017: Day 8

8 12 2017

I feel like I was slightly prescient yesterday when I said that most of the bottle picks in the first week of Bricks Half-Bottle Wine Advent were straight out of a Classic Wine Regions textbook, as today we hit probably the 2nd most likely remaining appellation in France to get the call in a Wine Primer All-Stars competition:  Chateauneuf-du-Pape.  (If Bordeaux shows up anytime in the next 3 days, we will definitely have cracked the code.)  Chateauneuf is the jewel of the Southern Rhone, spiritual birthplace of the GSM (Grenache/Syrah/Mourvedre) blend, and purveyor of bold, brash, rich yet layered wines that are an Old World gateway drug for many a Cali Cab or Aussie Shiraz lover.  The area’s regal approachability arises out of a combination of extensive sunlight, scorching summer temperatures (over 30 degrees Celsius on average) and a whipping northern wind so famous that it has its own name (the mistral), which cools the grapes, prevents rot and allows for longer hang times and prolonged ripening.

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Tonight’s Chateauneuf representative is the 2012 Domaine Chante Cigale, a 100+ year-old winery that recently turned its winemaking duties over to someone barely out of his teens.  In 2002, with his father suffering from health problems, Alexandre Favier, freshly graduated from viticultural studies at the age of 20 (he started wine school when he was 15) took the reins and hasn’t looked back since.  The Domaine owns 40 hectares of vineyards, but they’re not in an orderly square surrounding the winery, instead plastered and scattered throughout FORTY-FIVE different plots all across Chateauneuf-du-Pape.  Favier relies only on ambient native yeasts present in the cellar for fermentation and ages his wines in an oddly endearing array of almost every type and size of oak barrel possible (foudres, demi-muids, barriques, mostly pre-used) as well as concrete tanks.

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This cork deserves its own picture.  See below.

This particular Chante Cigale is the Domaine’s entry-level CNDP (if there is such a thing), keeping with the classic varietal mix of the region at 65% Grenache, 20% Syrah, 10% Mourvedre and 5% Cinsault.  It is a deep ruby colour and immediately smells like something that has been preserved:  beef jerky, molasses, date, sunbaked earth, hickory and Sultana crackers, if these had been cooked down in an Instant Pot and then set on fire.  The wine’s hefty 15% alcohol is well-contained, but everything in its profile is stewed or baked, leaving it begging for a touch of primary freshness that never comes.  Malty, Port-y, fruitcake-y, it is neither thick nor heavy in body but constantly feels that way due to a dense sluggishness in its flavours.  Like a Wagyu beef burger left too long under the heat lamp before being served, the pedigree is there, but in execution it just hung on a bit too long.  As fellow PnP Advent author Ray Lamontagne puts it, “it’s like an old venison milkshake”.  There are no kind similes.

86+ points

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Cork Rating: 9/10 (What a monster. Coat of arms, complete with cicadas [singing grasshoppers, aka Chante Cigales – nice], killer intricacy and coverage; glorious.)





Bricks Wine Advent Calendar 2017: Day 2

2 12 2017

This Wine Advent is not only historic for PnP as the realization of a longstanding calendar-format dream, but it will also mark the very first time in 400+ reviews that somebody other than me will take up the virtual pen for Pop & Pour.  I am honoured to be joined in this Advent blogging journey by two fellow Calgary students of wine who pair impressive technical knowledge with precise palates and a knack for communicating what they see and taste and feel:  Raymond Lamontagne (follow him on Twitter and Instagram here) and Dan Steeves (follow him on Twitter and Instagram too).  Their authorship journey officially starts tomorrow, as Ray will take the helm of the blog for Day 3 of Bricks’ wonderful (based on early returns) Advent Calendar.  But it turns out they came in handier than I expected earlier than I expected, and their palates and tasting notes were called on sooner…

