Calgary Wine Life: City & Country, YYC’s Urban Winery, Part II

14 06 2020

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

When I took my WSET Level 3 course a few years back, my instructor mentioned that, were it not for our punishingly cold winters, Alberta might feature a grape-growing climate similar to Alsace! Climate change notwithstanding, I cannot see this situation fully playing out in my lifetime. Nevertheless, a guy can dream. In the meantime, it turns out that our wonderful city does have a winery that makes honest-to-gosh wines from vitis vinifera grapes sourced from more pacific climes. We first met City & Country in April when Peter reviewed a white and two rosés (including a white Zinfandel which was initially approached lightheartedly but which it turns out might be food pairing magic). Tonight I tackle a few C&C reds. First, some background, by way of a quick review.

IMG_2092City & Country can be found east of Macleod Trail and just south of Erlton, although the brand itself predates the bricks-and-mortar winery that started operations this year. Chris Fodor and his wife Karen first made their own wine in 2017 with some help from Pentage Winery in the Okanagan, where their winemaking endeavours were originally housed, but the Fodors’ aspirations were ultimately bigger than just one wine region, or even one country. They reasoned that a winery based in a large city could source grapes or even pressed must from anywhere, so long as everything is temperature-controlled. I’ll mention here that such a model is used by some of my favourite boutique wineries in California and elsewhere in the US, although in these cases the winemakers draw upon a limited number of local options (often very specific, unique sites) for grape sourcing. The Fodors seem to scoff at the notion of such constraints, although understandably the focus of the winery’s initial releases seems to be on grapes from next door in the Okanagan.

IMG_2094The Fodors officially opened the City & Country winery on February 1st, 2020. Of course, COVID-19 struck after a mere month and a half of operations, but City & Country pushed forward with characteristic Alberta resilience, featuring an online storefront, contactless delivery (free across the province for orders over $60),  and wines available at retail locations across the province. In an exciting update from Peter’s prior post, we can happily announce that the tasting room is again open at the time of this writing, with appropriate distancing and sanitization protocols in place. Phew! Although the world is far from out of the woods, let’s support Calgary winemaking and see what the Fodors have to offer. We begin with my favourite black grape. Read the rest of this entry »





Synchromesh Wines, Part I: Powered by Rieslings (and Merlot)

4 05 2020

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

Social distancing. Self-isolation. Working from home. Stress baking. Flattening the curve. It is all a bit much, but just maybe there is a light at the end of the tunnel, or at least a faint wink, luring us towards a world that won’t be completely the same ever again. Keep up the great work, (most) folks. Aren’t you glad that there is still ample wine to drink, and to read about? We here at Pop & Pour were particularly thrilled to spend part of our quarantined home-stay getting acquainted with the latest vintage of Synchromesh Wines, Canada’s Riesling overlords, a homegrown brand forging an unmistakable vinous identity.

IMG_1926

Please excuse the floor… Cats live here, and it is not like tons of people are coming over to visit.

Alan and Amy Dickinson certainly had their research cut out for them when they set out in 2009 to find vineyard sites in BC that might yield top-shelf Riesling. This grape is one that will translate any nuances of terroir right into the glass, which is exactly what the Dickinsons wish to foster: minimalist winemaking that lets the land speak for itself. After almost of a year of searching, they acquired 5 acres of high-elevation south-facing vineyard that would serve as the nucleus of Synchromesh’s estate plot Storm Haven, which would later blossom to 107 acres when a neighbouring property was acquired in 2017. Although such an expansion may conjure up concerns of dilution of all that makes a specific parcel unique, au contraire. For one, the Dickinsons don’t play around with mediocre sites. Furthermore, a larger vineyard provides an opportunity to explore geological and climatic aspects of the site that in effect provide a larger palette from which to paint. Pinot Noir was added at Storm Haven, and the Dickinsons ultimately extended their stewardship to other vineyard locations in Naramata, a never-ending quest for further pure site expressions. All of their farming is organic, with no synthetic inputs, and all wines are fermented spontaneously, with a hard turn away from any factor that could blur the expression of each specific vineyard. Stay tuned for later in-depth coverage of Synchromesh’s home base; in this post I will focus on two special non-estate sites for Riesling, as well as another renowned plot for… Merlot?? Yes. Read on. Read the rest of this entry »





Wine Review: 2015 Culmina Hypothesis

20 03 2020

By Raymond Lamontagne

[This bottle was provided as a sample for review purposes.]

My initial intent was to write this piece without a singular mention of COVID-19. I wasn’t sure I wanted this sort of historical tag on a bottle review…this too shall pass, right? It then occurred to me that wine itself is usually about the vintage, the year it was made. Wine is historical, and other things besides. I also don’t particularly want to talk about  our current global situation. We are all experiencing some degree of anxiety (not to mention other painful emotions) in our own ways, and do I want to fan those flames? Not really, but at the same time, I’m not in the business of denying aspects of the human condition. Perhaps this is a chance for me to ask all of our readers to say safe, look out for one another (even at a social distance), and retain hope that we got this. Because we do. Peter and I are going to keep doing this blog (for which this is post #600 — see? history), because we love what we do and because this is a great way to remain connected. At this moment join me, will you, in experiencing some of the most iconic red wine that Canada has to offer?

