KWM Whisky Advent Calendar 2017: Day 4

4 12 2017

Man, this 2017 calendar just continues its emphatic strides towards difference and individuality and I just keep loving its uniqueness.  We get two new Whisky Advent firsts today (at least in my four years of following along):  (1) first ever CANADIAN whisky, and (2) first ever plastic bottle embedded in the calendar.  I almost dropped it pulling it out of slot #4 it was so light.  This is the very first ever spirit offering from Niagara’s Wayne Gretzky Estate Winery, the Red Cask Premium Crafted Whisky, which is distilled from locally grown grains and then, in a nod to its roots, matured in the winery’s own red wine barrels.  Very cool.  It has to be one of the least expensive whiskies ever to grace the KWM Whisky Advent Calendar as well, tipping the scales at a svelte $44 for a full bottle.

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This inaugural Advent offering from our home and native land is great to look at, a pleasantly burnished amber colour impressively obtained given what I wouldn’t expect to have been an extraordinarily long maturation period.  It smells equal parts spicy and toasty, cinnamon and charcoal, layered with elastic bands, Old Fashioned-style citrus and melon fruit.  The double-take portion of the whisky comes in the form of its ultra-satiny, almost gelatinous texture, like a Jello shot or an alcoholic Jujube.  It billows out on the tongue like a roasting marshmallow and then sits there, inflated and cooked on the edges, hanging out.  I wrote “is this rye-based?” when pepper and sandpaper started biting my tastebuds, and I was at least partially right:  it’s part aged rye, part malted rye and part corn-based whisky, each distilled separately.  The corn comes through in the Bourbon-esque caramel, burnt orange and Creamsicle flavours, lending easy approachability to the whole affair.  On the whole, while the mouthfeel seems slightly exaggerated, this stands up quite well as a solid weeknight sipper.  O Canada.





KWM Whisky Advent Calendar 2017: Day 2

2 12 2017

I am loving the confusion-inducing no-frame-of-reference newcomers in the 2017 KWM Calendar.  I am almost certain that this is the second offering in a row that has not even seen a sister bottling or other distant relative in any prior calendar:  the Deanston 12 Year Highland Single Malt rang exactly zero bells for me, although I did note that you could not ask for much more of a presentation contrast as compared to yesterday.  Some graphic designer actually worked on this bottle, and Deanston’s website is so slick that you instantly figure this must be another one-off distillery recently subsumed by a massive beverage giant.  And you would be right.

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As a distillery, Deanston is only a half-century old (and 8 of those years were spent not operating, so they may not count), but the distillery gets its history from its structure, a legendary shuttered cotton mill built in 1785.  After the mill closed in 1965, the distillery used its skeleton to start up business, releasing its very first single malt nine years later in 1974…and then ceasing production eight years after that.  The mill probably had a better track record.  In 1990, Deanston’s sold to a distilling conglomerate that is now part of the Distell Group, a South African-based giant which owns many many many alcoholic things (including the ubiquitous Obikwa and Two Oceans wine brands, among dozens more).  Not quite an old mill story anymore.

Deanston’s 12 Year offering is a beautiful deep amber colour after marinating in ex-bourbon casks.  The normal bourbon-induced sweet vanilla aromatic bounty doesn’t fully show up on the nose though, replaced by salt licks and a grainy mealiness, lightened by honey and flowers and sharpened by oolong tea.  Just like yesterday’s Cadenhead’s 12 Year, this one is gritty and biting on the tongue, almost even tannic, filled with cedar shavings and dust circling around frozen peach, burnt angel food cake, topsoil and butterscotch.  It has a similar blue-collar feel to the Cadenhead’s (or, more accurately, the Dailuaine-Glenlivet bottled by Cadenhead’s), but it’s nowhere near as evocative.  Not a disappointment for its $70 retail price tag, but not an overreacher either.