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Not like I needed any more evidence that Bricks was taking this whole half-bottle Advent thing seriously after last night, but I got it the second I peeled back the wrapping paper on Day 2 and “Brunello di Montalcino” stared me back in the face.  Yowza.  More specifically, tonight’s bottle was the 2012 Caparzo Brunello di Montalcino, a traditional-style bottling from an old-school producer recently given new life.  Many know Brunello as Italian wine royalty, and likely the apex of what the Sangiovese grape can do (more specifically, Brunello was once thought to be its own grape varietal but later shown to be a particular clone of Sangiovese called Sangiovese Grosso), but its life as a classified wine region is surprisingly short — it only received formal DOC status in 1968.  Caparzo was founded at almost exactly that time, when there were only a baker’s dozen official Brunello producers in the world.  It was later sold in 1998 to Elisabetti Gnudi Angelini, who had married at age 20 into a pharmaceutical empire, was widowed young, and then took a left turn with her life into the world of Tuscan oenology, where she has become a standout.

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Cork Rating:  1/10 (Real Talk – This is one of the worst corks I have ever seen.  “Italia”??  Really? You’re a Brunello, for god’s sake!)

I LOVE Brunello.  I was not expecting to see a half-bottle of it, well, anywhere, let alone in Day TWO of this calendar, but I dove in with great anticipation, especially since 2012 was a highly esteemed vintage.  The wine was a gorgeous silky ruby in the glass and smelled like…mildew?  Old dirty showers?  Wet newspapers?  Oh come on.  I have been on a solid streak of luck when it comes to avoiding wine faults recently, but this bottle was horridly, outrageously corked, infected with the fungal-induced TCA compound from the cork (incidentally, they always say that smelling the cork is a plebeian’s approach to checking for taint, but this cork smelled like a dead giveaway, so maybe check your premises).  Ordinarily, throughout the entire prior history of my blogging career, my review would have been sunk — the wine was ruined.  But ordinarily I did not have TWO other people drinking the exact same wine with pens at the ready!  Raymond and Dan, called in on an emergency basis, sent me the following notes and (agreed) score for this bottle.  You guys are lifesavers.

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Damn you 2,4,6-Trichloroanisole (TCA).  Worst molecule ever.

“Nose of dried red and blue flowers (iris, rose, potpourri), anise, white pepper, a whiff of roasted almond.  Palate is loaded with tart cherry pie, cranberry, tomato, and unripe raspberry smeared on a leather-bound book.  Some orange peel also emerges, along with oily tobacco, walnut, tar, coffee bean, and a handful of iron filings and road dust.”  [Ray]  “I get most of those descriptors as well.  I would say in general it’s not a big Brunello and seems meant for more early drinking but does have solid structure.  Definitely tart cherry and cranberry on the palate and then the leather, thyme, black tea and stone/rock dust flavours take over.  Originally I thought the finish was a bit short but as the wine opens more it lengthens — still not overly long but enough to make you contemplate why Brunello is so good.” [Dan]  I’m sad I missed the experience (mine tasted like mouldy laundry) but remarkably relieved that any readers of this post do not have to.  Fingers crossed for better luck tomorrow!

89 points





Wine Review: 2012 Torres Mas La Plana

16 10 2017

[This bottle was provided as a sample for review purposes.]

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Cabernet royalty.

It’s Calgary municipal election night, so my plan was to put off this review until tomorrow.  Then I sat here for 10 minutes biting my fingernails and hitting “refresh” on the election results page on my phone every 60 seconds and realized that (1) the next four years of my civic life weren’t about to reveal themselves anytime soon and (2) I could use some guaranteed good news tonight regardless of political outcome.  And nothing screams “guaranteed good news” like the flagship wine of Miguel Torres, the most consistent larger-production winery I know.

