Calgary (Virtual) Wine Life: Taylor Fladgate 1970 Single Harvest Port Release

29 10 2020

By Peter Vetsch

How’s this for an on-brand 2020 story? There is no event on the annual blog tasting calendar that I look forward to more than the release of Taylor Fladgate’s latest 50 year-old single-harvest Port. Not coincidentally, there is also no event that has been covered more on this blog — this will be the fifth consecutive year that I’ve been fortunate enough to post about the yearly half-century-old release. However, this year, quite understandably, an in-person tasting was not in the cards, so for the safety of all involved, it was held virtually over Zoom. I couldn’t make the Zoom tasting due to work commitments, but fortunately it was recorded for posterity…until it wasn’t. The recording got technologically tripped up and dissipated into the ether along with the rest of our hopes and dreams for this year, so I missed the event entirely. Thankfully for me, these wines speak for themselves; and to the credit of all those who made it happen, despite it all, the story of these amazing wines will continue to be told, even in the most forgettable of years.

Taylor Fladgate has been around for over three centuries and has access to an astonishing array of library Ports from its own cellars, which have been expanded by way of a number of acquisitions of lesser-known Port houses, particularly Wiese & Krohn in 2013, a producer with its own vast holdings of back-vintage stock. While often older barrel-aged Ports are used as blending components for 30 Year or 40 Year Tawny Ports with an Indication of Age (the number on the bottle represents the average age of the blended Ports inside, allowing both older and younger tawnies to come together in any given release), Fladgate longed to do something more memorable with these liquid historical snapshots, and it turned to the flexible Colheita designation as the vehicle to make it happen. “Colheita” simply means “harvest”, and officially the term applies to any Port from a single harvest vintage that has been oxidatively aged in wood for at least 7 years. There is no maximum aging period for the designation, so in order to go beyond 40 Year Tawny, Taylor Fladgate began releasing limited edition Very Old Single Harvest Colheita Ports on their 50th anniversary from vintage starting back in 2014. These thrillingly memorable wines demonstrate the near-eternal longevity and ageability of good Tawny Ports; protected by both potent sugar and alcohol levels, they have been exposed to the rigours of an oxidative environment for decades before bottling, rendering them near-impervious to further degradation. This is the seventh release of these half-century-old masterpieces, and each one has been a thrilling glance at an increasingly distant history.

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Calgary Wine Life: The Fladgate Partnership 2016 Vintage Port Release Tasting @ La Chaumiere

9 05 2018

By Dan Steeves & Raymond Lamontagne

Vintage Port, undoubtedly one of the crown jewels of the wine world, is celebrated as one of the Earth’s most complex and robust wines, one that has a superior ability to age and mature in bottle, often only fully revealing itself after several decades. Having never tasted a vintage Port with less than 10 years of age on it, we were very interested in the opportunity to preview the brand new 2016 Vintage Ports from The Fladgate Partnership (literally, they were just bottled a couple weeks ago for sampling purposes, well before what will be their commercial release).

The Fladgate Partnership includes three iconic Port houses: Croft, Taylor Fladgate, and Fonseca. Each house enjoys centuries of history producing Port, and between them they hold the most revered vineyards in the Douro, giving the Partnership the ability to make some of the best and most sought after Ports on the market. Croft, founded in 1588 and thus the oldest Port house in the world, possesses the Quinta da Roêda estate, which has been termed the “jewel of the Douro Valley”. Taylor Fladgate has three main estates: Quinta de Vargellas (well known as a pinnacle wine estate), and two Pinhão Valley estates (Quinta de Terra Feita and Quinta do Junco). Fonseca, the relative newcomer in the Fladgate trifecta at the fresh age of 203 (founded in 1815), also has three significant estates: Quinta do Panascal in the Távora Valley, and Quinta  de Cruzeiro and Quinta de Santa António, both located in the Pinhão Valley. It is these special estate vineyards, with their prime soil, ideal climate conditions, and significant plantings of decades-old vines, which contribute most to the style and personality of each House’s classic vintage Port. As we shall see, there are compelling genuine differences in house style.

Vintage Port is made only in the very best of years when the fruit is exceptional and the wines are determined to be monumental in character, showing early evidence of the ability to age that all great Ports should have. It is a house by house decision, made in the second spring following the harvest once the wines have undergone initial aging and blending. If the producer believes the wine has the characteristics of a great Vintage Port (and the regulating body agrees), they make a formal vintage declaration and begin preparations for bottling. For Fladgate, this declaration occurs on April 23rd and it historically happens roughly three times each decade. The last vintage declared for Fladgate was 2011, which followed 2009, 2007, 2003, and 2000. Taylor Fladgate has declared 32 Vintages from 1900-2016, whilst Croft has declared only 24 vintages in the same period.

