Bricks Wine Advent Calendar 2017: Day 24

24 12 2017

Well, the children are tucked all snug in their beds — not sleeping yet, of course, as that would be asking for a miracle — so the time has come to close the curtain on a riotously fun Wine Advent experience and give some kudos to the bottles and people that made it all happen.  The first thank you obviously goes to the remarkable team at Bricks Wine Company, who eagerly took on this half-bottle Advent challenge and then went all out foraging through a not-all-that-overflowing 375 mL market to put together 24 quality bottles reflective of their identity as a shop and their value proposition to their customers.  Way to go — all of your effort clearly showed through over the course of this month.  I would also be remiss not to thank my ultra-awesome co-collaborators Dan Steeves and Ray Lamontagne for their blogging prowess and oh-so-necessary assistance that allowed PnP to forge through two parallel booze Advent calendars at the same time. I’m hoping this won’t be the last time you see their work on this page.

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As for the bottles that shone brightest, I asked each Wine Advent writer to give me their thoughts about their 3 favourite wines of the 2017 calendar and separately made up my own podium of winners for comparison purposes.  There was a lot of jostling in the silver and bronze spots, but the gold medallist was a runaway unanimous victor:

Ray Lamontagne’s Top 3 Wines

1.  2011 Raventos i Blanc “De La Finca” (Day 12):  Buzzsaw acidity is the lens through which all that spiced sourdough and fruit is focused.

2.  2015 Frog’s Leap Zinfandel (Day 15):  A down-home BBQ in a bramble patch.

3.  2010 Bonny Doon Le Cigare Volant (Day 22):  Peppered blueberries baked into a gingersnap, this can hover by anytime.

DARK HORSE – 2014 Domaine Vacheron Sancerre Rouge (Day 20):  Oh look, another Pinot from…Sancerre??  Don’t injure yourself on all those stony outcroppings.

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Dan Steeves’ Top 3 Wines

1.  2011 Raventos i Blanc “De La Finca” (Day 12):  Beautiful acidity with complex layered nutty and toffee flavours with an exceptional finish.

2.  2015 Gruber Roschitz Chardonnay TBA (Day 23):  Great balance for being lusciously sweet, with mouthwatering acidity and an incredibly long and lingering finish.

3.  2015 Schug Carneros Pinot Noir (Day 13):  Beautiful fruits with powerful structural elements that showcases the value that New World Pinot Noir can offer.

DARK HORSE – 2012 Caparzo Brunello di Montalcino (Day 2):  The later wines are fresher in my memory, but this was a beautiful bottle.

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Cork Rating:  7/10 (Score bumped by the awesome shade of blue on the metal cap.)

My Top 3 Wines

1.  2011 Raventos i Blanc “De La Finca” (Day 12):  Just a clear notch above the rest in terms of complexity, structure, power and soul.  A true emotive experience.

2.  2015 Krutzler Eisenberg Reserve Blaufränkisch (Day 14):  So effortlessly refined, luxurious yet precise, an eye-opening reason why you should all be drinking more Blaufränkisch.

3.  2015 Stuhlmuller Vineyards Chardonnay (Day 21):  California Chardonnay is largely responsible for giving itself its own reputation for blowsy, overoaked, overripe, overblown wines, but bottles like this show why everyone made such a fuss about it in the first place.

DARK HORSE – 2016 Bella Sparkling Rose “Westbank” (Day 1):  This showed me something that I hadn’t yet seen in Canadian wine; I can still vividly picture its live-wire energy.  It was our first bottle and I remember it more than most of the others.

The fact that three generally like-minded wine lovers picked nine completely different wines to round out their podiums after all zeroing in on the same winner gives you some indication of the overall quality of the wines in this calendar.  The diversity of great bottles in this 24-day span has been phenomenal.

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Merry Christmas from my family to yours!!

There’s not much time or space left to talk about bottle #24, which was the De Venoge Cordon Bleu Brut Select NV Champagne, an appropriately celebratory finish on the night before Christmas.  That ends up being a blessing in disguise, as my bottle was not showing I expect it should have.  It was a VERY dark gold coming out of the bottle and had almost no mousse or carbonation to speak of, smelling heavily of dulce de leche, Kraft caramels and hot sandpaper and tasting flat and roasted and bitter, like coffee left too long on the burner.  Blowtorched black jellybeans, soggy parchment and molasses rounded out a Guinness-like flavour profile.  If I had to guess, I would say this cork didn’t sufficiently hold its seal as the wine sat for some time after bottling but before sale; it’s not as ragingly faulted as my unlucky Brunello on Day 2, but since I highly doubt it’s in condition, I’m not going to score it.  I will instead set it aside and remember the other remarkable bottles that I enjoyed so much, and hope that we’ll get to do it all again next year.  Until then, thanks for following along!





Bricks Wine Advent Calendar 2017: Day 21

21 12 2017

This is my second last wine post of Advent 2017:  the coming two days will see Dan and Ray post their Bricks calendar wrap-ups, and the next time you hear from me will be on Christmas Eve, for the grand half-bottle Advent finale.  It’s almost hard to believe our countdown to Christmas is almost done; it’s almost harder to believe that I actually survived it (though perhaps I shouldn’t say that yet).  And Bricks appears determined to send me off in style, because Day 21’s wrapping comes off to reveal an absolute firecracker of a Chardonnay:  the 2015 Stuhlmuller Vineyards from Sonoma’s Alexander Valley.  I think this grape is still in a down phase when it comes to much of the consumer world, but we seem to be entering a period where many of the regions previously responsible for Chard’s worst oaky boozy excesses have started to dial it in just right, at least on the quality wine side of the spectrum.  And there is no better representative of this evolution than California.

