PC Wine Fall Collection Faceoff

22 10 2015

[These wines were provided as samples for review purposes.]

Grocery store wines are making strides.  Supermarket labels are no longer (or at least not all) resigned to Two Buck Chuck ignominy, and a select few are starting to pair their expected wallet-friendly price tags with actual quality inside the bottle, making them legitimate value plays in a competitive buying environment.  The Kirkland label from Costco comes immediately to mind, a negociant-style operation that sources wines from prestigious regions across the globe (even Champagne!  And it’s not bad!) and makes them accessible at a fraction of the cost of other bottles from the area.  Now Loblaws is making its own foray into the value wine world with a curated lineup of stylishly branded PC Wines, currently only available at an Alberta Superstore liquor store near you.  Take that, rest of Canada.

A step up from the No Name wine labels.

A step up from the No Name wine labels.

 

The PC Wines approach differs from similar supermarket offerings in a couple of ways.  First, the wine collections will be seasonally rotated, so the five bottles in the fall collection will be replaced with a whole new set of wines in a few months.  Second, the pricing is uniform:  all of the bottles cost exactly $20, but that price drops to $15 in each case if you buy 3 or more.  The fall collection was hand-selected by Aaron Bick, founder of local vino e-commerce site wineonline.ca, and features offerings from four different producers in California, Italy and Spain.  Although each bottle bears a PC Wines label, it still recognizes its original producer on the front, which is a nice touch.  There’s even some back-vintage stuff in the mix!

Read the rest of this entry »





Side By Side: 2012 Tinto Negro Malbec x2

7 10 2015

[These bottles were provided as samples for review purposes.]

Malbec vs. Malbec.  Mendoza Civil War.

Malbec vs. Malbec. Mendoza Civil War.

Forgive me if you’ve heard me say this before, but:  comparative tastings are the best.  You can learn a lot about wine by taking your time over a single bottle, properly assessing what’s inside and picking out colour and smell and flavour notes common to a country, region or grape.  You can learn way more about wine by doing this to two similar bottles at the same time, with almost the same characteristics, but for a single isolated variable:  same wine, different vintage; same producer, different grape; same grape, different country.  You pick up a whole bunch of what makes them the same, but you can also focus on the impact that primary thing that makes them different and see firsthand the tremendous effect that every single input going into a wine has on the finished product.  You learn from both the commonalities and the distinctions.  Plus you end up with two open bottles of wine, which generally always leads to a good night.

In this case, the similarities are massive and the differences apparently slight, but the impact remains noteworthy.  These two bottles are from the same producer (Tinto Negro, founded by the ex-vineyard manager and wine education director of renowned Argentinian winery Bodega Catena Zapata), the same country (Argentina), the same grape (Malbec), the same vintage (2012) and even the same region (Mendoza, Malbec’s New World spiritual home nestled in the foothills of the Andes).  However, the first bottle, the 2012 Tinto Negro Mendoza Malbec, is an entry-level regional bottling, and the second bottle, the 2012 Tinto Negro Uco Valley Malbec, is from the next quality tier up, a sub-regional bottling from the Uco Valley sub-zone in southwestern Mendoza.  Apart from their divergent price points, you might have a hard time differentiating them in the store, but does this little sourcing difference make a difference?  When you taste them side by side, oh yes. Read the rest of this entry »





Wine Review: 2011 Barone Ricasoli Brolio Chianti Classico Riserva

30 09 2015

[This bottle was provided as a sample for review purposes.]

Modern Traditional Chianti.

Modern Traditional Chianti.

Barone Ricasoli holds itself out as the oldest winery in Italy.  Its history certainly marches in lockstep with that of its region, Chianti:  the winery’s eponymous founder was the man who first suggested the modern “recipe” for the standard Chianti blend — largely Sangiovese, blended with indigenous varieties Canaiolo, Trebbiano and Colorino — in a letter in 1872.  That mix has expanded and adapted since then, but Ricasoli has remained a constant in the area, producing Chianti at all price and quality points, from the entry level to the sublime.

