Bricks Wine Advent Calendar 2018: Day 1

1 12 2018

By Peter Vetsch

It is again the most wonderful time of the year, and the busiest time in the Pop & Pour blogging calendar — booze Advent.  For the second year in a row, we will be live-blogging every 375 mL day of the Bricks Half-Bottle Wine Advent Calendar, from today until Christmas Eve (following which we will immediately start blogging the 12 Days of Vinebox Christmas beginning Christmas Day…because, well, we’re crazy like that).  Last year, Bricks Advent began with a bubbly bang, so I was wondering if this year might start the same way; I was quite thrilled not only to find out that it did indeed, but that the bubbles in question were already indelibly seared into my memory, a monument to possibly the single greatest moment of my 2018.

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It begins…

I am a Washington Capitals fan.  Always have been.  I don’t know why.  I was born in 1980 in Gretzky-era Edmonton, to Edmonton-area parents, and from the age of 3 or so, from the time I understood what hockey was, Washington was my team.  Those of you with a passing knowledge of NHL hockey will understand that this was not previously a recipe for contentment.  Washington went from being what is still the worst expansion team in the history of the NHL (8-67-5 record in 1974) to being good-but-not-good-enough to being that team whose heart always got broken in a more novel and unbelievable way every playoffs to being that flashy run-and-gun early-Ovechkin squad that “didn’t know how to win” to being clearly the best team in the NHL until it really mattered to being past their window for success.  They pushed all their chips in the season before last, loaded up their team for their last shot at glory – and lost.  To Pittsburgh.  Again.  Last season was supposed to be the start of a slow descent back into irrelevance.  Until it wasn’t.  On June 7th, I watched in tearful disbelief as my team, that I watched fail over and over for 38 years, somehow won it all and raised the Stanley Cup, the culmination of a literal lifetime dream.  I promptly reached for the first bottle — or half-bottle — of bubbles I could find.

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And lo and behold, 6 months later, I peel back the Day 1 2018 Advent wrapping paper, and am greeted with:  my Stanley Cup wine.  I am instantly transported back to watching Ovechkin shrug off the doubt and unfair criticism of the hockey world and hoist the Cup over his head, screaming in triumph.  I remember the stream of excited messages filling my phone, the post-game interviews, the order of players who got their turn to lift the Cup, as soon as I see the label.  Wine, man.  Barone Pizzini and I will forever be connected because of that finally-captured moment of glory. Read the rest of this entry »





The Ultimate Wine & Chip Pairing Showdown

26 11 2018

By Peter Vetsch

The event was almost a year in the making:  a one-versus-all challenge for pairing supremacy, putting the food-matching skills of eight local wine enthusiasts to the test against a backdrop of one of the more ubiquitous (and delicious) foodstuffs to grace a pantry.  Through extensive research and experimentation, and more than a little trial and error, we sought to answer the question: what wines pair best with the most common flavours of potato chips?  And who could best elevate a chip flavour with a pairing match that ticked all the right boxes?

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Here’s how our game was played.  After some market research, we first agreed on the top chip flavours that would participate in the competition:  BBQ, Salt & Vinegar, All Dressed, Sour Cream & Onion, Dill Pickle, Ketchup, Jalapeño Cheddar, and Bacon.  (A couple notes on these flavours:  1. “Plain” is not a flavour.  It has to HAVE a flavour to BE a flavour.  2. Americans, I don’t want to hear any complaining about All Dressed – it is a pantheon chip and no chip-based contest is complete without it.)  We were then each randomly assigned a chip flavour as our pairing muse and were tasked with finding the perfect pairing for that chip.  When we gathered together, we tasted through each flavour one at a time (again in randomly drawn order) and graded each potato chip/wine duo out of 10 on the strength of the pairing only:  the individual merit of each wine and each chip were disregarded, and the only question was how well they meshed together.  The top average score out of 10 took home the prize (which was nothing, other than eternal bragging rights and a pervasive sense of wellbeing).