KWM Whisky Advent Calendar 2017: Day 1

1 12 2017

Aaaaaand we’re back.  I am almost flabbergasted to say that this is the FOURTH straight year I will be live-blogging through Whisky Advent, all thanks to the near-superhuman efforts of Andrew Ferguson and the Kensington Wine Market, whose Whisky Advent Calendar has quickly gone from quirky daily education and liver damage to can’t-miss holiday imbibing and has sucked me further into the world of whisky than I could have expected.  By the end of Advent there will be over 100 whisky reviews on Pop & Pour, which is not something I had envisioned when the site first started up, but an experience I will never forget (especially on Advent Day 17 when I’m ready to die).  One big change this year is that I’m sadistic enough to have also acquired a Wine Advent Calendar this year (which you’ll hear much more about in a couple of hours) and will thus be calling on expert whisky assistance to help me traverse the Advent trail:  frequent PnP tasting collaborator and awesome spirit aficionado Tyler Derksen will be contributing his first whisky reviews on the site over the course of these 25 days.  Give him a Twitter follow so as not to miss his posts!

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Take 4.  Bring it.

After opening 74-odd little cardboard doors and drinking 74-odd KWM calendar whiskies, you wouldn’t think there would be much room left for surprise, let alone confusion, but tonight there was plenty of both.  The first thing I saw on the whisky label was “Campbeltown”, a once-happening but now nearly abandoned distilling region (something I know due to Past Calendar Knowledge) currently home to only 3 distilleries.  The thing is, the names on this label were none of those three.  It turns out, as far as I can tell, that this is a release from an independent bottler called WM Cadenhead’s, who acquires pre-made whisky from distilleries and releases it under its own branding, a common Scottish practice.  The bottler is based in Campbeltown; the distillery from which the whisky came, not so much.  It is the extraordinarily unknown Dailuaine-Glenlivet Distillery in Speyside, founded back in 1853 and now, like so many others, part of the Diageo empire.  Despite its significant annual production, it doesn’t even have its own website and only the tiniest fraction of its creations get released under the D-G label — most of it ends up as part of the Johnnie Walker blend.  I’m not sure how Cadenhead’s got this, but it may be as much a peek behind the Dailuaine curtain as we ever get.

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First impressions:  this is 55.9% alcohol.  Welcome to Advent.  It is an almost eerily pale straw colour, and even with water added it still emits crusty cheese-rind and dried shoe polish aromas layered over hard toffee candy and smacks of salt sea air.  As you might expect of something of this concentration, it is both explosively fiery and pleasantly gut-warming, starting almost gritty but leaving glowing embers of contentment after you swallow.  It reminds me of an old abandoned log cabin on the beach, powered by kerosene, with bear pelt rugs and traces of fish skins lingering, matchsticks and Neo Citran.  It’s rustic, rough around the edges, but full of soul, and the more I had the more I enjoyed.  But again, 55.9%.  Onward!





KWM Whisky Advent Calendar 2016: Day 10

10 12 2016

Day 10 of Advent calls for a 10 Year whisky, and the KWM calendar delivers, albeit an in on-the-nose-obvious sort of way.  Yes, like a reformed indie band, we’re going mainstream tonight with the almost-ubiquitous Glenmorangie 10 Year, one of the first of the widely produced “Glen” whiskies (Glenlivet, Glenfiddich, Glenfarclas, Glenrothes, etc.) to hit the Whisky Advent Calendar since I’ve been buying it.  However, even larger brands provide an opportunity for learning and appreciation, and the Glenmorangie is no different.  Case in point:  (1) Learning – I have been pronouncing “Glenmorangie” wrong all these years.  The emphasis is on the second syllable, not the third:  Glen-MOR-an-gie, rhyming with “orangey”, as opposed to Glen-mor-AN-gie.  Oops.  (2) Appreciation – The GlenMORangie 10 Year has one of the most artful, and without question the tallest, mini-bottle I’ve ever seen come out of the calendar, with its height perhaps an echo of Glenmorangie’s stills, which are the tallest in Scotland.  The bottle is also an exact replica of its normal-scale bottle, an act of mimicry with which many distilleries don’t even bother but which shows an impressive attention to detail.  Packaging matters!!

