Calgary Wine Life: Nautilus Technical Tasting with Winemaker Clive Jones

25 07 2018

By Raymond Lamontagne

The more New Zealand wine I drink, the higher it climbs in my esteem.  Renowned for its superb array of cool climate vineyards and their purity of fruit expression, New Zealand provides a fine showcase for my favourite black grape, Pinot Noir; I have also met few who cannot appreciate the unique and ultra-distinctive style that is New Zealand Sauvignon Blanc. We were all exceptionally pleased to welcome to Calgary Nautilus Estate’s winemaker Clive Jones, who travelled all the way from the globally renowned Marlborough region to put an array of his wines through their paces before us. Limits on word count and reader attention span mean that I must immediately plunge into telling six different stories about six different Marlborough wines…OK, five stories. You’ll see below.

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2017 Nautilus Sauvignon Blanc (~$23)

Clive’s knack for explaining technical winemaking details in highly entertaining fashion becomes immediately apparent as the tasting begins. He feels fortunate that a vintage as challenging as 2017 in Marlborough, one marred by not one but two cyclones, could yield a wine of this caliber: “It did get 92 points…if we care about points.” I don’t, but much of the world at large does.

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Nautilus winemaker Clive Jones

Only about half of 2017’s grapes were picked before the weather turned foul, but miracles were wrought and enough of the remainder were able to be used in the final blend. This crisis averted speaks to the classic advantage for those making a varietal wine from a blend of different sites year in and year out, a characteristic that Marlborough (with its myriad soil types and small-scale regional differences in elevation and climate) shares to some extent with Champagne. With an array of lots from different parcels to choose from, careful adjustments can be made by the savvy winemaker to land on a house style every time. The intent in Nautilus’ case is to dial down the aromatics (but not too far down) and dial up the palate weight, yielding something with a pleasing texture that maintains the drinker’s interest. Interestingly enough, part of Clive’s strategy involves adding around 1% of barrel-fermented wine to the Sauvignon Blanc blend, the remainder hailing from trusty temperature-controlled stainless steel tanks. This calculated attempt to tame what is usually a fiercely aromatic, high-acid variety while still exalting the grape’s fundamental identity executes its mission with precision. 

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Sacred Hill Marlborough Trio

29 11 2016

[These bottles were provided as samples for review purposes.]

fullsizerender-488If you follow this blog (thank you!) and enjoy wine reviews (I do too!) but aren’t as into other forms of alcoholic beverages, I would suggest that you cherish this write-up.  Mull over it.  Take your time reading it.  Stop halfway through and come back tomorrow to finish it.  It will have to last you a long time.  This is officially Pop & Pour’s last wine review until after Christmas, as on Thursday I dive headlong into Year 3 of Whisky Advent, with 25 straight days of write-ups about the little bottles sequentially coming out of Kensington Wine Market’s tremendously awesome Whisky Advent Calendar. Pray for me.  Incidentally, Advent in 2017 may look a little bit different for PnP, as my years-long quest to get somebody to make a proper Wine Advent Calendar just might be coming to fruition:

Make it happen, Bricks Wine Company.  I’ll be ready, and I’ll make sure everybody who reads this site is ready too.

Anyway, since this is my last wine write-up for a calendar month I figured I’d make it a multi-bottle one, from an area that is a bit at risk of becoming a victim of its own success:  Marlborough, New Zealand.  Since catapulting onto the scene 30-odd years ago with a distinctive lean, blisteringly aromatic and herbaceous style of Sauvignon Blanc initially popularized by now-mega-label Cloudy Bay, this region on the northern edge of the South Island has become synonymous with this piercing, vegetal, unabashedly flavourful take on the grape.  Producers have rushed to respond to global demand for Marlborough’s established house style for NZSB, to the point where it is now one of the most readily available bottles around, no matter where you are.  This is good in the sense that you know that a solid, consistent bottle of white that will not disappoint is always around the corner.  It’s bad in the sense that a lot of New Zealand Sauvignon Blanc has become almost mechanical, put together as if by rote to satisfy an expected flavour trope.  The old challenge for NZSB was to become relevant; the new challenge is to regain its individuality and joie de vivre.  Easier said than done at a competitive price point, but certain producers are proving up to the task, like Sacred Hill, to whom I was introduced by the three bottles below.

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Sacred Hill was founded 30 years ago, in 1986, at the start of New Zealand’s wine explosion; however, unlike many similarly timed winery ventures, it was not started at the epicentre of the Sauvignon Blanc earthquake, hailing from Hawkes Bay on the eastern side of NZ’s North Island as opposed to Marlborough.  Hawkes Bay is a warmer region known mainly for red wines, and the two brothers behind the Sacred Hill label grew up there and came by their wine aspirations naturally:  their father was one of the first farmers in the region to take the plunge and start planting grapes as opposed to more common (at the time) agricultural crops.  The business has since expanded and Sacred Hill now has vineyards in both Hawkes Bay and Marlborough, which the brothers (correctly) call the “engine room” of New Zealand’s wine industry.  They have access to half a dozen different vineyards in Marlborough, one of which, the eerily named Hell’s Gate, is their own.  Their Orange Label line of wines, including the three below, are multi-vineyard blends offering up a true sense of the region without any sticker shock. Read the rest of this entry »





NZSB Playoff Challenge

4 05 2016

[These bottles were provided as samples for review purposes.]