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I should add before diving into the results that potato chip and wine pairing is WAY harder than you might think (and that the bulk of the articles that you can Google on this point almost surely did not go as far as to actually taste their recommended pairings with their chips), as once you put glass to lips with a bowl of chips you realize it does not quite unfold as expected.  With very limited exceptions, potato chips are crammed full of bold, potent, concentrated flavours meant to pack a punch, which can lead to them overwhelming many a potential pairing match that might otherwise be complimentary from a flavour perspective.  Chips also contain an array of particularly exaggerated spicy, sour, sweet and/or salty notes that can pose pairing challenges on their own, let alone in combination (or, in the case of All Dressed, which features ALL of these flavours at once, in accumulation).  A successful chip pairing wine is either one that has the firepower to match the lab-tested amplitude of Old Dutch’s natural and artificial flavours, or one that can do enough to comfortably neutralize them and provide some palate relief without getting lost itself.  Neither are easy targets to hit.

Below I will set out (in the order that the tasting took place) each brave contestant in this inaugural PnP Wine & Chip Pairing Showdown (complete with Twitter handle), their assigned bag of fried potato destiny and their vinous gladiator.  Then I will include a brief explanation of basis for the pairing and the thought process behind it in each competitor’s own words, before assessing how it all worked out in practice.  Finally, I will reveal the outcome of the pairing in question, both on my personal ballot and in the overall official group tally.  You will see that my scores tend to be lower than the group’s across the board, which is more a personal reaffirmation of the difficulty of the mission on my end, a confirmation that a perfect processed potato pairing can be elusive.  Without further ado — let’s eat some chips. Read the rest of this entry »





Spain, Old and New: The Wines of Cune

20 11 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

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Welcome to Cune. Er, CUNE. Er, CVNE.

My love affair with the wines of Spain’s premier wine region of Rioja goes back almost to the time when I first started taking the contents of bottles seriously.  The area, located in north-central Spain and without question the spiritual homeland of the Tempranillo grape, is somewhat unique among the classic regions of the world for producing two very distinct types of wines, depending on the producer in question.  The traditional take on Rioja is more old-school than almost anywhere else, where both reds and whites spend near-shocking lengths of time maturing in flavour-heavy American oak barrels and even more time in bottle before release, leading to a mellowed-out, oxidative, nutty expression of regional identity.  The modern Riojas reduce barrel time (or even eliminate it for whites), focus more on riper, purer fruit and aim for immediate impact as opposed to patient complexity.  I admit to being a total sucker for the former style, largely because it’s unlike anything else produced in the entire world, a whole era unto itself, frozen in time.  That said, it is easy to see how browned, decade-aged, air-exposed wines don’t attract a universal following in this age of pristine winemaking and carefully controlled everything.  Sometimes it can be hard to reconcile the two different sides of this same regional coin.

Cune does the best job of simultaneously representing both the traditional and the modern epochs of Rioja of any winery I’ve ever come across.  Their wines harken back to the old soul of the area and feature many of its wizened delicate characteristics, while still retaining some of the vibrancy and primacy displayed by the region’s vanguard.  They are themselves part of both the history and the new blood of Rioja, founded in 1879 and now run by the fifth generation of the founding brothers.  Cune’s cellars were designed by a famed French architect by the name of Eiffel…perhaps you are familiar with other taller Parisian works of his.  The name “Cune” is more accurately “CUNE” (an acronym), which itself is more accurately “CVNE”:  Compania Vinicola del Norte de Espana, or “the Northern Spanish Wine Company”…calling it Cune (Coo-nay) for short (and giving yourself a nickname) is borderline questionable, but they make it work.

