Wine Review: 2009 Venus La Universal Dido

16 01 2013

[This bottle was provided as a sample for review purposes.]

This must be tasted to be believed.  Just give yourself a couple days.

This must be tasted to be believed. Just give yourself a couple days.

Back!!

Almost a calendar month from my last real post, things have finally returned to some semblance of normalcy in my household and all family cold and flu issues are mostly a thing of the past, leaving me free to kick back with a (highly intriguing) glass of wine and blog to my heart’s content. Luckily for me, PnP’s revival from the ashes of neglect comes in the form of a review of a bottle that I could write about for days, a wine that you can buy here for less than $30 and which has been constantly opening and evolving since I opened it over a day ago. I’ve tasted it over many hours and still can’t entirely figure out how to put it into words, but here goes.

Venus La Universal is one of many vinous projects currently being undertaken by Sara Perez, who is considered by many to be the most important female winemaker in Spain. Her roots in wine are familial: when she was young her parents moved the family from Barcelona to the nearby (and now-renowned) area of Priorat, located due west of the city in northeast Spain. Her mother and father became the founders of Priorat’s School of Oenology and early contributors to the wine boom that now envelops the region. Perez’s wines are all driven by a sense of place and a deep connection to the vineyards from which they are derived. I don’t usually include quotes in my review, but this one got to me: in a 2005 interview with Luis Cepeda, Perez maintained that “[t]here has to be absolute complicity between land and winery.” The land that ultimately resulted in this wine is a 4 hectare piece of farmland found in the southern end of the oddly donut-shaped region of Montsant, which forms a complete ring encircling the bullseye of Priorat (and thus can offer wine drinkers Priorat-level taste experiences for value prices). It’s a harsh landscape featuring nutrient-poor granitic soils, high altitudes, hot days and cold nights, terraced vineyards that must be harvested by hand, and vines that have to struggle to survive. Unlike most agricultural crops, however, with grapevines this constant battle to thrive leads to deeper, stronger roots and higher-quality, more flavourful fruit, making areas such as this prized for their ability to coax the most character out of their grapes.

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Wine Review: 2006 Bodegas LAN Rioja Crianza

22 10 2012

[This bottle was provided as a sample for review purposes.]

Exhibit A for why Spanish wine should be a part of your life.

When the good vino-importing folks at Christopher Stewart Wine & Spirits asked if there were any bottles in their portfolio that I might be interested in writing up, it took me about 0.02 seconds to zero in on this one.  Accolades and rankings don’t tell the whole story of a bottle of wine, and even the most highly regarded publications need to be taken with a grain of salt (with the exception of this blog, of course), but when a bottle that retails for $15ish CDN and is widely available makes Wine Spectator’s list of the Top 100 wines of the year, it’s worth noting.  The ’06 LAN Crianza was #44 in the WS Top 100 list of 2010 — I remember buying that issue back then and being very curious about the wine.  Two years and 185-odd PnP posts later, I got to crack the bottle and find out all about it.

The constant capitalization of Bodegas LAN is not a typo.  The winery name is actually an acronym for the 3 different provinces within Spain’s famed Rioja region where its grapes are grown:  Logrono (now called La Rioja), Alava and Navarra.  While many reds made in Rioja are blends, this one is entirely crafted from the region’s (and the country’s) star grape, Tempranillo.  Spain has long been known for mandating minimum aging requirements for its various quality designations of wine, and many producers continue to keep their wares from market for even longer than legally necessary, holding them back until they are deemed ready to drink.  In the case of this bottle, the term “Crianza” is a designation that in Rioja requires wines to be aged for a minimum of 24 months before release, at least 12 of which have to be in oak barrels.  The LAN Crianza spent exactly that long in a blend of French and American oak barrels.  Normally when people make such a statement, they mean that, after fermentation, part of the LAN wine went into French oak barrels and another part of it went into American oak barrels, with the two separately aged portions blended together after barrel aging.  Not so here:  in LAN’s case, EACH BARREL used to age its Crianza was made from a blend of French and American oak.  I would love to know the cooperage techniques necessary to make that happen, but I have never heard of anybody doing that before, and it is without question my favourite obscure fact about this bottle. Read the rest of this entry »





Wine Review: 2009 Beso de Vino Seleccion

22 02 2012

How many of you really needed to see full frontal bull nudity?

