Calgary Wine Life: Blaufrankisch Masterclass with Georg Prieler of Weingut Prieler

1 05 2019

By Raymond Lamontagne and Peter Vetsch

Austria is renowned for the fruit purity and fine minerality of its wines, and Blaufrankisch is the premier black grape of the region. Grown across Central Europe and going by various monikers (the wonderful “Kekfrankos” in Hungary, and the more prosaic “Lemberger” in Germany), Blaufrankisch is an early-budding, late-ripening variety sometimes dubbed the “Pinot Noir of the East”; its elegance and dexterity earns it that nickname, but its hallmark savoury mineral wildness forges an identity all its own.  Some grapes such as Cabernet Sauvignon or Campania’s Aglianico are said to swamp or overshadow terroir with their sheer varietal character, while others are more protean and can serve as a lens through which the story of their soils and site and climate are reflected.  Blaufrankisch falls firmly into the latter camp, although through its various land-driven expressions one can commonly find dark berry aromas and flavours, vibrant acidity, a pronounced spiciness and that “other” wild rocky character that can set this grape apart.  We were extremely excited to do a specialized tasting of this varietal with Georg Prieler, owner and winemaker of Burgenland’s Weingut Prieler, a dynamic, charismatic, insightful winemaker who carries his family’s history with aplomb…and who might just make the best Pinot Blanc in the world.

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Georg Prieler, Weingut Prieler

Yes, Pinot Blanc. We both first came to know this producer by being absolutely floored by how stunning and utterly fascinating Weingut Prieler’s Pinot Blancs can be.  This particular grape rarely wins this sort of accolade and is often considered a paler, strait-laced shadow of Chardonnay, never fully given the opportunity to take a star turn in any region…except, as it turns out, in Burgenland, where Prieler exalts it among whites and where Georg calls it “the Riesling of the Burgundy varieties”.  That got our Riesling-loving attention, and Prieler’s single-vineyard Pinot Blanc which capped off our tasting held it,  transfixed.

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All that said, Pinot Blanc remains both the winery’s and the region’s “second most important” variety, according to Georg, as nothing in Burgenland knocks Blaufrankisch off its throne. Georg himself hails from (and still lives in) the village of Schützen am Gebirge, population ~1500, known for steely Pinot Blanc but also the sublime Goldberg vineyard, where Blaufrankisch might reach its pinnacle.  He closely oversees operations in both vineyard and winery, inheritor of a legacy that runs from his grandfather to father to sister and now, as of 2011, to Georg himself.  The family’s time in the vineyards predates their work in the cellar — the Prielers have been planting and tending grapes in Burgenland for 150 years, which perhaps is what leads Georg to immediately describe himself as “just a farmer who takes planes and drinks wine”.  After his inaugural visit to Calgary, and with the voice of his wines preceding him, it’s clear that this particular travelling farmer has a global reach. Read the rest of this entry »





Calgary Wine Life: Veuve Clicquot Release Tasting @ Yellow Door Bistro

23 03 2018

By Peter Vetsch and Raymond Lamontagne

Sometimes the best times to celebrate are the times when there is nothing obvious to celebrate.  It’s a dreary weekday in late March in still-snowy Calgary, but Champagne lifts all spirits and makes all occasions special, and this was no exception.  The eponymous yellow door of the Yellow Door Bistro at Hotel Arts perfectly foreshadowed the array of yellow labels awaiting us inside, including the brand new release from Champagne’s powerhouse (and power-house) Veuve Clicquot.  Winemaker Bertrand Varoquier expertly guided us through a series of Veuve releases, not least of which was the winery’s latest concoction, the Extra Brut Extra Old NV, soon to be available on retail shelves across Calgary.