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The Cune universe is actually comprised of 3 different brands, each of which has its own winery and winemaker.  The Cune brand is based in the Rioja Alta subregion and also encompasses the higher-level Imperial bottlings, made only in very good years; the Vina Real label is based in nearby Rioja Alavesa, as is the Contino bodega, which makes wines only from its own estate vineyards.  Tonight’s Cune introduction is focused on a trio of bottlings from the original label’s portfolio, each of which gives a hint of the heights that this marvellous producer can reach. Read the rest of this entry »





The Vinebox Cometh: 12 Nights of Wine

14 11 2018

After 7+ years of blogging about and immersing myself in wine, I am in many ways an open book about what I like and don’t like, vinously speaking — there are now over 450 posts on this site, and other musings elsewhere, that spell out exactly what gets me pumped about a new product or wine experience.  Three of the things that rank high on the good side of my ledger, backed up emphatically by past history, are (1) savvy labelling and branding (my love of which is the basis for every Cork Rating I’ve ever done), (2) clever alternative packaging (bring me your wines in cans, your 1L bottles, and everything in between), and (3) Advent calendars.  If you rolled your eyes about the last one, feel free to consult PnP’s 125+ December postings over the past four years and then get back to me…if I’m not a boozy Advent authority by now, I never will be.  As we approach another holiday season, little did I expect to be dumbfounded by a sleek, shiny, downright sexy combination of all three of these things.  Meet Vinebox:

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Oh yes.  It gets better.  Take a look inside:

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OH YES.  Bring it.  That’s what I’m talking about.

Vinebox is a San Francisco-based company that, up until right this minute, was a US-only subscription service for by-the-glass-sized portions of new, interesting, high-quality wines.  This special holiday release box marks their first foray into the Canadian market, and luckily for us locals, it is exclusive to Richmond Hill Wines and a select few other boutiques right here in Calgary.  Given my prior history of Advent proselytizing, I would be remiss if I did not point out that Vinebox’s 12 Nights of Wine holiday kit is not technically an Advent calendar, as it offers 12 different holiday wine offerings instead of the classic Advent 24-day December countdown to Christmas.  It is instead intended to mirror the 12 days of Christmas (which, I was shocked to discover, all actually occur AFTER Christmas — they run from December 25th through January 5th, marking the time in Christian lore that it took the three wise men to arrive and visit the newborn Jesus…mind formally blown).  Practically speaking, this means that you can either crack a glass on every even day in December as a sort of quasi-Advent replacement (or get two and create your very own full-scale Advent calendar, with a critical revisit of each offering every second day) or get the coolest Christmas gift ever for somebody to enjoy on Christmas Day and the next eleven following.

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In recent years, because the progress of the species is a real and abiding thing, we have seen a proliferation of wine, beer and spirits-based Advent and holiday calendars in a variety of shapes and sizes.  What sets the Vinebox addition to this growing December lineup apart is the unique and patented way the wines are delivered, in Stelvin-enclosed, test tube-like — yet still amazingly labelled and producer-branded! — 100 mL glass cylinders that make a stunning visual impression. Read the rest of this entry »





Burrowing Owl Fall Release Trio

8 11 2018

By Peter Vetsch

[These wines were provided as samples for review purposes.]

I have now been receiving and reviewing Burrowing Owl releases since 2015, and in addition to some minor shock about my blogging longevity, this has also given me enough familiarity and enough reps with the wines to truly help me understand the winery’s house style.  The whites tend to be creamy and generous, often buoyed and propelled by oak but not at the expense of the underlying fruit.  The reds are bold and ripe yet not overdone, a strong reflection of the scorching desert-like climate of the estate’s Oliver, BC home.

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Year over year, the releases and the winemaking choices behind them come across as impressively consistent, part of the reason why Burrowing Owl has long been on the short list of top quality wineries in the Okanagan Valley.  Now that the snow on the ground here in Calgary seems permanently settled in until April, it feels like there’s no better time to tuck into this trilogy of warm, rich, classic bottles, which always seem to be best enjoyed with a notable chill in the air, starting with a wine that just might be setting a new PnP record. Read the rest of this entry »





Calgary Wine Life: Maison Sichel Masterclass with James Sichel

3 11 2018
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James Sichel of Maison Sichel