Don-Triggs-checks-leaf-vigour-in-Margaret's-Bench-vineyard_MG_6242

Don Triggs

As a wine lover a tad obsessed with Gruner Veltliner, I immediately recall that Culmina and founder Don Triggs are responsible for one of Canada’s first plantings of this white grape, and they still produce Unicus, a wonderfully salty, flinty, yet surprisingly fruity rendition that does this wacky variety proud. It turns out that Don’s first vinous love is in fact red Bordeaux varieties. You likely recognize the surname. Yes, Don Triggs co-founded Jackson-Triggs, one of Canada’s largest commodity wine brands. When the giant Constellation Brands purchased Jackson-Triggs in 2006, Don thought briefly about retirement…or rather, what to do with retirement. Don and spouse Elaine decided to found a boutique winery, in essence taking the very opposite stance from the path that had previously brought him so much success, focusing instead on a deep desire to make terroir-driven wines. You see, Canada’s relatively cool climate doesn’t always reliably ripen red Bordeaux varieties. Although Merlot is more forgiving, Cabernet Sauvignon needs ample sun and heat. Far from daunted, Don and Elaine embarked on an intense research program to figure out just how “Canadian Bordeaux” could become more fact than fiction. Read the rest of this entry »





Obscure Italian Varieties I: Grignolino, the Polarizer

4 03 2020

By Raymond Lamontagne

It is high time that I turned my wine blogging pen (errr, keyboard) to a project that has been bouncing around the dusty caverns of my mind for some time now. For several years, I have been enamoured by the viticultural diversity that is Italy. This country contains more unique native grape varieties than any other, and this sort of cornucopia deeply appeals to the part of me that relishes new experiences. My mind never stops collecting: a new plant in my (limited) deck garden, a new bird or mushroom found in the woods, a new wine grape that I’ve perhaps (likely!) read about but never experienced in person. My brain is just wired to quest. And why Italy? Well, Italy is part of my heritage, I love the food (who doesn’t?), and honestly, I can appreciate that so many of these wines are truly the products of a distinct culture. Although international grape varieties are entrenched in the Italian viticultural landscape and won’t be going anywhere, the natives are currently ascendent.

griggrapes

Grignolino

So my plan is to provide a series of blogs that introduce our intrepid readers to an Italian wine grape that they many not have heard of or tasted. Each will describe the grape in detail and then provide a tasting note for a single bottle that is hopefully emblematic of the grape in question. This project feels like a poor man’s homage to one of my wine writing heroes, Ian D’Agata, who spent more than a decade tasting nearly all of Italy’s native wine grapes. The resulting book shall be my primary companion as I share my own musings. Some (including probably Ian himself) would take umbrage with my use of the word “obscure” to describe these grapes. I am going to use the word because my view is that none of these grapes that I will cover are obviously well-known in wine markets outside of Italy, nor are they commonly available in this wine market, although fortunately Calgary wine shops feature a unique bounty that likely does not exist elsewhere in this country. Of course these grapes are not obscure in the Italian wine regions from which they hail, and perhaps some of them will become better known outside these confines. So there you have it. Let’s begin with one grape, Grignolino, that I find particularly compelling. Read the rest of this entry »





Cellar Direct Winter Wines: Yannick Amirault “La Coudraye” Bourgueil

15 02 2020

By Raymond Lamontagne

[This bottle was provided as a sample for review purposes.]

After a short break, we are back with another winter run of Cellar Direct artisan wines, a further installment of our buyer’s guide for your reading (and hopefully drinking) pleasure. I’m particularly happy to be back in the Loire, and moreover, back with a Cabernet Franc in my hot little hands. As a friend once told me, these Loire Franc wines are quintessentially “Ray” wines. They are often linear and crisp, with well-defined crystalline fruit but additional herbaceous and spicy accents to ramp up the complexity. They can be delicate, rather lithe wines with little excess fat, unlikely to be mistaken for Bordeaux of similar quality, although a certain earthiness compliments the ethereal perfume, and some tannic structure should be apparent. Meaning yes, some of these wines can age. I relish this sort of vinous paradox, and “middle path” wines are typically where such contrast can be found. Loire Cabernet Franc is quaffable yet amenable to deeper analysis, rustic yet avant-garde. Although I am more familiar with Chinon, that most celebrated of Loire reds, here we take a look at the harder to pronounce yet equally impressive sister region, Bourgueil. But first, a little recap.