I’m sure the first thing the folks at Beso de Vino wanted me to see on this bottle was the 90-point score it received from Jay Miller of The Wine Advocate (which is likely why that number was posted front and centre on the neck in bigger font than the wine’s name).  Instead, the first thing I saw was:  testicles.  Yes, for reasons only known to a marketing department that should be immediately fired, BdV’s loveable mascot Antonio the Bull is drawn on the main label of the wine as a blatantly anatomically-correct stick figure.  Is it really necessary to showcase the animated gonads of a cartoon bull?  It has horns; I can already tell it’s a bull without any more explicit gender identification.  I don’t think the testicles add anything in particular to the artist’s rendition, and it’s not like the bull is really central to the wine or its faux back story (that Antonio kissed the wine and fell in love…not exactly deep stuff).  I am at a loss to explain this, but it’s hard to think of anything else when I look at the bottle.  Most unnecessarily X-rated critter wine ever. Read the rest of this entry »





Wine Review: 2004 Pago del Vicario “Agios”

30 11 2011

It may be from a DO farm team, but it can still bring it. Cool bottle too.

It’s 9:30, I’m back from my first Christmas party of the year, I’ve walked the dog, I have the hockey game on TV and I’d like to go to bed within the hour…sounds like the perfect time for a condensed review!  Tonight’s wine is the classic buy-low no-expectations bottle:  although its regular retail price approaches $40CDN, I got it on sale in unusual circumstances for only $15, so I popped the cork not particularly caring whether or not it was a worldbeater.  The producer, Pago del Vicario, is based in the sprawling Castilla region of central Spain, just southeast of Madrid; the official appellation name, Vino de la Tierra de Castilla, signifies that Castilla is kind of a higher-grade appellation in waiting, a second or third division region awaiting promotion to the top tier of the Spanish wine area hierarchy, DO (Denominacion de Origen).  With apologies to those non-hockey fans out there, Vino de la Tierra wines are like the ECHL of the Spanish wine world.  However, that’s not to say that quality wines can’t be found in Castilla — this is one example of a lower-yield artisan wine that has clearly been made with care.

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Wine Review: 2002 Campillo Rioja Reserva

10 08 2011

Grande Prairie, pay attention: go and find this wine. Right now.

I couldn’t resist — after talking at some length in my last post about how the Tempranillo grape was a chameleon that could show very differently depending on how it was made, and after seeing what the fruity, modern style of the grape had to offer with the 2009 Vega Moragona Tempranillo from Ribera del Jucar, Spain, I went down to my wine fridges tonight and this bottle kept calling out to me.  While the Vega Moragona did a decent job at showing off what New Age Tempranillo was all about, there are few better producers than Campillo at illustrating what can be created using the traditional approach to Spanish winemaking with this grape.  As I mentioned a couple days ago, the main difference with the more traditional style of Spanish Tempranillo is that the wines are aged in oak for significantly longer before release, often in new barrels to further enhance the oak flavours, which leads to bottles that tend to be pre-mellowed before they even hit the shelves; it’s like the wineries do most of the aging for you.  It’s an approach that makes very little sense in terms of the modern business model — how many goods retailers do you know that hang onto their inventory for 5+ years before allowing it to be sold? — but maybe that’s what makes it so charming to me.  These Spanish winemakers, especially in Rioja, the country’s traditional vinicultural heartland, are amazingly dedicated to their craft, and given the world’s recent obsession with bigger, riper, ultra-powerful reds, their wines can be found at shocking values. Read the rest of this entry »





Wine Review: 2010 Zestos Vinos de Madrid Blanco

20 07 2011

Malvar! You can't really see it in this picture, but the neck of the bottle says "Ole 'No Brainer' NB". Randomest neck foil ever?

Time to venture into the obscure!  Aside from being the first wine I’ve ever had out of an orange-tinted bottle, tonight’s vino is also the first wine I’ve ever had made from the Malvar grape.  Raise your hands if you’ve ever heard of “Malvar” before.  If your hand is currently resting on your lap, or if it’s up in the air but you’re lying through your teeth, you’re not alone:  even my most reference-y wine books had never heard of it.  The New Wine Lover’s Companion by Ron and Sharon Herbst is literally a dictionary of wine knowledge, but “Malvar” doesn’t show up in it.  Oz Clarke’s Grapes & Wines is a 300+ page book ONLY about the various different grape varietals, hundreds of them listed in alphabetical order, and “Malvar” is nowhere to be found.  In Jancis Robinson’s The Oxford Companion to Wine, which is a monolithic 800-page wine encyclopedia and probably the most famous wine reference book in the world, “Malvar” gets less than 30 words of attention:  ”Malvar, white grape commonly grown around Madrid producing slightly rustic wines but with more body and personality than the ubiquitous Airen.”  Wow, thanks.  Basically, we’re on our own for this one. Read the rest of this entry »





Wine Review: 2010 Jorge Ordonez Botani Moscatel Seco

6 07 2011

Summer is finally, briefly here -- I have just the wine.

It’s wines like this that make a good local wine shop (or a friendly neighbourhood blog) so important.  Apart from an atypically stylish label, this wine has nothing going for it that would normally make you pick it up off the shelf:  it’s not bargain-basement cheap (usual retail is $25ish), it comes from a completely obscure region (Sierras de Malaga) in a country (Spain) that is not at all known for its white wines, and it’s made from a grape (Moscatel Seco, otherwise known as dry Muscat) that doesn’t exactly have Chardonnay-esque market appeal.  Why have a $25 Muscat from southern Spain when you can stick to Wolf Blass and Kim Crawford and avoid risking that kind of cash on the unknown?  Because it’s freaking awesome, that’s why.  Thanks to a good wine store initially talking me into taking the plunge, I’ve now tracked down Botani in three successive new vintages, possibly the longest streak in my brief wine-collecting career, and if I can encourage some of you to be similarly adventurous then this blog will be worth its while. Read the rest of this entry »





Wine Review: 2008 Artadi Orobio

21 04 2011

I love it when cheap wine overdelivers!

Sometimes low expectations will get you everywhere.  This was one of those wines that I bought, stuck in my wine fridge and then intentionally avoided drinking for many many months because I didn’t think it would be very good.  Even on nights when I just wanted something cheap and cheerful to wash down dinner, I always managed to make this the 2nd or 3rd option, so it sat there, lonely and neglected, until I finally decided to put it out of its misery tonight.  I don’t know exactly why my outlook was so dim; maybe it’s because there’s something jarring about seeing a wine from Rioja, the most renowned and traditional wine region in Spain, with a screwtop (not that there’s anything wrong with screwtop wines — the screwtop, a.k.a. Stelvin closure, actually does a better job preserving wine than a cork does).  Maybe it’s because the label is so blasé.  Whatever the reason, I was all geared up to have a bad wine experience tonight, but instead the little screwtop that could totally came through for me. Read the rest of this entry »





Wine Review: Habla No. 4 (2006)

3 04 2011

The future in a bottle.

I promised to open something worthwhile tonight, so here goes.  I got this bottle of Habla No. 4 for Christmas in 2009 (thanks Josh!) and have been patiently waiting to open it on a special occasion — well, 72 hours without a PnP wine review sounds like occasion enough to me!  Habla’s wines are exclusively carried in Calgary by Kensington Wine Market, and this one retails for around $75 CDN…WAY out of my usual price range, but that’s what Christmas is for, right?  All of Habla’s wines, including the No. 4, come from vineyards located near the town of Trujillo in the Extremadura province of Spain, which is located west and slightly south of Madrid.  If you’re wondering what formal Spanish wine region this falls into, well, it doesn’t:  this area is basically off the grid as far as winemaking goes. Read the rest of this entry »





Wine Review: 2008 Juan Gil Monastrell…and Is Kraft Dinner the Perfect Wine Food?

20 03 2011

Old-vines Monastrell...or Mourvedre...or Mataro...or whatever.

Super interesting Sunday night wine tonight:  the 2008 Juan Gil Monastrell from the lesser-known Jumilla wine region in eastern Spain.  This wine comes from grapes grown on 40+ year old vines; the older the vines, the less fruit they produce, but the more concentrated and complex that fruit is (the wonders of Mother Nature), which is why producers trumpet Old Vines if they have them.  Monastrell is a grape of many names, all of which strangely start with M:  apart from its Spanish name, it is known as Mourvedre (and sometimes Morastel) in France and Mataro in Australia.  I don’t know if there’s any kind of movement afoot to create an Esperanto-like universal world wine language, but if there is, I would sign the petition.  What makes the Juan Gil interesting is that Monastrell/Mourvedre/Mataro is usually a blending grape that gets added to wines made predominantly of other varietals in lesser quantities to boost the blend’s colour and structure; very rarely does it get to be the star of the show in a bottle of wine, but this Juan Gil is 100% pure Monastrell, front and centre. Read the rest of this entry »








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