James Sichel is on a mission.  One of five brothers who comprise the sixth generation running the family-operated Maison Sichel, born in Margaux to English parents, James grew up among the history and legacy of Bordeaux and is now charged with connecting a whole new generation of wine drinkers with the fruits of his family’s labour, and rekindling the passion of those who think Bordeaux has passed them by.  There is a view among some modern drinkers that the region has ossified, become beholden to ancient classifications and over-reliant on score-chasing, stratospherically priced speculative investment bottles that are detached from the land and the soil and everything human and natural that goes into making great wine.  There are parts of such a criticism that may stick, but there is so much more to Bordeaux than four-figure futures bottlings and producer tiers; it is a massively prolific producing region and has somehow become an under-the-radar source of superb Tuesday night offerings (particularly, in my opinion, on the white side of the ledger) and sub-$100 luxury splurges.  James’ quest is to bring value Bordeaux back to the rest of the world, to steer the focus away from the elitism that can accompany 1st growth price tags and to allow a fresh audience to rediscover the true beating heart of Bordeaux.  The audience seems to be responding:  Bordeaux sales in Alberta are up 24% this year as compared to last.

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Maison Sichel is a complex entity.  Based in Bordeaux since 1883, they are part estate producer (they own over 350 hectares of vineyards in various different appellations), part winemaking negociant (they work with and source grapes from a series of smaller growers in southern Bordeaux then make wine, including their value flagship Sirius, from the fruit) and part discerning merchant (they sell other hand-selected partner estates’ wines other those estates’ own labels).  On the whole, if you search for the whole Sichel range on its website, you end up with 189 producer results, from straightforward cheap and cheerful offerings all the way up to Chateau Palmer, one of the premier wine estates in the world.  The Sichel family’s pride and joy, however, and James’ current home, is Chateau Angludet, a Margaux estate that is now highly regarded but was on the verge of ruin when the family purchased it in 1961.  It is now their hub and the pinnacle family pursuit.  Aside from Angludet (and a highly savvy prior investment in Palmer in the 1930s), the Sichels own Chateau Argadens in Bordeaux Superieur and Chateau Trillol down in Corbieres.  James’ brother Benjamin Sichel is the winemaker for all three family-owned estates.

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Foreshadowing.

James was on day 10 of a Canadian tour when he took the time (ahead of a sold-out black tie dinner) to lead his Alberta import agent through a portfolio tasting of many of the Maison Sichel offerings available in the province.  I was fortunate enough to sit in on the session and experience my own reacquaintance with a region that too often bypasses my attention.  There were ELEVEN wines poured, so from here on out I will try to be brief.  [Editor’s Note:  I did not succeed.] Read the rest of this entry »





Wine Review: 2016 Buena Vista North Coast Cabernet Sauvignon

17 10 2018

By Peter Vetsch

[This bottle was provided as a sample for review purposes.]

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A rare sighting.

The $25 California Cabernet Sauvignon is an endangered species nowadays; once a stalwart gateway drug for luring novice wine drinkers into a lifetime of vinous enlightenment, it has now been superseded in that endeavour by numerous other New World crowd-pleasers that are managing to offer similarly accessible and overt pleasure at wallet-friendlier prices.  The combination of rising land costs, fire- and drought-inspired production difficulties and the utter shredding of the Canadian dollar as compared to the US greenback on world currency markets has more or less eliminated California as a source of solid value wine in our market.  Buena Vista Winery is trying to change that, but with this series of factors arrayed against it, it’s fighting an uphill battle.

I have previously written about the remarkable, riotous, barely credible but actually true history of Buena Vista, the proud owner of the label “first commercial winery in California”.  It is well worth refreshing your memory about, but the Coles Notes version must at least mention:  (1) Agoston Haraszthy, who may have been the first Hungarian to emigrate to the United States, who founded the winery and who essentially crammed six lifetimes of zaniness and adventure into one shortened 19th century thrill ride; (2) 1857, the year Haraszthy founded Buena Vista, part of a major ambition to establish high-quality vitis vinifera grapes in hospitable California soils; (3) Nicaragua, where Haraszthy fled barely a decade after Buena Vista was first established, with angry and misled company investors potentially at his heels; and (4) alligators, which apparently ate him there.  Never a dull moment at Buena Vista in the 1850s and 60s. Read the rest of this entry »





Cellar Direct: RMW&F Festival Edition!