If you have a photographic memory of this blog, you may remember that I have told the story of Mas La Plana once before; if you don’t, you can take solace in the fact that I almost didn’t remember this fact myself.  Nothing about this wine is quite as expected.  It is 100% Cabernet Sauvignon from Penedes, the heartland of Cava in eastern Spain near Barcelona, an area not remotely known for big red wines but blessed with numerous altitudes and microclimates that allow for pockets of warmth and create opportunity for special sites like the one that birthed this bottle.  It hails from a 29-hectare single vineyard planted before I was born, from Cab vines introduced to Spanish soil between 1964 and 1979 based on cuttings from numerous prior homes, including 1st Growth Bordeaux chateaux.  It looks strangely at home in a Burgundy bottle, unlike any other Cabernet Sauvignon I have seen on a shelf.

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Penedes was the first region in Spain to start using modern winemaking techniques like stainless steel temperature-controlled fermentation, and Torres uses them to great effect here to create a bottle that seamlessly communicates Spain’s history and potential to a global wine world, that imbues the Earth’s most ubiquitously successful commercial grape with the essence of the Torres family’s heartland.  Mas La Plana tells a story that was heard almost immediately, as the wine’s inaugural 1970 vintage beat out Chateau Latour and numerous other luminaries in the Cabernet category of French magazine Gault-Millau‘s 1979 Wine Olympics (which weirdly was the exact same competition that put Oregon Pinot Noir on the world map thanks to Eyrie Vineyards’ stellar showing against the best of Burgundy).  Yet it still retains its humble family roots:  its neck foil reads “Vinetum Paganicus”, a term sometimes used to designate top wines but which to the best of my meagre Latin translation ability appears to simply mean “vineyard of a village”. Read the rest of this entry »





Introducing: wYneYC

21 06 2017

[These bottles were provided as samples for review purposes.]

fullsizerender-648.jpgI grew up in the days of monopolized government liquor sales and distribution in Alberta, and I distinctly remember going into the squat brick AGLC store with my parents when they were on the hunt for a new bottle of wine or spirits.  While government-controlled retail alcohol is still the norm in much of Canada, Alberta thankfully broke free of its state shackles before I hit adulthood, and now, not really that much later, it is a completely different world, with an ever-increasing number of remarkable producers from across the globe available in our market and very few barriers to introducing even more.  Slower to develop have been wine-buying alternatives to the standard visit to a retail shop:  online ordering, home delivery, personalized sourcing.  I can get almost every work of literature ever created from Amazon Prime within two business days, but our gloriously liberal wine commerce architecture has not yet fully embraced the electronic age and the consumer convenience that can come with it.  That’s why I always root for those ventures who come along and try.

wYneYC is just such a venture, an e-subscription wine club with a twist, featuring a revolving door of personally curated sommelier-chosen wines tailored to each customer’s palate and an absolute focus on eliminating hassle for buyers.  You sign up for a monthly subscription at one of three tiers, where a 2-bottle pack costs $36, $50 or $65 depending on your level of choice; you can also pick 4- or 6-bottle packs if you wish, which come with corresponding volume discounts.  But these are not just random bottles, and they are not the same for everyone:  when you subscribe on wyneyc.ca, you fill out a personalized online taste survey for each bottle (which you can later update at will), and wYneYC’s professional winos then pair your monthly selection with your palate preferences. Read the rest of this entry »





2012 Fox Run Vineyards Reserve Chardonnay

8 09 2016

[This bottle was provided as a sample for review purposes.]

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The ultimate value Chardonnay? Quite possibly.

Casting my eyes on this maroon label sends me back down memory lane, to what seems like forever ago but was really only about three and a half months.  In May I was lucky enough to pay a visit to the beautiful and unspoiled Finger Lakes region in central New York State – you may remember this because I basically wrote a Lonely Planet book about the area on this site when I got back.  Our very last winery on that winery-intensive voyage was one I already knew well thanks to its expanding presence in the wine scene in Calgary some 3,600 km away:  Fox Run Vineyards, which has acted both as a gateway drug and as a proud brand ambassador for the Finger Lakes in Alberta.  They have taken to this role so well that one of their whites was an official bottle of choice at the Calgary Stampede this year; can’t get much more YYC than that.  