Jorge Ramos, the export manager for The Fladgate Partnership, led us through a tasting of three vintages (2003, 2007, and the new 2016) from each of the Fladgate Partnership houses. The opportunity to taste various Vintage Ports from all three producers, side by side, really brought into stark relief the differences in their identities. From the luscious fruit flavours of Croft to the soft yet strong complexity of Taylor Fladgate and the muscular power of Fonseca, these were all stunningly delicious with their own personalities. We’ve summarized our tasting notes below by vintage year, in the manner they were tasted. First up, the 2003 vintage, which had a near perfect start to the growing season and periods of intense summer heat in August which allowed for perfect ripening of the fruit. Read the rest of this entry »





Calgary Wine Life: Taylor Fladgate 1968 Single Harvest Port Release

17 03 2018

By Raymond Lamontagne

Although I am deathly tired of the evil winter weather that simply will not give up the ghost in this city, I am more than happy to brave one more snowstorm (please, just one more?) in order to carry on the Pop and Pour tradition of covering the annual release of a Taylor Fladgate Single Harvest Port.  These bottles capitalize on Taylor Fladgate’s extensive back catalogue of aged Port stocks.  They are tawny Ports, meaning that they are aged in barrels for many years, exposed to oxygen and thereby mellowed into a resplendent golden brown. They are also Colheitas, or tawnies where all of the bottled grapes hail from a single vintage.  Taylor Fladgate eschews the term Colheita on these labels in favour of a more anglicized approach.  Regardless of the naming convention employed, Port connotes a sense of pageantry, giving off a regal vibe that this self-styled progressive enjoys basking in from time to time. I wander through the fine wooden décor of Calgary’s Ranchmen’s Club, past a litany of taxidermied game, following my nose into the tasting room where fragrant pourings have already sat for some time.

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Our host Cynthia Opsal, Brand Manager for The Fladgate Partnership for Pacific Wine & Spirits, leads us off with a video that features an interview with Alistair Robertson, principal shareholder in the Fladgate Partnership.  Robertson explains that terroir is fundamental to good Port.  According to Taylor Fladgate winemaker David Guimaraes, 12 different indigenous grape varieties are planted, with four providing the majority of production.  Some grapes such as the vogue Touriga Nacional provide tannic grip, while others such as Tinta Barroca provide more color and sugar content.  Robertson explains that a day of work on the estate involves eight hours of picking grapes, followed by four hours of foot treading in the case of high quality bottlings.  Production of all Port involves adding grape spirit to stop fermentation just before its midpoint, which at Taylor Fladgate occurs around three days into the fermentation process, when about 5-6% alcohol has been produced.  Enough spirit is added to bring the alcohol up to around 20% (which in turn kills off any remaining yeast).  David Guimaraes has stated that a recent trend toward use of more clean and pure spirits means that vintage Ports are approachable sooner, with more fruity expression.  This latter point seems particularly relevant, as this year we get a welcome break from tradition:  instead of the preliminary offering of blended tawny ports that were tasted in prior Release years, we get to sample three 2015 vintage Ports — Single-Quinta vintages, that is.

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Tips & Tricks: Pairing Wine With Chocolate, Part 3

14 10 2011

In case you have scrupulously avoided this blog for the past couple weeks and missed it, Part 1 of this mammoth super-post talked about the general principles applicable to pairing wine with chocolate and made some guesses as to which wines might make winning choco-combos; Part 2 put three dry red wines to a taste test only to see all of them fail more or less miserably; and tonight’s Part 3 moves away from dinner wines and reveals whether dessert wines (and a beer, for good measure) fared any better with dark chocolate at the tasting night I held with wine friends Brian, Tyler and Farrell earlier this week.  In parallel with this PnP saga, Victoria Kaye, the chocolate distributor who put the wheels in motion on this train of thought by sending me a care package of free Xocai brand chocolates with instructions to wine-match as I saw fit, has been providing the chocolate’s perspective on this whole thing on her blog XoXoXocai — click here for her reaction on the first part of the Pop & Pour taste test, which includes some tasting notes on the various chocolates that gave themselves up for a good gastronomic cause.

Cork Ratings, Wines #1-5 (in order): 0.5/10, 2/10, 7/10, 4/10, 3/10. Not such a stellar lineup.

To refresh your memory, by the end of Part 2 of this post, Wines 1 through 3 were wishing that they had been passed over as candidates in this study:  the 2008 Alias Cabernet Sauvignon (Calfornia) was the worst of the bunch, netting a chocolate Compatibility Score of 25%; the 2005 Modern Wine Project Malbec (Washington) had fared (literally) twice as well but still barely scraped a passing grade at 51%; and the 2008 Colaneri Cabernet Franc (Niagara) proved to be the most polarizing wine of the night, attracting my fiery hatred and tasting like tomato soup but still (somehow) pulling out 50%.  Starting with Wine #4, we ditched the dry wines and moved to those sweeter reds that were initially predicted to be the best chocolate matchups.  It may have been that we were in a better mood after downing the three bottles of wine that preceded them, but the dessert wines did not disappoint. Read the rest of this entry »








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