11 10 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

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Find the booth, for wines like this!

It’s October, and here in Calgary we’ve already been bombarded with two feet of snow in the last week and are craving the spring that’s a winter away, which can only mean one thing:  it’s coming up to Rocky Mountain Wine and Food Festival time.  The massive tasting event, now in its 21st year in the city, is kicking off tomorrow in Calgary (Oct. 12-13) and is heading north to Edmonton the following weekend (Oct. 19-20).  In addition to a massive number of wineries, breweries and restaurants, in attendance for the first time this year will be our blog’s favourite national wine club Cellar Direct, the Old World-focused provider of finely crafted low-intervention traditional-styled wine that ships its offerings across Canada and has been known best on this page for never yet providing a bad bottle over multiple years of tasting experiences.  If you happen to be attending the Festival (which you should, if you can), stop by the Four Corners booth (#309 in YYC, #903 in YEG) to say hi to the founders and brainchildren behind the Cellar Direct venture and sign up for their mailing list, which will give you access to wines like the ones below, which I recently received as a sort of Festival lead-up.  It will likely be the only place you can find these bottles in the country. Read the rest of this entry »





Wine Review: Finca La Linda Malbec Tiers

26 07 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

In some ways, trendy grapes have it tough.  Malbec has a proud and lengthy heritage as one of the six permitted grapes in red Bordeaux (yes, I’m still counting Carmenere, and shall ever continue to do so) and as the dauntingly famous Black Wine of Cahors, and it is almost single-handedly responsible for giving an entire country a vinous identity that has led to the rediscovery and cultivation of astonishingly high-altitude decades-old vineyards and a re-imagination of what grapes are capable of achieving in Argentina.  It is both an Old World stalwart and a New World trailblazer, pulling off both with equal aplomb and giving itself new life in the process.  But with raging-wildfire levels of success comes an inevitable fight against consumer boredom, particularly amongst the more avant-garde and adventurous in the wine world, which creates a sort of quiet undercurrent of peer pressure to steer clear of what is currently painfully a la mode.

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Great labels, but why is one bottle a third taller than the other??

I feel this way quite a bit, pulled away from the customer staple of the day in part because of my own desire to see what else is out there, but in part because of some innate resistance that I see amongst other wine geeks, some refusal to go along with what is everywhere.  So it was with Australian Shiraz; so it is with Argentinian Malbec; so it will be with whatever comes next.  I don’t really have a hard stance on this, but I have recently tried to make sure that my efforts at open-mindedness in wine extend equally to those grapes and styles that are suddenly ubiquitous as to those that remain esoteric.  I have also tried hard to remember that I once relied very heavily on the Shiraz-laden fads of the day as a gateway that set wine’s hooks into me for the first time, and I enjoyed the living hell out of them.  Fifteen years later, I have a WSET Advanced certification and have been publishing reviews on a wine blog for seven years.  Trends can lead somewhere.  So let’s start somewhere. Read the rest of this entry »





Wine Review: White Australia

19 07 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

Sometimes your moneymaker becomes your millstone.  Australia, which had been making wine for a couple centuries without raising much of a global fuss about it, burst onto international liquor store shelf traffic jam within the past two or three decades thanks to a flamboyant, fruity, brash, ripe style of Shiraz, buttressed by a New World-friendly Cabernet Sauvignon that was easy on the pocketbook.  A mammoth export industry emerged, but typecasting of Australian wine as a whole inevitably followed, leaving those longstanding producers with histories older than the Dominion of Canada stuck in their own misleading shadow.

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Now the Shiraz spotlight has pulled back a bit, giving everyone a bit of room to breathe and again find comfort in the space of their own natural identities; for longstanding affiliates Pewsey Vale and Yalumba, this has meant a continued push to enhance the white side of Australia’s wine spectrum, and perhaps the sowing of a few carefully nurtured seeds which might ultimately settle the debate of what should be known as Australia’s signature white grape.  Two deserving contestants, from two benchmark wineries, lie below. Read the rest of this entry »





Wine Review: Officially Summer Trio

9 07 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

IMG_8409Sometimes you have to force seasonal drinking posts, and other times the season and the drinks just fall right into your lap.  Stampede is here in Calgary, the thermometer has just recently clocked over 30C, and we’re well-ensconced into July, which turns my sample pile ponderings to thoughts of whatever I can chill for refreshment most effectively.  After landing on an ideal trio of bottles that achieved that lofty goal, I noticed something odd that bound them together:  they have all at one time or another previously graced the pages of Pop & Pour.  Even though the blog is now 7½ years old and counting, that basically never happens.  Sometimes summer is just meant to be.  Game on.

