Calgary Wine Life: Technical Tasting with Barolo’s Claudio Viberti

26 05 2019

By Raymond Lamontagne

It all began when Cavalier Antonio Viberti purchased a restaurant, the Locanda del Buon Padre. In 1923, Antonio decided to start making wine in the basement, as many do in this region. The original intent was to keep things simple and just sell the wine to patrons in the restaurant. Well, Antonio’s son Giovanni had other ideas. Things began to expand. Eventually cement tanks for fermentation were installed, and in 1955 wines were sold in nearby markets for the first time. By the 1970s the operation had become a full scale winery, even if the family never forgot their roots as restauranteurs. Giovanni’s son Claudio Viberti, who was our host at this past week’s tasting event at Willow Park Wines & Spirits, took over management of winery and restaurant operations in 2008. He hasn’t looked back since. The man is a dynamo.

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Claudio tells a few of us early birds the story behind the rosé served before the beginning of the formal proceedings. First off, and much to our surprise, this rosé is 100% Nebbiolo. Secondly, the wine is made first as a white wine from Nebbiolo juice obtained via an extremely gentle press. Claudio also makes a small amount of red wine from the same batch, using this to fix the colour of the end product. No combined maceration on the skins was involved, à la pink Champagne. I start scribbling notes. This is dry as a bone but does yield a subtle candied character, with the robust illusion of a sweet finish after a rather dense midpalate. Fairy-like whispers of strawberry, raspberry leaf, and nectarine flit about a more solid core of Parmesan cheese and those pink wintergreen mints, a rather burly rosé with a shimmering coppery finish. This is a rare wine but seems unlikely to remain so. Read the rest of this entry »





Bricks Wine Advent Calendar 2018: Day 5

5 12 2018

By Peter Vetsch

Once more into the breach, my friends, and on Day 5 of Advent 2018, once more into the bag of Advent 2017 synonyms:  a Moscato d’Asti from a strong producer, much like last year’s Day 10.  That wine (I maintain to this day) struggled with some bottle condition issues, and I am happy to say that this one is clean as a whistle and full of youthful spirit. It is the 2017 G.D Vajra Moscato d’Asti, and spawns stories of history, of production method, of flavour.  Which to tell first?

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Let’s start from the start, I suppose…which it turns out is much more recent than I expected.  Despite its highly traditional-seeming name and labelling, G.D Vajra is barely 45 years old, a complete baby by the standards of Barolo, founded in 1972 (albeit from family vineyards from a couple decades earlier) with its first commercial vintage not released until 1978.  It is named after founder Aldo Vajra’s father and was started because, in Fresh Prince of Bel-Air style, Aldo participated in a student protest revolt in the city where he lived at age 15 and was thereafter immediately sent out to the Barolo countryside to live with his grandfather on a farm for the summer, away from the sway of proletariat rebellion.  That summer in Barolo (as it likely would for all of us) triggered a deep and abiding passion for wine, which ultimately resulted in the bottle here before us.  One little fight and his mom got scared…

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My favourite thing about Moscato d’Asti, apart from its dangerous low-alcohol crushability, is the trivia behind how it’s made.  It is one of the few types of sparkling (or frizzante, in this case – lightly sparkling) wines that do not go through two fermentations:  one to vinify a dry base wine, the other to re-ferment that wine with additional yeast and sugar to create the bubbles.  Instead, it combines both processes into one through a highly ingenious process called the Asti method.  Fermentation begins as per usual, but in a pressurized steel tank that is sealed off from air partway through the process, with the result that the carbon dioxide that is a fermentation byproduct cannot escape the tank and is trapped in the wine.  Then, when the half-bubbly wine is still quite sweet and considerable amounts of yeast and sugar remain that would normally continue to make sweet magic and craft a higher-alcohol dry wine, the tank and the wine inside are chilled to near-freezing to halt fermentation (yeast don’t like cold much).  The yeast is then filtered out of the tank while it is still under pressure (so that fermentation with the remaining sugar does not continue when the wine warms back up) and the wine is bottled under pressure — only lightly bubbly, at 5-6% alcohol and with a bunch of residual sugar.  Brilliant.

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Stelvin Rating:  8/10 (That green is just beautiful, especially in person, and the powdery sheen works.)

