Calgary Wine Life: Moet & Chandon Winemaker Tasting @ Ruth’s Chris

24 03 2017

As it turns out, there is no inopportune time for Champagne.  Although the bubbly beverage has built its brand on being the drink of choice for special occasions and other times of celebration, it turns out that it’s equally nice to kick back with a glass of fine bubbles on an otherwise-normal Thursday afternoon.  It’s even better to kick back with six of them, which is what I was fortunate enough to do when Moet & Chandon winemaker Amine Ghanem came to town to lead an attentive and appreciative group through a good portion of the Champagne powerhouse’s portfolio.

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Amine Ghanem, Moet & Chandon.

Ghanem is one of 10 winemakers employed by Moet & Chandon in addition to their cellarmaster, or chef de cave, who directs and decides on the ultimate blend for each of the house’s Champagnes.  Moet has been doing its thing for centuries (since 1743, to be exact – Ghanem informed us that the very first bottle of Moet & Chandon Champagne arrived in Canada in 1839, before we were even a country!), and as such has honed its house style to a fine point, with very clear goals as to the characteristics it seeks to draw out in its Champagnes and specific strategies in place to reach them.  The three pillars of the Moet & Chandon style are, in Ghanem’s words:  (1) “bright fruitiness”, which is attained in part by careful non-oxidative winemaking techniques, even to the point where the house has developed a technique for “jetting” oxygen out of the neck of the bottle after disgorgment to avoid degradation during the maturation process; (2) “seductive palate”, with a welcoming, easy-to-drink texture aided by full malolactic fermentation; and (3) “elegant maturity”, achieved largely through extended lees contact pre-disgorgment, for much longer periods than required by law.  These foundational principles must be working, as we were told that there is currently a bottle of Moet being popped somewhere around the world every second.

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In case the ten full-time winemakers on staff wasn’t a tip-off, Moet & Chandon is a massive undertaking.  It is the biggest house in Champagne and the owner of its largest vineyard holdings, amounting to almost 10% of the entire area under vine in the region.  Since 1962, it has even had its own brand of proprietary yeast, which helps accentuate the characteristics that reflect the house style.  Moet’s primary brand is Imperial, so named in recognition of founder Claude Moet’s 18th century friendship with a certain French emperor, none other than Napoleon Bonaparte.  Napoleon visited the winery many times and was a steadfast consumer of Moet Champagnes, and in 1869 the Imperial brand was christened in recognition of the 100th anniversary of his birth.  The Imperial NV blend starts out as 800 different base wines, which are gradually combined into 3 proposed blends (each featuring solid proportions of all three of Champagne’s grape varieties: Pinot Noir, Pinot Meunier and Chardonnay) before one is selected.  The blending is as much of the artistry as the winemaking itself, and the efforts show in the bottle, which led off our tour-of-Moet tasting. Read the rest of this entry »





Wine Review: 2002 Campillo Rioja Reserva

10 08 2011

Grande Prairie, pay attention: go and find this wine. Right now.

I couldn’t resist — after talking at some length in my last post about how the Tempranillo grape was a chameleon that could show very differently depending on how it was made, and after seeing what the fruity, modern style of the grape had to offer with the 2009 Vega Moragona Tempranillo from Ribera del Jucar, Spain, I went down to my wine fridges tonight and this bottle kept calling out to me.  While the Vega Moragona did a decent job at showing off what New Age Tempranillo was all about, there are few better producers than Campillo at illustrating what can be created using the traditional approach to Spanish winemaking with this grape.  As I mentioned a couple days ago, the main difference with the more traditional style of Spanish Tempranillo is that the wines are aged in oak for significantly longer before release, often in new barrels to further enhance the oak flavours, which leads to bottles that tend to be pre-mellowed before they even hit the shelves; it’s like the wineries do most of the aging for you.  It’s an approach that makes very little sense in terms of the modern business model — how many goods retailers do you know that hang onto their inventory for 5+ years before allowing it to be sold? — but maybe that’s what makes it so charming to me.  These Spanish winemakers, especially in Rioja, the country’s traditional vinicultural heartland, are amazingly dedicated to their craft, and given the world’s recent obsession with bigger, riper, ultra-powerful reds, their wines can be found at shocking values. Read the rest of this entry »








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