2016 Ricasoli Albia Bianco Toscano (~$20)

I believe this is the second ever time that an identical bottle will get two separate reviews on PnP:  when Ray had the pleasure of meeting Tuscan winemaker Francesco Ricasoli at a tasting luncheon back in February, this 2016 Albia Bianco was the first bottle they cracked.  If you want a detailed backstory on Francesco, the Ricasoli estate and the family’s critical contributions to Chianti Classico as we now know it, click the link above for the whole enthralling narrative.  While I don’t have a five-course meal to pair with tonight’s wines, I do have both this Albia Bianco and its sibling the Albia Rose on the menu, both scions of Barone Ricasoli’s “fresh and fragrant” early-drinking Albia label.  Both come in gorgeous, hefty, gourd-like bottles that you first admire for making this $20 wine look like it costs double that amount, but then curse effusively once you realize the heavy-punted broad base is about a millimetre away from not fitting at all in any standard wine racking.  Suffice to say the labels suffered some mild to medium collateral damage as I reamed the bottles into place with every ounce of strength I had. Read the rest of this entry »





Wine Review: 2014 Schlossgut Ebringen Spätburgunder Trocken

4 07 2018

By Peter Vetsch

[This bottle was provided as a sample for review purposes.]

Ever since I first got into wine about a decade ago, I have come across the eternal, nigh-unsolvable question many times:  where can you look for consistent, top-quality, good-value Burgundy?  Well, I have finally solved the riddle — turns out it’s been in Germany all along.

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Mesmerizing.  Germany, wow.

It might not be in France, and it might have just broken my heart in the World Cup, but Germany has been quietly elevating its Pinot Noir bona fides.  This fickle and finicky red grape is known here as Spätburgunder (literally, “late Pinot”, or “late Burgundy”, due to its relatively late-ripening tendencies) and is in the process of taking the next step in Germany’s warmer climes, aided imperceptibly by climate change and to a larger degree by greater clonal awareness and vineyard attention.  But it is not every country that can suddenly become a Pinot success story; Germany’s natural advantages (including patches of Burgundian-style limestone soil) are finally being properly cultivated, and almost as importantly, shared with the world.

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I don’t think I had ever seen a wine from Germany’s Baden region on an Alberta retail shelf until 2018, and after a taste of what Schlossgut Ebringen can do with possibly the hardest grape of all to do well (and don’t even get me started on their utterly mind-bending Chasselas “S”, which belongs in another dimension), it makes me wonder what has taken us so long to get on board.  A quick primer for the uninitiated:  Baden is in the extreme southwest corner of Germany, just a stone’s throw and a border crossing away from Alsace, due west from Munich until you almost hit France.  It is closer to Zurich, Switzerland than any major German city.  Baden is built like Chile, in a long narrow north-south stripe, within which lies 9 surprisingly different subregions.  Pinot Noir/Spätburgunder is the most commonly planted grape (at around 35% of all plantings), though on the whole white grapes outnumber reds 60/40.  In the south of Baden, just south of the famous Baden-Baden spas, lies the top subregion of Markgräflerland, known largely for Chasselas (locally known as “Gutadel” just to add more proper nouns to your life) but also a burgeoning Pinot power.  Baden’s other top attraction, the Black Forest (Schwarzwald), lies to the east, and in its foothills lies the village of Ebringen and the hero of tonight’s story. Read the rest of this entry »





Wine Review: Famille Sichel Bordeaux Tiers

15 04 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

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What a Bordeaux progression looks like.