Taste-Hungary-Cabernet-Franc-harvest

You might recall my love letter to a legendary producer in Chinon, which provided coverage of Cabernet Franc’s flavour profile as well as some background regarding the Touraine sub-region of the Loire, which has found its quality wine footing via a match between Chenin Blanc and Cabernet Franc on the one hand and various admixtures of gravel, sand, limestone, and clay soils on the other. Much of what I said there applies equally well to the Bourgueil AOC, which was designated as such in 1937. Interestingly enough, the maximum permitted amount of Cabernet Sauvignon is only 10% in Bourgueil, versus the 25% allowed in Chinon. In either case, Sauvignon struggles to ripen here (Franc both buds and ripens about a week earlier). Chinon and Bourgueil are essentially mirror images of one another, occupying hillsides on neighbouring river valleys: the Loire itself for Bourgueil, and a Loire tributary, the Vienne, for Chinon. It is decidedly easier to focus on the similarities between the regions than it is the differences, although it seems my mind is on a never-ending quest to parse distinctions in the wine world, perhaps a fool’s errand in those cases where AOC demarcations are awfully arbitrary. Fortunately here, we can draw a few fine-grained distinctions. Read the rest of this entry »





Bricks Wine Advent Calendar 2019: Day 18

18 12 2019

By Raymond Lamontagne

Day 18 of this blogging campaign has me starting off the final week with a slight limp but head unbowed. It has been particularly fun this year, truth be told. The calendar has been superbly curated, considering the perfectly understandable constraints of price point and availability of half-bottles. But I don’t think it is just that. The last few bottles have sparked some enjoyable discussion and debate between the three of us responsible for this Advent blogging set, causing me to reflect on just what it is about wine that is so mesmerizing, so able to inspire passion. Upon reflection, I think for me it is the intersection between art and science. If one knows how wine is made, in a technical sense, one can better assess what is going on with a particular bottle. Maybe this is how I naturally veer, given my professional background… “OK, does this wine gel with how I know it was made?” This sort of conceptual funnelling can provide all kinds of helpful cues as to what I’m experiencing. But then again, what if I am pleasantly surprised? What if I just love the lines of this particular sculpture, heedless of how I know it should present? I think there’s room for both perspectives, within me and within the field of wine assessment more generally. I try to be cognizant of this dichotomy when I see that today’s bottle reads “Cotes du Rhone Villages”.

IMG_1386I’m not implying that I’m disappointed. In fact, this appellation is a deliberate step up in quality from the Cotes du Rhone per se. In the late 1960s, several villages successfully petitioned to include their names on wine labels, in exchange for being willing to submit to higher quality standards. These included the requirement that Grenache must comprise not less than 50% of any given red wine, with a further 20% consisting of Syrah or Mourvèdre in any proprotion. A maximum of 20% of other authorized varieties is also permitted, with these including various obscurities permitted in Chateauneuf-du-Pape (Cinsault, Muscardin, Vaccarese, Terret Noir) along with Carignan. At this point, the Cotes du Rhone Villages appellation has expanded to nearly 10,000 hectares, making it the second largest appellation in the Southern Rhone, half of which can add the name of a specific village to the label. Twenty villages can do this at the present time. This is starting to get the feel of the Dodo Bird verdict from Alice In Wonderland, where “everyone has won and all must have prizes”. Further reinforcing this notion is the fact that the other half of the appellation can distinguish themselves from generic Cotes-du-Rhône by adding the term “village”, albeit without a more specific moniker. The present bottle falls into the latter category, although the producer would certainly take umbrage with the notion that their wines are somehow worse than those labelled Visan or Roaix.

IMG_1387

Domaine Roger Perrin is on the young side for the region, founded in 1969. In what is starting to feel like an eerie theme for me during this December blogging run, Roger died unexpectedly during the harvest in 1969, with well-studied son Luc taking charge. Irked at confusion over his name with that of the famous Beaucastel Perrins, Luc embarked on a quality control campaign to distinguish his estate (the two families are friendly but not related). Tragically, Luc succumbed to a battle with cancer, with sister Veronique and son Xavier carrying on the traditions of hand-harvesting and aging in stainless steel (with the exception of the Chateauneuf-du-Pape wines). The present wine has been described as a “baby Chateauneuf-du-Pape”, consisting of 75% Grenache, 20% Syrah, and 5% Mourvèdre, with a minimum vine age of 45 years. Interestingly, some earlier documentation suggests that the wine was once 5% Counoise and Vaccarese. This wine is made only in good years, with a fairly long maceration period and 20-50% de-stemming depending on vintage ripeness. All this converges on something that is supposed to be an everyday sipper, albeit a step or two above the rest.

IMG_1390

The 2016 Domaine Roger Perrin Cuvee Vieilles Vignes Cotes-du-Rhone Villages is mercifully devoid of faults, suggesting that the Advent Chateauneuf-du-Pape curse does not extend to any “baby” versions. Phew. This leads with a sweeping plush bramble attack of red liquorice, blackberry, and black raspberry, with a few spoonfuls of Mission fig jam and cherry preserve and a dusting of broken clay flower pot, the soil from said pot, juniper, lavender, pineapple sage, and fennel seeds. A cinnamon and ginger snap cookie spice emerges mid-palate, carried along by supple ripe tannins. If Tetley conjured up a black tea flavoured with currants, cacao nibs, and ripe strawberries… this is the sort of warm climate wine I can get fully behind. Neither flabby nor jammy, but hardly a lightweight. Science and art.

89 points    

IMG_1391

Cork Rating: 5.5./10 (Reasonably sharp Diam.)





