By Dan Steeves
Excited is an understatement of how I felt yesterday as I was on my way to an amazing vinous and culinary experience at Avec Bistro featuring the wines of Famille Perrin and proprietor Thomas Perrin. I have always been fond of the wines of the southern Rhone, especially after travelling through the area a few years ago an experiencing the culture, the landscape…and, of course, the wine! Being guided through a tasting by any winery owner is always a privilege. Hearing directly from them about the history of their area, small details of their wines and their actual impressions of each bottle creates a personal connection that makes it such a memorable experience. Combine this with impeccably paired cuisine and it is elevated to a new level of sublime indulgence.

Famille Perrin is a family-owned and -operated producer (Thomas, the 5th generation, along with his siblings and cousins, all work for the family business) in the southern Rhône Valley which is most notably known for their flagship label from Châteauneuf-du-Pape, Chateau de Beaucastel, although they have an extensive collection of wines from many other areas in the southern Rhone. They have been established for just shy of 110 years and are the leading organic grape grower in the area after Thomas’s grandfather, Jacques Perrin, pioneered organic farming practices in the 1950s which was followed by biodynamic practices in the 1970s. All wines produced by Famille Perrin are blends consisting of at least two grape varieties which are grown, vinified and matured separately and then blended to create a harmonious wine. With there being 13 different grape varieties allowed in Châteauneuf-du-Pape (all of which are used in the Chateau de Beaucastel CdP, one of the only estates to do so) and still other varieties used in other wines elsewhere in the region, you can imagine how long and busy the harvest season is for Perrin. The harvest starts in August with the early ripening Cinsault and ends two months later with Mourvedre and Counoise. Vinification is then done separately using stainless steel, concrete, or wooden tanks with very limited oak ageing done, at least in the sense that no new oak is used to avoid imparting oak characteristics in the wines.

The tasting consisted of six wines from the Famille Perrin collection – a rosé aperitif, followed by a white and four reds, each accompanied with their own food pairing. Below are details for each wine (and food pairing). Read the rest of this entry »



Ever since I first saw The Hatch’s avian-Thomas-Crown-Affair primary logo shortly after it opened a couple years ago, I have been sort of transfixed from a distance, finding both the winery and its artistic ethos strangely compelling despite knowing basically nothing about them. Based out of a rustic-modern “shack from the future” in the heights of West Kelowna and sourcing grapes from across the Okanagan and Similkameen Valleys, The Hatch initially comes across (quite intentionally) more like an artists’ collective than a commercial winery,
The Hatch releases its wines in stylistic series, of which I had the opportunity to experience two: the mid-tier Hobo Series wines, featuring a panoply of hand-drawn labels of hobos (seriously) that risk making you cry thanks to their sheer beauty (also seriously), and the ambitious Black Swift Vineyards series wines, which collectively form an expansive single-vineyard project focused on the various facets of BC’s glorious dirt. The wine, like the winery, was never boring. 



If you follow this blog (thank you!) and enjoy wine reviews (I do too!) but aren’t as into other forms of alcoholic beverages, I would suggest that you cherish this write-up. Mull over it. Take your time reading it. Stop halfway through and come back tomorrow to finish it. It will have to last you a long time. This is officially Pop & Pour’s last wine review until after Christmas, as on Thursday I dive headlong into Year 3 of Whisky Advent, with 25 straight days of write-ups about the little bottles sequentially coming out of 


When you’re in a brand new wine shop or liquor store looking at a string of unfamiliar sub-$20 labels and hoping not to take a step too far wrong, the word “Marlborough” should be a huge source of relief to you. It is the name of New Zealand’s most famous wine region, and more than maybe any other star region on Earth whose bottles you can still grab without a price cringe, it offers a very high quality floor, a strong baseline that offers confidence that even the lower-end offerings on the shelf will be somewhat well-put-together. Marlborough, located on the northern tip of New Zealand’s South Island, is most renowned as the birthplace of Sauvignon Blanc’s most distinctive New World expression, that zingy, grassy, refreshingly searing style that almost anybody under 30 now associates with the grape. Producers there have locked down on that mythical combination of quality, quantity and value that make Marlborough the safest, if at times one of the more redundant, “I’ve-never-had-this-bottle-before” picks out there.