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Veuve Clicquot is one of the oldest houses in Champagne, founded in 1772 by banker Philippe Clicquot-Muiron, who was then proceeded at the winery by his son Francois.  When Francois suddenly died young in 1805, his widow Barbe-Nicole Clicquot-Ponsardin stepped forward to take over the reins and run the business, a daring decision for a 27 year-old woman in early 19th century France.  The young widow (or veuve, in French) persevered, and her strong vision and fierce entrepreneurial spirit took the winery to new heights, leading to some significant innovations in tradition-laden Champagne.  Madame Clicquot was the first to create a rosé Champagne made from 100% wine (previous renditions of pink Champagne were created by mixing white wine with elderberry juice).  She is also credited with creating the riddling process that allows the dead yeast cells from Champagne’s in-bottle secondary fermentation to slip down into the neck of the bottle so that they can be frozen and disgorged, to keep the finished wine from being cloudy; before this, Champagne was served hazy and decanted to let the leesy sludge settle before pouring.  Clicquot-Ponsardin contributed so much to the region over her lifetime that she was nicknamed “La Grande Dame” of Champagne, a name that since 1872 has also been used for the house’s prestige cuvée.  Her impact on the winery was so significant that the entire brand was renamed in her honour.

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Bertrand Varoquier is a native son of Champagne, born in the heart of the region in the town of Reims; as he puts it, “my blood is bubbly”.  For the past six years of his extensive 18-year wine career, he has been at Veuve Clicquot, where he is currently responsible for all red wine vinification.  Due to the house’s production size, and in order to ensure that its winemaking happens as close as possible to the vineyards where the grapes are harvested, the red grapes that go into Veuve’s cuvées (primarily Pinot Noir, which is at the core of Veuve Clicquot’s identity) are processed and vinified in their own standalone facility in Buzy.  Each discrete parcel of each red vineyard is vinified separately, and after alcoholic fermentation is complete and scores of still wines are created (some with very limited colour due to restricted skin contact, some fully red for use in rosé Champagne creation, all produced solely for future blending), the lots are sent to Veuve HQ in Reims for malolactic fermentation and blending.

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Bertrand Varoquier, winemaker at Veuve Clicquot

Unlike almost any other top wine region in the world, which tends to glorify single-vineyard and single-vintage expressions of time and place, Champagne’s focus is on achieving and maintaining each house’s unique signature style with precision and consistency, year in and year out.  The mammoth challenge of this task is almost unquantifiable, but this will give you a sense of it.  In addition to his winemaking duties, Bertrand is on the Veuve Clicquot tasting committee along with Cellar Master Dominique Demarville and others.  Every year, from the start of November until the start of March, the committee tastes 24 different sample lots of still wines PER DAY out of the roughly 1,200 (!!!) already-vinified non-bubbly base wines aging in full stainless steel tanks in Veuve’s cellars in order to determine which wines will be used to populate each of the house’s different Champagne releases.  These base wines are from the present year’s harvest plus nearly twenty prior vintages, and all are ultimately rolled into a multi-vintage, multi-source patchwork tapestry that the Cellar Master weaves into the emblem of Veuve Clicquot, so that the buying public gets the taste experience they expect out of every single Veuve Champagne, regardless of the year in which they buy it. Read the rest of this entry »





Calgary Wine Life: Moet & Chandon Winemaker Tasting @ Ruth’s Chris

24 03 2017

As it turns out, there is no inopportune time for Champagne.  Although the bubbly beverage has built its brand on being the drink of choice for special occasions and other times of celebration, it turns out that it’s equally nice to kick back with a glass of fine bubbles on an otherwise-normal Thursday afternoon.  It’s even better to kick back with six of them, which is what I was fortunate enough to do when Moet & Chandon winemaker Amine Ghanem came to town to lead an attentive and appreciative group through a good portion of the Champagne powerhouse’s portfolio.

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Amine Ghanem, Moet & Chandon.

Ghanem is one of 10 winemakers employed by Moet & Chandon in addition to their cellarmaster, or chef de cave, who directs and decides on the ultimate blend for each of the house’s Champagnes.  Moet has been doing its thing for centuries (since 1743, to be exact – Ghanem informed us that the very first bottle of Moet & Chandon Champagne arrived in Canada in 1839, before we were even a country!), and as such has honed its house style to a fine point, with very clear goals as to the characteristics it seeks to draw out in its Champagnes and specific strategies in place to reach them.  The three pillars of the Moet & Chandon style are, in Ghanem’s words:  (1) “bright fruitiness”, which is attained in part by careful non-oxidative winemaking techniques, even to the point where the house has developed a technique for “jetting” oxygen out of the neck of the bottle after disgorgment to avoid degradation during the maturation process; (2) “seductive palate”, with a welcoming, easy-to-drink texture aided by full malolactic fermentation; and (3) “elegant maturity”, achieved largely through extended lees contact pre-disgorgment, for much longer periods than required by law.  These foundational principles must be working, as we were told that there is currently a bottle of Moet being popped somewhere around the world every second.