Bricks Wine Advent Calendar 2019: Day 14

14 12 2019

By Raymond Lamontagne

Corked bottles suck. Alas, they remain part of wine life despite the myriad of precautions now taken during cork production and in modern wineries. The Bricks Wine Advent Chateauneuf-du-Pape curse lives on, at least for the three of us providing this coverage. We forge ahead. Today’s bottle appears rather short and squat under its wrapping, perhaps heralding some form of compact power in the contents therein. Now this is intriguing…

IMG_1368

Petite Sirah! Robert Parker once described Petite Sirah as “the most underappreciated red wine in California for drinking pleasure and longevity.” I did not expect this variety to put in an appearance, although I’m more than pleased to welcome it into the Advent fold with a big old plummy, tannic, spicy hug. Taking off the wrapping here makes me think of the Fonz strolling into the room with his patented “Ayyyy….”. However, there was a time when the identity of this grape was far from clear. So much confusion abounded that at least one entire book chapter has been written about the issue, and it reads like a compelling detective story. You see,  the “Petite Sirah” moniker was once applied to at least four distinct grapes in California vineyards, and likely more besides: true Syrah (fair enough), the obscure Peloursin (which still retains a toehold in old mixed plantings and even occasionally makes its way into wines such as the various Zinfandels from Carlisle), and even Pinot Noir (errrr…that one’s a bit of a stretch). Eventually, various researchers ascertained that around 90% of what was called Petite Sirah in California was actually Durif, itself a cross of Syrah and Peloursin bred in France by French botanist Francois Durif.  Mystery solved, and the stage was then set for this grape to become a fairly well-known international celebrity…occasionally even called by its original French name. Speaking of names, get a load of this particular bottle’s handle: “Royal Punishers”. Mildly disturbing and severely badass.

IMG_1371

A Zinfandel specialist located in the Napa Valley, Robert Biale Vineyards also makes a point to honour the deep history of Petite Sirah in the state. School chums Bob Biale and Dave Pramuk began this endeavour to preserve the tradition of the historic old vines in Napa that were often left to languish until winemakers started waking up to the possibilities permitted by the intense fruit that such vines can produce. Bob’s father Aldo used to sell jugs of homemade Zin to various neighbours and friends, many orders for which were placed over the phone. The phone line, though, was a so-called “party line”, susceptible to eavesdropping. As Aldo was not exactly selling his wine through, ahem, legal channels, he had his customers use the code phrase “Gallo Nero” (or Black Rooster, of Chianti fame) when ordering a jug. The code name then shifted to “Gallina Nero” or “Black Chicken”, a name that now graces one of the Biale Zinfandels. A keen interest in viticultural history remains a core strand of the Biale winemaking approach, along with careful farming and encouraging the effects of terroir to shine forth in the finished wines. The back label on the present bottle refers to a “black and blue” wine, a coy hint as to the genesis of this wine’s name.

IMG_1375

The 2017 Robert Biale Vineyards Royal Punishers Petite Sirah is made from hand-sorted fruit from the Varozza vineyard, meticulously farmed by the family of the same name. This wine is fermented in open-topped vessels, with ample punch down of the cap followed by a Burgundian oak regime (30% new). The wine is poetically enough a rather inky purple-blue in the glass, a dead ringer for Welch’s. My glass wafts up an expanding nebula of blueberry and black cherry pie, blackberry, purple Mr. Sketch marker, black tea, cinnamon stick, old dried rosemary and peppercorns, lavender, menthol, graphite, sautéed wild mushroom, pumpernickel bread, and milk chocolate. Beneath this cloud, the sugar plum and fig jam palate is reinforced by bands of ripe chewy tannin and scattered shards of hazelnut and dill oak. This is big, but markedly structured, and compelling in ways that some big wines are not. This taskmaster knows when to pull back just a little. A curious orchard fruit note flits in and out of what is otherwise a black fruit and baking goods profile, something almost like cooked pear. The finish lingers, wisps of coffee bean and more pie crust. Hurts so good.

89+ points

IMG_1374

Cork Rating: 7/10 (Great graphic. The other side has the winery name, mercifully devoid of a phone number.)





Cellar Direct Winter Wines: Olga Raffault Chinon

14 12 2019

By Raymond Lamontagne

[This bottle was provided as a sample for review purposes.]

Welcome to the second instalment of our winter run through some intriguing Cellar Direct releases, reviewed here for both your wine reading pleasure and to provide you with a buyer’s guide of sorts. Peter provided a thorough synopsis of how this wine club works last Saturday, and I concur that the Canada-wide shipping, option to accumulate mixed 3-packs and 6-packs, and the meticulous attention paid to temperature control during shipping are major selling points. I can also appreciate the willingness to go well off the beaten wine path, as witnessed by the last offering. The rare and esoteric Fer Servadou?! Get out. This offering is by no means as mysterious, but still reflects a fundamental Cellar Direct ethos: to deliver balanced artisanal wines that reflect their place of origin. I do harbour a certain love for the wines of the Loire, and Chinon holds a special place in my heart as a prime bastion of my favourite Bordeaux grape, Cabernet Franc.

