Happy International Champagne Day, all! If you follow wine media long enough you realize there’s a designated day for basically every country, region and varietal imaginable, but if someone wants to concoct an additional reason for me to drink Champagne, I will take them up on it. To celebrate this illustrious occasion, I was fortunate enough to take part in a comprehensive tasting of a selection of Taittinger’s impressive lineup of Champagnes, which was particularly special for two reasons: Taittinger’s International Business Developer Mikael Falkman had flown in from Sweden to lead us through it, and it was the inaugural Alberta release of the astonishingly rare and collectible 2008 Taittinger Collection Series, a bottle unlike any other I have seen to date. Adding to the auspiciousness of the event was that it was held in the Skybridge of the spectacular new National Music Centre in Calgary, an event space suspended over a road and constructed as a piece of living art, complete with a ceiling fixture made from old instruments that emitted a continual buzzy tune aligned with the vibrations of the building. Suffice to say it was not your usual Friday.

Mikael Falkman, Taittinger; impeccable brand ambassador.

Mikael Falkman has been with Taittinger for many years and has lived through its various recent changes of ownership, and he radiated a sense of ease and confidence about where the house is now and where it is going. Falkman led us through a lineup of five wines, starting with the clean, linear Taittinger Brut Reserve NV and progressing into a quartet of the house’s finest offerings, each reviewed in detail below. He spoke at length about Taittinger’s house style, which has remained consistent since the house got its current name, focused on freshness, elegance and minerality, eschewing heavy oak and focusing primarily on the Chardonnay grape. “Notice that there are no spittoons on the table,” he intoned to start, his meaning evident: this was exquisite, expensive, premium Champagne, and we would be drinking all of it. Didn’t have to tell me twice. Read the rest of this entry »









When you’re in a brand new wine shop or liquor store looking at a string of unfamiliar sub-$20 labels and hoping not to take a step too far wrong, the word “Marlborough” should be a huge source of relief to you. It is the name of New Zealand’s most famous wine region, and more than maybe any other star region on Earth whose bottles you can still grab without a price cringe, it offers a very high quality floor, a strong baseline that offers confidence that even the lower-end offerings on the shelf will be somewhat well-put-together. Marlborough, located on the northern tip of New Zealand’s South Island, is most renowned as the birthplace of Sauvignon Blanc’s most distinctive New World expression, that zingy, grassy, refreshingly searing style that almost anybody under 30 now associates with the grape. Producers there have locked down on that mythical combination of quality, quantity and value that make Marlborough the safest, if at times one of the more redundant, “I’ve-never-had-this-bottle-before” picks out there.
Jaboulet’s Alberta portfolio is supplemented by a quartet of upper-echelon bottles from a group of distinctive quality regions scattered across the Rhone, each of which has its own character and legend to live up to, and each of which, I’m happy to report, Jaboulet and winemaker Caroline Frey reflect to a tee in these beautiful offerings. See my prior post for more details about this historic winery and its renaissance in our market; for now, we have a lot of wine to drink.