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In case the ten full-time winemakers on staff wasn’t a tip-off, Moet & Chandon is a massive undertaking.  It is the biggest house in Champagne and the owner of its largest vineyard holdings, amounting to almost 10% of the entire area under vine in the region.  Since 1962, it has even had its own brand of proprietary yeast, which helps accentuate the characteristics that reflect the house style.  Moet’s primary brand is Imperial, so named in recognition of founder Claude Moet’s 18th century friendship with a certain French emperor, none other than Napoleon Bonaparte.  Napoleon visited the winery many times and was a steadfast consumer of Moet Champagnes, and in 1869 the Imperial brand was christened in recognition of the 100th anniversary of his birth.  The Imperial NV blend starts out as 800 different base wines, which are gradually combined into 3 proposed blends (each featuring solid proportions of all three of Champagne’s grape varieties: Pinot Noir, Pinot Meunier and Chardonnay) before one is selected.  The blending is as much of the artistry as the winemaking itself, and the efforts show in the bottle, which led off our tour-of-Moet tasting. Read the rest of this entry »





Wine Review: 2008 Ratzenberger Bacharacher Riesling Sekt Brut

13 12 2015

[This bottle was provided as a sample for review purposes.]

Redefining the world of German bubbly.

Redefining the world of German bubbly.

What’s this?  A wine review?  Isn’t this a whisky blog now?  OK, I probably deserved that.  But Advent only comes around once per year, and since no one yet has taken up the torch of my idea to find 24 good half-bottles and make a Wine Advent Calendar, this is what you get instead.  For those wine lovers out there just dying for the calendar to turn to January, this one’s to tide you over.

This bottle is another selection from Cellar Direct (cellardirect.ca), the online Canadian Natural Wine Club that allows people from all over the country to have high-quality, artisanal, naturally made wines shipped to their door via an array of tailored subscription packages ranging from $40 to $80 per month depending on your location and the package selected.  Since I last wrote about the service back in September, it has revamped its website, introduced an offer of two free bonus bottles for every 24-bottle annual subscription, and added an online shop (which will be operational in January) where Cellar Direct members can order more of their favourite bottles over and above their subscription.  It has also gotten rave reviews in BC, where price increases and regulatory chaos have otherwise made reasonably priced access to many good wines a pipe dream.

The one thing I can so far say for sure about Cellar Direct is that its selections are not fooling around; each of the three bottles I’ve now had the chance to try from their library have been of exceptional quality and proud ambassadors of where they’re from.  These are wines from somewhere as opposed to wines that could be from anywhere, and this gets all the more impressive given that this latest wine is a bottle of Sekt.  Nobody usually makes quality and terroir proclamations about Sekt (German sparkling wine), and for good reason:  most Sekt doesn’t deserve it.  In fact, it’s hard to say anything specific about Sekt as a category because it might be the least regulated category of Old World wine I’ve come across.  German wine law doesn’t mandate that Sekt be made of any particular types of grapes; it doesn’t even require those grapes to be from Germany; and it doesn’t require the wine to attain its bubbles any particular way.  Sekt is required to be at least 10% abv, but after that, all bets are off. Read the rest of this entry »





Wine Review: 2008 Cachet No. 01 by Stag’s Hollow

27 02 2013
There is no debate:  this is a baller-looking bottle of wine.

There is no debate: this is a baller-looking bottle of wine.

Apologies in advance to my local Alberta readers:  this review will be almost useless to you.  I have never seen this bottle in our fair province, or on a retail store anywhere else for that matter.  I got it for Christmas a couple years ago from a cousin-in-law out in Vancouver (thanks Brad!), was immediately impressed by the rap-video blinginess of its container (the bottle must weigh 2 pounds empty) and then discovered through research that it was created as part of a unique and forward-thinking experimental line of wines by stalwart Okanagan producer Stag’s Hollow.  The Cachet wines are limited edition blends of top quality grapes which are outside of the standard SH catalog; they are made once, as a small run in a single vintage, and then never replicated again.  So while this is the 2008 vintage of Cachet No. 01, there is no 2009 or 2010 bottling — the 1500 bottles (125 cases) of this wine from that single year are all there is.  I have no idea how this is commercially workable, but I find it fascinating.  These high-end one-off blends put the power in the hands of the winemaker to express a different vision with these specialty wines every year…or at least that was the plan.  As it turns out, only two Cachets have ever been made:  this one, and the sequel Cachet No. 02 (made from Grenache, Syrah, Viognier and Marsanne) that was released around the same time.  The world is still waiting on Cachet No. 03, and I’m sort of wondering whether the concept has died before it ever really got off the ground. Read the rest of this entry »