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Stuhlmuller Vineyards was founded by a husband and wife team who got their start in 1982 growing and supplying grapes to neighbouring wineries.  They didn’t become a full-fledged estate winery until 2000 but have already developed a reputation in the crowded California wine scene, particularly for Chardonnay, which makes up over half of its acreage.  The Alexander Valley is in the northeast corner of Sonoma, inland from the coast and due north of the better-known Russian River Ralley; its eponymous Russian River runs up and along the eastern edge of Stuhlmuller’s vineyards in Alexander’s southwest corner, where it and the Russian River Valley come together with Dry Creek Valley.  Much like Napa, the grape-growing conditions in the Alexander Valley are helped by two separate ocean-induced effects:  morning fog coursing in daily through the Chalk Hill gap, and cool nights spurred by ocean breezes, both of which provide the grapes relief from the scorching California heat, help preserve precious acidity and lead to more balanced ripening.  This bottle shows the results of all that climatic effort, clocking in at 13.9% abv.

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Cork Rating:  3/10 (Friendly advice – no phone numbers or websites on corks. This has both.)

This is Stuhlmuller’s “entry-level” Chardonnay, but it’s clear from the start that no shortage of care went into its creation.  It was fermented sur lie (on its spent yeast cells) over 8 months and matured in French oak, mostly small-barrel barriques but only 5% new.  It is a rich golden colour in the glass and finds that perfect harmony between Chardonnay’s careful fruit and oak’s at-times exuberant influence, mixing fresh pear, peach and Granny Smith apple pie with ginger chews, almond shortbread, oatmeal cookies and rubber boots.  Simultaneously full and cutting on the palate, the Stuhlmuller’s oak-aided roundness is run through with a table saw of slicing acidity.  It is beautifully poised on the tongue without losing the weight and body that is a defining feature of Chardonnay, a honeyed swirl of caramel apple, white flowers and a bracing quality on the finish like a cool sea breeze.  Refined and restrained but still California in essence — exactly what New World Chardonnay should be.

92 points





Bricks Wine Advent Calendar 2017: Day 20

20 12 2017

When the days hit double digits starting in 2s, I know our calendar work is almost done.  I’m not going to lie:  I’m ready not to be writing tasting notes and blogging on a daily basis, at least for a little bit.  But then I unwrap a bit of an Advent mystery and find myself sucked in all over again, pulled once more into the insatiable curiosity that goes with loving wine.  This time it came from revealing a bottle bolding displaying “Sancerre”, likely THE Old World heartland of Sauvignon Blanc and a renowned white region in France’s eastern Loire Valley…but then noticing things that seemed off.  Did it seem kind of dark inside?  Is that a maroon neck foil?  Wait – does that say Sancerre ROUGE?  (Granted, I have already had a white wine in this calendar say that it was a red wine by mistake, but this bottle actually IS one.)

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It turns out that red wine makes up close to 20% of Sancerre’s yearly production, all of which is required by appellation rules to be 100% Pinot Noir.  And there is perhaps no estate in Sancerre that takes its reds more seriously than Domaine Vacheron, which plants 11 hectares of Pinot alongside 34 hectares of Sauvignon Blanc and doesn’t treat it like an afterthought in the cellar.  The Domaine is now in its fourth generation of family ownership and has revamped all of its vineyard practices in the hands of the two young cousins who now direct its operations, Jean-Laurent and Jean-Dominique Vacheron.  They converted the estate to biodynamics in the early 2000s and now only fertilize the chalk and silex soils with composts made on the property, harvest by hand, ferment using only native yeasts and bottle according to the lunar cycle.  Their Pinot Noirs are partly matured in stainless steel tanks to preserve their fruit and partly in large neutral barrels for oxidative effect without oak flavours.

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Cork Rating:  2.5/10 (Not only is it boring as sin, it doesn’t do that great a job at its primary function of holding in liquid.)

This is my first ever bottle of Vacheron, the 2014 Sancerre Rouge, from a property that is almost at the literal centre of France.  I was a little leery from the outset as the cork came out of the bottle completely sodden and squeaky, but the wine inside seemed to bear no ill effects.  It was a fully transparent ruby in the glass and emitted a distinctive and attention-grabbing set of aromas:  beyond the more expected Pinot smells of cranberry, underripe raspberry and violets, there is a pronounced vegetal greenness (dill/pickles; Ray says nettles), a tangy citric bite (tangerine, gooseberry) and a base industrial rockiness (flint, car tire skid marks) that differs markedly from your run-of-the-mill Old World Pinot earthiness.  The palate adds salted watermelon, pomegranate, lava dust and crushed roses on a light, deft body structured mainly by prominent papery tannins.  This is a compelling mirror of its rocky soil and a suggestion that Pinot has the potential to ascend from its eternal Sancerre understudy status.

88- points





Bricks Wine Advent Calendar 2017: Day 18

18 12 2017

For those few brave stragglers who have stuck with us through this dual Advent adventure, we are three-quarters of the way there.  This is the last wine of the third of four columns of the Bricks Wine Advent crate:  we are a week from Christmas and six wines from having to pick our own bottles again for dinner.  Tonight’s bottle is a bit of a double-take wine, a Canadian split that is five years back-vintage for an offering that currently retails for around $20 for a full bottle (out east, at least).  It’s not often that I get a chance to see how value-priced local wines stand up to a bit of time, though I would love to hear the story of how Bricks came across this as a calendar opportunity.

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“This” is the 2012 Cave Spring Chardonnay from the Niagara Escarpment region.  The winery was the first to plant vinifera grapes in Niagara and among the first to recognize the vinous potential of the region.  It was also the first in Niagara to tack on its own spa as a tourist attraction, making it an early leader at recognizing the area’s business potential as well.  The Niagara Escarpment line of wines represents the second of four tiers of Cave Spring wines, where grapes are sourced from multiple different vineyards within the subregion; the most interesting part of this wine is that it appears to be a blend of standard Chardonnay grapes with Chardonnay Musqué, an aromatic, floral, spicy mutation of the varietal that adds some olfactory punch to what can otherwise be a fairly neutral grape.