This particular bottle is from the sub-zone of Chianti Classico, the traditional Chianti heartland at the centre of the region encompassing the original lands upon which that name was bestowed.  Chianti has now expanded significantly beyond that area, some might say for largely economic reasons and to the detriment of its reputation, as the lands surrounding Classico often do not quite live up to its hallmarks of quality.  The symbol of Chianti Classico, emblazoned proudly on this bottle in multiple places, is the black rooster, the gallo nero.  Why?  Legend has it that, back when the provinces of Florence (in the north) and Siena (in the south) were fighting over the territory of Chianti (right in the middle), they settled on a contest to determine their mutual border:  they would each pick their best knight, who would ride from his city towards his opponent as fast as his horse could take him once the rooster crowed, and wherever they met would mark the new edge of each province’s lands.  The Florentines had a black rooster, and before the date of the contest they kept it locked up in a box with no food, so that when it was finally released on the day of the race, it crowed much, much earlier than dawn, giving Florence’s knight a massive head start.  The Florentine met the Sienese knight just outside of Siena’s walls and thus scooped all of Chianti for Florence, giving the black rooster mythical status in the process.  This is the best part about wine:  everything has a story.  You just have to find it. Read the rest of this entry »





Wine Review: 2011 Bila-Haut L’Esquerda

23 09 2015

[This bottle was provided as a sample for review purposes.]

Bila-Haut: The label that can't miss.

Bila-Haut: The label that can’t miss.

What??  There’s another Bila-Haut?  Readers of this blog will know that I have long been a fan of the best-known wine from Rhone legend Michel Chapoutier’s Roussillon side project, the excellently named Occultum Lapidem, and I have also recently had the chance to enjoy their near-equally awesome rose.  But I had neither seen nor heard of this mustard-coloured addition to the Bila-Haut lineup, L’Esquerda, before being provided this bottle to try.  I won’t be forgetting it anytime soon.

Like the Occultum Lapidem, the Bila-Haut L’Esquerda is from a particular high-quality subregion of the Cotes du Roussillon Villages area in the extreme south of France, almost stepping into Spain.  While the Occultum Lapidem hails from the mouthful Cotes du Roussillon Villages Latour de France subregion, the L’Esquerda comes from a single vineyard nestled in its westerly neighbour, the nearly-as-wordy Cotes du Roussillon Village Lesquerde subregion, located slightly further inland from the Mediterranean Sea, immediately south of red dessert wine rock star zone Maury, and due west of another Roussillon sub-zone that’s gotten digital ink on this site lately, Tautavel.  The word “L’esquerda” is Catalan for “the fault in the rock” and is likely a nod to the nutrient-poor granitic soils of the area.  Mainly Syrah, but blended with Grenache and Carignan, L’Esquerda has basically the same varietal makeup as Occultum and is made in a very similar fashion:  from old-vine grapes (40+ years), with extended maceration periods post-fermentation (3-4 weeks) and with limited oak aging (10% or less of the blend sees a barrel).  No wonder there’s a family resemblance.

Read the rest of this entry »





Wine Review: 2014 Yalumba Old Bush Vine Grenache

18 09 2015

[This bottle was provided as a sample for review purposes.]

Raise a glass to Grenache!

Raise a glass to Grenache!

This is a bottle of eager-to-ripen Grenache from the scorching Barossa Valley in Australia.  This is a delicate, pretty, dainty, almost ethereal wine.  These sentences are both somehow true.  Happy International Grenache Day, everyone!

Yes, the third Friday of every September is set aside to celebrate the wonders of a grape that is prominent on the world wine scene, yet still strangely underrated, often anonymously doing the heavy lifting in a Rhone-style blend and only occasionally stepping out into the spotlight on its own.  This is my second time toasting the grape in September:  I revelled in the glory of the Okanagan’s first ever Grenache back in 2013.  I appear to have missed this global vinous holiday last year, but am now fully prepared to make up for lost time.

Yalumba is Australia’s oldest family-owned winery, founded 166 years ago in 1849 and still in the family today.  You may know them for their string of top notch value wines (the Y Series Viognier is particularly awesome for what it costs), but they have offerings all across the price spectrum, and their standing and longevity has given them access to the types of fruit sources necessary to put quality in the bottle.  With respect to Grenache in particular, Yalumba owns some of the oldest Grenache vineyards in the Barossa Valley; the fruit sourced for this bottle was planted between 1898 and 1973.  Vines that pre-date your great-grandparents used for a $22 wine!  Yalumba is also the only winery in the Southern Hemisphere to have their own cooperage, so they select and import oak and then toast it to their liking and make their own barrels.  Cool. Read the rest of this entry »





Wine Review: 2014 Plan B Riesling “OD”

14 09 2015

[This bottle was provided as a sample for review purposes.]

Riesling, it's been too long.

Riesling, it’s been too long.