The elder Cab is lighter than its more popular offspring Cabernet Sauvignon, typically yielding rather pale ruby wines that contribute finesse and a floral, spicy perfume to Bordeaux-style blends, with the junior Cab providing more muscle and the ubiquitous Merlot providing flesh. Franc is quite notorious for yielding bell pepper aromas and other green stalky notes, particularly if over-cropped, although to my palate this signature is pleasant in moderation and if appropriately buttressed by characteristic raspberry and other red fruits. Moreover, this capsicum character can easily grade away from green bell pepper toward paprika, Tabasco sauce, and other fruiter chilli peppers (e.g., Ancho), likely as a function of ripeness and climate. Although adaptable and quite prone to genetic mutations (albeit less so than Pinot Noir), Franc does its best work in sandy, chalky soils, where it can channel its power to produce wines with reasonable body along with some of the cassis character of its progeny. Enter the Loire valley. More specially, meet Chinon. In “The Sommelier’s Atlas of Taste”, Rajat Parr and Jordan MacKay, whose general sentiment is that the broader Loire valley is a criminally underrated wine region, describe Chinon and its sister region Bourgueil as places where Cabernet Franc finally gets to take its star turn as a solo variety. With the possible exception of nearby Saumur, it is here that varietal Franc wines reach their apex. Read the rest of this entry »





Bricks Wine Advent Calendar 2019: Day 4

4 12 2019

By Raymond Lamontagne

After three days of alternative bottle shapes and even a can, Day 4 sees something more conventional lurking under the tissue paper. The previous Bricks calendars were true world tours that struck chords across the wine-making globe, hitting many of the classic regions and styles without disregarding lesser-known up-and-comers. Will I draw an Austrian wine this year? Of course I will, but not yet. If I do have a horse in the wine-making country race, one that I always return to no matter what, even if my favourite grape (Pinot Noir) is a bit player there at best, it is Italy. I am enamored by the diversity of grape varieties and terroirs, a patchwork quilt of regions and styles that often bleed influence into one another even as they remain distinctive and true to their own traditions. So in other words, today’s bottle suits me just fine.

IMG_1330

Last Advent season I took the opportunity to hike up the word count and write a bit of a love letter to Chianti Classico. I’m pleased to report that my feelings have changed little since then. I’m a sucker for temperamental grapes of the earth, with Sangiovese dutifully translating the nuances of soil and climate into its finished wines even as it stubbornly clings to a sour-cherry-meets-tea-leaf-and-damp-earth calling card. I remain fascinated by the history of the wine region itself, which has seemingly (and finally) found its footing in the world of fine wine after decades of bloated growth, political upheaval, and an unhelpful tenacity when it comes to clinging to tradition. There can come a time when one must change in the interest of making better wines, and today’s iconic producer, Isole e Olena, directly embodies Chianti’s many ups and downs.

The properties previously associated with Isole e Olena had a quality problem until the 1960s, when they were purchased by the Piedmontese family of current proprietor Paolo de Marchi. Given that Chianti period had a quality problem around this time, this should surprise no one. Paolo’s father in fact purchased two adjoining small estates, ‘Isole’ and ‘Olena’, and thus Isole e Olena was born. The headaches were many and the road to better wine was tortuous. Indeed, Paolo started running the property at 25 years of age, dutifully making a Sangiovese-based wine that included white grapes in the blend in a nod to tradition that the winemaking law then demanded, and one now almost universally and justifiably derided as detrimental to quality. Weary of this and not afraid to take a stand, in 1980 Paulo released Cepparello, a 100% Sangiovese wine that could not legally be labelled Chianti but that did go on to become one of the famous so-called “Super Tuscans”. Finally, Paulo took full advantage of key changes to the Chianti productions rules in the 1990s to banish the white grapes, wryly commenting that “it is much easier to make red wine out of red grapes”. Enter the bottle I now hold in my hand. Dubbed “Mr. Sangiovese” (which is a sweet handle), Paolo continues to pay close attention in both vineyard and wine cellar, carrying on the legacy of what has become one of the most prominent producers in the region, and one widely credited as key to the quality turnaround that saved Chianti from the doldrums of mediocre commodity.

IMG_1334

This estate’s vines cover a range of exposures but are largely planted on clay with a few contributions from limestone and volcanic rocks. “Mr. Sangiovese” moniker notwithstanding, here Paolo spiced up 82% Sangiovese with 15% classic blending partner Canaiolo and (fascinatingly) 3% Syrah, which Paolo himself reintroduced to Chianti Classico after a long absence in the hope that small amounts could contribute body and texture. As an interesting aside, in recent years he has decreased the percentage of Syrah used, which some argue can be rather coarse when grown in this region. All grapes were estate-grown, hand-harvested and fermented in temperature-controlled stainless steel tanks with approximately 15 days maceration, with pumping-over taking place twice a day during fermentation. Maturation occurs for one year in large oak casks. No small new barrels you say? Lovely. Sangiovese needs vanilla like Hollywood needs more sketchy reboots.

IMG_1336

Cork Rating: 3.5/10 (At least the producer is named, and the vintage.)