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RED wine???

One thing about half-bottles is that they accelerate a wine’s aging curve, because (1) oxygen is the primary thing that matures (and ultimately degrades) a wine and (2) there is a greater ratio of oxygen to wine in a 375 mL split because the ullage (the space between the wine and the cork at the top of the bottle) is the same for all sizes of wine.  This 2012 is therefore further advanced in its life than a standard bottle would likely be, and it’s starting to show.  The wine is a shimmering lemon-gold colour in the glass and showcases its multi-clone blend in a musky, tutti-frutti nose of honeydew, Meyer lemon and cantaloupe, accented by remnants of once-toasty oak and sulphur-y struck matches.  Medium-bodied, with still-present scruffy barrel tannin and fading acidity, this Chardonnay is not quite sure where it is on the palate:  the fruit has kind of gone to a murky place, the oak has resolved to a pastry crust/vanillin glaze, and the wine overall seems to have one foot each in two different stages of development, clinging to the remains of its youth while also giving in to the inevitability of age.  I think it likely would have stood out more a couple of years ago, but it remains a solid expression of what Niagara Chardonnay can do at a wallet-friendly price.

87+ points

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Steven Rating:  6/10 (Dig the colour, but there’s only so high I can go with two underlined letters.)





Bricks Wine Advent Calendar 2017: Day 15

15 12 2017

Tonight’s wine might suffer from a disconnect between actual and anticipated identity.  When the first words you note on a label are “California Viognier” and the listed alcohol clocks in above 14%, you think you’re in for a fun, flouncy, slightly provocative stone fruit and flower party.  When the label in question is from an Oakville winery, based in the heart of Napa, which is the heart of big, brash, Cali wine, you doubly brace yourself in anticipation of something raucous.  This bottle is solidly drinkable but has none of that carefree, sultry attitude.  It’s Viognier without joy.

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Miner Family Winery was founded by a husband and wine team in 1996, making this 2015 Miner California Viognier their 20th anniversary vintage bottling.  They make an astonishing array of wines, from Cab and the other Bordeaux varietals to Burgundy’s Pinot Noir and Chardonnay to the reds and whites of the Rhone Valley to Tempranillo and Sangiovese.  There are multiple bottlings of most of these, so their winemaker obviously stays busy.  The winery’s pride and joy is likely its 20,000 square feet of underground cellaring caves carved into a Napa rock face, which were dug at great expense shortly after Miner came to be.  Despite being Napa-based, they source from across the state of California, as evidenced by the straight “California” designation on this particular bottle.  62% of this Viognier comes from a single vineyard in Paso Robles, while the other 38% comes from the Sierra Foothills; since the wine crosses appellations, it has no choice but to revert to the broader state-wide statement of origin on the label.

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Stelvin Rating:  8/10 (Love the gold, love the sun god logo, love the interest yet simplicity.)

The 2015 Viognier is a surprisingly pale lemon colour coming out of the bottle, partly due to the lack of any oak treatment (which deepens the colour of white wines).  It is almost shockingly lean and citric for a 14+% abv California Viognier, leading with lemon zest and mountain stream aromas backed by frozen honeycomb, Tums and talcum powder.  It broadens slightly in waxy, watery ways on the tongue, adding tart pear fruit and some kind of tropical musk, but retaining an overall sense of distance and a prevailing greenness — fresh leaves and flower stems, grass and baby spinach — finishing with a touch of astringency.  Viognier’s trademark bouncy peachiness and sensual mouthfeel don’t make an appearance, almost like these grapes were picked before those elements got there (harvest dates: August 19th-27th); despite significant sugar ripeness, the phenolics and ultimate character of the wine never quite caught up.  I had no issue crushing the bottle, but this would not be the expression that Viognier sends with its cover letter to land a job interview.

87- points





Bricks Wine Advent Calendar 2017: Day 12

12 12 2017

We are here, my friends:  at the midpoint of Advent, 24 posts in (including this one) and 25 to go, about to hit Advent Hump Day tomorrow (on a Wednesday, natch), with two columns of the Bricks Wine Advent crate vaporized and another two left to go.  I’m late posting this tonight not because I got started late, but because tonight’s bottle is so damn fascinating that I’ve just spent the better part of the last hour reading about it instead of getting down to business.  It’s a Cava, but not really.  It has a history dating back either millions (for the land) or hundreds (for the family) of years, but it’s also so new that it has yet to obtain an official designation.  I looked at the label for a good long time trying to figure out what was going on before resolving to dive deeper on this one.

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The label says “2011 Raventos i Blanc Conca Del Riu Anoia De La Finca”.  I recognize it to be a sparkling wine from eastern Spain, but it doesn’t say “Cava” (the only widely known bubbles appellation in the area) anywhere on the bottle.  It’s also vintage-dated, which a lot of Cava is not.  Um.  Starting with the only one of those label words that I knew, and the only one with its own website, I pulled on that thread and started unravelling the mystery.  Raventos i Blanc is one of the top quality sparkling producers in Spain, an estate that has been family-owned and -run for TWENTY-ONE GENERATIONS, since 1497.  The Raventos family is intimately connected with the creation and rise of Cava:  it was Raventos ancestors who first established the indigenous grapes that would form part of the Cava blend (Macabeu, Xarel-lo and Parellada) and who actually made the very first bottles of Cava in 1872.  The Cava DO has since stretched, however, now encompassing a half-dozen areas that aren’t at all geographically connected and now permitting Champagne grapes Pinot Noir and Chardonnay to also be used in the bubbly blend.  The current generation of the Raventos family were not a fan of these changes.  So in December 2012, they left the Cava appellation and started their own.