Wine Review: 2008 Canepa Finisimo Gran Reserva Cabernet Sauvignon

21 11 2012

[This bottle was provided as a sample for review purposes.]

Call me strange, but I would like to see more wines with orange labels. Snazzy.

I don’t think a bottle from Chile has graced this site since late February, so I’m overdue to show South America some love.  This particular bottle’s major claim to fame is that one of its prior vintages was named the 5th best wine in the 1979 Wine Olympics held in France.  Winding up in 5th usually isn’t that memorable (I tried to do a Google search for “famous fifth place finishes” to see if I could come up with an exception to that rule, but the pickings were slim), but in this case it was a national breakthrough of sorts:  the top four wines in the Finisimo’s category were French, making this Cab the top New World wine of the bunch and helping cement Chile’s status as a serious producer of Cabernet Sauvignon.  Back in the late ’70s the words “quality Chilean wine” were almost certainly thought of as an oxymoron; fast forward 30-odd years and the country is now a veritable wine power with a strong reputation for producing solid, flavourful bottles at bargain prices.  Canepa’s website suggests that Finisimo’s near-podium Olympic finish positioned it as Chile’s first premium wine, but these days it is more of a mid-range bottling (Canepa’s Magnificvm is its current top Cab, allowing Finisimo to settle in at an everyday-enjoyment price range). Read the rest of this entry »





Wine Review: 2009 Jim Barry “Cover Drive” Cabernet Sauvignon

18 06 2012

The second vintage of Cover Drive featured on PnP…let’s see how they stack up against each other.

I went to the Costco liquor store this week, and as always when I walk into Costco, I walked out with a bottle of the Jim Barry “Cover Drive” Cab from South Australia, one of my favourite New World value wines.  When I first grabbed the bottle, I thought it was the same wine that I had previously reviewed back in November, but on closer inspection it was in fact a brand new vintage of Cover Drive, the 2009 (my reviewed bottle was the 2008).  This provided a golden opportunity to examine a question that I’m sure many casual wine drinkers ask themselves:  how much does vintage impact the flavour and quality of a wine?  Is there really a discernible difference between the 2008 and 2009 bottlings of a wine made from the same grapes grown in the same spots?  Most inexpensive wines are made to reflect a consistent flavour profile and style year over year, but my bet was that a quality producer like Jim Barry wouldn’t try to make his ’09 Cover Drive a clone of his ’08 and would retain some of the vintage variation arising out of the changes in weather patterns, sunlight, temperature, harvest dates and more between the two years.  To find out, I wrote up tasting notes for the 2009 CD without re-reading my 2008 review, and now I’m going to retro-compare the two bottles by lining up my 08 notes side by side with my impressions of the 09.  Hopefully this actually proves interesting.  Here goes! Read the rest of this entry »





Burgundy: White Tasting, Part IV

26 04 2012

OK, time to bring this long and winding road of a tasting review to a close.  I had set this up so that we’d end on a high note with the most prestigious bottles in the tasting, the illustrious Grand Crus, but for reasons outside their control, the drinking experience ended up being somewhat anticlimactic.  And no, it wasn’t because we were 10 bottles in by this point.  That’s what made the next morning anticlimactic.

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A.k.a. over $300 worth of wine that really shouldn't be open yet.