Wow, HOW long has it been since I’ve reviewed a Riesling on here?  Seven months??  What is wrong with me?  I have let my favourite grape down.  Time to make amends, and I have definitely found the right bottle for the job, from probably the most underrated country in the world for good Riesling:  Australia.  This New World nation, home of terrifying spiders and monster Shiraz, is probably not the first place you think of for elegant, aromatic, cool-climate whites, but there are pockets of land in this otherwise mostly barren desert, moderated by altitude or coastal proximity or both, in which Germany’s most prized vinous export thrives.

This particular Riesling hails from the relatively obscure Frankland River region, known to me as one of the only producing areas in western Australia not called Margaret River that’s getting any play internationally.  While Margaret River sits right on Australia’s western coast, just south of Perth, Frankland River is a little farther east and inland and is a sub-zone of Australia’s largest singular wine region, the questionably named Great Southern region.  (As you can see here, it is much more west than south in the national scheme of things, and most of the country’s wine regions are actually located further south than it is.  It had better actually be Great there.)  The gents at Plan B Wines seem to be on a mission to make the wine biz loose and fun again while still producing great quality product from top sites, a task that I would suggest is perfectly suited to Australians.  Their website at planbwines.com is well worth a visit and contains some incredible illustration work done by the winemaker himself; just watch that you don’t Canadianize the URL or slip up on Google and go to planb.ca, northern Internet home of the morning after pill.  You have been warned. Read the rest of this entry »





Torres New/Old World Value Duet

8 09 2015

[These bottles were provided as samples for review purposes.]

New/Old World.  Pink/red.  Value/value.

New/Old World. Pink/red. Value/value.

Over the past couple years, Torres has become my Old Reliable, the brand that never lets me down regardless which sub-$20 value offering I’m trying, regardless where in the world it’s from, and regardless of my level of expectation or uncertainty going in.  It has now been named the World’s Most Admired Wine Brand for two years running by Drinks International (to get a sense of that accomplishment, others in the top 15 this year include Vega Sicilia, Chateau d’Yquem, Ridge, the First Growth Chateaux Margaux, Latour and Haut-Brion, and Tignanello), and it succeeds without a multi-hundred-dollar wine on its resume and with wineries on three separate continents, focused on marrying high quality with affordable pricing wherever it goes.  That combination is not easy to achieve, but Torres makes it look routine.  I had a chance to toast the end of summer amidst the weekend snow in Calgary with two QPR (quality-to-price-ratio) gems from the Torres portfolio, one from the New World and one from the Old, each crafted with the same evident care and attention. Read the rest of this entry »





PnP Featured in Culinaire Magazine!

4 09 2015

Well, after over four years of blogging and nearly 300 posts, it has happened:  I have been photographed going down a slide in a tot lot with a magnum of Riesling for a real life magazine.  Culinaire Magazine, a fantastic monthly publication focused on all parts of Calgary’s thriving food and beverage scene, has a monthly feature on the inside of its back cover called “Open That Bottle”, where a local personality is profiled and discusses a special bottle in their cellar that they’re saving for a specific occasion.  For the September 2015 issue, I was honoured to get the call and share the story of my favourite kind of wine, from my favourite vineyard, that I’m holding for one of my favourite people in the world:  my son Max.  See the story below:

If for some reason the media link above doesn’t work, the online version of the article can be found on the Culinaire website here.  Also in the September issue (it was a good issue!) was a joint article about drinking boldly and dodging the usual suspect grapes that I wrote with YYC Wine’s Adrian Bryksa, which you can read here:

Stuff like this doesn’t happen without people like you taking the time to find and read what I write on here, so I am eternally grateful to everyone who has supported this site.  Never did I think that this little passion project would turn up in a magazine; I can’t wait to see where it goes next.  Thank you!!

Max at 16 months, with his birth year mag, October 2014.

Max at 16 months, with his birth year magnum, October 2014.





Canada’s Natural Wine Club: Cellar Direct

1 09 2015

[These bottles were provided as samples for review purposes.]