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The estate and vineyards are still based in the very heart of classical Cava, of course, in the core of Penedes near Barcelona.  But Raventos pulled the name of the region off its bottles and instead added the name of a proposed new location-focused appellation:  Conca Del Riu Anoia, named for the nearby Anoia River.  Their proposed requirements for this new region are strict, ranging from a commitment to organic viticulture to minimum purchase prices for fruit bought from growers to longer minimum aging periods.  I keep saying “proposed” because the Conca Del Riu Anoia “region” has no legal or formal existence but is still just a vision; but it has some kind of existence, because I see it on the label of this leading light. Read the rest of this entry »





Bricks Wine Advent Calendar 2017: Day 10

10 12 2017

I think it is officially Sugar Coma Weekend in the Bricks Wine Advent Calendar.  When the COMBINED alcohol level of your Saturday and Sunday wines is 12%, you know you’ll be facing an armada of unfermented grape sugar in the bottle.  After last night’s 6.5% abv Auslese Riesling, I thought we had hit our December alcohol floor, but the 2015 Braida “Vigna Senza Nome” Moscato d’Asti will see that 6.5% and raise it (well, technically, lower it), clocking in at an almost juice-like 5.5%.  The wine’s name roughly translates to “Vines Without Names”; the roughly dozen online sources I consulted trying to find out why declined to say so, though most of them noted that the corresponding motto on the front label “Sator Arepo Tenet Opera Rotas” means “the farmer at the plow chooses the path”, which is reflective of this classic producer’s focus on the quality of the vineyard, even if they decline to name the vines in it.

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I love Moscato d’Asti.  At its best it is equally refreshing and luxuriant, searing and delectable, a frozen rope of distilled fruit essence that disappears from the glass before you even notice.  It is made from Moscato Bianco grapes grown around the famed town of Asti, in the heart of Piedmont, which are harvested then crushed and immediately refrigerated before fermentation so that the yeasts don’t immediately kick in.  The cooled must is then transferred to pressurized sealed steel tanks before fermentation is allowed to begin; as the grape sugars are converted to alcohol, carbon dioxide is released as a by-product, which can’t escape the tank and gets dissolved into the wine.  Once the alcohol content clocks above 5% (which is WAY before all of the sugars are fully converted), the whole tank is chilled down to near freezing so that fermentation stops, after which the yeasts are filtered out and the wine is bottled under pressure, leaving an intensely sweet, slightly bubbly bolt of lightning for patio enjoyment.  It is best consumed as early as possible, when acids are crisp and bubbles are buoyant, and there is little to be gained in trying to mature it.

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Cork Rating:  6/10 (The extra expansion and vertical writing are winning somehow, even if the cork as a whole is bland.)

This 2015 Vigna Senza Nome is a surprisingly golden colour for a Moscato and has a slightly syrupy nose of baked pear, bruised apple, honey and caramel to go with brighter tropical and Fuzzy Peach notes.  Some lift remains on the palate in the form of hedonistic melon, lychee, blood orange and bergamot, but much of the life and effervescence that normally characterizes this style and expression has been faded away, whether due to time (it’s only two years old, but Moscato’s probably best at 20 minutes old) or (more likely?) due to storage conditions between its bottling and its insertion into the calendar. I’ve had this exact bottle multiple times before, albeit never in back vintage form, and this is the first time it’s tasted heavy; the bubbles aren’t quite up to the task of scouring away the sweetness, and quiet acidity doesn’t provide enough of a helping hand.  It’s still completely delicious, but it is drained of some of its usual joy and not quite showing at its peak.

86 points





Bricks Wine Advent Calendar 2017: Day 8

8 12 2017

I feel like I was slightly prescient yesterday when I said that most of the bottle picks in the first week of Bricks Half-Bottle Wine Advent were straight out of a Classic Wine Regions textbook, as today we hit probably the 2nd most likely remaining appellation in France to get the call in a Wine Primer All-Stars competition:  Chateauneuf-du-Pape.  (If Bordeaux shows up anytime in the next 3 days, we will definitely have cracked the code.)  Chateauneuf is the jewel of the Southern Rhone, spiritual birthplace of the GSM (Grenache/Syrah/Mourvedre) blend, and purveyor of bold, brash, rich yet layered wines that are an Old World gateway drug for many a Cali Cab or Aussie Shiraz lover.  The area’s regal approachability arises out of a combination of extensive sunlight, scorching summer temperatures (over 30 degrees Celsius on average) and a whipping northern wind so famous that it has its own name (the mistral), which cools the grapes, prevents rot and allows for longer hang times and prolonged ripening.

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Tonight’s Chateauneuf representative is the 2012 Domaine Chante Cigale, a 100+ year-old winery that recently turned its winemaking duties over to someone barely out of his teens.  In 2002, with his father suffering from health problems, Alexandre Favier, freshly graduated from viticultural studies at the age of 20 (he started wine school when he was 15) took the reins and hasn’t looked back since.  The Domaine owns 40 hectares of vineyards, but they’re not in an orderly square surrounding the winery, instead plastered and scattered throughout FORTY-FIVE different plots all across Chateauneuf-du-Pape.  Favier relies only on ambient native yeasts present in the cellar for fermentation and ages his wines in an oddly endearing array of almost every type and size of oak barrel possible (foudres, demi-muids, barriques, mostly pre-used) as well as concrete tanks.

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This cork deserves its own picture.  See below.

This particular Chante Cigale is the Domaine’s entry-level CNDP (if there is such a thing), keeping with the classic varietal mix of the region at 65% Grenache, 20% Syrah, 10% Mourvedre and 5% Cinsault.  It is a deep ruby colour and immediately smells like something that has been preserved:  beef jerky, molasses, date, sunbaked earth, hickory and Sultana crackers, if these had been cooked down in an Instant Pot and then set on fire.  The wine’s hefty 15% alcohol is well-contained, but everything in its profile is stewed or baked, leaving it begging for a touch of primary freshness that never comes.  Malty, Port-y, fruitcake-y, it is neither thick nor heavy in body but constantly feels that way due to a dense sluggishness in its flavours.  Like a Wagyu beef burger left too long under the heat lamp before being served, the pedigree is there, but in execution it just hung on a bit too long.  As fellow PnP Advent author Ray Lamontagne puts it, “it’s like an old venison milkshake”.  There are no kind similes.