Grand Cru vineyards are the rarest, best-positioned, most historic, highest-quality growing areas in all of Burgundy…or at least their classification is meant to reflect as much.  As you might expect, Grand Crus come in very limited numbers (only 32 in the Cote d’Or, according to my friend the Internet) and they produce minute quantities of wine each year with prices to match their prestige and scarcity.  I didn’t have the overflowing bank account to go too crazy and delve into the elite of white Burgundian GCs — the series of adjoining Grand Crus bearing the “Montrachet” name, including Le Montrachet, Batard-Montrachet, Bienvenues-Batard-Montrachet, etc. are almost certainly the creme de la creme of white Burgundy, but they’re also a hilarious pipe dream in my current circumstances — so instead I turned my focus to two wines from the well-regarded but much cheaper Grand Cru of Corton-Charlemagne.  Unfortunately, both bottles were from relatively recent vintages, and we quickly discovered that, with great white Burgundy, time is your ally. Read the rest of this entry »





Wine Review: 2008 Fog Crest Vineyard “Laguna West” Chardonnay

15 02 2012

I had to use the promo pic from the website instead of my actual pic, for obvious reasons. Sure is foggy.

I just finished reading the book Judgment of Paris by George Taber, which is primarily a recounting of the now-legendary 1976 Judgment of Paris tasting where California Cabernets and Chardonnays shockingly upset top French Bordeaux and Burgundies in a blind tasting evaluated by renowned French judges, but which also tangentially describes the birth and rapid growth of the California wine industry.  The truly amazing thing about the J of P tasting wasn’t that the California wines upset the French; it was that the California wineries represented in the competition didn’t even exist a decade earlier.  Many of them entered their first, second or third vintages EVER in a tasting contest against historic French bottlings that dated back centuries, which in the world of wine should have been a recipe for embarrassment.  I now think about this every time I open a Cali Cab or Chard because, as a recent disciple of wine, I’ve only ever known California as a world vinous powerhouse; it’s remarkable to think that 40 years ago it would have been laughable to describe it that way.

To coincide with my finishing the book, I felt it only appropriate to open a California wine in commemoration, and the Fog Crest has been a bottle I’ve been very interested in trying, largely because the producer brings in ultra-famous Cali winemaker David Ramey as a consultant to help craft its Chardonnays and Pinot Noirs.  Fog Crest is based out of the Russian River Valley sub-region of Sonoma County, an area known for having a notably cooler climate than the surrounding area, helped in part by cold morning fogs (hence the winery name).  These climatic conditions make RRV an ideal spot for growing grapes like Chardonnay that show their best in cooler sites.  My favourite thing about this wine has to be its thematically-accurate, dry-ice-induced foggy promo pic from its website (see above left), the set up for which almost inevitably involved some marketing guru saying:  “See, FOG Crest?  Get it?”  (I get it.)   Read the rest of this entry »





Wine Review: 2008 Kenneth Volk Enz Vineyard Mourvedre

11 01 2012

The bottle looks exactly like it tastes: black label, black wine.

How many old-vine, single-vineyard, 100% Mourvedre wines have you ever heard of coming out of North America?  Before last month, my number stood at zero.  Then my best friend Marc, a burgeoning wine lover himself (I’m working on it), got me this bottle for Christmas; it was one that he had tried at a party and couldn’t get out of his head, leading him to hunt it down and grab one for each of us.  It was about the most intriguing Christmas gift that I got this year — obviously I do good work in picking friends.

While most California winemakers would shy away from grapes like Mourvedre in favour of Cabernet Sauvignon and Merlot and other varietals more recognizable to the general public (and therefore more sellable), Kenneth Volk seems to immerse himself in them.  While his company Kenneth Volk Vineyards also makes the classics, it produces a special series of “Heirloom Varietals” wines that examines and honours “underappreciated rarities” that don’t often get their day in the sun in the US.  Mourvedre certainly qualifies — while I’ve seen it in a GSM (Grenache/Syrah/Mourvedre) or two from my home continent, I’ve never seen it get the spotlight to itself domestically until now.  This particular Mourvedre is from the Enz Vineyard located in the tiny Lime Kiln Valley AVA in central California:  it can be found just southeast of San Jose, about 1/3 of the way south from San Francisco to LA.  Interestingly (or crazily), Lime Kiln Valley finds itself immediately beside the San Andreas Fault, one of the more tectonically unstable places in the world (you want interesting soils as a winemaker?  Plant in an earthquake zone!).  Even cooler, this bottle comes from one of the oldest grapevine plantings in all of California:  almost 90 years old, the Mourvedre vines in Enz Vineyard were planted in 1922.  Think of all the wines that come out of California.  Now think that, pre-dating almost all of them, before “California wine” meant anything to anyone, there was this lone patch of Mourvedre planted in this obscure valley close to the coast.  Who would plant Mourvedre in California in 1922?  Who knows?  But that decision let me, almost a century later, crack open this mysterious and alluring bottle, because it had previously worked its magic on a great friend.  Wine rocks.