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Two enter, one leaves. Well, actually zero leave; there were no leftovers.

I need very little reason to open and taste two bottles side by side, especially when their comparison can tell me even more about them and where they’re from.  Somebody decided that Friday, May 6th would be known as Sauv Blanc Day (or #SauvBlanc Day, to be more accurate, even though it makes no sense to put a space in a hashtag), although this is a fact not without controversy, as others seem to have settled on April 24th for International Sauvignon Blanc celebration.  We can all agree that some time within this two-week window would be a great opportunity to open some Sauv Blanc, and with the playoffs upon us in two of the four major professional sports leagues, my dining table was also primed for a showdown of some sort.  Enter the titans.

These two bottles are excellent references for each other, as both are from the same vintage (2014, a shorter growing season with a wet harvest), the same country (New Zealand), the same region (Marlborough, the kickstarter of the NZ wine industry and of global New Era Sauv Blanc) and the same grape (the aforementioned SB).  Flavour and textural differences thus largely stem from slight climatic and geographic alterations at the vineyard level and minor distinctions in winemaking choices by the producers, as well as whatever cosmic forces make good wines end up just so.  Going in, I have to admit I was leaning toward the 2014 Greywacke Sauvignon Blanc as the likely favourite; this winery, run by former Cloudy Bay winemaker Kevin Judd (who literally put New Zealand on the world wine map with a now-ubiquitous tropical/herbaceous style of Sauv Blanc), now turns out deeply personal, characterful expressions of the grape year after year.  They are no stranger to love from this blog.  But strange things can happen in the playoffs.  Onward. Read the rest of this entry »





Calgary Wine Life: Greywacke Tasting with Kevin Judd

7 10 2014

Kevin Judd is a New Zealand visionary, a trailblazer who has left a permanent imprint on the nation’s young wine culture.  As the founding winemaker of Cloudy Bay, now the near-ubiquitous signpost for the sharp, tangy, herbal style of Sauvignon Blanc that is instantly recognizable in the glass, Judd pioneered a flavour profile for New Zealand’s signature grape that put the country on the world wine map.  He helmed the ship at Cloudy Bay for 25 years, taking it from an unknown producer in an anonymous wine nation to a whirlwind New World phenomenon, the crown jewel of a Sauvignon Blanc revolution that saw millions of bottles fly off the shelves.

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After Cloudy Bay was sold to luxury brand behemoth LVMH (whose wine portfolio includes such luminaries as Krug, Dom Perignon, Chateau d’Yquem and Cheval Blanc, upper-crusters all), Judd finally realized a lifelong dream of starting his own label and making wines in a manner that best suited his palate:  riper batches of fruit, slightly softer acid, yet retaining all of the structure and complexity that a cooler climate can provide.  He called the new venture Greywacke, a name he had quietly reserved 15 years earlier while waiting for his opportunity:  the word (pronounced “grey-wacky”) refers to the grey sandstone rocks that are commonly strewn across New Zealand’s vineyards.

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Calgary Wine Life: Cloudy Bay Winemaker Tasting at Alloy

26 09 2013

If you’re into New Zealand Sauvignon Blanc, you’ve heard of Cloudy Bay.  When I bought my first book about wine a few years ago, the first couple pages of the chapter on New Zealand were the story of this winery:  one of very few producers scattered across the Marlborough region of New Zealand in the mid-1980s, when nobody was paying any attention to NZ wine and nobody on the northern half of the globe was buying it, without any vineyards of its own, making Sauvignon Blanc in a style that has since become synonymous with the nation and the grape (crisp, aromatic, intense, herbaceous), exploding onto the international scene, and shining the spotlight of the wine world on this scenic region on the northern tip of the country’s South Island.  This isn’t ancient history:  New Zealand was an afterthought of a wine nation with only a small handful of producers at a point during my lifetime (I’m 33).  Now it has turned into a thriving and exciting contributor to the world of wine that is home to over 700 wineries, and in large part Cloudy Bay is to thank for this surge of success.  One of the main reasons that “New Zealand Sauvignon Blanc” possesses the same instant and tangible sense of identity in the psyche of wine drinkers as “Australian Shiraz” (or “Cali Cab”, or “German Riesling”, or “Argentinian Malbec”) is the work of this trendsetting producer that started small and turned itself into a national icon with a world-renowned style.

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In 2003, Cloudy Bay was purchased by luxury brand supergroup LVMH (Louis Vuitton Moet Hennessy), which was charged with maintaining the legacy of New Zealand’s most famous liquid export.  This responsibility is now in the capable hands of lead winemaker Tim Heath, who has spent the past 9 years at the winery trying to ensure that Cloudy Bay’s historic voice is as strong as ever within its wines while simultaneously helping them evolve and grow.  Heath recently made his inaugural journey to Canada to showcase his latest creations and discuss the impending release of Cloudy Bay’s 2013 Sauvignon Blanc (just put in bottle in August!), which should be out on the shelves in a matter of weeks.  I was fortunate enough to join him and a few others for a stellar lunch at Alloy, my favourite restaurant in town, to talk and taste New Zealand wine. Read the rest of this entry »








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