86+ points

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Cork Rating: 9/10 (What a monster. Coat of arms, complete with cicadas [singing grasshoppers, aka Chante Cigales – nice], killer intricacy and coverage; glorious.)





Bricks Wine Advent Calendar 2017: Day 7

7 12 2017

In the first sign of undeniable Advent progress, we have finished the first six-pack column of the Bricks Wine Advent Calendar crate and are heading into the second.  Hard to believe that Advent is already 25% over, apart from living 12 posts from 4 different people over the last 6 days and thinking about repeating that pattern 3 more times.  The folks who compiled this calendar obviously have a love of the classics, as the first week of half-bottles, apart from the inaugural Canadian-sparkling-Gamay curveball and the glorious interlude into Austrian Gruner on Day 3, has been like reading the chapter titles of a Top Wines of the World textbook:  Brunello, Beaujolais Cru, Marlborough Sauvignon Blanc, Burgundy.  And if you look for the regional chapter title for pink wine, you will probably end up in Provence.  And if you end up in Provence, there is a greater likelihood you will find this wine than any other.

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Whispering Angel is a behemoth.  The Chateau d’Esclans estate was struggling when Bordelais Sacha Lichine bought it in 2006, inheriting vineyards in disrepair but featuring 80-90 year-old Grenache vines and a production with no market presence.  Lichine, looking out on the sunny French Riviera from his estate, identified a gap in the market:  heavy, sweeter white-Zinfandel-style rosé could not quench your beachfront thirst on a scorching day.  He conceived of rosé as a serious wine, made clean and light and dry, meant to disappear at resorts and in backyards with the drinkers scarcely noticing, pausing only to reach for the next bottle.  Whispering Angel, released the following vintage, went from 13,000 cases to over 375,000 cases of production within a decade.  If you’re counting at home, that’s 4.6 MILLION BOTTLES of the current 2016 vintage, sourced from a full 500 hectares of grapes from d’Esclans estate fruit as well as a swath of neighbouring vineyards.  To understand just how much of a thing it now is, you can now buy Whispering Angel gummy bears…that is, you could until they all sold out.

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Cork Rating:  5.5/10 (A perfectly cromulent cork.)

Whispering Angel has its formula down cold:  a blend of Grenache, Rolle (a.k.a. Vermentino – a white grape) and Cinsault, crushed and briefly macerated at very cool temperatures to prevent oxidation and preserve fresh flavours, fermented in stainless steel tanks and served icy cold, ideally on a yacht.  It succeeds, and continues to pull in critical acclaim despite becoming its own commercial empire, because the formula works:  it is both tremendously refreshing and carefully unobtrusive, thirst-quenching yet generally unmemorable.  It is a super pale farmed-salmon colour in the glass and delivers up citric aromas of lemon pulp, pink grapefruit and unripe peach, dusted with ginger and an herbal greenness like basil or chives and overlaid with a chalky minerality.  Its lithe, svelte body brings a splash of bracing freshness, like new snow, and ghostly notes of strawberry, tangerine, copper and lemon-lime, finishing tart thanks to straight lines of potent acidity.  It executes its mission to perfection and has spawned a thousand imitators, but for me the rosé category has lost a bit of its sense of interest as a result.

89- points

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Bricks Wine Advent Calendar 2017: Day 5

5 12 2017

By Dan Steeves

As a loyal reader and follower of Pop & Pour for the past few years, it is a great honour to have the privilege to contribute to the blog today! I am often reminded of how great the wine community is in YYC; how generous people are, and how so many people enjoy talking, experiencing, and sharing wine with each other. Today marks my first attempt at wine blogging, and I’m hoping the community goes easy on me!

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The streak of great wines continues on Day 5 of the Bricks Wine Advent Calendar with a delicious Sauvignon Blanc from Spy Valley Wines, based in the Marlborough region of New Zealand. Sauvignon Blanc is the heart of the New Zealand wine industry and the Marlborough region (located at the North end of the South Island) is where the majority of it hails from.  A combination of close proximity to the ocean, protective mountain ranges, high diurnal temperature variation (temperature change between day and night), and plenty of sunlight, all provide the Marlborough vineyards a long ripening time and help preserve the flavours and acidity in the grapes. When it comes to New World SB, there is no doubt that New Zealand is at the top of the podium.

Spy Valley Wines is a relative newcomer in the wine world, choosing to cultivate land in the Waihopai and Wairau valleys of Marlborough back in 1993. The winery gets its name due to its close proximity to an actual spy base (an international satellite communications monitoring facility) and they take their clandestine efforts seriously. It may not be noticeable at first (which is the whole point) but see if you can locate and decipher the secret codes found on the bottle and closure. You won’t need an enigma machine but you might want to use this website for help.

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Sleek and simple design with integrated Morse code on the label and screw cap! 🙂

Upon opening this wine and taking the first sniff, it is no secret what the wine is and where it is from. The wine has a clean nose with intense aromas of lime, grapefruit, melon, lychee, grass, and the telltale bell pepper. New Zealand Sauvignon Blanc is known for having bright and fresh citrus and tropical aromas as well as a green herbaceous side and this wine displays both, just as it should. On the palate, the wine has crisp acidity that gives a little zing on the tip of your tongue and shows flavours of lemon, lime, grapefruit pith, and green bell pepper. The wine displays a slight creamy texture, perhaps due to the 8% of the wine that is barrel fermented, but it is still light on its toes like a stealthy agent on duty.