Fox Run is made up of 50 acres of estate vineyards due south of Geneva, New York, on the western shores of Seneca Lake, the largest and deepest of the long, thin Finger Lakes.  The site was previously a long-time dairy farm, but grapes were first planted there in 1984, with a winemaking facility following in 1990.  Present owner Scott Osborn took over in 1993 and has been a fixture since, and the crazy thing is that he isn’t even the biggest example of the winery’s clear commitment to continuity:  vineyard manager John Kaiser was responsible for first developing the vineyards back in 1984 and is still there today – I met both men when I was there.  Winemaker Peter Bell is 21 years into his Fox Run career, and Sales Manager Dan Mitchell, who is more or less a permanent resident of Canada at this point after forging a successful new northern market for the FLX over the past few years, has been there for 12.  They are a family at this point, and it shows.     Read the rest of this entry »





Domaines Paul Jaboulet Ainé: The Next Level

5 08 2016

[These bottles were provided as samples for review purposes.]

I recently tasted and discussed the entry-level Parallele 45 lineup from the Rhone Valley’s Domaines Paul Jaboulet Aine, which showcased the red, white and pink sides of the Southern Rhone in an impressive value-priced package.  Today we kick it up a notch.

FullSizeRenderJaboulet’s Alberta portfolio is supplemented by a quartet of upper-echelon bottles from a group of distinctive quality regions scattered across the Rhone, each of which has its own character and legend to live up to, and each of which, I’m happy to report, Jaboulet and winemaker Caroline Frey reflect to a tee in these beautiful offerings.  See my prior post for more details about this historic winery and its renaissance in our market; for now, we have a lot of wine to drink.

Read the rest of this entry »





Wine Review: 2012 Jim Barry The McRae Wood Shiraz

5 04 2016

[This bottle was provided as a sample for review purposes.]

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Serious, serious Shiraz.

I decided to have a good start to the week.  I usually hew to the age-old rule of opening nice stuff on weekends but sticking to the cheaper end of the cellar on Monday, but yesterday I said to hell with it:  forget convention, I’m opening something fun.  This led me to the upper echelon of my sample rack, and to one of the better Australian Shirazes I’ve ever had, Jim Barry’s The McRae Wood.  Excellent Monday decision.

Jim Barry’s wines are no stranger to this blog – I’ve reviewed his highly impressive entry-level Cab and Shiraz and his mind-blowing, Grange-challenging top-end Shiraz The Armagh.  This bottle is closer to the latter than the former, a reserve-level Shiraz clocking in at around $60 and often known as The Armagh’s little brother.  Jim Barry is based out of the Clare Valley in South Australia, an elevated and cooler-climate region due north of Adelaide and just northwest of Big Shiraz Mecca, the Barossa Valley.  Clare is best known as Riesling country and is about as stylistically different from the Barossa as you can get by travelling 100 km or so, producing leaner, less ripe and more elegant wines and rethinking what it means to be an Aussie Shiraz as a result.  The McRae Wood Shiraz is sourced from a special single vineyard in the Clare Valley, a 70-acre plot of land that Jim Barry purchased from his neighbour Duncan McRae Wood in 1964 to plant his very first Shiraz vineyard.  This eponymous bottling honouring the initial owner of the land was first released in 1992, making this the 20th anniversary vintage of The McRae Wood. Read the rest of this entry »





Wine Review: 2012 Torres Celeste Crianza

29 03 2016
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Mysterious heavens. Mysterious brown bottle.

I must admit that the weekly sale flyer from my neighbourhood Solo Liquor store doesn’t usually flood me with inspiration,  but this past week, nestled in its pages amongst the Barefoots and the Yellow Tails, was an offer that made me make a special trip down the block.  The current edition (and 10th anniversary vintage) of Torres’ Celeste Crianza, a 100% Tempranillo bottling from the famed Ribera del Duero region in north-central Spain, was on sale for $17.99, down from its usual $26ish.  I now regret buying only one at that price.  It’s becoming harder and harder with the sordid state of the Canadian dollar to find a well-made go-to bottle of wine for under $20, but for one glorious long weekend, this one easily fit the bill.

