Calgary Wine Life: Technical Tasting with Barolo’s Claudio Viberti

26 05 2019

By Raymond Lamontagne

It all began when Cavalier Antonio Viberti purchased a restaurant, the Locanda del Buon Padre. In 1923, Antonio decided to start making wine in the basement, as many do in this region. The original intent was to keep things simple and just sell the wine to patrons in the restaurant. Well, Antonio’s son Giovanni had other ideas. Things began to expand. Eventually cement tanks for fermentation were installed, and in 1955 wines were sold in nearby markets for the first time. By the 1970s the operation had become a full scale winery, even if the family never forgot their roots as restauranteurs. Giovanni’s son Claudio Viberti, who was our host at this past week’s tasting event at Willow Park Wines & Spirits, took over management of winery and restaurant operations in 2008. He hasn’t looked back since. The man is a dynamo.

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Claudio tells a few of us early birds the story behind the rosé served before the beginning of the formal proceedings. First off, and much to our surprise, this rosé is 100% Nebbiolo. Secondly, the wine is made first as a white wine from Nebbiolo juice obtained via an extremely gentle press. Claudio also makes a small amount of red wine from the same batch, using this to fix the colour of the end product. No combined maceration on the skins was involved, à la pink Champagne. I start scribbling notes. This is dry as a bone but does yield a subtle candied character, with the robust illusion of a sweet finish after a rather dense midpalate. Fairy-like whispers of strawberry, raspberry leaf, and nectarine flit about a more solid core of Parmesan cheese and those pink wintergreen mints, a rather burly rosé with a shimmering coppery finish. This is a rare wine but seems unlikely to remain so. Read the rest of this entry »

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Bricks Wine Advent Calendar 2018: Day 11

11 12 2018

By Raymond Lamontagne

As we approach the halfway point of this Advent campaign, I gingerly unwrap today’s offering and the bemusement arrives as if on cue: Another 2013! 2013 is the new 2018. Or something. And its a Barbera d’Asti with a lovely label. Hmmm. I begin recalling what I know about this grape. Barbera is a high acid low tannin variety, although it is also very darkly pigmented, containing roughly twice the color compounds of Nebbiolo. Although the grape does best in Piedmont, and in the Asti DOCG specifically, it is the third most widely planted black grape in Italy. Barbera is lauded as being easy to grow and rather tolerant of mistakes in the vineyard or cellar; it yields decent wines even at high yields in rich soil. Although historically such wines were quite austere and characterized by piercing acidity, they have evolved into an approachable, soft, rich style that is often permeated by the telltale chocolate and vanilla aromas of new oak. As is the case with most indulgences, moderation is everything. Some argue that the trend towards oak aging has gone too far. Regardless, Barbera could be a grape on the cusp of international superstardom. It does well outside of its native land and its pacific temperament lends itself to a whole range of styles, from crushable easy-going reds full of juicy red and black cherries to wines more regal and age-worthy.

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Not afraid of oak is La Spinetta, founded by Giuseppe and Lidia Rivetti in 1977. La Spinetta produced the first single vineyard Moscato in Italy, and the present wine, Ca’ Di Pian, was their inaugural red. La Spinetta eventually added holdings in both Barbarsco and Barolo, even spreading beyond Piedmont into Tuscany. Their philosophy is summarized as ” 90% of the work we do at La Spinetta is in the vineyards, with just 10% in the cellar”. 75% of their vineyards are farmed in accordance with biodynamic principles, and chemicals are used at a bare minimum in those that are not. Indigenous varieties are coveted, with La Spinetta seeking to let native grapes reflect local conditions as opposed to using international varieties to score points. Besides, Barbera is more than capable of providing colour. Vine ages range from 35 to 65 years old. Green harvesting is used to keep yields low. Cooperage is 80% new medium toast French oak barrels (225 liter barriques) and the cellar is constantly controlled for temperature and humidity. This is all well and good. My burning question is, why the rhino? Read the rest of this entry »





Cellar Direct: RMW&F Festival Edition!

11 10 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

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Find the booth, for wines like this!

It’s October, and here in Calgary we’ve already been bombarded with two feet of snow in the last week and are craving the spring that’s a winter away, which can only mean one thing:  it’s coming up to Rocky Mountain Wine and Food Festival time.  The massive tasting event, now in its 21st year in the city, is kicking off tomorrow in Calgary (Oct. 12-13) and is heading north to Edmonton the following weekend (Oct. 19-20).  In addition to a massive number of wineries, breweries and restaurants, in attendance for the first time this year will be our blog’s favourite national wine club Cellar Direct, the Old World-focused provider of finely crafted low-intervention traditional-styled wine that ships its offerings across Canada and has been known best on this page for never yet providing a bad bottle over multiple years of tasting experiences.  If you happen to be attending the Festival (which you should, if you can), stop by the Four Corners booth (#309 in YYC, #903 in YEG) to say hi to the founders and brainchildren behind the Cellar Direct venture and sign up for their mailing list, which will give you access to wines like the ones below, which I recently received as a sort of Festival lead-up.  It will likely be the only place you can find these bottles in the country. Read the rest of this entry »





Wine Review: 2007 Luciano Sandrone Nebbiolo d’Alba Valmaggiore

24 01 2013
Some of my favourite labels of all time.  Classic.