88 points

Thanks to Bricks for introducing me to a beautiful wine. Another successful day of the Bricks Wine Advent Calendar completed!

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3-isobutyl-2-methoxypyrazine – aka Pyrazines – the compound responsible for the bell pepper aroma in wines can be found in many Bordeaux wines (Sauvignon Blanc, Cabernet Sauvignon, Cabernet Franc, Merlot, etc.) and is detectable in very low concentrations

 





Bricks Wine Advent Calendar 2017: Day 4

4 12 2017

Well, after a riotously successful guest author turn yesterday, you’re stuck back with me tonight.  Thankfully, there seems to be no “stuck” and no neutral gear in the Bricks Wine Advent Calendar, which just keeps churning out half-bottles of interest on the daily like it’s no big thing.  We’re at 4 for 4 in terms of legitimately interesting, well-made, high-quality, non-seat-filler wines, and I get the feeling there’s going to be 20 more where that came from.  I should have known that tonight’s producer would end up in this calendar, as Beaujolais’ Manoir du Carra (at least in my experience with them) seems to be the king of the small-format wine.  My first interaction with the winery was in the form of a highly rare but utterly magnificent (for those solo wine-drinker households like mine) 500 mL bottling of Cru Beaujolais, a format that I would like every winery in the world to emulate, as it ends up being either a glass-and-a-bit-each weeknight dinner almost-bottle for two or a vinous feast less the hangover for one.  Turns out MdC can bring it in 375 mL format too.

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Tonight’s offering is the 2015 “Montee de la Tonne” (which roughly translates to “The Rise Of The Ton”, which I don’t understand) from Fleurie, which is one of 10 top “Cru” sub-regions of Beaujolais, known for its elegant, almost pretty, wines.  Manoir du Carra owns 50 separate vineyard plots within Beaujolais, and Montee de la Tonne is one of them, a 1.5 hectare micro-plot of 50 year-old wines just recently acquired by the producer that it holds in significant esteem.  Like all red Beaujolais, the wine is 100% Gamay, fermented partly through carbonic maceration (an intra-grape fermentation process spurred by CO2 and an absence of oxygen that enhances bubble-gummy fruit flavours) and then aged in large natural oak barrels for 3-4 months before bottling.

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Cork Rating:  2/10 (Can we all agree to eradicate all “Mis En Bouteille” corks from existence?)

First impressions:  this is a surprisingly deep and vivid purple colour, still mostly transparent but pretty amped up for Beaujolais.  The crisp herbal, floral nose evokes roses (complete with stalks and thorns) and potpourri, softened by felt and spiked with pepper, surrounded by a mist of strawberry and raspberry fruit and just a whiff of banana skins, the latter likely a product of the carbonic fermentation process.  Powdery yet poised on the palate, kept haughty by emery board tannin and piercing rivulets of acid, the Montee de la Tonne flashes class and subtlety with a careful flavour mix of dusty currant, sidewalk chalk, dried flowers, rocks and rain, never quite letting you in but letting you admire its sophistication from afar.  Like a black and white movie star, this is cast in hazy heroic tones, admirable but not fully reachable, a true throwback.

88 points

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It’s probably not what led to the banana skin aromas in this wine, but isoamyl acetate can result in banana smells in some bottles.  The chemistry continues…





Bricks Wine Advent Calendar 2017: Day 3

3 12 2017

By Raymond Lamontagne

I should begin by emphasizing just what an honour it is to join Peter and Dan on this Bricks Wine Co. Advent journey. I remain a relative newcomer to the Calgary wine community yet have had the pleasure to meet so many knowledgeable, friendly, and dynamic people over the past year or so. It has been immensely moving and powerful to be welcomed into this community with open arms …  I wish to thank everyone from the bottom of my heart, and beg your continued tolerance as I haunt your shops, standing around the tasting bar, making random comments about terpenes or field blends and almost certainly distracting you from more important business.

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The evidence …

I am ecstatic that my inaugural foray into the world of wine blogging is a Gruner Veltliner. Gruner is likely my favorite white grape. I say likely because Riesling sometimes bumps it from that lofty perch, as a function of day, my mood, producer or region in question, etc. This is a great microcosm for the reality in Austria, where Riesling continues to carry more status and prestige while Gruner toils away, sometimes in the doldrums of plonk for “wine pubs” but also at the pinnacle of age-worthy sips capable of winning prestigious tastings against world-class Chardonnays. I like well-crafted Gruner so much that one of my cats was nearly christened “Veltliner”. My partner swiftly vetoed this notion (but was ultimately OK with “Spatburgunder”). Why the obsession? Simply put, Gruner can get weird. A good tasting wheel will depict all manner of curious aroma attributes rarely experienced elsewhere, including green beans, lentils, root cellar, compost bin, lovage (a savory “old country” herb that vaguely recalls soy sauce or Maggi seasoning), old socks, the less polarizing apples and limes, and above all, white pepper. Peppery aromas in wine are due to a compound called rotundone, also found in a few other varieties (most famously Syrah). Although rotundone levels are notoriously susceptible to various wine-making decisions, Gruner can deliver a zesty, earthy vortex that garners an occasional comparison to Sauvignon Blanc but which in my view is wholly unique.

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Rotundone … One of the aforementioned terpenes and a much better molecule than TCA.

So what of this 2016 single vineyard Huber Obere Steigen? Markus Huber has expanded a 250 year-old family operation into a big success story with international reach, seemingly without compromising his focus on precise, elegant wines that express their origins. Huber gives Gruner its just due, with the latter comprising 75% of varieties handled at the winery. The Traisental DAC is a small wine region south of the Danube river, below the famed Wachau, and here terrior reigns supreme. Full of chalk and conglomerate rocks, the soils yield full-bodied wines with firm mineral structure. Gruner from this region is known to be particularly fruity as well, yet not at the sacrifice of that all-important peppery spice. The Obere Steigen site enjoys its own unique microclimate due to its terraced nature. This emphasis on terrior or place is relatively new in Austria. Historically, more emphasis was placed on variety alone. Controversy around this difference in emphasis remains, but Markus Huber appears more than happy to let his DAC flag fly.