The 2015 Isole e Olena Chianti Classico presents a lovely middle path ruby hue that wafts up pleasing aromas of pie cherry, raspberry, sun-dried tomato and fresh salsa in approximately equal measure, with oregano, anise, menthol lozenge, dried cranberry, paprika and graphite lock lubricant, all wreathed in a perfumed floral corona of dried roses, lilacs, and carnations. There’s some brooding smoke but no overblown oaky fire to blot out the tangy nuances. I start doing a happy Sangiovese rock in my chair… Some blackberry bramble and Damson plum join the red fruits on the palate, along with a blood-like iron tang and singed orange peel. Everything is in its right place, the fresh acidity pooling over chalky tannins while the ripe fruits power forward. If this had an engine I’d certainly gun it a few times. Lithe and sinewy with bold fruit but no excess weight, thoughtfully constructed yet unmarred by crass commercialism. Classico indeed, with a modern twist.

89+ points





Bricks Wine Advent Calendar 2019: Day 2

2 12 2019

by Raymond Lamontagne

After yesterday’s solid start, my anticipation is running high. It turns out that anticipation and trepidation can co-exist in equal measure. How am I going to keep up with all these blogs? The same way I kept up the last two years, I suppose, via doses of careful scheduling and an iron resolve to do what I love: drink wine. As Peter mentioned, this year’s Bricks Wine Advent offering looks like a particularly diverse mélange of different bottle shapes and even alternative packages. The wrapping for Day 2 conceals another distinct bottle shape, this one lanky and elongate. This can only be a flute, speaking to its Germanic (or at least Germanic-influenced) origins.

IMG_1327

Voila. K.H. Schneider! This happens to be one of my all-time favourite German producers from the Nahe, a region whose stony soils continue to provide much inspiration; Nahe winemakers walk a stylistically taut rope between the cool mineral elegance of the Mosel and the riper fruits of the Pfalz and Rheinhessen. To be transparent, there are a few of us here in Calgary who will vociferously imbibe anything and everything K.H. Schneider. I justify this stance by appealing to winemaker Andi Schneider’s emphasis on organic viticulture and spontaneous fermentations, an approach that yields truly honest, authentic wines of place. Increasingly I am inclined to agree with Terry Theise when he argues that such authenticity is a quality criterion that must come before other important yardsticks such as balance and intensity. If the terroir Andi farms is a vinyl record, his deft “low intervention” winemaking touch is the phonograph needle that precisely decodes the soil’s music for our drinking pleasure. But do take note: this is not the expected Riesling. It is something much, much stranger. Are we, team Schneider, being pranked?

I love it already. Dornfelder was created in 1955 by German viticulturalist August Herold. As you can see from the diagram above, Dornfelder is in fact a cross between crosses (!), with some pretty big names among the original four parents. It has been suggested that Dornfelder has genes from every black grape grown in Germany up until its creation.  A rare example of a successful man-made crossing (note that it is not a hybrid, as all parent stock is vinifera), Dornfelder is less obscure that you might think, in recent years becoming the second-most planted black wine grape in Germany. Vigorous and high yielding, Dornfelder also has something that its ancestors Trollinger and Blauer Portugieser do not: loads and loads of colour due to high levels of pigments called anthrocyanins. Dornfelder stands alone in Germany for its ability to make wines that are almost black in their deep purple intensity, with a soft texture, decent acidity, and characteristic aromas that conjure up dark berries, cherries, and more unique herbal/spice notes that some compare to bitters. Unlike many grapes used predominantly as colouring ingredients, this one has its own rather assertive flavor profile. Dornfelder even made inroads into the United States, Canada, and South America. Have you ever been this excited about a viticultural cross? I thought not.

IMG_1328

The 2016 K.H. Schenider Dornfelder Trocken half-bottle features a particularly crumbly stubborn cork, or at least mine did. Ultimately worth the effort. This is dark purple alright, but not completely opaque. The nose conjures up all sorts of underripe blackberry and huckleberry for me right out of the gate, but a balancing woodsy halo of dried violets, allspice, clove, fennel seeds, rosemary, rhubarb, stinging nettles, crushed gravel, and (yes indeed) herbal bitters (orange peel? quinine?), which prevents this from being anywhere near histrionic. Fruits much redder (cherry Nibs, strawberry, cranberry) begin to wink through the strange blueberry-bog-meets-baroque-darkness that was my initial impression. The acidity is buoyant but far from cutting, and the tannins form a light powder. My mind keeps coming back to cough syrup: give this a decent chill to mitigate this effect, unless of course you dig this sort of thing. And don’t get me wrong, this could very well be the world’s greatest Dornfelder, or at least the prettiest. Although I would have to try a few more exemplars to firm up that take, this is clearly winking at me. It is pleasantly odd to feel that a bottle of Dornfelder is an old friend. Thank you August Herold.

89+ points

IMG_1329

Cork Rating: 3/10 (putting aside the difficulties I had extracting this, I like the font but am otherwise underwhelmed, if that’s a word.)





Wine Review: Road 13’s Rhone-ish Reds

29 08 2019

By Raymond Lamontagne

[These bottles were provided as samples for review purposes.]