Bordeaux is one of those regions that any aspiring wine geek finds out about roughly 15 seconds after beginning their vinous adventure.  It leads off many textbooks, is (rightly) touted as the spiritual homeland of red grape overlord Cabernet Sauvignon and its consigliere Merlot and is held up as a must-try area both so that new oenophiles can get a sense of the classics and because top-flight Bordeaux can be so memorable that its first-chapter place in all future textbooks is likely assured.  Of course, all of that comes at a price, one that seems to be increasing by the year, as wines from the top chateaux become more luxury commodity and less agricultural product and as international demand in new markets shoots through the roof.  So what are the non-obscenely wealthy wine-curious to do?  Here’s one way to start:  find a reputable producer and taste your way up their lineup, through the quality tiers and nesting-doll classifications layered throughout the Bordeaux appellation.  Even if you don’t make it all the way up to the grand vin flagship of the chateau, you will end up with a really good sense of what makes this rarefied region tick and also start to understand why those tiers exist in the first place.

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I was fortunate enough to test this tasting theory with the wines of Famille Sichel, a producer with whom I didn’t initially think I was familiar until discovering that they are the owners of one of Bordeaux’s hidden gem producers, Margaux’s Chateau d’Angludet.  While the winery is centuries old and the Sichel family’s history in Bordeaux is almost equally entrenched (they have been established in the region as a negociant since 1883 and are on their sixth generation of family ownership), their two paths didn’t cross until the 1960s, when d’Angludet was in a state of extreme disrepair and was bought and revived by Peter Sichel thanks to an extensive replanting and restoration program.  Current proprietor Benjamin Sichel continues both the negociant business (under the Maison Sichel banner) and the Chateau’s estate bottlings with a heavier focus in the vineyard and a defter touch in the cellar.  I have previously enjoyed Chateau d’Angludet on numerous occasions and now got to experience the trail of bottles that leads up to it. Read the rest of this entry »





Wine Review: Stag’s Hollow Renaissance Reds

5 04 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

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The big guns.

As I have mentioned in reviews past, my first thought of Okanagan Falls’ Stag’s Hollow Winery is always as a forward-thinking, try-everything trailblazer, the continual vanguard of varietal suitability and experimentation in British Columbia, constantly checking in on whether the next potential star grape of the province (be it Albarino, Grenache, Dolcetto, or any number of others in its viticultural Rolodex) might be one that few had previously considered.  So it’s a fun change of pace tonight to sit down and see how they handle the classics, those big red varietal stars so often seen across the Old World and New World alike, the first grapes you expect to see on any wine store shelf.  This review set is a particular treat, because all three of the bottles below hail from Stag’s Hollow Renaissance line, the winery’s premium flagship tier of offerings, produced only in vintages when the wines can live up to the bottle’s special black label.  I have heard rumblings that the 2015 Renaissance set breaks new ground in terms of quality and longevity; I had not previously had the opportunity to test this theory for myself, but it would not surprise me out of a winery that always seems to be improving. Read the rest of this entry »





Cellar Direct: Underdog Whites

27 03 2018

By Peter Vetsch

[These bottles were provided as samples for review purposes.]

IMG_7833Close-following Pop & Pour adherents (if such things exist) will have been waiting for this moment for a couple of months.  In my last write-up about the tremendous Euro-tacular wine offerings of Cellar Direct, I teased that the two Italian reds going head-to-head in that review were not the only bottles (or colours) from that country that Cellar Direct had sent my way, but I opted to hold back the indigenous Italian white wine from that set so that it could shine in an all-white duet in a later post.  Well, here we are, and tonight’s 100% Arneis lead-off hitter is joined in the batting order by a rather mysterious and off-grid white Burgundy (to the extent that anything Burgundy can be considered off-grid), each bottle a tantalizing find that proves both that even famous regions have hidden values and that you often need some expert assistance to find that value needle in the prestige haystack.  If Cellar Direct is anything, they are that Old World value sherpa, leading you to consistent quality at credible price points over and over again.  Their streak of never sending me a bad bottle lives on. Read the rest of this entry »