Torres is as trustworthy a wine name as there is at this kind of price point.  I’ve had a wide range of their offerings over the past couple of years, some of which ($15 Chilean rose?) did not necessarily spike my expectations going in, but all of which delivered quality, character, consistency and obscene value, to the point where I now seek them out in junk mail flyers.  They are a Spanish family-based winery, but their headquarters are in the far east of the country, in Catalunya near Barcelona; Celeste is their first bottling from Ribera del Duero.  Made from grapes grown in the upper reaches of the region, at close to 900 metres of elevation where they are exposed to blisteringly hot days but remarkably chilly nights, the Celeste is able to offer up full fruit ripeness without coming across as loose or flabby.  The wine’s name and label emphasize the celestial, showcasing the heavenly bodies on display nightly above the elevated vineyard which keep watch over the crop. Read the rest of this entry »





Wine Review: 2012 Marabino Noto

20 01 2016

[This bottle was provided as a sample for review purposes.]

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I admit: I had to do a little research for this one. But well worth it!

Sicily is hot right now (figuratively at least; literally, it’s about +8 Celsius right now, and it’s 4:00 a.m. tomorrow morning).  After a lengthy history of exporting purely bulk wines for blending and bottling wines only for domestic consumption, this large island off the toe of Italy’s boot is suddenly undergoing a rapid and massive quality transformation, showcasing its indigenous varietals to the world and beginning to show up on wine lists and in boutiques all over town.  There are wines from vines grown on the side of an active volcano (Etna) and wines so close to the ocean they can smell the salt.  More and more Sicilian wine is being targeted for import, filling a gap in our drinking experience we never knew was there.

This is the second bottle of Marabino that I’ve had the opportunity to try; the first was their fantastic Eureka Chardonnay, exactly five months ago today.  Marabino is a relative newcomer to the island, established in 2002 as a fully biodynamic winery focused on growing Moscato, Nero d’Avola and Chardonnay, the first two native to the region.  Marabino is based in the Noto DOC, a UNESCO world heritage site featuring surprising white soils in the very southeast corner of Sicily.  While the number of classified Denomination of Origin zones in Sicily is continually growing, Noto has held this designation since 1974 and has an entrenched place in Sicilian wine history. Read the rest of this entry »





Wine Review: Jim Barry Value Red Showdown

13 01 2016

[These bottles were provided as samples for review purposes.]

I'm not making up the vertical/horizontal label dichotomy, right?  Totally something thematic there.

I’m not making up the vertical/horizontal label dichotomy, right? Totally something thematic there.

Australian wine is in sort of a weird place right now.  I first got into wine during the Great Shiraz Rush just over a decade ago, when critter wines ran rampant and the overtly ripe, sweet, boozy style and approachable branding of big-name Aussie Shiraz rolled over the global wine scene like a tsunami, spawning copycats galore and creating ripples that are only now just starting to settle.  The behemoth brands at the front of this wave are mostly still around today, and their bold, fruity, slightly concocted style certainly retains its share of popularity with casual drinkers, but the world has moved on to other phenomena and the scene in Australia seems caught in aftermath phase, not wanting to totally abandon what brought it to global prominence but understanding that its long-term prosperity is likely tied to being something more than liquor store filler.  The country is taking steps to avoid being a one-hit wonder, surprisingly churning out some of the best Riesling you’ve never tried, finding cooler pockets for Pinot Noir and (especially in Tasmania) sparkling wine, using its plentitude of remarkably old vines to its advantage, and dialling its Shiraz back a notch or two while still keeping it lush and appealing to New World palates.  It is also finding stronger and more quality-focused expressions of its value wines which are less industrial commodities and more genuine expressions of grape and place.  This is where Jim Barry comes in.