IMG_0489This is a pleasing yellow hue with a slight green tint. Nose hints at the crystalline mineral power within. I’m getting yellow apple, fresh parsley, snap peas, mango, and a potent undercurrent of musty white peppercorn. The herbs are more vibrantly green than umami in character. On the palate this is precise and linear, with acids brisk but not punishing … Although hang on, there’s some tangy lemon juice bite after a few sips. A compost bin funk, like old apple cores and lawn clippings, starts to creep in around a fundamentally solid core of green pears and apples, white peach, and lemon-lime zest resting on a chalk and wet slate base. This gentleman is dressed in a dapper suit but there’s something off, perhaps some mud on his dress shoes. Fruit? Check. Minerals? Check. Rotundone? Check. I’ve had Gruners that bounce around a lot more than this one, flopping around like a fish in a boat and always changing their look. This one is less dynamic and more cohesive and laser sharp, with just a slight halo of corruption … Not a bad thing in this case.

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90 points





Bricks Wine Advent Calendar 2017: Day 2

2 12 2017

This Wine Advent is not only historic for PnP as the realization of a longstanding calendar-format dream, but it will also mark the very first time in 400+ reviews that somebody other than me will take up the virtual pen for Pop & Pour.  I am honoured to be joined in this Advent blogging journey by two fellow Calgary students of wine who pair impressive technical knowledge with precise palates and a knack for communicating what they see and taste and feel:  Raymond Lamontagne (follow him on Twitter and Instagram here) and Dan Steeves (follow him on Twitter and Instagram too).  Their authorship journey officially starts tomorrow, as Ray will take the helm of the blog for Day 3 of Bricks’ wonderful (based on early returns) Advent Calendar.  But it turns out they came in handier than I expected earlier than I expected, and their palates and tasting notes were called on sooner…

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Not like I needed any more evidence that Bricks was taking this whole half-bottle Advent thing seriously after last night, but I got it the second I peeled back the wrapping paper on Day 2 and “Brunello di Montalcino” stared me back in the face.  Yowza.  More specifically, tonight’s bottle was the 2012 Caparzo Brunello di Montalcino, a traditional-style bottling from an old-school producer recently given new life.  Many know Brunello as Italian wine royalty, and likely the apex of what the Sangiovese grape can do (more specifically, Brunello was once thought to be its own grape varietal but later shown to be a particular clone of Sangiovese called Sangiovese Grosso), but its life as a classified wine region is surprisingly short — it only received formal DOC status in 1968.  Caparzo was founded at almost exactly that time, when there were only a baker’s dozen official Brunello producers in the world.  It was later sold in 1998 to Elisabetti Gnudi Angelini, who had married at age 20 into a pharmaceutical empire, was widowed young, and then took a left turn with her life into the world of Tuscan oenology, where she has become a standout.

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Cork Rating:  1/10 (Real Talk – This is one of the worst corks I have ever seen.  “Italia”??  Really? You’re a Brunello, for god’s sake!)

I LOVE Brunello.  I was not expecting to see a half-bottle of it, well, anywhere, let alone in Day TWO of this calendar, but I dove in with great anticipation, especially since 2012 was a highly esteemed vintage.  The wine was a gorgeous silky ruby in the glass and smelled like…mildew?  Old dirty showers?  Wet newspapers?  Oh come on.  I have been on a solid streak of luck when it comes to avoiding wine faults recently, but this bottle was horridly, outrageously corked, infected with the fungal-induced TCA compound from the cork (incidentally, they always say that smelling the cork is a plebeian’s approach to checking for taint, but this cork smelled like a dead giveaway, so maybe check your premises).  Ordinarily, throughout the entire prior history of my blogging career, my review would have been sunk — the wine was ruined.  But ordinarily I did not have TWO other people drinking the exact same wine with pens at the ready!  Raymond and Dan, called in on an emergency basis, sent me the following notes and (agreed) score for this bottle.  You guys are lifesavers.

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Damn you 2,4,6-Trichloroanisole (TCA).  Worst molecule ever.

“Nose of dried red and blue flowers (iris, rose, potpourri), anise, white pepper, a whiff of roasted almond.  Palate is loaded with tart cherry pie, cranberry, tomato, and unripe raspberry smeared on a leather-bound book.  Some orange peel also emerges, along with oily tobacco, walnut, tar, coffee bean, and a handful of iron filings and road dust.”  [Ray]  “I get most of those descriptors as well.  I would say in general it’s not a big Brunello and seems meant for more early drinking but does have solid structure.  Definitely tart cherry and cranberry on the palate and then the leather, thyme, black tea and stone/rock dust flavours take over.  Originally I thought the finish was a bit short but as the wine opens more it lengthens — still not overly long but enough to make you contemplate why Brunello is so good.” [Dan]  I’m sad I missed the experience (mine tasted like mouldy laundry) but remarkably relieved that any readers of this post do not have to.  Fingers crossed for better luck tomorrow!