FullSizeRender-118It was not like any other sample box I have received.  This two-bottle sample pack showed up in a container that could have easily fit a full case of wine with room to spare.  Puzzled, I broke into the box to discover the wine inside was surrounded on all sides by multiple inches of insulated styrofoam, like I was being shipped radioactive isotopes instead of a European red and white.  The bottles in the centre of the box were encased in even more styrofoam, and sitting in between them was a liqui-gel cryopack, like the kind you would use to keep your camping cooler cold.  After a multi-day, interprovincial Canada Post voyage, the icepack was still completely frozen.  And the wine?  Precisely at cellar temperature fresh off the delivery truck, a constant, perfect 13 degrees Celsius.  As it turns out, Cellar Direct doesn’t just ship their wines out in a way that ensures temperature stability; it also imports them in from producers in a rigidly temperature-controlled manner too.  They officially had my attention. Read the rest of this entry »





The Great Coravin Test, Part 4: Final Thoughts (For Now)

26 08 2015
No Girls Grenache by the glass?  Don't mind if I do!

No Girls Grenache by the glass? Don’t mind if I do!

The sun has shone a little less brightly this week (and not just due to wildfire smoke blocking out the sky) – I had to return my borrowed Coravin, leaving an empty spot on my counter and a needle-sized hole in my heart.  Apart from testing out the device on the three bottles of wine the agent provided to me (adventures catalogued in Part 1, Part 2 and Part 3 of this post miniseries), I also went to town last week on a few bottles from my cellar, including a couple of the pricy variety in case you were wondering about my level of Coravin confidence.  Most importantly, I re-accessed the 2012 Tabali Pinot Noir from Chile that acted so strangely I last time I Coravinned my bottle samples just to make sure that all was still well, and it was fresh as a daisy and exactly how I remembered it on first opening, confirming that the Coravin’s preservation record remained fully intact.

I thought I’d end my Coravin saga with a few closing thoughts on the pros and cons of scooping the device for yourself and on whether the amazing features of this wine access wonder-machine justifies its hefty $400ish price tag, particularly for individual wine lovers.  First, the most obvious pro:  there is nothing like this anywhere.  It is literally in a class of its own in the wine preservation game, to the point where it’s almost not fair to call it a preservation device at all:  you don’t have to worry about preserving the wine when you never expose it to the elements in the first place.  You’re not using it to stave off inevitable oxygen decay for a few days or a couple weeks; you’re using it to stop the oxygen time clock from even starting, so that you can drink a bottle from your cellar a glass at a time over any length of time that you want, even years.  That’s just mind-blowing.  Even after using the thing for a month, it’s hard to wrap my head around just how much of a game-changer it is. Read the rest of this entry »





Wine Review: Menti & Marabino, Natural Italy

20 08 2015

[These bottles were provided as samples for review purposes.]

If you are a massively wine-obsessed civilian, you have probably had at least a passing thought about it.  I can think of a half dozen wine friends off the top of my head with whom I’ve had the conversation.  You know something about wine, you have a particular love for a particular region, you’ve found a lesser-known producer or two there whose wines aren’t currently brought in to your jurisdiction…what if I just imported them myself?  I could be a wine agent on the side…who WOULDN’T want to buy these wines?

Small importer, statement wines.

Small importer, statement wines.

Of course, it takes much more than a passion for wine and an idle dream to make a go of it in the wine import world, an extremely competitive sphere full of others who have been at it a long time and know what they’re doing.  This is why I am behind a keyboard right now instead of combing Washington State and Oregon for hidden gems.  But I have the utmost respect for the people who do take the plunge, who put their money where their mouth is and find a way to step a little bit further into the world of wine.  Maxim Atanassov is one of those people, populating the white collar world by day and crusading for all-natural biodynamic Italian wines on evenings and weekends through his agency Vino Al Vino.  He has assembled a tight-knit group of producers from the southern and eastern edges of Italy who share a steadfast mission to let the land do the talking and a hands-off approach to winemaking.  I got the chance to try two bottles from the white side of his wine portfolio, and they proved to be some of the most interesting wines I’ve ever been asked to review. Read the rest of this entry »





Wine Review: 2012 Alice May Crosswinds Syrah

13 08 2015

[This bottle was provided as a sample for review purposes.]

The sequel. Even more awesome.
The sequel. Even more awesome.

I love when I have the chance on this site to track a wine’s development over successive vintages.  I love it even more when the wine in question has a strong local connection, something you don’t get to say very often when you’re based in Calgary.  Last year I had the chance to write up the inaugural release from Alice May Wines, a new label conceived by Calgary sommelier-turned-wine-agent Alex Good in collaboration with noted California winemaker McPrice Myers of Barrel 27 Winery.  Alice May’s stated focus was on Rhone-based varietals, and its 2011 Crosswinds Syrah was a silky, elegant Cote-Rotie style co-ferment of Syrah and Viognier that I repeatedly sought out and drank over the course of 2014.  Having exhausted my supply, I was happy to turn to the 2012 edition of the Crosswinds, and even happier that it carried the Alice May torch with aplomb. Read the rest of this entry »





Replacement Wine Review: 2012 Gerard Bertrand Grand Terroir Pic Saint Loup

6 08 2015

[This bottle was provided, for a second time, as a sample for review purposes.]