Read the rest of this entry »





Wine Review: 2008 Mercer Dead Canyon Ranch Cabernet Sauvignon

21 11 2011

Decidedly ghetto label, questionable colour scheme, killer wine.

Time to enshrine another bottle in the pantheon of Killer Value Wines and expand the already-sizeable place in my heart for Washington State, because cheap Cabernet normally doesn’t taste like this.  The Dead Canyon Ranch from Mercer Estates winery vastly outperforms its price point ($20ish CDN) and screams “house wine” to any self-respecting Cab fan.  This was sadly my last of several bottles purchased from Highlander Wine & Spirits, who (I believe) have an exclusive on Mercer’s lineup of wines in the city; I have previously written about Mercer’s Merlot on this site, but in my opinion at least, the Dead Canyon Ranch is an even better wine at half the price.

This wine gets its eye-catching name from the place from which its grapes are sourced, the Dead Canyon Ranch vineyard in the awesomely-named Horse Heaven Hills AVA (American Viticultural Area), located alongside the Columbia River on central Washington’s southern border.  Washington State is divided vertically in two by the Cascade Mountain Range, and the climate of the area varies substantially depending on which side you fall.  If you’re in the western half of the state bordering the Pacific Ocean, it’s grey, wet and rainy enough for fictional tween-adored vampires to call it home, whereas if you’re on the eastern half the state, in the rain shadow of the Mountains, it’s a hot and arid (and presumably vampire-free) desert zone.  The wines that have been growing Washington’s vinous legend over the past few years (including SEVEN of them in the top 50 of Wine Spectator’s just-released top 100 wines of 2011) come from the eastern half, which is where Horse Heaven Hills and Mercer Estates can be found.  While the desert heat and sun make it possible for red wine grapes to reach full ripeness even this far north, the notably cool nights help to retain acids and preserve fresh flavours, which is the kind of built-in balance you look for in a top wine region.

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Tasting In Stereo with North of 9 Fine Wine: 2008 Sister’s Run Shiraz

30 08 2011

My co-conspirator for Tasting In Stereo -- check him out!

Welcome to the inaugural version of Tasting In Stereo!  By far the most incredible thing that’s happened to me since I started up Pop & Pour back in March is that I’ve met or come in contact with a number of inspiring people from across the world of wine — producers, professional critics, retailers, restauranteurs, and especially other bloggers, who churn out quality content week after week fuelled only by their passion for this thing that connects us all.  The amount of well-researched, well-written free wine information available online is astounding, and it makes me want to keep writing to keep pace with the standard that’s been set before me.  One of the people who I’ve been fortunate enough to come to know is Tyler Philp of North of 9 Fine Wine in Ontario.  Tyler is a commercial pilot by day, flying an Airbus for Air Canada while gaining increasing familiarity with wine shops across AC’s route map.  By night he’s a family man and a burgeoning wine connoisseur, studying formally through The Court of Master Sommeliers and running both a formal tasting group based out of Alliston, Ontario and an insightful blog under the North of 9 banner.  He’s located just north of Highway 9 (hence the name) that divides the city of Toronto from the county immediately above it and can be found on Twitter at @TylerOnWine — give him a follow!  Whether you are a regular PnPer or have just stumbled on this post via some strange Google search and are wondering what the heck is going on, I invite you to click one of the links above and give North of 9 a visit.

As I described briefly yesterday, Tasting In Stereo is two wine reviews for the price of one:  Tyler and I have conspired together to pick an inexpensive bottle that’s widely available in both Ontario and Alberta, have popped and poured it separately, and have independently written up tasting notes which will be revealed to each other and to all of you in two posts that will be published simultaneously — this one, and its counterpart on northof9finewine.blogspot.com.  Once you’ve made your way through this review, you should definitely check and see if the North of 9 review is more or less flattering and then leave us a comment to let us know what you think about the format and the wine!  If all goes well and our mutual reviews don’t lead to some sort of virtual fistfight, hopefully this will become a semi-recurring PnP/Nof9 feature. Read the rest of this entry »





Wine Review: 2008 Domaine du Vissoux Fleurie Poncié

22 07 2011

Confusing label, but quality white wine substitute.