89 points





Bricks Wine Advent Calendar 2017: Day 1

1 12 2017

I am a realist when it comes to the reach and impact of this blog.  Calgary has a remarkable, informed, ambitious, impressive local wine scene, and my only goal in starting up this site years ago was to be a tiny voice in that massive chorus and find an outlet for my passion, whether anything came of it or not.  For the most part, I am simply an observer, experiencer and occasional reporter on the goings-on of Calgary wine life.  However, in this case, it’s at least possible that I was the catalyst for a great idea that Bricks Wine Company has now expertly executed.  About 12 and a half months ago, after seeing another set of annual Advent releases go by absent a particular format that I thought would be perfect for the occasion, I vented into the black void of Twitter…and was shocked to see somebody almost immediately respond and take up the task:

It’s one thing to send a two-word response on social media, and quite another to spend the time and effort to specially source two dozen half bottles of wine to assemble an Advent calendar for the NEXT year, so I didn’t allow my hopes to leap too high at the time, but now here we are, on December 1st, 2017, and I’m looking at a wooden crate filled with 24 beautifully wrapped and meticulously selected 375 mL splits, my Advent dream realized and in the flesh.  I am filled with awe and gratitude, and I haven’t even opened anything yet.  Way to go, Bricks — you really did it.

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And if I was excited BEFORE peeling back the wrapping on Day #1, my anticipation only intensified after seeing what was on tap for Calgary’s inaugural Half-Bottle Wine Advent Calendar:  wine geek paradise.  Bella Wines is a producer about whom I have heard a ton over the past year, without yet having had the chance to try their wines for myself.  Bella is British Columbia’s only winery that is exclusively devoted to the production of sparkling wine — all bubbles, all the time.  And their approach is brutally uncompromising:  all natural farming, traditional method Champagne-style fermentation (where the secondary fermentation creating the fizz takes place in each individual bottle in which the wine is ultimately sold), all single-vineyard single-varietal expressions, wild yeast fermentation, no additives, no dosage; nowhere to hide, no messing around.  Bella makes multiple different bottlings of both pink and white bubbles, with their pigmented production focused entirely on the Gamay grape, which they believe has unheralded potential in the sparkling world.

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Crown Cap Rating:  8/10 (Stylized and retro, great font, CROWN CAP – I’m all in.)

So if you’re keeping track at home, Day 1 of Wine Advent features an Okanagan traditional-method single-vintage sparkling Gamay natural wine:  the 2016 Bella Sparkling Rosé Brut Natural “Westbank”.  Hot damn.  Bella releases annual sparkling Gamays from vineyards both west and east of Lake Okanagan, and the Westbank hails from the Beaumont Estate Vineyard in West Kelowna, on the slopes of Mount Boucherie. It is a beautifully confident deep watermelon colour in the glass (yay, non-deathly pale rosé!) and makes an emphatically lean, tart and frothy impression, launching aromatic bullets of cranberry, sour cherry and pomegranate fruit laced with grape skins and handfuls of gravel.  The flavours are pure and unforgiving, the lack of any added sugar after secondary fermentation clearly evident, the wine sharp as a razor’s edge on the finish thanks to Ginsu acidity and circular saw bubbles.  This Gamay practically vibrates with energy and electricity from the moment it hits the tongue, and that coiled tension doesn’t ever release:  not when the bubbles burst, not when you hold it in your mouth, not when you swallow.  It’s like watching a thriller movie that never ends.  If this is Day 1, we are in for a SERIOUSLY impressive Advent.  I did not know Okanagan bubbles could be like this.

90+ points

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Calgary Wine Life: Weingut Hiedler Tasting @ Bricks Wine Co.

26 06 2017

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Ludwig Hiedler Jr.

When Ludwig Hiedler Jr. speaks, generations of knowledge echo in his words.  His career has spanned many years of education and experience, multiple shifts in approach, and innumerable hours spent questioning how to create and reveal the truest form of a wine.  He at first chafed against the layers of tradition quietly imposed on him like sediment by his ancestors, and pushed back against them by experimenting in all facets of his self-described “artisanal, emotional” winemaking style, only to eventually discover his own truth where it always was, embedded within his family’s values and legacy.  He is 24 years old.

Ludwig Jr., his father Ludwig Sr. and his brother Dietmar now collectively guide the course of Weingut Hiedler, which has been producing wine in northern Austria’s Kamptal region since 1856, longer than Canada has existed as a country.  Ludwig Jr. represents the fifth generation of Hiedlers to take on winemaking duties at the estate, steering the winery into the future with a nod back into the past, through sustainable chemical-free practices in the vineyard, next to no use of oak for maturation, and wines made as a pure reflection of site and vintage, with no stylistic or flavour preconceptions guiding the journey to the finished product and limited intervention during fermentation.  Hiedler uses native yeasts to ferment all of his wines, but in an interesting way:  he allows the ambient yeasts around the winery to do some of the work during fermentation, but has also harnessed certain selections of these native strains with which he also inoculates the fermenting must, propelling the ferment forward without introducing any element external to the winery.

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Weingut Hiedler is a small piece of a 1,000+ year tradition of winemaking in Austria, and is part of a group of quality-focused producers working on taking the generational knowledge built up and passed down about vineyard sites, soils, aspects and qualities and creating a (long-overdue) formal comprehensive set of vineyard classifications for the country.  The Österreichische Traditionsweinguter (or the ÖTW for short, which translates to “Traditional Austrian Winemakers” and is roughly equivalent to Germany’s VDP) has identified a number of top “Erste Lage” (first growth) vineyards which they hope to see formalized at law in the future, bringing Burgundian rigour to Austrian soils.  Hiedler’s philosophy strives for longevity, tranquility, wisdom, harmony and elegance in its wines, a vision symbolized by the owl that graces its labels and has quickly become the most recognizable visual reference to the estate.

This was Ludwig Hiedler Jr.’s first ever trip to Canada, and his last stop in a hectic North American travel schedule before he returned to winemaking duties in Austria.  Before embarking on a transoceanic flight home, he graciously led us through a remarkable Gruner Veltliner and Riesling Masterclass at one of Calgary’s most impressive boutiques, Inglewood’s Bricks Wine Company.  Through four Gruners and three Rieslings, we got a clear sense of what Ludwig and Weingut Hiedler were all about, yet I still left thinking that there are many more undiscovered layers to both the man and the winery, to be unveiled in the coming decades of Hiedler releases. Read the rest of this entry »