Welcome back to Road 13, with my red follow-up of Peter’s prior glowing praise for the white offerings from this Okanagan stalwart. I admit that some inevitable pangs of envy rose up when I heard about just how delicious Rousanne can be in the hands of this  particular producer. Nevertheless, I was pleased to have my opportunity with the reds, one another classic Rhone riff in the form of a GSM blend, the other a more unique joining of a classic stalwart from the same region (the “S” in the “GSM”) with Malbec, a Bordeaux grape that unexpectedly found its fortunes in the New World.

IMG_E0904

Road 13’s labels, and indeed its very name, conjure up some pleasant associations for this country boy who has for some time now been irrevocably relocated to the big city. The name came about when the operation then known as Golden Mile Cellars was sold to Pam and Mick Luckhurst in 2003, with the new proprietors wishing to emphasize the more specific location of their winery and the three vineyard sites providing them fruit. A shift to terroir-driven wines occurred, buoyed by an earnest desire to celebrate the region’s rich agricultural history. A natural born gardener, Mick hated just sitting around and loves collecting farm equipment. Pam brought bookkeeping expertise and a natural aptitude as a wine taster. Both sought to learn viticulture, a process they readily admit continued throughout their stewardship of the winery, yet the result of this humbling journey has still been numerous winemaking awards. The last Road 13 red I had, a 2011 Syrah-Mourvedre opened in 2018,  positively dazzled. Hopefully these provide more of the same. Read the rest of this entry »





Wine Review: The Reds of Sunrock Vineyards

4 07 2019

By Raymond Lamontagne

[These wines were provided as samples for review purposes.]

You cannot make truly good wine without ripe grapes. Simple, no? Insufficient sugar in the fruit is not going to leave much for yeast to consume, and such starved fungi are not going to produce something with sufficient body (and alcohol) to merit any sort of “greatness” mantle. Moreover, grapes need heat if they are to attain physiological ripeness. This refers to the changes in tannins and other chemical components that occur largely in grape skins, stems and seeds during the ripening cycle beyond the mere increase in sugar.  These changes are what produce the key varietal aroma signatures we know and love, preventing a wine from tasting green, weedy, and brittle.

Although sugar ripeness and physiological ripeness are clearly correlated, it would seem that grape hang times might be a stronger predictor of physiological readiness than just heat alone, although in my view (and botanically speaking) you aren’t going to get any degree of maturation, period, without heat. The key question for wine quality is: how much heat is too much? Overly ripe grapes mean clumsy, muddled wines that are boozy, lacking in precision or definition, and often almost devoid of any sense of place or regional character. Such wines are going to be tremendously fruity and powerful, but may not offer much in the way of nuance or balance. As I read up on Sunrock Vineyards, which could very well be the hottest single vineyard site in British Columbia, I wonder how they approach these ripeness issues.

Sunrock is owned by Arterra Wines Canada, formerly the Canadian subsidiary of the massive Constellation Brands, but recently acquired in 2016 by the Ontario Teacher’s Pension Plan (for some reason that tickles my funny bone…I’m sure we drove many a substitute teacher to drink). Arterra farms around 1300 acres of Okanagan vineyard, with the expected corresponding range of quality tiers. Jackson-Triggs might be the best known of Arterra’s brands, and the single-vineyard Sunrock labels formerly carried this name as the top tier of that portfolio. Sunrock is now a standalone winery, a fine example of a large corporate entity with the good sense to recognize and preserve the unique character of a single site. And what a site it is. Read the rest of this entry »





Bricks Wine Advent Calendar 2018: Day 19

19 12 2018

By Raymond Lamontagne

Well, well. We appear to have ourselves an Advent “Battle of Oregon” this year… of sorts. After the current favourite for “2018 wine of the calendar” made its presence felt a mere two days ago, another iconic Oregon Pinot Noir comes out swinging. The present bottle, the 2016 Cristom Vineyards Mt. Jefferson Cuvee, keeps taking the crown in an annual Wine & Spirits poll to identify the “#1 Pinot Noir in America’s Best Restaurants” (five wins in total). However, most fascinating to me is that this wine represents a very different vinification philosophy from the Ken Wright approach from Day 17. Wright bottles a single-vineyard Pinot Noir from 13 different sites in the northern Willamette Valley. His overriding goal is capture the unique character of each plot. At Cristom, however, blending reigns supreme. Although the winemaking approach is informed by a traditional Burgundian ethos, grower and owner Tom Gerrie and winemaker Steve Doerner believe that the Willamette shows best when grapes from different sites are woven together into a tapestry, as opposed to enjoyed as single strands.IMG_2469