Some of my favourite labels of all time. Classic.

If there’s anything better than a good bottle of wine, it’s a good bottle of wine that you got on sale.  While this particular bottle usually retails for around $50, I was lucky enough to grab it on special for a shade under $30, which made me ultra-excited to open it and greatly reduced my chances of being disappointed with what was inside.  Not that there was much of a chance of that, given who made it.

Luciano Sandrone is a Barolo legend.  If you were going to make an All-Star team of producers from the Piedmont region in northwest Italy, Sandrone would definitely be in the starting lineup. Ever since his first vintage in 1978, he has wowed the wine world with a slate of bottlings that are crafted in a more open, approachable manner than those made by the staunch traditionalists in the area but yet that remain elegant, complex and capable of aging and improving for a long time.  Most famous for his Barolos (Barolo is a subregion of Piedmont whose wines are made from the Nebbiolo grape), Sandrone also makes a Barbera (which is fantastic), a Dolcetto, a red blend and this Nebbiolo d’Alba.  Here’s a good rule of thumb for reading Italian wine labels:  if you see a label stating “_______ di _______” or “_______ d’_______”, odds are that the first word in the sequence will be the name of the grape and the last word will be the area where it’s from.  “Nebbiolo d’Alba” means “Nebbiolo from Alba”, which is the name of a Nebbiolo-growing region in Piedmont immediately adjacent to the great Barolo and the equally great Barbaresco appellations.  Since the soil and climate conditions in Nebbiolo d’Alba are similar to those in Barolo/Barbaresco, and since the same varietal is used to make the wine, Nebbiolo d’Alba can be a source of wines that give you a good sense of what Barolos and Barbarescos are all about but at a fraction of the price. Read the rest of this entry »





Wine Review: 2009 Paolo Conterno Barbera d’Alba

9 11 2011

Not to reinforce any improper stereotypes, but I totally dig the Mafia lighting in this photo.

Well, another week, another lone post on Pop & Pour — there’s no doubt that my brief foray back into academics has taken its toll on my blogging productivity.  Thankfully, my WSET Advanced exam is this Sunday, after which my writing schedule will get back to normal (provided I haven’t given up on wine entirely by then, something I might just do if I have to read my textbook one more time).  After two weekends of boot-camp-esque Advanced training and 30+ hours of class time logged, we’ve tasted and evaluated close to 80 wines and covered off every major world wine region except Spain and Portugal (which are coming up this Saturday), as a result of which everyone’s brain is in varying degrees of pain.  My head is so WSET-laden that I have random wine words like Trincadeira (Portuguese grape variety) and bocksbeutel (odd-shaped wine bottle used in Franken, Germany) floating around the edges of my consciousness at night as I’m trying to go to sleep, and I can’t pour a straightforward glass of vino with dinner without mulling over whether it has a medium or medium-plus body or a ruby-with-some-garnet or garnet-with-some-ruby appearance.  Tonight I poured one of my favourite kinds of inexpensive wine, Barbera d’Alba from northwest Italy, and even though I was fairly familiar with the grape and the region, I still felt compelled to dive into my text to find out what my new vinous Bible had to say about them.

Read the rest of this entry »





Wine Review: 2009 Gomba Barbera d’Alba Traifilari

31 05 2011

Long time no PnP!  One consequence of drinking almost 50 wines over 16 hours in 2 days is that it doesn’t necessarily make you want to come home and WRITE about wine.  Two thirds of my Intermediate WSET class is now in the books, with the last day and the exam next Saturday, and after a day off yesterday my palate’s rested up and I’m ready to get back in the saddle.

I will admit that Barbera doesn't often shine in the label category. Marketing minds have to be able to do better than this.

I went with another Barbera d’Alba tonight so soon after the Cogno Barbera I wrote up a couple reviews ago because I spent the first half of that review raving about how awesome Barbera was and then the second half of the review backpedalling because the wine wasn’t all that great, or at least not all that typical of the grape.  In order to make sure not to duplicate my mistake, this time I picked a wine that I’ve had in previous vintages, and one that might be one of the all-time great bottle bargains in the $20-or-less category.  I’ve tracked down the Gomba for the past two years, but this was my first crack at the 2009. Read the rest of this entry »





Wine Review: 2008 Enzo Boglietti Dolcetto d’Alba (Take 2)

27 05 2011

I’m back!

One and a half vino-free weeks later, I’m over my illness and once again ready to wine it up.  On the eve of my foray into WSET wine camp, my symptoms have subsided enough that popping and pouring is again on the agenda, and tonight’s wine is of particular interest because it was decided by you, the people…well, 14 of you, anyway.  The first ever PnP wine poll was at least a marginal success, and by a landslide, you voted that my first post-sickness wine should be one that I’ve had before, with horrific results:  the 2008 Enzo Boglietti Dolcetto d’Alba.  To be fair, Enzo wasn’t at all to blame for my initial nightmare experience, which was due to a faulty bottle; tonight he gets his rightful chance to salvage his name and reputation. Read the rest of this entry »








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