Butter chicken was on the dinner menu tonight, but after having white wine for the last two nights in a row, I didn’t want to have it again, thus depriving me of the most natural spicy food wine pairing (as discussed previously here):  a slightly sweet, lower-alcohol, low (or no) tannin white like a German Riesling (natch) or a Chenin Blanc.  Since tannin and alcohol are notorious enemies of hot and spicy cuisine, I dug around for the red in my cellar likely to have the lowest levels of both, a difficult feat since booze and tannin are two of the hallmarks of most good red wines.  I came up with Beaujolais, a red wine region in the southernmost part of Burgundy in southeastern France that may be the world’s only premium red site focused on making wines from the Gamay grape.  Gamay is an ideal white wine pinch-hitter because it is generally light in body, fairly low in alcohol, and most importantly, extremely low in discernable tannins; it has the fruity punch of a red with the delicacy and texture of a white.  Not to say that it’s a match made in heaven with Indian food, but it stood the greatest chance of not clashing horribly. Read the rest of this entry »





Wine Review: 2008 CARM Douro Reserva

8 07 2011

Know what the problem with most wine labels is? Not enough turquoise.

Most people are probably acquainted with Port, the fortified sweet wine from northern Portugal that has never met a blue cheese platter or a dark chocolate dessert it didn’t like.  Port is made by partly fortifying a blend of indigenous grapes from Portugal’s Douro region, but interrupting the fermentation before all of the grapes’ sugar is converted into alcohol by adding concentrated grape spirits to the mix.  These spirits vault the booze level over 20%, which kills off the yeast driving the fermentation and leaves some residual sugar in the finished product:  a half-fermented, spiked, naturally sweet wine.  What would happen if this fortification process wasn’t interrupted and the yeast wasn’t killed off before it turned all the grape sugar into alcohol?  Dry Douro table wines like this would happen.  Not all of grapes in this region are pre-destined for Port production anymore; an increasing proportion of them are cultivated in the steep terraced vineyards along the banks of the Douro River strictly for non-dessert wines.  These wines are fascinating to try, because although it is only production and aging methods that separate them from their sweeter, more famous counterparts (which are made from the same grapes grown in the same areas), they show a completely different side of Portugal in the glass. Read the rest of this entry »





Wine Review: 2008 Rocca Delle Macie Confini Chianti DOCG

20 06 2011

Before I get into tonight’s wine, if you read my review of the 2007 Amavi Cellars Syrah from Friday, you’ll know that I was musing about why the 2005 Amavi Syrah tasted so different from the 2007 when so many of the variables going into it were the same, and I vowed to take to Twitter to get some answers right from the source.  Lo and behold, the Information Age is a wonderful place to be, and the good people at Amavi have posted a tremendous and thorough response to my Syrah-related queries in the comments section of the review.  So to recap, I had a bottle of wine in Calgary and then posted a blog article and a Twitter question, and then someone in Washington State who I’ve never met went and personally asked the head winemaker at Amavi Cellars what the difference was between his 2005 and 2007 Syrahs!!  There is very little cooler than that.  Thanks Amavi!

Warning: drink with food or face the consequences.

I wish I could say that tonight’s bottle has spawned Amavi levels of inquisitiveness and interest, but not quite.  I’ll get to that in a moment.  Chianti is a well-known wine region located in Tuscany, in west-central Italy, that has seen its share of ups and downs in recent decades.  Once regarded as one of the cream of the crop of Italian vinicultural areas, it then became the victim of shoddy production and overplanting and lost its reputation for quality, which it is only now starting to regain.  The problem with Chianti is that a lot of it is still pretty bland, although some of the higher-end renditions from the Chianti Classico region (the historic heartland of Chianti, which forms a smaller sub-zone within the larger area of Chianti) definitely can make you stop and take notice.  The main thing you need to know about wines labelled as Chianti is that they will be predominantly made using the Sangiovese grape, a varietal that shows best in Tuscany and isn’t usually seen that much elsewhere (though it WAS in the 2009 Abbot’s Table from Washington State, if you’ll recall…I doubt you’ll recall). Read the rest of this entry »








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