This particular Moscato hails from a single vineyard in the perfectly named commune of Mango, located on a steep slope at elevation in the Moscato d’Asti region.  It is a gleeful tropical fruit salad on the nose:  mango (of course), kiwi, canned oranges and pears, banana leaf, star fruit, and onward down the orchard Rolodex, spiked with gobs of potpourri and spring flowers and chemically Alka Seltzer and city pool chlorine.  Lush and quite notably sweet, even for Moscato standards, it is lent a sense of airiness due to its sloshy frizzy bubbles, which are not quite as penetrating or scouring as you might anticipate, a product of the not-quite-sparkling frizzante fermentation process (which is also why this can be bottled in a normal bottle and closure as opposed to a thicker Champagne-style bottle — it’s under a lot less pressure).  All I can taste is pineapple Life Savers, cream soda and every single flavour of Gummy Worm on overdrive.  The finish is slightly cloying, thanks to acid that doesn’t quite stretch all the way to the end of the line and can’t quite balance out the Moscato’s immense sweetness.

As a beverage, this is freaking delicious.  It took no time at all for the entire half-bottle to disappear.  As a wine, I wouldn’t rank it among the top Moscatos I’ve had because the rest of the wine can’t quite keep up with the sugar levels, leading to things getting a little bit flouncy.  But it’s hard to be too unhappy after a couple glasses of Moscato.

87 points





Wine Review: 2007 Luciano Sandrone Nebbiolo d’Alba Valmaggiore

24 01 2013
Some of my favourite labels of all time.  Classic.

Some of my favourite labels of all time. Classic.

If there’s anything better than a good bottle of wine, it’s a good bottle of wine that you got on sale.  While this particular bottle usually retails for around $50, I was lucky enough to grab it on special for a shade under $30, which made me ultra-excited to open it and greatly reduced my chances of being disappointed with what was inside.  Not that there was much of a chance of that, given who made it.

Luciano Sandrone is a Barolo legend.  If you were going to make an All-Star team of producers from the Piedmont region in northwest Italy, Sandrone would definitely be in the starting lineup. Ever since his first vintage in 1978, he has wowed the wine world with a slate of bottlings that are crafted in a more open, approachable manner than those made by the staunch traditionalists in the area but yet that remain elegant, complex and capable of aging and improving for a long time.  Most famous for his Barolos (Barolo is a subregion of Piedmont whose wines are made from the Nebbiolo grape), Sandrone also makes a Barbera (which is fantastic), a Dolcetto, a red blend and this Nebbiolo d’Alba.  Here’s a good rule of thumb for reading Italian wine labels:  if you see a label stating “_______ di _______” or “_______ d’_______”, odds are that the first word in the sequence will be the name of the grape and the last word will be the area where it’s from.  “Nebbiolo d’Alba” means “Nebbiolo from Alba”, which is the name of a Nebbiolo-growing region in Piedmont immediately adjacent to the great Barolo and the equally great Barbaresco appellations.  Since the soil and climate conditions in Nebbiolo d’Alba are similar to those in Barolo/Barbaresco, and since the same varietal is used to make the wine, Nebbiolo d’Alba can be a source of wines that give you a good sense of what Barolos and Barbarescos are all about but at a fraction of the price. Read the rest of this entry »





“The Wine Is Sound”

21 05 2012

A great bottle, particularly on a restaurant list for $85!

I’ve been travelling quite a bit for work lately (hence the limited and sporadic nature of my posting in May).  This past week I was in southern Ontario for a couple days and had the chance to eat dinner with some colleagues at a fantastic modern and wine-centric restaurant in downtown Toronto.  The place was built around wine, with a massive temperature-controlled cellar, multiple sommeliers on staff and a huge list of hundreds of bottles covering all points of the vinous spectrum.  Even better, instead of marking up their wines to 2 or 3 times retail price as per restaurant standards, this place took a unique approach to their pricing, tacking a fixed $25 markup onto their cost for each wine on their list and charging only that nominally-increased price to diners.  They basically offered their entire wine cellar to consumers at corkage prices, which is a phenomenal selling feature and an idea that I hope gains greater traction across the fine dining industry in the near future.  As I will describe below, the actual service of the wine was also a thing to behold, with every step from cellar to table carefully handled by a trained sommelier.  It was the epitome of restaurant wine experience…but as I left the place, the only thing I kept coming back to was one little thing the sommelier said as he handed me my glass. Read the rest of this entry »





Roving Wine Review(s): Saturday Night Tasting

8 05 2011

There was no PnP post last night, because instead of pounding something out on my keyboard for the blog, I was out doing “field research”.  It started at Brava Bistro on 17th Avenue (try the potato and honey flatbread!), ultimately ended up at a friend’s place downtown, and was the kind of research where no notes are taken, many glasses are emptied, and the recollection of wines past is not quite as sharp as expected the next day.  That said, we had enough interesting and incredible wines that I would be remiss not to pass along at least something about what we enjoyed.  The night’s wines were cracked in this order (Editor’s Note:  I am not counting the half bottle of Hello Kitty sparkling Italian rosé [don’t ask] that worked its way into the lineup at the end of the night and was, to put it kindly, an utter abomination): Read the rest of this entry »








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