If at first you don't succeed...

If at first you don’t succeed…

If you were reading this blog one week and two posts ago (and I’ll forgive you, if quietly resent you, if you haven’t), you will remember this bottle.  One of three contenders in a Languedoc-Roussillon Terroir Showdown, and arguably the favourite by virtue of coming from the most recognizable and lauded subregion that area has to offer (the excellently named Pic Saint Loup), this 2012 Gerard Bertrand offering instead had to be disqualified from the competition because the bottle I got was corked, affected by a musty, devious molecule called TCA that lent it a faint newspaper-left-out-in-a-Calgary-hailstorm smell and sapped it of its life and flavour.  But tonight will be different.  Tonight Pic Saint Loup gets its revenge, and its shot at glory.

Read the rest of this entry »





The Great Coravin Test, Part 3: Two Weeks In

2 08 2015

OK, so to recap:

  • I got lent a Coravin and figured out how to use it (Part 1).
  • On July 17th, I accessed three different bottles – a white and two reds – via Coravin and wrote up control tasting notes (Part 2).
  • Exactly two weeks later, on July 31st, I Coravinned the bottles again to see how they were doing.  Now the real fun begins (Part 3, right now).

FullSizeRender-91Some brief methodological notes:  after tasting the bottles on July 17th, I put them back in my cellar as if they were brand new – on their sides, no special treatment.  They stayed there till the 31st, when I gave them a brief chill before accessing them again.  I took detailed tasting notes without looking at my initial set of notes and then compared the two sets after the fact to see if the descriptions were similar and if any notable changes to the wines had taken place.  After the second round of tasting, the bottles are all about half full, and they have been put back in my cellar until I pull them out again for the grand finale of this Coravin experiment six months from now.  So how did the wines do?  Is the Coravin all it’s cracked up to be?  Let’s get to it, again:

Read the rest of this entry »





Gerard Bertrand: Terroir Showdown

30 07 2015

[These bottles were provided as samples for review purposes.]

This is the kind of tasting opportunity that wine geeks drool over:  three bottles, one producer, one general wine region, similar grapes, identical pricing ($25ish), same winemaking processes, but three different and distinct subregions, each with their own soils, microclimate and story to tell.

FullSizeRender-89

The producer is Gerard Bertrand, visionary winemaker from the south of France who was literally born to do what he’s doing:  a local of the area, he started making wine with his father at the age of 10.  The region is the Languedoc-Roussillon, a sun-drenched area stretching along the Mediterranean coast on the southern edge of central France.  It is the world’s single biggest wine-producing area with around 700,000 acres under vine, although this is not necessarily a good thing; it has been known as the “wine lake” of France for churning out vast quantities of crude jug wine for cheap consumption, more than people could possibly buy, creating massive stockpiles of reputation-draining plonk and setting the region back in the eyes of the wine world.  However, the Languedoc-Roussillon is in the midst of a quality renaissance thanks to a few passionate producers, Bertrand included, who see the potential for greatness in the land.  The result, if you know what (or, more accurately, who) to look for, is a series of unparalleled wine values that can knock your socks off for the price.

FullSizeRender-82You don’t see many wines with Languedoc-Roussillon subregions on the label in this market:  either they’re from the popular catch-all Vins de Pays d’Oc (now known as Pays d’Oc IGP) umbrella region or from a similar overarching area like Cotes du Roussillon.  I have been heavily into wine for a number of years and had never heard of two of the three sub-zones highlighted in this trio of bottles: Tautavel and Montpeyroux.  The third, Pic Saint Loup, is probably the best-known quality subregion in the Languedoc, but it remains woefully underrepresented here.  Bertrand’s Grand Terroir series of wines is intended to change that and to shine the spotlight on these specific and distinctive parts of Languedoc-Roussillon, to prove that the area is more than just a bulk conglomerate.  After tasting the three Grand Terroir bottles side by side by side, I have to say that he’s on to something.  The terroir showdown begins now! Read the rest of this entry »