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Like every distillery that’s been around for over 150 years, Glenmorangie has gone through its ups and downs.  Even it was not exempt from the 20th century suffering experienced by scotch distilleries, ending up mothballed once in the 1930s and again in the 1940s.  But you may not be surprised to learn that it came through it all OK, upping its means of production from two stills to 12, becoming the top selling single malt in all of Scotland, being purchased by global luxury giant Louis Vuitton Moet Hennessy (LVMH) and eventually capturing over 5% of the entire world market share in single malt whisky.  I would call that a success story.  The 10 Year, also known as the Glenmorangie Original, is the entry into the brand’s core line and is a remarkable bargain at $68.  It is somewhat reticent at first with its apple cinnamon Cheerios, lemon peel, celery stalk and spice aromas, but oh so smooth and lithe on the tongue, weightlessly coating every single tastebud and lingering on an extended finish.  Vanilla bean, lemon meringue pie (curd, meringue and crust), poached pear and brown sugar reflect the whisky’s ex-Bourbon maturation treatment and result in a scotch that’s easily approachable for a wide audience.  Like an ex-cool veteran chart-topper, it’s a mainstay for a reason.





Whisky Review: Aberfeldy 16 Year

10 03 2016

[This bottle was provided as a sample for review purposes.]

If you’re John Dewar & Sons, whisky arm of the global Bacardi empire and well-known large blend label, and you’re sitting on five hitherto unheralded but longstanding Scotch whisky distilleries waiting their turn in the single malt spotlight, how do you introduce them into a crowded, conservative, brand-dominated marketplace?  How do you leverage their old-school authenticity and stores of matured stock in a spirit category largely controlled by blends and Glens?  You turn their relative anonymity into mystery and you pique curiosity, like this:

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Tell me that isn’t marketing mastery.  I actually heard about this project before I was sent a bottle and wanted to give these whiskies a try on sheer force of good branding alone, which is not exactly a forte of the staid Scotch whisky scene.  Then when I got the chance to give these malts a try, the deal was that not one bottle but two would go out:  one addressed to me, from John Dewar & Sons, and one addressed to a person of my choice, from me.  Genius.  I was hugely pumped about this distillery I had never previously heard of before the bottles even landed.

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Whisky (!) Review: Glenmorangie Tusail

3 11 2015

[This bottle was provided as a sample for review purposes.]

A little PnP history.  Bring on the whisky.

A little PnP history. Bring on the whisky.

Let me bask in this one for a minute.  Last December, I got a whisky advent calendar for Christmas and on a lark decided to blog about it on a daily basis (which seemed like a great idea until about Day 9, although I’m doing it again this year, so call me a glutton for punishment).  It was my first experience writing about whisky and was a highly rewarding, if difficult, extension of my wine-soaked senses.  I was happy enough not to embarrass myself, happier still to get some positive feedback on the experiment, and now happiest of all to receive my very first sample bottle of whisky to write up on Pop & Pour.  Let’s make this happen.

This is the sixth version of Glenmorangie’s annual Private Edition release, a unique and special malt released in addition to the established Glenmorangie lineup.  Each rendition of the Private Edition is completely different from the one that preceded it, and many of the prior PEs focused on a particular type of maturation vessel to enhance the flavour and colour of the finished product, but this one is a new kind of mousetrap entirely.  It might be the world’s first single varietal malt whisky, made entirely from a rare and vanishing strain of barley called Maris Otter, a high-quality, low-yielding winter barley known for its wild rusticity and deep, rich flavour profile.  (I am as surprised as you are that there are top-end varietals of grain just like grapes.  Booze is so cool.)  Maris Otter barley fell out of favour with whisky distillers over the years due to higher-yielding strains coming available, but it was carefully kept alive by a few quality-conscious supporters.  After it came to the attention of Glenmorangie’s Whisky Director, he set out to secure a parcel of Maris Otter to make this one-off Private Edition spirit. Read the rest of this entry »