This family-owned producer is now run by second-generation executive winemaker Peter Barry, the son of eponymous founder Jim, who was the first qualified winemaker in South Australia’s Clare Valley, where the winery is based.  Its tailored lineup of wines runs the gamut from dynamite supermarket bargains (see below) to one of Australia’s very best and priciest bottles, The Armagh Shiraz (as experienced by me in one of my favourite tastings ever).  I was first converted to the Jim Barry cause a few years ago when I bought the Cover Drive Cabernet Sauvignon on a whim because of its circus-tent striping on the neck foil and the cricket player on the main label and was wowed by what I found inside.  I could be wrong, but by its participation in the JB value red duel below, I believe Cover Drive becomes the very first wine in PnP history to be reviewed in three separate vintages, following its write-ups here and here.  Can it hold off a spirited challenge from its neck-striped brother, the Lodge Hill Shiraz?  Let’s find out. Read the rest of this entry »





Side By Side: 2012 Tinto Negro Malbec x2

7 10 2015

[These bottles were provided as samples for review purposes.]

Malbec vs. Malbec.  Mendoza Civil War.

Malbec vs. Malbec. Mendoza Civil War.

Forgive me if you’ve heard me say this before, but:  comparative tastings are the best.  You can learn a lot about wine by taking your time over a single bottle, properly assessing what’s inside and picking out colour and smell and flavour notes common to a country, region or grape.  You can learn way more about wine by doing this to two similar bottles at the same time, with almost the same characteristics, but for a single isolated variable:  same wine, different vintage; same producer, different grape; same grape, different country.  You pick up a whole bunch of what makes them the same, but you can also focus on the impact that primary thing that makes them different and see firsthand the tremendous effect that every single input going into a wine has on the finished product.  You learn from both the commonalities and the distinctions.  Plus you end up with two open bottles of wine, which generally always leads to a good night.

In this case, the similarities are massive and the differences apparently slight, but the impact remains noteworthy.  These two bottles are from the same producer (Tinto Negro, founded by the ex-vineyard manager and wine education director of renowned Argentinian winery Bodega Catena Zapata), the same country (Argentina), the same grape (Malbec), the same vintage (2012) and even the same region (Mendoza, Malbec’s New World spiritual home nestled in the foothills of the Andes).  However, the first bottle, the 2012 Tinto Negro Mendoza Malbec, is an entry-level regional bottling, and the second bottle, the 2012 Tinto Negro Uco Valley Malbec, is from the next quality tier up, a sub-regional bottling from the Uco Valley sub-zone in southwestern Mendoza.  Apart from their divergent price points, you might have a hard time differentiating them in the store, but does this little sourcing difference make a difference?  When you taste them side by side, oh yes. Read the rest of this entry »





Torres New/Old World Value Duet

8 09 2015

[These bottles were provided as samples for review purposes.]

New/Old World.  Pink/red.  Value/value.

New/Old World. Pink/red. Value/value.

Over the past couple years, Torres has become my Old Reliable, the brand that never lets me down regardless which sub-$20 value offering I’m trying, regardless where in the world it’s from, and regardless of my level of expectation or uncertainty going in.  It has now been named the World’s Most Admired Wine Brand for two years running by Drinks International (to get a sense of that accomplishment, others in the top 15 this year include Vega Sicilia, Chateau d’Yquem, Ridge, the First Growth Chateaux Margaux, Latour and Haut-Brion, and Tignanello), and it succeeds without a multi-hundred-dollar wine on its resume and with wineries on three separate continents, focused on marrying high quality with affordable pricing wherever it goes.  That combination is not easy to achieve, but Torres makes it look routine.  I had a chance to toast the end of summer amidst the weekend snow in Calgary with two QPR (quality-to-price-ratio) gems from the Torres portfolio, one from the New World and one from the Old, each crafted with the same evident care and attention. Read the rest of this entry »








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