Steve Doerner had previously spent 15 years crafting world class Pinot Noirs with Josh Jensen at Calera, on remote Mount Harlan in California. Although this collaboration was fruitful, Jensen, a staunch advocate of site specificity much like Ken Wright, retained ultimate control over the winemaking. Doerner began to tire of working in such an isolated, lonely locale and was unable to persuade Jensen that blending could afford possibilities that single vineyard wines could not. As he told wine historian Paul Lukacs, “I just liked the idea of making something better, something more complete, than any of its components”. Doerner found the freedom he was seeking when he moved to Oregon and began working with Tom’s father, Paul Gerrie. The Gerrie family considers Doerner to be a blending ninja, a man able to sculpt characterful wines using grapes from all five of Cristom’s estate vineyards as well as quality sites from nearby in the Willamette Valley. Doerner makes the entry level Mt. Jefferson Cuvee first, tasting wines from the different plots and then synthesizing the finished wine using a non-obsessive, intuitive approach based on his tasting instincts alone: “I don’t agonize over it at that point. I just try to make the best I can.” Cristom does make site-specific bottlings, as the market is of course enamoured with terroir, and the Gerries are understandably proud of their estate vineyards. However, each year’s blend is the first priority, with consistency from vintage to vintage the final goal. Read the rest of this entry »





Bricks Wine Advent Calendar 2018: Day 7

7 12 2018

By Raymond Lamontagne

Now THIS I was not expecting. Seeing tonight’s label takes me back to an industry tasting maybe a year ago. I finagled an invite as “media” (delusions of grandeur) and it was a standard event, really: big crowds and tiny pours. Even at such large events, however, I am consistently astonished by how generous and approachable wine folks are. (Sure, there were a few awkward moments. Me: “I think I like this Viognier the best…really nice floral stuff on the nose”. Guy pouring samples: *blank stare*.) I won’t ever forget meeting these two dudes at the Purcari table, representatives from the near-anonymous wine nation of Moldova. One was maybe in his 20s and the other was on the older side of middle-aged. I wish I could recall their names. The younger guy seemed quite business-savvy, and the older gentleman was more focused on vines and harvest dates and the like. My friend (none other than fellow Pop & Pour author and wine guy extraordinaire Dan Steeves) and I must have spent an hour there, tasting through the entire ensemble and hearing the stories behind each of their wines. The older guy reminded me of my maternal grandfather, a no-nonsense, bright member of the proletariat, very willing to share these unprepossessing but fascinating stories. What a marvellous hobby we have, and what a tremendous memory, revisited in full force by tonight’s Negru de Purcari red, from the winery of those very gentlemen.

IMG_2390

A brief primer of this lesser-known wine region is certainly in order. Moldova is one of Europe’s poorest nations but has the third greatest vineyard area of the former Soviet republics (only the Ukraine has more, if we are talking about states with significant wine production). Grapes have grown in Moldova for millennia, and wine production reached an apex in the 15th century. Turkish occupation struck a severe blow to wine production due to the Islamic prohibition of alcohol, but then recovered after the country was annexed by Russia in 1812 (phew!). Vine varieties from France became ascendant until phylloxera smacked them back down. Grafting was adopted in 1906 and the tzars provided incentives to grow higher quality varieties, only to have the Second World War once again devastate the vineyards. Undaunted, the resilient and industrious Moldovans set about planting more international varieties while simultaneously preserving at least some of the native vine diversity, weathered a few Soviet importation bans on Moldovan wine, and basically kept flipping the proverbial bird at retrograde political, religious, and other forces that sought to threaten their vineyards.

Read the rest of this entry »





Calgary Wine Life: A Special Evening with Cinzia Merli of Le Macchiole @ Centini

15 03 2018

By Raymond Lamontagne

It was while reading my very first book on wine, the 6th edition of Ed McCarthy and Mary Ewing-Mulligan’s “Wine for Dummies”, that I first encountered the term “Super Tuscan”.  I instantly became enamored with the concept.  Some Tuscan producers became wary of traditional wine-making laws that they perceived as stifling innovation. Part of the motivation here was that these producers wanted to experiment with “international varieties”, particularly those famous for yielding Bordeaux blends in France.  Such grapes could be grown.  The kicker was that wines made from them could initially be labelled only as “vino da tavola” (or table wine), as they clearly violated Italian DOC production guidelines which emphasized native varietals.  However, it became apparent that parts of Tuscany were in fact better suited to growing international varieties than native son Sangiovese.  It was absurd to equate quality wines from such areas with the multitude of serviceable but undistinguished table wines found across the country, and thus the marketing concept of the Super Tuscan was born – described on the Italian Wine Central website as “a maverick wine of great breeding but living outside the Establishment”.

IMG_1109

Cinzia Merli does not resemble any stereotype of a maverick.  My initial impression was one of a quiet, conservative, perhaps strict woman, full of resolve and perhaps possessing a keen wit underneath her stolid outward presentation.  She first apologized for her English, which by my reckoning is quite good.  She then provided a fantastic overview of the Bolgheri region and her own wine estate, Le Macchiole, during which her passion and unrelenting dedication to her craft became apparent.  I was already in awe coming into this event:  these wines are legendary.  Cinzia’s presentation only served to stoke the flames.  This evening shall live on in my memory as one of the most fun tastings that I have ever experienced with total strangers (strangers no more!).  I should add that Centini provided exceptional dinner service and perfect ambience.  Read on for my takes on five burly reds (including two vintages of the iconic Paleo), plus a sprinkling of relevant history.

IMG_1110 Read the rest of this entry »








%d bloggers like this: