Wine Review: 2009 Beso de Vino Seleccion

22 02 2012

How many of you really needed to see full frontal bull nudity?

I’m sure the first thing the folks at Beso de Vino wanted me to see on this bottle was the 90-point score it received from Jay Miller of The Wine Advocate (which is likely why that number was posted front and centre on the neck in bigger font than the wine’s name).  Instead, the first thing I saw was:  testicles.  Yes, for reasons only known to a marketing department that should be immediately fired, BdV’s loveable mascot Antonio the Bull is drawn on the main label of the wine as a blatantly anatomically-correct stick figure.  Is it really necessary to showcase the animated gonads of a cartoon bull?  It has horns; I can already tell it’s a bull without any more explicit gender identification.  I don’t think the testicles add anything in particular to the artist’s rendition, and it’s not like the bull is really central to the wine or its faux back story (that Antonio kissed the wine and fell in love…not exactly deep stuff).  I am at a loss to explain this, but it’s hard to think of anything else when I look at the bottle.  Most unnecessarily X-rated critter wine ever. Read the rest of this entry »





Wine Review: 2002 Campillo Rioja Reserva

10 08 2011

Grande Prairie, pay attention: go and find this wine. Right now.

I couldn’t resist — after talking at some length in my last post about how the Tempranillo grape was a chameleon that could show very differently depending on how it was made, and after seeing what the fruity, modern style of the grape had to offer with the 2009 Vega Moragona Tempranillo from Ribera del Jucar, Spain, I went down to my wine fridges tonight and this bottle kept calling out to me.  While the Vega Moragona did a decent job at showing off what New Age Tempranillo was all about, there are few better producers than Campillo at illustrating what can be created using the traditional approach to Spanish winemaking with this grape.  As I mentioned a couple days ago, the main difference with the more traditional style of Spanish Tempranillo is that the wines are aged in oak for significantly longer before release, often in new barrels to further enhance the oak flavours, which leads to bottles that tend to be pre-mellowed before they even hit the shelves; it’s like the wineries do most of the aging for you.  It’s an approach that makes very little sense in terms of the modern business model — how many goods retailers do you know that hang onto their inventory for 5+ years before allowing it to be sold? — but maybe that’s what makes it so charming to me.  These Spanish winemakers, especially in Rioja, the country’s traditional vinicultural heartland, are amazingly dedicated to their craft, and given the world’s recent obsession with bigger, riper, ultra-powerful reds, their wines can be found at shocking values. Read the rest of this entry »





2009 Vega Moragona Tempranillo

8 08 2011

Most neo-minimalist Spanish wine label ever?

This morning I got up just after 5:00 so that I could get into work an hour earlier than normal.  I did this to churn through a rapidly-expanding to-do list so that I could get home before 6:00 to put the baby down while my wife headed off to work.  I will likely do the same tomorrow.  On arriving home, I was definitely not looking for a complex and challenging wine to break down and analyze; I was looking for liquid stress relief, a vinous housecoat and slippers to ease the day into submission.  I’m happy to report that I found it, and it came from an unexpected locale.

The Vega Moragona hails from a fairly new wine region in central Spain, the Ribera del Jucar.  Until recently, RdJ was on the eastern tip of the huge, sprawling and grotesquely hot La Mancha region, located just south of Madrid and home to boatloads of (mostly) cheap, dull, nondescript wine.  However, in 2003, as a result of the unique soils/territory and increased quality prevalent in the area, Ribera del Jucar broke free and became its own DO (Denominacion de Origen), a legal territorial designation officially separating it from the La Mancha pack. Read the rest of this entry »





Botani Cork Mystery – Solved!

28 07 2011

OK,  yes I said I was going on vacation, and I am, but I had to post this quickly before I left.  I reviewed the 2010 Jorge Ordonez Botani white from Christopher Stewart Wine & Spirits Imports a couple weeks ago and was a huge fan, but I couldn’t figure out the elaborate graphics on the cork.  Here’s what I saw and the Cork Rating I doled out:

Cork Rating: 6.5/10 (I'm a huge fan of cork graphics, but what is this? A cruise ship and some mountain-castles? I don't get it.)

I had almost forgotten about my confusion over what this cork art represented until this morning, when a comment showed up under my Botani post…from Victoria Ordonez, Jorge Ordonez’s sister and official blogger of Jorge Ordonez & Co.!  Victoria wrote a great piece on the Jorge Ordonez site clarifying what the actual image is on the JO corks (it’s a three-masted ship, not a no-masted ship with mountains behind it, as I myopically guessed) and, more importantly, what it represents of the history of wine-making in Malaga, Spain…check it out here:

http://jorge-ordonez.es/blog/2011/07/28/ship-in-a-bottle/

As a result of this response, I have booked an eye exam and have also retroactively bumped the Botani Cork Rating up to a stellar 8.5/10 — anytime a cork can combine substantial graphics with historical significance, it’s an absolute winner.  If only every producer put this kind of thought and effort into its bottle closures…the world would be a better place.

Officially on vacation now…see you next week!





Wine Review: 2008 Artadi Orobio

21 04 2011

I love it when cheap wine overdelivers!

Sometimes low expectations will get you everywhere.  This was one of those wines that I bought, stuck in my wine fridge and then intentionally avoided drinking for many many months because I didn’t think it would be very good.  Even on nights when I just wanted something cheap and cheerful to wash down dinner, I always managed to make this the 2nd or 3rd option, so it sat there, lonely and neglected, until I finally decided to put it out of its misery tonight.  I don’t know exactly why my outlook was so dim; maybe it’s because there’s something jarring about seeing a wine from Rioja, the most renowned and traditional wine region in Spain, with a screwtop (not that there’s anything wrong with screwtop wines — the screwtop, a.k.a. Stelvin closure, actually does a better job preserving wine than a cork does).  Maybe it’s because the label is so blasé.  Whatever the reason, I was all geared up to have a bad wine experience tonight, but instead the little screwtop that could totally came through for me. Read the rest of this entry »





Wine Review: Habla No. 4 (2006)

3 04 2011

The future in a bottle.

I promised to open something worthwhile tonight, so here goes.  I got this bottle of Habla No. 4 for Christmas in 2009 (thanks Josh!) and have been patiently waiting to open it on a special occasion — well, 72 hours without a PnP wine review sounds like occasion enough to me!  Habla’s wines are exclusively carried in Calgary by Kensington Wine Market, and this one retails for around $75 CDN…WAY out of my usual price range, but that’s what Christmas is for, right?  All of Habla’s wines, including the No. 4, come from vineyards located near the town of Trujillo in the Extremadura province of Spain, which is located west and slightly south of Madrid.  If you’re wondering what formal Spanish wine region this falls into, well, it doesn’t:  this area is basically off the grid as far as winemaking goes. Read the rest of this entry »








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